Panasonic LX15 versus Panasonic GX80
The Panasonic Lumix DMC-LX15 (called Panasonic LX10 in some regions) and the Panasonic Lumix DMC-GX80 (labelled Panasonic GX85 in some countries) are two digital cameras that were revealed to the public, respectively, in September 2016 and April 2016. The LX15 is a fixed lens compact, while the GX80 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (LX15) and a Four Thirds (GX80) sensor. The LX15 has a resolution of 20 megapixel, whereas the GX80 provides 15.8 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Panasonic LX15 vs Panasonic GX80
An illustration of the physical size and weight of the Panasonic LX15 and the Panasonic GX80 is provided in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the LX15 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX80 is notably larger (36 percent) than the Panasonic LX15. In this context, it is worth noting that neither the LX15 nor the GX80 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX15 has a lens build in, whereas the GX80 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can find an overview of optics for the GX80 and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Panasonic LX15»||4.2 in||2.4 in||1.7 in||10.9 oz||260||n||Sep 2016||699|
|Panasonic GX80«||4.8 in||2.8 in||1.7 in||15.0 oz||290||n||Apr 2016||799|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699|
|Canon M3« »||4.4 in||2.7 in||1.7 in||12.9 oz||250||n||Feb 2015||679||-|
|Canon G5 X« »||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||-|
|Olympus E-M10 II« »||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||799||-|
|Olympus E-M5 II« »||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099|
|Panasonic TZ200« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799|
|Panasonic GX9« »||4.9 in||2.8 in||1.9 in||14.4 oz||260||n||Feb 2018||849|
|Panasonic TZ90« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449|
|Panasonic TZ100« »||4.4 in||2.6 in||1.7 in||11.0 oz||300||n||Jan 2016||699||-|
|Panasonic G80« »||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899|
|Panasonic GX7« »||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999||-|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||-|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-|
|Sony RX100 III« »||4.0 in||2.3 in||1.6 in||10.2 oz||320||n||May 2014||799||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The LX15 was launched at a lower price than the GX80, despite having a lens build in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic LX15 vs Panasonic GX80
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic LX15 features an one-inch sensor and the Panasonic GX80 a Four Thirds sensor. The sensor area in the GX80 is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the LX15 has a native 3:2 aspect ratio, while the one in the GX80 offers a 4:3 aspect.
Despite having a smaller sensor, the Panasonic LX15 offers a higher resolution of 20 megapixel, compared with 15.8 MP of the Panasonic GX80. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 3.77μm for the GX80). However, it should be noted that the LX15 is a somewhat more recent model (by 5 months) than the GX80, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the GX80 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic GX80«||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|Canon G7 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon M3« »||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72|
|Canon G5 X« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon G7 X« »||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Olympus E-M10 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M5 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Panasonic TZ200« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-|
|Panasonic GX9« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-|
|Panasonic TZ90« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36|
|Panasonic TZ100« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70|
|Panasonic G80« »||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|Panasonic GX7« »||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|Panasonic LX7« »||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony RX100 III« »||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Feature comparison: Panasonic LX15 vs Panasonic GX80
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GX80 has an electronic viewfinder (2765k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX15 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Panasonic LX15 and Panasonic GX80 along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Canon G7 X Mark II« »||-||n||3.0||1040||tilting||Y||2000||8.0||Y||Y|
|Canon M3« »||-||n||3.0||1040||tilting||Y||4000||4.2||Y||n|
|Canon G5 X« »||2360||n||3.0||1040||swivel||Y||2000||5.9||Y||Y|
|Canon G7 X« »||-||n||3.0||1040||tilting||Y||2000||6.5||Y||Y|
|Olympus E-M10 II« »||2360||n||3.0||1040||tilting||Y||4000||8.0||Y||Y|
|Olympus E-M5 II« »||2360||n||3.0||1037||swivel||Y||8000||10.0||n||Y|
|Panasonic TZ200« »||2330||n||3.0||1240||fixed||Y||2000||10.0||Y||Y|
|Panasonic GX9« »||2760||n||3.0||1240||tilting||Y||4000||9.0||Y||Y|
|Panasonic TZ90« »||1166||n||3.0||1040||tilting||Y||2000||10.0||Y||Y|
|Panasonic TZ100« »||1166||n||3.0||1040||fixed||Y||2000||10.0||Y||Y|
|Panasonic G80« »||2360||n||3.0||1040||swivel||Y||4000||9.0||Y||Y|
|Panasonic GX7« »||2760||n||3.0||1040||tilting||Y||8000||5.0||Y||Y|
|Panasonic LX7« »||-||n||3.0||920||fixed||n||4000||11.0||Y||Y|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||2000||16.0||Y||Y|
|Sony RX100 III« »||1440||n||3.0||1229||tilting||n||2000||10.0||Y||Y|
Both the LX15 and the GX80 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The GX80 replaced the earlier Panasonic GX7, while the LX15 followed on from the Panasonic LX7.
