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Panasonic LX15 vs Sony A7 II

The Panasonic Lumix DMC-LX15 (called Panasonic LX10 in some regions) and the Sony Alpha A7 II are two digital cameras that were announced, respectively, in September 2016 and November 2014. The LX15 is a fixed lens compact, while the A7 II is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (LX15) and a full frame (A7 II) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Panasonic LX15   Sony A7 II
Panasonic LX15 Sony A7 II
Fixed lens compact camera Mirrorless system camera
24-72mm f/1.4-2.8 Sony E mount lenses
20 MP, 1" Sensor 24 MP, Full Frame Sensor
4K/30p Video 1080/60p Video
ISO 125-12800 (80-25600) ISO 100-25600 (50-51200)
No viewfinder, LCD framing Electronic viewfinder (2400k dots)
3.0" LCD, 1040k dots 3.0" LCD, 1230k dots
Tilting touchscreen Tilting screen (not touch-sensitive)
10 shutter flaps per second 5 shutter flaps per second
In-body stabilizationIn-body stabilization
Not weather sealedWeathersealed body
260 shots per battery charge350 shots per battery charge
106 x 60 x 42 mm, 310 g 127 x 96 x 60 mm, 599 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX15 and the Sony Alpha A7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison: Panasonic LX15 vs Sony A7 II

The side-by-side display below illustrates the physical size and weight of the Panasonic LX15 and the Sony A7 II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The LX15 can be obtained in two different colors (black, silver), while the A7 II is only available in black.

Size Panasonic LX15 vs Sony A7 II
Compare LX15 versus A7 II top
Comparison LX15 or A7 II rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 II is considerably larger (92 percent) than the Panasonic LX15. It is noteworthy in this context that the A7 II is splash and dust-proof, while the LX15 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX15 has a lens built in, whereas the A7 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7 II and their specifications in the Sony FE Lens Catalog.

Concerning battery life, the LX15 gets 260 shots out of its DMW-BLH7 battery, while the A7 II can take 350 images on a single charge of its NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic LX15» 4.2 in 2.4 in 1.7 in 10.9 oz 260 n Sep 2016 699 i i Panasonic LX15
 
Sony A7 II« 5.0 in 3.8 in 2.4 in 21.1 oz 350 Y Nov 2014 1,999- i Sony A7 II
 
Canon G7 X Mark II« » 4.2 in 2.4 in 1.7 in 11.3 oz 265 n Feb 2016 699 i i Canon G7 X Mark II
 
Canon G5 X« » 4.4 in 3.0 in 1.7 in 12.5 oz 210 n Oct 2015 799 i i Canon G5 X
 
Fujifilm X70« » 4.4 in 2.5 in 1.7 in 12.0 oz 330 n Jan 2016 799- i Fujifilm X70
 
Panasonic TZ200« » 4.4 in 2.6 in 1.8 in 12.0 oz 370 n Feb 2018 799 i i Panasonic TZ200
 
Panasonic TZ90« » 4.4 in 2.6 in 1.6 in 11.4 oz 380 n Apr 2017 449- i Panasonic TZ90
 
Panasonic FZ2000« » 5.4 in 4.0 in 5.3 in 32.3 oz 350 n Sep 2016 1,199 i i Panasonic FZ2000
 
Panasonic GX80« » 4.8 in 2.8 in 1.7 in 15.0 oz 290 n Apr 2016 799 i i Panasonic GX80
 
Panasonic TZ100« » 4.4 in 2.6 in 1.7 in 11.0 oz 300 n Jan 2016 699- i Panasonic TZ100
 
Panasonic LX7« » 4.4 in 2.7 in 1.8 in 10.5 oz 330 n Jul 2012 499- i Panasonic LX7
 
Sony A7 III« » 5.0 in 3.8 in 2.9 in 22.9 oz 610 Y Feb 2018 1,999 i i Sony A7 III
 
Sony RX100 V« » 4.0 in 2.3 in 1.6 in 10.5 oz 220 n Oct 2016 999 i i Sony RX100 V
 
Sony A7R II« » 5.0 in 3.8 in 2.4 in 22.0 oz 290 Y Jun 2015 3,199- i Sony A7R II
 
Sony A7S II« » 5.0 in 3.8 in 2.4 in 22.1 oz 370 Y Sep 2015 2,999 i i Sony A7S II
 
Sony A7« » 5.0 in 3.7 in 1.9 in 16.7 oz 340 Y Oct 2013 1,699- i Sony A7
 
Sony A7R« » 5.0 in 3.7 in 1.9 in 16.4 oz 340 Y Oct 2013 2,299- i Sony A7R
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX15 was launched at a lower price than the A7 II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Panasonic LX15 vs Sony A7 II

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic LX15 features an one-inch sensor and the Sony A7 II a full frame sensor. The sensor area in the A7 II is 638 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2. The LX15 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

Panasonic LX15 and Sony A7 II sensor measures

With 24MP, the A7 II offers a higher resolution than the LX15 (20MP), but the A7 II nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 2.41μm for the LX15) due to its larger sensor. However, the LX15 is a somewhat more recent model (by 1 year and 9 months) than the A7 II, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony A7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 II for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic LX15 are 27.4 x 18.2 inch or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inch or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inch or 46.3 x 30.9 cm for excellent quality prints.

