Panasonic LX100 versus Canon M6
The Panasonic Lumix DMC-LX100 and the Canon EOS M6 are two digital cameras that were officially introduced, respectively, in September 2014 and February 2017. The LX100 is a fixed lens compact, while the M6 is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (LX100) and an APS-C sensor. The Panasonic has a resolution of 12.7 megapixel, whereas the Canon provides 24 MP.
The physical size and weight of the Panasonic LX100 and the Canon M6 are illustrated in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the LX100 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX100 and the Canon M6are of equal size. In this context, it is worth noting that neither the LX100 nor the M6 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX100 has a lens build in, whereas the M6 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Panasonic LX100 (⇒ rgt)||115 mm||66 mm||55 mm||393 g||300||no||2014||899||latest||check|
|Canon M6 (⇒ lft)||112 mm||68 mm||45 mm||390 g||295||no||2017||779||latest||check|
|Canon M50 (⇒ lft | rgt)||116 mm||88 mm||59 mm||390 g||235||no||2018||779||latest||check|
|Canon 77D (⇒ lft | rgt)||131 mm||100 mm||76 mm||540 g||600||no||2017||899||latest||check|
|Canon M100 (⇒ lft | rgt)||108 mm||67 mm||35 mm||302 g||295||no||2017||499||latest||check|
|Canon M5 (⇒ lft | rgt)||116 mm||89 mm||61 mm||427 g||295||no||2016||979||latest||check|
|Canon M3 (⇒ lft | rgt)||111 mm||68 mm||44 mm||366 g||250||no||2015||679||discont.||check|
|Canon G5 X (⇒ lft | rgt)||112 mm||76 mm||44 mm||353 g||210||no||2015||799||latest||check|
|Canon G1 X Mark II (⇒ lft | rgt)||116 mm||74 mm||66 mm||553 g||240||no||2014||799||latest||check|
|Canon G1 X (⇒ lft | rgt)||117 mm||81 mm||65 mm||534 g||250||no||2012||799||discont.||check|
|Fujifilm X30 (⇒ lft | rgt)||119 mm||72 mm||60 mm||423 g||470||no||2014||599||latest||check|
|Panasonic FZ1000 (⇒ lft | rgt)||137 mm||99 mm||131 mm||831 g||360||no||2014||899||discont.||check|
|Panasonic GM5 (⇒ lft | rgt)||99 mm||60 mm||36 mm||211 g||220||no||2014||749||discont.||check|
|Panasonic GM1 (⇒ lft | rgt)||99 mm||55 mm||30 mm||204 g||230||no||2013||749||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||102 mm||58 mm||41 mm||290 g||320||no||2014||799||discont.||check|
|Sony RX100 II (⇒ lft | rgt)||102 mm||58 mm||38 mm||281 g||350||no||2013||749||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic LX100 features a Four Thirds sensor and the Canon M6 an APS-C sensor. The sensor area in the M6 is 48 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.6. The sensor in the LX100 has a native 4:3 aspect ratio, while the one in the M6 offers a 3:2 aspect.
