Panasonic LX100 versus Canon G1 X Mark II
The Panasonic Lumix DMC-LX100 and the Canon PowerShot G1 X Mark II are two enthusiast cameras that were officially introduced, respectively, in September 2014 and February 2014. Both the LX100 and the G1X Mark II are fixed lens compact cameras that are based on a Four Thirds (LX100) and an 1.5-inch sensor. The Panasonic has a resolution of 12.7 megapixel, whereas the Canon provides 13 MP.
The side-by-side display below illustrates the physical size and weight of the Panasonic LX100 and the Canon G1 X Mark II. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the LX100 – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G1 X Mark II is notably larger (13 percent) than the Panasonic LX100. Moreover, the G1X Mark II is substantially heavier (41 percent) than the LX100. In this context, it is worth noting that neither the LX100 nor the G1X Mark II are weather-sealed.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Panasonic LX100 (⇒ rgt)||115 mm||66 mm||55 mm||393 g||300||no||2014||899||latest||check|
|Canon G1 X Mark II (⇒ lft)||116 mm||74 mm||66 mm||553 g||240||no||2014||799||latest||check|
|Canon 760D (⇒ lft | rgt)||132 mm||101 mm||78 mm||565 g||440||no||2015||849||discont.||check|
|Canon G5 X (⇒ lft | rgt)||112 mm||76 mm||44 mm||353 g||210||no||2015||799||latest||check|
|Canon G16 (⇒ lft | rgt)||109 mm||76 mm||40 mm||356 g||360||no||2013||549||latest||check|
|Canon G1 X (⇒ lft | rgt)||117 mm||81 mm||65 mm||534 g||250||no||2012||799||discont.||check|
|Canon 500D (⇒ lft | rgt)||129 mm||98 mm||62 mm||520 g||400||no||2009||799||discont.||check|
|Fujifilm X30 (⇒ lft | rgt)||119 mm||72 mm||60 mm||423 g||470||no||2014||599||latest||check|
|Panasonic FZ1000 (⇒ lft | rgt)||137 mm||99 mm||131 mm||831 g||360||no||2014||899||discont.||check|
|Panasonic GM5 (⇒ lft | rgt)||99 mm||60 mm||36 mm||211 g||220||no||2014||749||discont.||check|
|Panasonic GM1 (⇒ lft | rgt)||99 mm||55 mm||30 mm||204 g||230||no||2013||749||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||102 mm||58 mm||41 mm||290 g||320||no||2014||799||discont.||check|
|Sony RX100 II (⇒ lft | rgt)||102 mm||58 mm||38 mm||281 g||350||no||2013||749||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G1X Mark II was launched at a somewhat lower price (by 11 percent) than the LX100, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic LX100 features a Four Thirds sensor and the Canon G1 X Mark II an 1.5-inch sensor. The sensor area in the G1X Mark II is 16 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.85. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 13MP, the G1X Mark II offers a higher resolution than the LX100 (12.7MP), but the G1X Mark II nevertheless has larger individual pixels (pixel pitch of 4.49μm versus 4.21μm for the LX100) due to its larger sensor. However, the LX100 is a somewhat more recent model (by 7 months) than the G1X Mark II, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the LX100 has a notably higher overall DXO score than the G1X Mark II (overall score 9 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.8 bits higher color depth, 1.7 EV in additional dynamic range, 0.1 stops of reduced low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic LX100 (⇒ rgt)||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|Canon G1 X Mark II (⇒ lft)||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|Canon 760D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70|
|Canon G5 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon G16 (⇒ lft | rgt)||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54|
|Canon G1 X (⇒ lft | rgt)||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|Canon 500D (⇒ lft | rgt)||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63|
|Fujifilm X30 (⇒ lft | rgt)||2/3||12.0||4000||3000||1080/60p||-||-||-||-|
|Panasonic FZ1000 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64|
|Panasonic GM5 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|Panasonic GM1 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony RX100 III (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|Sony RX100 II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the LX100 provides a higher video resolution than the G1X Mark II. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the LX100 has an electronic viewfinder (2764k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G1X Mark II relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Panasonic LX100 and Canon G1 X Mark II along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Panasonic LX100 (⇒ rgt)||2764||no||3.0||921||fixed||no||4000||11.0||no||YES|
