Panasonic LX100 vs Sony A7
The Panasonic Lumix DMC-LX100 and the Sony Alpha A7 are two enthusiast cameras that were revealed to the public, respectively, in September 2014 and October 2013. The LX100 is a fixed lens compact, while the A7 is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (LX100) and a full frame (A7) sensor. The Panasonic has a resolution of 12.7 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic LX100||Sony A7|
|Fixed lens compact camera||Mirrorless system camera|
|24-75mm f/1.7-2.8||Sony E mount lenses|
|12.7 MP, Four Thirds Sensor||24 MP, Full Frame Sensor|
|4K/30p Video||1080/60p Video|
|ISO 200-25600||ISO 100-25600 (50-51200)|
|Electronic viewfinder (2764k dots)||Electronic viewfinder (2400k dots)|
|3.0" LCD, 921k dots||3.0" LCD, 1230k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|11 shutter flaps per second||5 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|300 shots per battery charge||340 shots per battery charge|
|115 x 66 x 55 mm, 393 g||127 x 94 x 48 mm, 474 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX100 and the Sony Alpha A7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic LX100 and the Sony A7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The LX100 can be obtained in two different colors (black, silver), while the A7 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 is considerably larger (57 percent) than the Panasonic LX100. It is noteworthy in this context that the A7 is splash and dust-proof, while the LX100 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX100 has a lens built in, whereas the A7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7 and their specifications in the Sony FE Lens Catalog.
Concerning battery life, the LX100 gets 300 shots out of its DMW-BLG10 battery, while the A7 can take 340 images on a single charge of its NP-FW50 power pack. The power pack in the A7 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic LX100»||4.5 in||2.6 in||2.2 in||13.9 oz||300||n||Sep 2014||899||Panasonic LX100|
|Sony A7«||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||Sony A7|
|Canon G1 X Mark II« »||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799||Canon G1 X Mark II|
|Leica D-LUX Typ 109« »||4.6 in||2.6 in||2.2 in||14.3 oz||300||n||Sep 2014||1,195||Leica D-LUX Typ 109|
|Panasonic LX100 II« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Aug 2018||999||Panasonic LX100 II|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||Panasonic FZ1000|
|Panasonic GM5« »||3.9 in||2.4 in||1.4 in||7.4 oz||220||n||Sep 2014||749||Panasonic GM5|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||Panasonic G6|
|Panasonic GM1« »||3.9 in||2.2 in||1.2 in||7.2 oz||230||n||Oct 2013||749||Panasonic GM1|
|Panasonic GX7« »||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999||Panasonic GX7|
|Panasonic GF1« »||4.7 in||2.8 in||1.4 in||13.6 oz||380||n||Sep 2009||749||Panasonic GF1|
|Panasonic GH1« »||4.9 in||3.5 in||1.8 in||13.6 oz||300||n||Mar 2009||899||Panasonic GH1|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||Sony A7 II|
|Sony A7S« »||5.0 in||3.7 in||1.9 in||17.2 oz||380||Y||Apr 2014||2,499||Sony A7S|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||Sony A7R|
|Sony RX1R« »||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Jun 2013||2,799||Sony RX1R|
|Sony RX1« »||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Sep 2012||2,799||Sony RX1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The LX100 was launched at a lower price than the A7, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic LX100 features a Four Thirds sensor and the Sony A7 a full frame sensor. The sensor area in the A7 is 280 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the LX100 has a native 4:3 aspect ratio, while the one in the A7 offers a 3:2 aspect. The LX100 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 24MP, the A7 offers a higher resolution than the LX100 (12.7MP), but the A7 nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 4.21μm for the LX100) due to its larger sensor. However, the LX100 is a somewhat more recent model (by 10 months) than the A7, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic LX100 are 20.6 x 15.4 inch or 52.2 x 39.2 cm for good quality, 16.4 x 12.4 inch or 41.8 x 31.4 cm for very good quality, and 13.7 x 10.3 inch or 34.8 x 26.1 cm for excellent quality prints.
The A7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DMC-LX100 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A7 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7 offers substantially better image quality than the LX100 (overall score 23 points higher). The advantage is based on 2.5 bits higher color depth, 1.7 EV in additional dynamic range, and 2 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67||Panasonic LX100|
|Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Leica D-LUX Typ 109||Four Thirds||12.7||4112||3088||4K/30p||..||..||..||..||Leica D-LUX Typ 109|
|Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..||Panasonic LX100 II|
|Panasonic FZ1000||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66||Panasonic GM5|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66||Panasonic GM1|
|Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
|Panasonic GF1||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54||Panasonic GF1|
|Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64||Panasonic GH1|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87||Sony A7S|
|Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
|Sony RX1R||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91||Sony RX1R|
|Sony RX1||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93||Sony RX1|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the LX100 provides a higher video resolution than the A7. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the LX100 offers a higher resolution than the one in the A7 (2764k vs 2400k dots). The following table reports on some other key feature differences and similarities of the Panasonic LX100, the Sony A7, and comparable cameras.
