Panasonic LX100 II vs Samsung NX1
The Panasonic Lumix DC-LX100 II and the Samsung NX1 are two enthusiast cameras that were revealed to the public, respectively, in August 2018 and September 2014. The LX100 II is a fixed lens compact, while the NX1 is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (LX100 II) and an APS-C (NX1) sensor. The Panasonic has a resolution of 16.8 megapixels, whereas the Samsung provides 28 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic LX100 II||Samsung NX1|
|Fixed lens compact camera||Mirrorless system camera|
|24-75mm f/1.7-2.8||Samsung NX mount lenses|
|16.8 MP, Four Thirds Sensor||28 MP, APS-C Sensor|
|4K/30p Video||4K/30p Video|
|ISO 200-25600||ISO 100-25600 (100-51200)|
|Electronic viewfinder (2764k dots)||Electronic viewfinder (2360k dots)|
|3.0" LCD, 1240k dots||3.0" LCD, 1036k dots|
|Fixed touchscreen||Tilting touchscreen|
|11 shutter flaps per second||15 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|300 shots per battery charge||500 shots per battery charge|
|115 x 66 x 65 mm, 392 g||139 x 102 x 66 mm, 550 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-LX100 II and the Samsung NX1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic LX100 II and the Samsung NX1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Samsung NX1 is considerably larger (87 percent) than the Panasonic LX100 II. It is noteworthy in this context that the NX1 is splash and dust-proof, while the LX100 II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX100 II has a lens built in, whereas the NX1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic LX100 II»||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Aug 2018||999||Panasonic LX100 II|
|Samsung NX1«||5.5 in||4.0 in||2.6 in||19.4 oz||500||Y||Sep 2014||1,499||-||Samsung NX1|
|Canon G5 X Mark II« »||4.4 in||2.4 in||1.8 in||12.0 oz||230||n||Jul 2019||899||Canon G5 X Mark II|
|Fujifilm X-Pro2« »||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T2« »||5.2 in||3.6 in||1.9 in||17.9 oz||340||Y||Jul 2016||1,599||-||Fujifilm X-T2|
|Leica D-LUX 7« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Nov 2018||1,195||Leica D-LUX 7|
|Leica C-LUX« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Jun 2018||1,049||Leica C-LUX|
|Nikon D5300« »||4.9 in||3.9 in||3.0 in||16.9 oz||600||n||Oct 2013||799||-||Nikon D5300|
|Panasonic FZ1000 II« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic ZS80« »||4.4 in||2.7 in||1.7 in||11.5 oz||380||n||Feb 2019||449||Panasonic ZS80|
|Panasonic GX9« »||4.9 in||2.8 in||1.9 in||14.4 oz||260||n||Feb 2018||849||Panasonic GX9|
|Panasonic GX850« »||4.2 in||2.6 in||1.3 in||9.5 oz||210||n||Jan 2017||549||Panasonic GX850|
|Panasonic ZS70« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||-||Panasonic ZS70|
|Panasonic LX100« »||4.5 in||2.6 in||2.2 in||13.9 oz||300||n||Sep 2014||899||Panasonic LX100|
|Panasonic GH2« »||4.9 in||3.5 in||3.0 in||15.6 oz||330||n||Sep 2010||899||-||Panasonic GH2|
|Samsung NX500« »||4.7 in||2.5 in||1.7 in||10.1 oz||370||n||Feb 2015||799||-||Samsung NX500|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The LX100 II was launched at a lower price than the NX1, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic LX100 II features a Four Thirds sensor and the Samsung NX1 an APS-C sensor. The sensor area in the NX1 is 64 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the LX100 II has a native 4:3 aspect ratio, while the one in the NX1 offers a 3:2 aspect. The LX100 II has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 28MP, the NX1 offers a higher resolution than the LX100 II (16.8MP), but the NX1 has marginally smaller individual pixels (pixel pitch of 3.63μm versus 3.66μm for the LX100 II). Yet, the LX100 II is a much more recent model (by 3 years and 11 months) than the NX1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Samsung NX1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NX1 for good quality output (200 dots per inch) amounts to 32.4 x 21.6 inch or 82.3 x 54.9 cm, for very good quality (250 dpi) 25.9 x 17.3 inch or 65.8 x 43.9 cm, and for excellent quality (300 dpi) 21.6 x 14.4 inch or 54.9 x 36.6 cm. The corresponding values for the Panasonic LX100 II are 23.7 x 17.8 inch or 60.1 x 45.1 cm for good quality, 18.9 x 14.2 inch or 48.1 x 36.1 cm for very good quality, and 15.8 x 11.8 inch or 40.1 x 30.1 cm for excellent quality prints.