|Canon G1 X Mark II (⇒ lft)||no||no||3.0||1040||tilting||YES||4000||5.2||6.8||YES|
|Canon 760D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon G5 X (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||5.9||7||YES|
|Canon G16 (⇒ lft | rgt)||optical||no||3.0||922||fixed||no||4000||2.2||7||YES|
|Canon G1 X (⇒ lft | rgt)||optical||no||3.0||922||Swivel||no||4000||1.9||7||YES|
|Canon 500D (⇒ lft | rgt)||optical||no||3.0||920||fixed||no||4000||3.4||YES||no|
|Fujifilm X30 (⇒ lft | rgt)||2360||no||3.0||920||tilting||no||4000||12.0||7||YES|
|Panasonic FZ1000 (⇒ lft | rgt)||2359||no||3.0||921||swivel||no||4000||12.0||13.5||YES|
|Panasonic GM5 (⇒ lft | rgt)||1166||no||3.0||921||fixed||YES||500||5.8||no||no|
|Panasonic GM1 (⇒ lft | rgt)||no||no||3.0||1036||fixed||YES||500||5.0||4||no|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
|Sony RX100 III (⇒ lft | rgt)||1440||no||3.0||1229||tilting||no||2000||10.0||YES||YES|
|Sony RX100 II (⇒ lft | rgt)||no||no||3.0||1229||tilting||no||2000||10.0||15||YES|
Both the LX100 and the G1X Mark II have zoom lenses build in. The LX100 has a 24-75mm f/1.7-2.8 optic and the G1X Mark II offers a 24-120mm f/2.0-3.9 (focal lengths in full frame equivalent terms). Hence, the Panasonic and Canon provide the same view at the wide-angle end, but the Canon has more tele-photo reach at the long end. The LX100 offers the faster maximum aperture.
Both the LX100 and the G1X Mark II are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The G1X Mark II replaced the earlier Canon G1 X, while the LX100 does not have a direct predecessor.
So what conclusions can be drawn? Is there a clear favorite between the Panasonic LX100 and the Panasonic LX100? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DMC-LX100:
- Better image quality: Scores markedly higher (9 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (1.7 EV of extra DR).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- Faster burst: Shoots at higher frequency (11 vs 5.2 flaps/sec) to capture the decisive moment.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.7 vs f/2.0).
- More compact: Is smaller (115x66mm vs 116x74mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 160g or 29 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (300 versus 240) on a single battery charge.
- More modern: Is somewhat more recent (announced 7 months after the G1X Mark II).
Arguments in favor of the Canon PowerShot G1 X Mark II:
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was released into a lower priced segment (11 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in February 2014).
If the count of individual advantages (bullet points above) is taken as a guide, the LX100 emerges as the winner of the contest (10 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the LX100 or the G1X Mark II handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Panasonic LX100 (⇒ rgt)||HiRec||85/100 Gold||5/5||4/5||5/5||2014||899||latest||check|
|Canon G1 X Mark II (⇒ lft)||Rec||77/100 Silver||4/5||4/5||4.5/5||2014||799||latest||check|
|Canon 760D (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2015||849||discont.||check|
|Canon G5 X (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4/5||4.5/5||2015||799||latest||check|
|Canon G16 (⇒ lft | rgt)||Rec||-||4.5/5||4.5/5||4.5/5||2013||549||latest||check|
|Canon G1 X (⇒ lft | rgt)||79/100 Rec||76/100 Silver||4/5||4/5||4.5/5||2012||799||discont.||check|
|Canon 500D (⇒ lft | rgt)||88/100 HiRec||74/100 HiRec||4.5/5||5/5||4.5/5||2009||799||discont.||check|
|Fujifilm X30 (⇒ lft | rgt)||-||76/100||4.5/5||4/5||4.5/5||2014||599||latest||check|
|Panasonic FZ1000 (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||4.5/5||2014||899||discont.||check|
|Panasonic GM5 (⇒ lft | rgt)||Rec||77/100 Silver||5/5||5/5||4.5/5||2014||749||discont.||check|
|Panasonic GM1 (⇒ lft | rgt)||Rec||78/100 Gold||5/5||4.5/5||4.5/5||2013||749||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
|Sony RX100 III (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||5/5||2014||799||discont.||check|
|Sony RX100 II (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||5/5||4.5/5||2013||749||discont.||check|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
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