The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-LX15 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.

LX15 versus A7 II MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Panasonic LX15» 1-inch 20.0 5472 36484K/30p----Panasonic LX15
 
Sony A7 II« Full Frame 24.0 6000 40001080/60p24.913.6244990Sony A7 II
 
Canon G7 X Mark II« » 1-inch 20.0 5472 36481080/60p----Canon G7 X Mark II
 
Canon G5 X« » 1-inch 20.0 5472 36481080/60p----Canon G5 X
 
Fujifilm X70« » APS-C 16.0 4896 32641080/60p----Fujifilm X70
 
Panasonic TZ200« » 1-inch 20.0 5472 36484K/30p----Panasonic TZ200
 
Panasonic TZ90« » 1/2.3 20.2 5184 38884K/30p19.110.610636Panasonic TZ90
 
Panasonic FZ2000« » 1-inch 20.0 5472 36484K/30p----Panasonic FZ2000
 
Panasonic GX80« » Four Thirds 15.8 4592 34484K/30p22.912.666271Panasonic GX80
 
Panasonic TZ100« » 1-inch 20.0 5472 36484K/30p22.812.555970Panasonic TZ100
 
Panasonic LX7« » 1/1.7 10.0 3648 27361080/60p20.711.714750Panasonic LX7
 
Sony A7 III« » Full Frame 24.0 6000 40004K/30p25.014.7373096Sony A7 III
 
Sony RX100 V« » 1-inch 20.0 5472 36484K/30p22.812.458670Sony RX100 V
 
Sony A7R II« » Full Frame 42.2 7952 53044K/30p26.013.9343498Sony A7R II
 
Sony A7S II« » Full Frame 12.0 4240 28324K/30p23.613.3299385Sony A7S II
 
Sony A7« » Full Frame 24.0 6000 40001080/60p24.814.2224890Sony A7
 
Sony A7R« » Full Frame 36.2 7360 49121080/60p25.614.1274695Sony A7R

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the LX15 provides a higher video resolution than the A7 II. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.

 

Feature comparison: Panasonic LX15 vs Sony A7 II

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7 II has an electronic viewfinder (2400k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX15 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Panasonic LX15 and Sony A7 II in connection with corresponding information for a sample of similar cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Panasonic LX15»- n 3.0 1040 tilting Y 1/4000s 10.0 Y Y Panasonic LX15
 
Sony A7 II«2400 n 3.0 1230 tilting n 1/8000s 5.0 n Y Sony A7 II
 
Canon G7 X Mark II« »- n 3.0 1040 tilting Y 1/2000s 8.0 Y Y Canon G7 X Mark II
 
Canon G5 X« »2360 n 3.0 1040 swivel Y 1/2000s 5.9 Y Y Canon G5 X
 
Fujifilm X70« »- n 3.0 1040 tilting Y 1/4000s 8.0 Y n Fujifilm X70
 
Panasonic TZ200« »2330 n 3.0 1240 fixed Y 1/2000s 10.0 Y Y Panasonic TZ200
 
Panasonic TZ90« »1166 n 3.0 1040 tilting Y 1/2000s 10.0 Y Y Panasonic TZ90
 
Panasonic FZ2000« »2360 n 3.0 1040 swivel Y 1/4000s 12.0 Y Y Panasonic FZ2000
 
Panasonic GX80« »2765 n 3.0 1040 tilting Y 1/4000s 8.0 Y Y Panasonic GX80
 
Panasonic TZ100« »1166 n 3.0 1040 fixed Y 1/2000s 10.0 Y Y Panasonic TZ100
 
Panasonic LX7« »- n 3.0 920 fixed n 1/4000s 11.0 Y Y Panasonic LX7
 
Sony A7 III« »2359 n 3.0 922 tilting Y 1/8000s 10.0 n Y Sony A7 III
 
Sony RX100 V« »2359 n 3.0 1229 tilting n 1/2000s 24.0 Y Y Sony RX100 V
 
Sony A7R II« »2400 n 3.0 1229 tilting n 1/8000s 5.0 n Y Sony A7R II
 
Sony A7S II« »2400 n 3.0 1229 tilting n 1/8000s 5.0 n Y Sony A7S II
 
Sony A7« »2400 n 3.0 1230 tilting n 1/8000s 5.0 n n Sony A7
 
Sony A7R« »2400 n 3.0 1230 tilting n 1/8000s 4.0 n n Sony A7R

One difference between the cameras concerns the presence of an on-board flash. The LX15 has one, while the A7 II does not. While the built-in flash of the LX15 is not very powerful, it can at times be useful as a fill-in light.