|Panasonic LX100||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y||Panasonic LX100|
|Sony A7||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
|Canon G1 X Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Leica D-LUX Typ 109||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y||Leica D-LUX Typ 109|
|Panasonic LX100 II||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Panasonic LX100 II|
|Panasonic FZ1000||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Panasonic GM5||1166||n||3.0||921||fixed||Y||1/500s||5.8||n||n||Panasonic GM5|
|Panasonic G6||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GM1||none||n||3.0||1036||fixed||Y||1/500s||5.0||Y||n||Panasonic GM1|
|Panasonic GX7||2760||n||3.0||1040||tilting||Y||1/8000s||5.0||Y||Y||Panasonic GX7|
|Panasonic GF1||optional||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Panasonic GF1|
|Panasonic GH1||1440||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH1|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A7S||2400||n||3.0||921||tilting||n||1/8000s||5.0||n||n||Sony A7S|
|Sony A7R||2400||n||3.0||1230||tilting||n||1/8000s||4.0||n||n||Sony A7R|
|Sony RX1R||optional||n||3.0||1229||fixed||n||1/4000s||5.0||Y||n||Sony RX1R|
|Sony RX1||optional||n||3.0||1229||fixed||n||1/4000s||5.0||Y||n||Sony RX1|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the LX100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic LX100 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The LX100 writes its imaging data to SDXC cards, while the A7 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX100 and Sony Alpha A7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic LX100||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic LX100|
|Sony A7||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Canon G1 X Mark II||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Leica D-LUX Typ 109||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Leica D-LUX Typ 109|
|Panasonic LX100 II||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic LX100 II|
|Panasonic FZ1000||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Panasonic GM5||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM5|
|Panasonic G6||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GM1||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM1|
|Panasonic GX7||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
|Panasonic GF1||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic GF1|
|Panasonic GH1||Y||stereo||none||Y||-||mini||2.0||-||-||-||Panasonic GH1|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7S||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S|
|Sony A7R||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
|Sony RX1R||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1R|
|Sony RX1||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1|
It is notable that the A7 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The LX100 does not feature such a mic input.
The LX100 is a recent model that features in the current product line-up of Panasonic. In contrast, the A7 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A7 was succeeded by the Sony A7 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So how do things add up? Which of the two cameras – the Panasonic LX100 or the Sony A7 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Panasonic Lumix DMC-LX100:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (2764k vs 2400k dots).
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the A7 requires a separate lens.
- More compact: Is smaller (115x66mm vs 127x94mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 10 months after the A7).
Reasons to prefer the Sony Alpha A7:
- More detail: Has more megapixels (24 vs 12.7MP), which boosts linear resolution by 40%.
- Better image quality: Scores substantially higher (23 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.5 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.7 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1230k vs 921k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (340 versus 300) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More heavily discounted: Has been on the market for longer (launched in October 2013).
If the count of individual advantages (bullet points above) is taken as a guide, the A7 is the clear winner of the contest (16 : 12 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic LX100 and the Sony A7 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the LX100 or the A7. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 30D vs Sony A7 II
- Canon 70D vs Panasonic LX100
- Canon G7 X Mark III vs Panasonic LX100
- Canon SX410 vs Sony A7 II
- Leica D-LUX 5 vs Sony A7
- Leica D-LUX 6 vs Panasonic LX100 II
- Nikon D5200 vs Sony A7 II
- Nikon D600 vs Sony A7 III
- Panasonic G6 vs Sony A7
- Panasonic GX9 vs Sony A7 II
- Panasonic LX100 vs Sony A99 II
- Panasonic LX100 vs Sony NEX-3N
Specifications: Panasonic LX100 vs Sony A7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic LX100||Sony A7|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-75mm f/1.7-2.8||Sony E mount lenses|
|Launch Date||September 2014||October 2013|
|Launch Price||USD 899||USD 1699|
|Sensor Specs||Panasonic LX100||Sony A7|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.8 x 23.9 mm|
|Sensor Area||224.9 mm2||855.62 mm2|
|Sensor Diagonal||21.6 mm||43 mm|
|Sensor Resolution||12.7 Megapixels||24 Megapixels|
|Image Resolution||4112 x 3088 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.21 μm||5.97 μm|
|Pixel Density||5.65 MP/cm2||2.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||200-25600 ISO||100-25600 ISO|
|ISO Boost||100-25600 ISO||50-51200 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||67||90|
|DXO Color Depth (bits)||22.3||24.8|
|DXO Dynamic Range (EV)||12.5||14.2|
|DXO Low Light (ISO)||553||2248|
|Screen Specs||Panasonic LX100||Sony A7|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2764k dots||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||921k dots||1230k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Panasonic LX100||Sony A7|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||11 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic LX100||Sony A7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Panasonic LX100||Sony A7|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||300 shots per charge||340 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
115 x 66 x 55 mm
(4.5 x 2.6 x 2.2 in)
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
|Camera Weight||393 g (13.9 oz)||474 g (16.7 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.