The NX1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DC-LX100 II has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Samsung NX1 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic LX100 II»||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Panasonic LX100 II|
|Samsung NX1«||APS-C||28.0||6480||4320||4K/30p||24.2||13.2||1363||83||Samsung NX1|
|Canon G5 X Mark II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Canon G5 X Mark II|
|Fujifilm X-Pro2« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-Pro2|
|Fujifilm X-T2« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T2|
|Leica D-LUX 7« »||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Leica D-LUX 7|
|Leica C-LUX« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica C-LUX|
|Nikon D5300« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.9||1338||83||Nikon D5300|
|Panasonic FZ1000 II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ1000 II|
|Panasonic ZS80« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic ZS80|
|Panasonic GX9« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic GX9|
|Panasonic GX850« »||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73||Panasonic GX850|
|Panasonic ZS70« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Panasonic LX100« »||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67||Panasonic LX100|
|Panasonic GH2« »||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60||Panasonic GH2|
|Samsung NX500« »||APS-C||28.0||6480||4320||4K/30p||24.8||13.9||1379||87||Samsung NX500|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the LX100 II offers a higher resolution than the one in the NX1 (2764k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Panasonic LX100 II, the Samsung NX1, and comparable cameras.
|Panasonic LX100 II»||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Panasonic LX100 II|
|Samsung NX1«||2360||Y||3.0||1036||tilting||Y||1/8000s||15.0||Y||n||Samsung NX1|
|Canon G5 X Mark II« »||2360||n||3.0||1040||tilting||Y||1/2000s||30||Y||Y||Canon G5 X Mark II|
|Fujifilm X-Pro2« »||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Fujifilm X-T2« »||2360||n||3.0||1040||tilting||n||1/8000s||14.0||n||n||Fujifilm X-T2|
|Leica D-LUX 7« »||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Leica D-LUX 7|
|Leica C-LUX« »||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Leica C-LUX|
|Nikon D5300« »||optical||n||3.2||1037||swivel||n||1/4000s||5.0||Y||n||Nikon D5300|
|Panasonic FZ1000 II« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic ZS80« »||2330||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS80|
|Panasonic GX9« »||2760||n||3.0||1240||tilting||Y||1/4000s||9.0||Y||Y||Panasonic GX9|
|Panasonic GX850« »||-||n||3.0||1040||tilting||Y||1/500s||10.0||Y||n||Panasonic GX850|
|Panasonic ZS70« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS70|
|Panasonic LX100« »||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y||Panasonic LX100|
|Panasonic GH2« »||1534||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH2|
|Samsung NX500« »||-||n||3.0||1036||tilting||Y||1/6000s||9.0||Y||n||Samsung NX500|
|Sony A7« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
One feature that is present on the NX1, but is missing on the LX100 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the LX100 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic LX100 II and the Samsung NX1 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the LX100 II and the NX1 write their files to SDXC cards. The NX1 supports UHS-II cards (on its first slot), while the LX100 II can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-LX100 II and Samsung NX1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic LX100 II»||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic LX100 II|
|Samsung NX1«||Y||stereo||mono||Y||Y||micro||3.0||Y||Y||Y||Samsung NX1|
|Canon G5 X Mark II« »||-||stereo||mono||-||-||micro||3.1||Y||-||Y||Canon G5 X Mark II|
|Fujifilm X-Pro2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Fujifilm X-T2« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-T2|
|Leica D-LUX 7« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica D-LUX 7|
|Leica C-LUX« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Leica C-LUX|
|Nikon D5300« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5300|
|Panasonic FZ1000 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic ZS80« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic ZS80|
|Panasonic GX9« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic GX9|
|Panasonic GX850« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GX850|
|Panasonic ZS70« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Panasonic LX100« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic LX100|
|Panasonic GH2« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic GH2|
|Samsung NX500« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||Y||Samsung NX500|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
It is notable that the NX1 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The LX100 II does not feature such a mic input.
The LX100 II is a recent model that features in the current product line-up of Panasonic. In contrast, the NX1 has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the NX1 from Samsung. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Samsung websites.
So what is the bottom line? Is there a clear favorite between the Panasonic LX100 II and the Samsung NX1? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Panasonic Lumix DC-LX100 II:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2764k vs 2360k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.69x).
- More detailed LCD: Has a higher resolution rear screen (1240k vs 1036k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Has a lens built-in, whereas the NX1 requires a separate lens.
- More compact: Is smaller (115x66mm vs 139x102mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the NX1).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 3 years and 11 months of technical progress since the NX1 launch.
Reasons to prefer the Samsung NX1:
- More detail: Has more megapixels (28 vs 16.8MP), which boosts linear resolution by 32%.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (15 vs 11 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (500 versus 300) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been around for much longer (launched in September 2014).