The LX15 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7 II does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the LX15 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic LX15 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The LX15 writes its imaging data to SDXC cards, while the A7 II uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

 

Connectivity comparison: Panasonic LX15 vs Sony A7 II

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX15 and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Panasonic LX15»-stereomono--micro2.0Y--Panasonic LX15
 
Sony A7 II«YstereomonoYYmicro2.0YY-Sony A7 II
 
Canon G7 X Mark II« »-stereomono--micro2.0YY-Canon G7 X Mark II
 
Canon G5 X« »Ystereomono--mini2.0YY-Canon G5 X
 
Fujifilm X70« »YstereomonoY-micro2.0Y--Fujifilm X70
 
Panasonic TZ200« »-stereomono--micro2.0Y--Panasonic TZ200
 
Panasonic TZ90« »-stereomono--micro2.0Y--Panasonic TZ90
 
Panasonic FZ2000« »YstereomonoYYmicro2.0Y--Panasonic FZ2000
 
Panasonic GX80« »Ystereomono--micro2.0Y--Panasonic GX80
 
Panasonic TZ100« »-stereomono--micro2.0Y--Panasonic TZ100
 
Panasonic LX7« »Ystereomono--mini2.0---Panasonic LX7
 
Sony A7 III« »YstereomonoYYmicro3.1YYYSony A7 III
 
Sony RX100 V« »-stereomono--micro2.0YY-Sony RX100 V
 
Sony A7R II« »YstereomonoYYmicro2.0YY-Sony A7R II
 
Sony A7S II« »YstereomonoYYmicro2.0YY-Sony A7S II
 
Sony A7« »YstereomonoYYmicro2.0YY-Sony A7
 
Sony A7R« »YstereomonoYYmicro2.0YY-Sony A7R

It is notable that the A7 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The LX15 does not feature such a mic input.

The LX15 is a recent model that features in the current product line-up of Panasonic. In contrast, the A7 II has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A7 II was succeeded by the Sony A7 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.


Review summary: Panasonic LX15 vs Sony A7 II

So what is the bottom line? Is there a clear favorite between the Panasonic LX15 and the Sony A7 II? Which camera is better? The listing below highlights the relative strengths of the two models.

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Reasons to prefer the Panasonic Lumix DMC-LX15:

  • Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • Ready to shoot: Has a lens built-in, whereas the A7 II requires a separate lens.
  • More compact: Is smaller (106x60mm vs 127x96mm) and thus needs less room in the bag.
  • Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7 II).
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • More affordable: Was introduced at a lower price, despite coming with a built-in lens.
  • More modern: Is somewhat more recent (announced 1 year and 9 months after the A7 II).

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Advantages of the Sony Alpha A7 II:

  • More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
  • Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
  • Richer colors: The pixel size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
  • Better live-view autofocus: Features on-sensor phase-detection for quicker and more confident autofocus.
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Easier framing: Has an electronic viewfinder for image framing and settings control.
  • More detailed LCD: Has a higher resolution rear screen (1230k vs 1040k dots).
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
  • Longer lasting: Gets more shots (350 versus 260) out of a single battery charge.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • More heavily discounted: Has been on the market for longer (launched in November 2014).

If the number of relative strengths (bullet points above) is taken as a guide, the A7 II is the clear winner of the contest (17 : 13 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

LX15 13:17 A7 II

How about other alternatives? Do the specifications of the Panasonic LX15 and the Sony A7 II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the LX15 and the A7 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews: Panasonic LX15 vs Sony A7 II

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic LX15»+ +81/1004/54.5/54.5/5 Sep 2016 699 i i Panasonic LX15
 