With 24MP, the M6 offers a higher resolution than the LX100 (12.7MP), but the M6 has smaller individual pixels (pixel pitch of 3.72μm versus 4.21μm for the LX100). Yet, the M6 is a much more recent model (by 2 years and 5 months) than the LX100, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic LX100 (⇒ rgt)||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|Canon M6 (⇒ lft)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon M50 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/24p||..||..||..||..|
|Canon 77D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon M100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78|
|Canon M5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Canon M3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72|
|Canon G5 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon G1 X Mark II (⇒ lft | rgt)||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|Canon G1 X (⇒ lft | rgt)||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|Fujifilm X30 (⇒ lft | rgt)||2/3||12.0||4000||3000||1080/60p||-||-||-||-|
|Panasonic FZ1000 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64|
|Panasonic GM5 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|Panasonic GM1 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony RX100 III (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|Sony RX100 II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the LX100 provides a higher video resolution than the M6. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the LX100 has an electronic viewfinder (2764k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M6 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Panasonic LX100 and Canon M6 along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Panasonic LX100 (⇒ rgt)||2764||no||3.0||921||fixed||no||4000||11.0||no||YES|
|Canon M6 (⇒ lft)||no||no||3.0||1040||tilting||YES||4000||9.0||5||no|
|Canon M50 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||4000||10.0||5||no|
|Canon 77D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||6.0||12||no|
|Canon M100 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.1||5||no|
|Canon M5 (⇒ lft | rgt)||2360||no||3.2||1620||tilting||YES||4000||9.0||5||no|
|Canon M3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.2||5||no|
|Canon G5 X (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||5.9||7||YES|
|Canon G1 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||5.2||6.8||YES|
|Canon G1 X (⇒ lft | rgt)||optical||no||3.0||922||Swivel||no||4000||1.9||7||YES|
|Fujifilm X30 (⇒ lft | rgt)||2360||no||3.0||920||tilting||no||4000||12.0||7||YES|
|Panasonic FZ1000 (⇒ lft | rgt)||2359||no||3.0||921||swivel||no||4000||12.0||13.5||YES|
|Panasonic GM5 (⇒ lft | rgt)||1166||no||3.0||921||fixed||YES||500||5.8||no||no|
|Panasonic GM1 (⇒ lft | rgt)||no||no||3.0||1036||fixed||YES||500||5.0||4||no|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
|Sony RX100 III (⇒ lft | rgt)||1440||no||3.0||1229||tilting||no||2000||10.0||YES||YES|
|Sony RX100 II (⇒ lft | rgt)||no||no||3.0||1229||tilting||no||2000||10.0||15||YES|
Both the LX100 and the M6 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The M6 replaced the earlier Canon M5, while the LX100 does not have a direct predecessor.
So what is the bottom line? Is the Panasonic LX100 better than the Canon M6 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Panasonic Lumix DMC-LX100:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- Faster burst: Shoots at higher frequency (11 vs 9 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens build-in, whereas the M6 requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization build-in.
- More heavily discounted: Has been available for much longer (launched in September 2014).
Arguments in favor of the Canon EOS M6:
- More detail: Has more megapixels (24 vs 12.7MP), which boosts linear resolution by 40%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More modern: Reflects 2 years and 5 months of technical progress since the LX100 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the M6 emerges as the winner of the match-up (8 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the LX100 and the M6 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Panasonic LX100 (⇒ rgt)||HiRec||85/100 Gold||5/5||4/5||5/5||2014||899||latest||check|
|Canon M6 (⇒ lft)||-||80/100 Silver||4/5||4.5/5||4/5||2017||779||latest||check|
|Canon M50 (⇒ lft | rgt)||..||..||..||..||..||2018||779||latest||check|
|Canon 77D (⇒ lft | rgt)||..||82/100 Silver||4.5/5||..||4/5||2017||899||latest||check|
|Canon M100 (⇒ lft | rgt)||Rec||..||4/5||..||3.5/5||2017||499||latest||check|
|Canon M5 (⇒ lft | rgt)||Rec||82/100 Silver||4/5||4.5/5||4/5||2016||979||latest||check|
|Canon M3 (⇒ lft | rgt)||reviewed||75/100||4.5/5||4.5/5||4/5||2015||679||discont.||check|
|Canon G5 X (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4/5||4.5/5||2015||799||latest||check|
|Canon G1 X Mark II (⇒ lft | rgt)||Rec||77/100 Silver||4/5||4/5||4.5/5||2014||799||latest||check|
|Canon G1 X (⇒ lft | rgt)||79/100 Rec||76/100 Silver||4/5||4/5||4.5/5||2012||799||discont.||check|
|Fujifilm X30 (⇒ lft | rgt)||-||76/100||4.5/5||4/5||4.5/5||2014||599||latest||check|
|Panasonic FZ1000 (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||4.5/5||2014||899||discont.||check|
|Panasonic GM5 (⇒ lft | rgt)||Rec||77/100 Silver||5/5||5/5||4.5/5||2014||749||discont.||check|
|Panasonic GM1 (⇒ lft | rgt)||Rec||78/100 Gold||5/5||4.5/5||4.5/5||2013||749||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||5/5||2014||799||discont.||check|
|Sony RX100 II (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||5/5||4.5/5||2013||749||discont.||check|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
In case you would like to check on the differences and similarities of other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you do not see the camera that you are looking for, please contact me, and I will try to update the database with the necessary infos.
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