If the count of individual advantages (bullet points above) is taken as a guide, the NX1 is the clear winner of the contest (16 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic LX100 II and the Samsung NX1 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the LX100 II or the NX1 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic LX100 II»||+||82/100||4.5/5||-||4.5/5||Aug 2018||999||Panasonic LX100 II|
|Samsung NX1«||-||87/100||5/5||4.5/5||5/5||Sep 2014||1,499||-||Samsung NX1|
|Canon G5 X Mark II« »||+||82/100||-||-||4/5||Jul 2019||899||Canon G5 X Mark II|
|Fujifilm X-Pro2« »||+||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T2« »||+ +||86/100||4.5/5||5/5||5/5||Jul 2016||1,599||-||Fujifilm X-T2|
|Leica D-LUX 7« »||-||-||-||-||4.5/5||Nov 2018||1,195||Leica D-LUX 7|
|Leica C-LUX« »||-||-||4.5/5||-||4/5||Jun 2018||1,049||Leica C-LUX|
|Nikon D5300« »||+ +||79/100||4.5/5||4.5/5||4.5/5||Oct 2013||799||-||Nikon D5300|
|Panasonic FZ1000 II« »||-||-||4.5/5||-||4.5/5||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic ZS80« »||-||-||4.5/5||-||-||Feb 2019||449||Panasonic ZS80|
|Panasonic GX9« »||+||84/100||4.5/5||4.5/5||4.5/5||Feb 2018||849||Panasonic GX9|
|Panasonic GX850« »||+||76/100||4.5/5||4/5||4.5/5||Jan 2017||549||Panasonic GX850|
|Panasonic ZS70« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic ZS70|
|Panasonic LX100« »||+ +||85/100||5/5||4/5||5/5||Sep 2014||899||Panasonic LX100|
|Panasonic GH2« »||+ +||79/100||4.5/5||4.5/5||5/5||Sep 2010||899||-||Panasonic GH2|
|Samsung NX500« »||-||81/100||5/5||4.5/5||4.5/5||Feb 2015||799||-||Samsung NX500|
|Sony A7« »||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 2000D vs Panasonic LX100 II
- Canon 5D Mark IV vs Panasonic LX100 II
- Canon 6D vs Panasonic LX100 II
- Canon SX710 vs Samsung NX1
- Fujifilm X-A2 vs Samsung NX1
- Fujifilm XP140 vs Panasonic LX100 II
- Leica M10 vs Samsung NX1
- Nikon D300 vs Panasonic LX100 II
- Nikon D4S vs Samsung NX1
- Pentax K-1 II vs Samsung NX1
- Samsung NX1 vs Sony A7R
- Samsung NX1 vs Sony RX100 VII
Specifications: Panasonic LX100 II vs Samsung NX1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic LX100 II||Samsung NX1|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-75mm f/1.7-2.8||Samsung NX mount lenses|
|Launch Date||August 2018||September 2014|
|Launch Price||USD 999||USD 1499|
|Sensor Specs||Panasonic LX100 II||Samsung NX1|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.5 x 15.7 mm|
|Sensor Area||224.9 mm2||368.95 mm2|
|Sensor Diagonal||21.6 mm||28.3 mm|
|Sensor Resolution||16.8 Megapixels||28 Megapixels|
|Image Resolution||4736 x 3552 pixels||6480 x 4320 pixels|
|Pixel Pitch||3.66 μm||3.63 μm|
|Pixel Density||7.48 MP/cm2||7.59 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||200-25600 ISO||100-25600 ISO|
|ISO Boost||100-25600 ISO||100-51200 ISO|
|Image Processor||Venus||DRIMe 5|
|DXO Sensor Quality (score)||..||83|
|DXO Color Depth (bits)||..||24.2|
|DXO Dynamic Range (EV)||..||13.2|
|DXO Low Light (ISO)||..||1363|
|Screen Specs||Panasonic LX100 II||Samsung NX1|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2764k dots||2360k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1240k dots||1036k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Panasonic LX100 II||Samsung NX1|
|Autofocus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||11 shutter flaps/s||15 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||Single UHS-II|
|Connectivity Specs||Panasonic LX100 II||Samsung NX1|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Panasonic LX100 II||Samsung NX1|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||300 shots per charge||500 shots per charge|
|In-Camera Charging||USB charging||USB charging|
115 x 66 x 65 mm
(4.5 x 2.6 x 2.6 in)
139 x 102 x 66 mm
(5.5 x 4.0 x 2.6 in)
|Camera Weight||392 g (13.8 oz)||550 g (19.4 oz)|
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