Review summary: Panasonic LX15 vs Panasonic GX80
So how do things add up? Which of the two cameras – the Panasonic LX15 or the Panasonic GX80 – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DMC-LX15:
- More detail: Offers more megapixels (20 vs 15.8MP) with a 15% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens build-in, whereas the GX80 requires a separate lens.
- More compact: Is smaller (106x60mm vs 122x71mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a build-in lens (unlike the GX80).
- More affordable: Was introduced at a lower price, despite coming with a build-in lens.
- More modern: Is somewhat more recent (announced 5 months after the GX80).
Arguments in favor of the Panasonic Lumix DMC-GX80:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better low-light imaging: Features bigger pixels on a larger sensor for better high-ISO images.
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (290 versus 260) out of a single battery charge.
- More heavily discounted: Has been on the market for longer (launched in April 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the LX15 emerges as the winner of the contest (8 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the LX15 or the GX80 handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Panasonic LX15»||HiRec||81/100||4/5||4.5/5||4.5/5||Sep 2016||699|
|Panasonic GX80«||HiRec||82/100||5/5||4.5/5||5/5||Apr 2016||799|
|Canon G7 X Mark II« »||HiRec||81/100||4.5/5||4/5||4.5/5||Feb 2016||699|
|Canon M3« »||rev||75/100||4.5/5||4.5/5||4/5||Feb 2015||679||-|
|Canon G5 X« »||HiRec||78/100||4.5/5||4/5||4.5/5||Oct 2015||799|
|Canon G7 X« »||HiRec||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699||-|
|Olympus E-M10 II« »||HiRec||80/100||5/5||5/5||5/5||Aug 2015||799||-|
|Olympus E-M5 II« »||HiRec||81/100||5/5||4.5/5||5/5||Feb 2015||1,099|
|Panasonic TZ200« »||HiRec||81/100||4.5/5||-||4.5/5||Feb 2018||799|
|Panasonic GX9« »||Rec||-||4.5/5||-||4.5/5||Feb 2018||849|
|Panasonic TZ90« »||HiRec||-||4/5||-||4/5||Apr 2017||449|
|Panasonic TZ100« »||HiRec||82/100||4.5/5||4/5||4.5/5||Jan 2016||699||-|
|Panasonic G80« »||HiRec||84/100||5/5||4.5/5||4.5/5||Sep 2016||899|
|Panasonic GX7« »||Rec||79/100||5/5||4.5/5||5/5||Aug 2013||999||-|
|Panasonic LX7« »||HiRec||75/100||4/5||5/5||4.5/5||Jul 2012||499||-|
|Sony RX100 IV« »||HiRec||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-|
|Sony RX100 III« »||HiRec||82/100||4.5/5||4.5/5||5/5||May 2014||799||-|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when refering to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you do not see the camera that you are looking for, kindly get in touch, and I will try to update the database with the necessary infos.
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