Panasonic LX15 versus Fujifilm X100F
The Panasonic Lumix DMC-LX15 (called Panasonic LX10 in some regions) and the Fujifilm X100F are two digital cameras that were revealed to the public, respectively, in September 2016 and January 2017. Both the LX15 and the X100F are fixed lens compact cameras that are based on an one-inch (LX15) and an APS-C (X100F) sensor. The Panasonic has a resolution of 20 megapixel, whereas the Fujifilm provides 24 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Panasonic LX15 vs Fujifilm X100F
An illustration of the physical size and weight of the Panasonic LX15 and the Fujifilm X100F is provided in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the LX15 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X100F is considerably larger (50 percent) than the Panasonic LX15. Moreover, the X100F is substantially heavier (51 percent) than the LX15. In this context, it is worth noting that neither the LX15 nor the X100F are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Panasonic LX15»||4.2 in||2.4 in||1.7 in||10.9 oz||260||n||Sep 2016||699|
|Fujifilm X100F«||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299|
|Canon G1 X Mark III« »||4.5 in||3.1 in||2.0 in||14.1 oz||200||Y||Oct 2017||1,299|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699|
|Canon M3« »||4.4 in||2.7 in||1.7 in||12.9 oz||250||n||Feb 2015||679||-|
|Canon G5 X« »||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||-|
|Fujifilm X-T100« »||4.8 in||3.3 in||1.9 in||15.8 oz||430||n||May 2018||599|
|Fujifilm X100« »||5.0 in||3.0 in||2.1 in||15.7 oz||300||n||Sep 2010||1,199||-|
|Panasonic TZ200« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799|
|Panasonic TZ90« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449|
|Panasonic FZ2500« »||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199|
|Panasonic TZ100« »||4.4 in||2.6 in||1.7 in||11.0 oz||300||n||Jan 2016||699||-|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||-|
|Sony RX100 VI« »||4.0 in||2.3 in||1.7 in||10.6 oz||240||n||Jun 2018||1,199|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-|
|Sony RX100 III« »||4.0 in||2.3 in||1.6 in||10.2 oz||320||n||May 2014||799||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The LX15 was launched at a markedly lower price (by 46 percent) than the X100F, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic LX15 vs Fujifilm X100F
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic LX15 features an one-inch sensor and the Fujifilm X100F an APS-C sensor. The sensor area in the X100F is 217 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the X100F offers a higher resolution than the LX15 (20MP), but the X100F nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 2.41μm for the LX15) due to its larger sensor. Moreover, the X100F is a somewhat more recent model (by 4 months) than the LX15, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X100F has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
For most cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon G1 X Mark III« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Canon G7 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon M3« »||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72|
|Canon G5 X« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon G7 X« »||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Fujifilm X-T100« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-|
|Fujifilm X100« »||APS-C||12.2||4288||2848||720/30p||22.9||12.4||1001||73|
|Panasonic TZ200« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-|
|Panasonic TZ90« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36|
|Panasonic FZ2500« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-|
|Panasonic TZ100« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70|
|Panasonic LX7« »||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50|
|Sony RX100 VI« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony RX100 III« »||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the LX15 provides a higher video resolution than the X100F. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Feature comparison: Panasonic LX15 vs Fujifilm X100F
