Panasonic LX100 vs Sony A6600
The Panasonic Lumix DMC-LX100 and the Sony Alpha A6600 are two enthusiast cameras that were announced, respectively, in September 2014 and August 2019. The LX100 is a fixed lens compact, while the A6600 is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (LX100) and an APS-C (A6600) sensor. The Panasonic has a resolution of 12.7 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX100 and the Sony Alpha A6600? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic LX100 and the Sony A6600 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The LX100 can be obtained in two different colors (black, silver), while the A6600 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6600 is notably larger (6 percent) than the Panasonic LX100. It is noteworthy in this context that the A6600 is splash and dust-proof, while the LX100 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX100 has a lens built in, whereas the A6600 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6600 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the LX100 gets 300 shots out of its DMW-BLG10 battery, while the A6600 can take 810 images on a single charge of its NP-FZ100 power pack. The power pack in the A6600 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic LX100||115 mm||66 mm||55 mm||393 g||300||n||Sep 2014||899|
|2.||Sony A6600||120 mm||67 mm||69 mm||503 g||810||Y||Aug 2019||1,399|
|3.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|4.||Canon G1 X Mark II||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799|
|5.||Fujifilm X30||119 mm||72 mm||60 mm||423 g||470||n||Aug 2014||599|
|6.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999|
|7.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|8.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749|
|9.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|10.||Panasonic GH1||124 mm||90 mm||45 mm||385 g||300||n||Mar 2009||899|
|11.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|12.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|13.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|14.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|15.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799|
|16.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|17.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LX100 was launched at a lower price than the A6600, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic LX100 features a Four Thirds sensor and the Sony A6600 an APS-C sensor. The sensor area in the A6600 is 98 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.2 and 1.5. The sensor in the LX100 has a native 4:3 aspect ratio, while the one in the A6600 offers a 3:2 aspect. The LX100 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 24MP, the A6600 offers a higher resolution than the LX100 (12.7MP), but the A6600 nevertheless has marginally larger individual pixels (pixel pitch of 3.91μm versus 3.82μm for the LX100) due to its larger sensor. Moreover, the A6600 is a much more recent model (by 4 years and 11 months) than the LX100, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A6600 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6600 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic LX100 are 20.6 x 15.4 inches or 52.2 x 39.2 cm for good quality, 16.4 x 12.4 inches or 41.8 x 31.4 cm for very good quality, and 13.7 x 10.3 inches or 34.8 x 26.1 cm for excellent quality prints.
The A6600 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DMC-LX100 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A6600 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 100-102400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A6600 offers substantially better image quality than the LX100 (overall score 15 points higher). The advantage is based on 1.5 bits higher color depth, 0.9 EV in additional dynamic range, and 1.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|3.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|4.||Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|6.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||..||..||..||..|
|8.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|9.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|10.||Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64|
|11.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|13.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|14.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|15.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|16.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the LX100 offers a higher resolution than the one in the A6600 (2764k vs 2359k dots). The adjacent table lists some of the other core features of the Panasonic LX100 and Sony A6600 along with similar information for a selection of comparators.
|1.||Panasonic LX100||2764||n||3.0 / 921||fixed||n||1/4000s||11.0||n||Y|
|2.||Sony A6600||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||n||Y|
|3.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9||Y||Y|
|4.||Canon G1 X Mark II||optional||n||3.0 / 1040||tilting||Y||1/4000s||5.2||Y||Y|
|5.||Fujifilm X30||2360||n||3.0 / 920||tilting||n||1/4000s||12.0||Y||Y|
|6.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0||n||Y|
|7.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0||Y||Y|
|8.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8||n||n|
|9.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|10.||Panasonic GH1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
|11.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0||n||Y|
|12.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||Y||Y|
|13.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0||Y||Y|
|14.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||Y|
|15.||Sony RX100 III||1440||n||3.0 / 1229||tilting||n||1/2000s||10.0||Y||Y|
|16.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||n|
|17.||Sony A77||2359||Y||3.0 / 921||full-flex||n||1/8000s||12.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The A6600 has a touchscreen, while the LX100 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The A6600 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the LX100 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic LX100 and the Sony A6600 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The LX100 writes its imaging data to SDXC cards, while the A6600 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX100 and Sony Alpha A6600 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic LX100||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|2.||Sony A6600||Y||stereo / mono||Y||Y||YES||2.0||Y||Y||Y|
|3.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon G1 X Mark II||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|5.||Fujifilm X30||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|7.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|8.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|10.||Panasonic GH1||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|11.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|12.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|13.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|14.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|15.||Sony RX100 III||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A77||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the A6600 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The LX100 does not feature such a mic input.
