Panasonic LX15 vs Sony A9 II
The Panasonic Lumix DMC-LX15 (called Panasonic LX10 in some regions) and the Sony Alpha A9 II are two digital cameras that were announced, respectively, in September 2016 and October 2019. The LX15 is a fixed lens compact, while the A9 II is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (LX15) and a full frame (A9 II) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX15 and the Sony Alpha A9 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic LX15 and the Sony A9 II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The LX15 can be obtained in two different colors (black, silver), while the A9 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A9 II is considerably larger (95 percent) than the Panasonic LX15. It is noteworthy in this context that the A9 II is splash and dust-proof, while the LX15 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX15 has a lens built in, whereas the A9 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A9 II and their specifications in the Sony FE Lens Catalog.
Concerning battery life, the LX15 gets 260 shots out of its DMW-BLH7 battery, while the A9 II can take 690 images on a single charge of its NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic LX15||106 mm||60 mm||42 mm||310 g||260||n||Sep 2016||699|
|2.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499|
|3.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|4.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|5.||Fujifilm X70||113 mm||64 mm||44 mm||340 g||330||n||Jan 2016||799|
|6.||Panasonic TZ200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|7.||Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|8.||Panasonic FZ2000||138 mm||102 mm||135 mm||915 g||350||n||Sep 2016||1,199|
|9.||Panasonic GX80||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|10.||Panasonic TZ100||111 mm||65 mm||44 mm||312 g||300||n||Jan 2016||699|
|11.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|12.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|13.||Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499|
|14.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|15.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
|16.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|17.||Sony A99||147 mm||111 mm||78 mm||812 g||500||Y||Sep 2012||2,799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX15 was launched at a lower price than the A9 II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic LX15 features an one-inch sensor and the Sony A9 II a full frame sensor. The sensor area in the A9 II is 630 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2. The LX15 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 24MP, the A9 II offers a higher resolution than the LX15 (20MP), but the A9 II nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 2.41μm for the LX15) due to its larger sensor. Moreover, the A9 II is a much more recent model (by 3 years) than the LX15, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A9 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A9 II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic LX15 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The A9 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DMC-LX15 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Sony Alpha A9 II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|2.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|3.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|4.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|9.||Panasonic GX80||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|12.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|13.||Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|14.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|15.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|16.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|17.||Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A9 II has an electronic viewfinder (3686k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX15 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Panasonic LX15 and Sony A9 II in connection with corresponding information for a sample of similar cameras.
|2.||Sony A9 II||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|3.||Canon G7 X Mark II||none||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y|
|4.||Canon G5 X||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y|
|12.||Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y|
|14.||Sony RX100 V||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y|
|15.||Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
|16.||Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The LX15 has one, while the A9 II does not. While the built-in flash of the LX15 is not very powerful, it can at times be useful as a fill-in light.The LX15 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A9 II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic LX15 and the Sony A9 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the LX15 and the A9 II write their files to SDXC cards. The A9 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the LX15 only has one slot. The A9 II supports UHS-II cards (on both slots), while the LX15 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX15 and Sony Alpha A9 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|2.||Sony A9 II||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|3.||Canon G7 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|4.||Canon G5 X||Y||stereo||mono||-||-||mini||2.0||Y||Y||-|
|12.||Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|14.||Sony RX100 V||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A9 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The LX15 does not feature such a mic input.
Studio photographers will appreciate that the Sony A9 II (unlike the LX15) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the LX15 and the A9 II are recent models that are part of the current product line-up. The LX15 replaced the earlier Panasonic LX7, while the A9 II followed on from the Sony A9. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what is the bottom line? Is there a clear favorite between the Panasonic LX15 and the Sony A9 II? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DMC-LX15:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has a lens built-in, whereas the A9 II requires a separate lens.
- More compact: Is smaller (106x60mm vs 129x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A9 II).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in September 2016).
Advantages of the Sony Alpha A9 II:
- More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1440k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (690 versus 260) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 3 years of technical progress since the LX15 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A9 II is the clear winner of the contest (22 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic LX15 and the Sony A9 II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the LX15 and the A9 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic LX15||..||+ +||81/100||4/5||4.5/5||Sep 2016||699|
|2.||Sony A9 II||..||..||90/100||5/5||5/5||Oct 2019||4,499|
|3.||Canon G7 X Mark II||4.5/5||+ +||81/100||4.5/5||4.5/5||Feb 2016||699|
|4.||Canon G5 X||5/5||+ +||78/100||4.5/5||4.5/5||Oct 2015||799|
|5.||Fujifilm X70||4.5/5||..||76/100||4.5/5||4.5/5||Jan 2016||799|
|6.||Panasonic TZ200||..||+ +||81/100||4.5/5||4.5/5||Feb 2018||799|
|7.||Panasonic TZ90||..||+ +||..||4/5||4/5||Apr 2017||449|
|8.||Panasonic FZ2000||..||+||82/100||4.5/5||5/5||Sep 2016||1,199|
|9.||Panasonic GX80||4.5/5||+ +||82/100||5/5||5/5||Apr 2016||799|
|10.||Panasonic TZ100||4.5/5||+ +||82/100||4.5/5||4.5/5||Jan 2016||699|
|11.||Panasonic LX7||3/5||+ +||75/100||4/5||4.5/5||Jul 2012||499|
|12.||Sony A7 III||..||+ +||89/100||5/5||5/5||Feb 2018||1,999|
|13.||Sony A9||5/5||+ +||89/100||5/5||5/5||Apr 2017||4,499|
|14.||Sony RX100 V||4.5/5||+ +||83/100||4/5||4.5/5||Oct 2016||999|
|15.||Sony A7S II||5/5||+||..||4.5/5||5/5||Sep 2015||2,999|
|16.||Sony A7 II||5/5||+||82/100||4.5/5||5/5||Nov 2014||1,999|
|17.||Sony A99||5/5||..||84/100||4.5/5||4.5/5||Sep 2012||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Panasonic LX15 vs Sony A9 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic LX15||Sony A9 II|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-72mm f/1.4-2.8||Sony E mount lenses|
|Launch Date||September 2016||October 2019|
|Launch Price||USD 699||USD 4,499|
|Sensor Specs||Panasonic LX15||Sony A9 II|
|Sensor Format||1" Sensor||Full Frame Sensor|
|Sensor Size||13.2 x 8.8 mm||35.6 x 23.8 mm|
|Sensor Area||116.16 mm2||847.28 mm2|
|Sensor Diagonal||15.9 mm||42.8 mm|
|Sensor Resolution||20 Megapixels||24 Megapixels|
|Image Resolution||5472 x 3648 pixels||6000 x 4000 pixels|
|Pixel Pitch||2.41 μm||5.94 μm|
|Pixel Density||17.18 MP/cm2||2.83 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||125 - 12,800 ISO||100 - 51,200 ISO|
|ISO Boost||80 - 25,600 ISO||50 - 204,800 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||..||93|
|DXO Color Depth (bits)||..||25.0|
|DXO Dynamic Range (EV)||..||14.0|
|DXO Low Light (ISO)||..||3434|
|Screen Specs||Panasonic LX15||Sony A9 II|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3686k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1440k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Panasonic LX15||Sony A9 II|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Panasonic LX15||Sony A9 II|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Panasonic LX15||Sony A9 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||260 shots per charge||690 shots per charge|
|In-Camera Charging||USB charging||USB charging|
106 x 60 x 42 mm
(4.2 x 2.4 x 1.7 in)
129 x 96 x 76 mm
(5.1 x 3.8 x 3.0 in)
|Camera Weight||310 g (10.9 oz)||678 g (23.9 oz)|
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