Beyond body and sensor, cameras can and do differ across a range of features. For example, the X100F has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX15 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Panasonic LX15 and Fujifilm X100F in connection with corresponding information for a sample of similar cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Canon G1 X Mark III« »||2360||n||3.0||1040||swivel||Y||2000||9.0||Y||Y|
|Canon G7 X Mark II« »||-||n||3.0||1040||tilting||Y||2000||8.0||Y||Y|
|Canon M3« »||-||n||3.0||1040||tilting||Y||4000||4.2||Y||n|
|Canon G5 X« »||2360||n||3.0||1040||swivel||Y||2000||5.9||Y||Y|
|Canon G7 X« »||-||n||3.0||1040||tilting||Y||2000||6.5||Y||Y|
|Fujifilm X-T100« »||2360||n||3.0||1040||full-flex||Y||4000||6.0||Y||n|
|Fujifilm X100« »||1440||n||2.8||460||fixed||n||4000||5.0||Y||n|
|Panasonic TZ200« »||2330||n||3.0||1240||fixed||Y||2000||10.0||Y||Y|
|Panasonic TZ90« »||1166||n||3.0||1040||tilting||Y||2000||10.0||Y||Y|
|Panasonic FZ2500« »||2360||n||3.0||1040||swivel||Y||4000||12.0||Y||Y|
|Panasonic TZ100« »||1166||n||3.0||1040||fixed||Y||2000||10.0||Y||Y|
|Panasonic LX7« »||-||n||3.0||920||fixed||n||4000||11.0||Y||Y|
|Sony RX100 VI« »||2359||n||3.0||1229||tilting||Y||2000||24.0||Y||Y|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||2000||16.0||Y||Y|
|Sony RX100 III« »||1440||n||3.0||1229||tilting||n||2000||10.0||Y||Y|
The LX15 is equipped with a zoom lens, while the X100F comes with a build-in prime. The LX15 has a 24-72mm f/1.4-2.8 optic and the X100F offers a 35mm f/2.0 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Fujifilm. The LX15 offers the faster maximum aperture.
Both the LX15 and the X100F are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The LX15 replaced the earlier Panasonic LX7, while the X100F followed on from the Fujifilm X100T.
Review summary: Panasonic LX15 vs Fujifilm X100F
So what is the bottom line? Is there a clear favorite between the Panasonic LX15 and the Fujifilm X100F? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DMC-LX15:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/2.0).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (106x60mm vs 127x75mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 159g or 34 percent) and hence easier to carry around.
- Sharper images: Has hand-shake reducing image stabilization build-in.
- More affordable: Was introduced into a lower priced category (46 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in September 2016).
Advantages of the Fujifilm X100F:
- More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better low-light imaging: Features bigger pixels on a larger sensor for better high-ISO images.
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- Longer lasting: Gets more shots (390 versus 260) out of a single battery charge.
- More modern: Was introduced somewhat (4 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the LX15 is the clear winner of the match-up (12 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the LX15 or the X100F. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Panasonic LX15»||HiRec||81/100||4/5||4.5/5||4.5/5||Sep 2016||699|
|Fujifilm X100F«||Rec||83/100||4.5/5||-||4.5/5||Jan 2017||1,299|
|Canon G1 X Mark III« »||Rec||79/100||4.5/5||-||4.5/5||Oct 2017||1,299|
|Canon G7 X Mark II« »||HiRec||81/100||4.5/5||4/5||4.5/5||Feb 2016||699|
|Canon M3« »||rev||75/100||4.5/5||4.5/5||4/5||Feb 2015||679||-|
|Canon G5 X« »||HiRec||78/100||4.5/5||4/5||4.5/5||Oct 2015||799|
|Canon G7 X« »||HiRec||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699||-|
|Fujifilm X-T100« »||-||-||-||-||-||May 2018||599|
|Fujifilm X100« »||-||75/100||4/5||4/5||5/5||Sep 2010||1,199||-|
|Panasonic TZ200« »||HiRec||81/100||4.5/5||-||4.5/5||Feb 2018||799|
|Panasonic TZ90« »||HiRec||-||4/5||-||4/5||Apr 2017||449|
|Panasonic FZ2500« »||Rec||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199|
|Panasonic TZ100« »||HiRec||82/100||4.5/5||4/5||4.5/5||Jan 2016||699||-|
|Panasonic LX7« »||HiRec||75/100||4/5||5/5||4.5/5||Jul 2012||499||-|
|Sony RX100 VI« »||-||83/100||-||-||-||Jun 2018||1,199|
|Sony RX100 IV« »||HiRec||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-|
|Sony RX100 III« »||HiRec||82/100||4.5/5||4.5/5||5/5||May 2014||799||-|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
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