Sony A7 II«+82/1004.5/55/55/5 Nov 2014 1,999- i Sony A7 II
 
Canon G7 X Mark II« »+ +81/1004.5/54/54.5/5 Feb 2016 699 i i Canon G7 X Mark II
 
Canon G5 X« »+ +78/1004.5/54/54.5/5 Oct 2015 799 i i Canon G5 X
 
Fujifilm X70« »-76/1004.5/54/54.5/5 Jan 2016 799- i Fujifilm X70
 
Panasonic TZ200« »+ +81/1004.5/5-4.5/5 Feb 2018 799 i i Panasonic TZ200
 
Panasonic TZ90« »+ +-4/5-4/5 Apr 2017 449- i Panasonic TZ90
 
Panasonic FZ2000« »+82/1004.5/54.5/55/5 Sep 2016 1,199 i i Panasonic FZ2000
 
Panasonic GX80« »+ +82/1005/54.5/55/5 Apr 2016 799 i i Panasonic GX80
 
Panasonic TZ100« »+ +82/1004.5/54/54.5/5 Jan 2016 699- i Panasonic TZ100
 
Panasonic LX7« »+ +75/1004/55/54.5/5 Jul 2012 499- i Panasonic LX7
 
Sony A7 III« »+ +89/1005/55/55/5 Feb 2018 1,999 i i Sony A7 III
 
Sony RX100 V« »+ +83/1004/55/54.5/5 Oct 2016 999 i i Sony RX100 V
 
Sony A7R II« »+ +90/1005/54.5/55/5 Jun 2015 3,199- i Sony A7R II
 
Sony A7S II« »+-4.5/55/55/5 Sep 2015 2,999 i i Sony A7S II
 
Sony A7« »+ +80/1005/54.5/55/5 Oct 2013 1,699- i Sony A7
 
Sony A7R« »+ +82/1004.5/55/55/5 Oct 2013 2,299- i Sony A7R
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Panasonic LX15:
Check Amazon price
Sony A7 II:
Check Ebay offers

Other camera comparisons

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    Specifications: Panasonic LX15 vs Sony A7 II

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Panasonic LX15 Sony A7 II
    Camera Type Fixed lens compact camera Mirrorless system camera
    Camera Lens 24-72mm f/1.4-2.8 Sony E mount lenses
    Launch Date September 2016 November 2014
    Launch Price USD 699 USD 1999
    Sensor Specs Panasonic LX15 Sony A7 II
    Sensor Technology BSI-CMOS CMOS
    Sensor Format 1" Sensor Full Frame Sensor
    Sensor Size 13.2 x 8.8 mm 35.8 x 23.9 mm
    Sensor Area 116.16 mm2 855.62 mm2
    Sensor Diagonal 15.9 mm 43 mm
    Crop Factor 2.7x 1.0x
    Sensor Resolution 20 Megapixels 24 Megapixels
    Image Resolution 5472 x 3648 pixels 6000 x 4000 pixels
    Pixel Pitch 2.41 μm 5.97 μm
    Pixel Density 17.18 MP/cm2 2.80 MP/cm2
    Moiré control Anti-Alias filter Anti-Alias filter
    Movie Capability 4K/30p Video 1080/60p Video
    ISO Setting 125-12800 ISO 100-25600 ISO
    ISO Boost 80-25600 ISO 50-51200 ISO
    Image Processor Venus BIONZ X
    DXO Sensor Quality (score) .. 90
    DXO Color Depth (bits) .. 24.9
    DXO Dynamic Range (EV) .. 13.6
    DXO Low Light (ISO) .. 2449
    Screen Specs Panasonic LX15 Sony A7 II
    Viewfinder Type No viewfinder Electronic viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.71x
    Viewfinder Resolution 2400k dots
    LCD Framing Live View Live View
    Rear LCD Size 3.0 inch 3.0 inch
    LCD Resolution 1040k dots 1230k dots
    LCD Attachment Tilting screen Tilting screen
    Touch Input Touchscreen no Touchscreen
    Shooting Specs Panasonic LX15 Sony A7 II
    Autofocus System Contrast-detect AF On-Sensor Phase-detect
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000/s 1/8000/s
    Continuous Shooting 10 shutter flaps/s 5 shutter flaps/s
    Electronic Shutterup to 1/16000sno E-Shutter
    Time-Lapse PhotographyIntervalometer built-inno Intervalometer
    Image StabilizationIn-body stabilizationIn-body stabilization
    Fill Flash Build-in Flash no On-Board Flash
    Storage Medium SDXC cards MS or SDXC cards
    Second Storage Option Single card slot Single card slot
    UHS card support UHS-I UHS-I
    Connectivity Specs Panasonic LX15 Sony A7 II
    External Flash no Hotshoe Hotshoe
    USB Connector USB 2.0 USB 2.0
    HDMI Port micro HDMI micro HDMI
    Microphone Port no MIC socket External MIC port
    Headphone Socket no Headphone port Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Near-Field Communication no NFC NFC built-in
    Body Specs Panasonic LX15 Sony A7 II
    Environmental SealingNot weather sealedWeathersealed body
    Battery Type DMW-BLH7 power pack NP-FW50 power pack
    Battery Life (CIPA)260 shots per charge350 shots per charge
    In-Camera Charging USB charging USB charging
    Body Dimensions 106 x 60 x 42 mm
    (4.2 x 2.4 x 1.7 in)
    127 x 96 x 60 mm
    (5.0 x 3.8 x 2.4 in)
    Camera Weight 310 g (10.9 oz) 599 g (21.1 oz)

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