Both the LX100 and the A6600 are recent models that are part of the current product line-up. The A6600 replaced the earlier Sony A6500, while the LX100 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what is the bottom line? Which of the two cameras – the Panasonic LX100 or the Sony A6600 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Panasonic Lumix DMC-LX100:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2764k vs 2359k dots).
- Ready to shoot: Has a lens built-in, whereas the A6600 requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A6600).
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in September 2014).
Advantages of the Sony Alpha A6600:
- More detail: Has more megapixels (24 vs 12.7MP), which boosts linear resolution by 40%.
- Better image quality: Scores substantially higher (15 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.5 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (0.9 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.4 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (810 versus 300) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 4 years and 11 months of technical progress since the LX100 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A6600 is the clear winner of the contest (17 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic LX100 and the Sony A6600 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the LX100 and the A6600 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic LX100||5/5||+ +||..||85/100||5/5||5/5||Sep 2014||899|
|2.||Sony A6600||4/5||+||4/5||83/100||4.5/5||4/5||Aug 2019||1,399|
|3.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799|
|4.||Canon G1 X Mark II||3/5||+||..||77/100||4/5||4.5/5||Feb 2014||799|
|5.||Fujifilm X30||4/5||..||..||76/100||4.5/5||4.5/5||Aug 2014||599|
|6.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999|
|7.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899|
|8.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749|
|9.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|10.||Panasonic GH1||..||+ +||..||72/100||4.5/5||4.5/5||Mar 2009||899|
|11.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999|
|12.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|13.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|14.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|15.||Sony RX100 III||5/5||+ +||..||82/100||4.5/5||5/5||May 2014||799|
|16.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699|
|17.||Sony A77||5/5||91/100||..||81/100||..||5/5||Aug 2011||1,399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark II N vs Panasonic LX100
- Canon G7 X Mark II vs Panasonic LX100
- Canon S120 vs Panasonic LX100
- Canon T5i vs Panasonic LX100
- Leica Q Typ 116 vs Sony A6600
- Leica SL vs Panasonic LX100
- Nikon A1000 vs Sony A6600
- Nikon D2X vs Sony A6600
- Nikon D4 vs Sony A6600
- Olympus Stylus 1 vs Sony A6600
- Panasonic FZ80 vs Panasonic LX100
- Panasonic FZ80 vs Sony A6600
Specifications: Panasonic LX100 vs Sony A6600
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic LX100||Sony A6600|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-75mm f/1.7-2.8||Sony E mount lenses|
|Launch Date||September 2014||August 2019|
|Launch Price||USD 899||USD 1,399|
|Sensor Specs||Panasonic LX100||Sony A6600|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||15.7 x 11.8 mm||23.5 x 15.6 mm|
|Sensor Area||185.26 mm2||366.6 mm2|
|Sensor Diagonal||19.6 mm||28.2 mm|
|Sensor Resolution||12.7 Megapixels||24 Megapixels|
|Image Resolution||4112 x 3088 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.82 μm||3.91 μm|
|Pixel Density||6.85 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||200 - 25,600 ISO||100 - 32,000 ISO|
|ISO Boost||100 - 25,600 ISO||100 - 102,400 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||67||82|
|DXO Color Depth (bits)||22.3||23.8|
|DXO Dynamic Range (EV)||12.5||13.4|
|DXO Low Light (ISO)||553||1497|
|Screen Specs||Panasonic LX100||Sony A6600|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2764k dots||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||921k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Panasonic LX100||Sony A6600|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||11 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||YES|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic LX100||Sony A6600|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||YES HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Panasonic LX100||Sony A6600|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||300 shots per charge||810 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
115 x 66 x 55 mm
(4.5 x 2.6 x 2.2 in)
120 x 67 x 69 mm
(4.7 x 2.6 x 2.7 in)
|Camera Weight||393 g (13.9 oz)||503 g (17.7 oz)|
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