Panasonic LX100 II vs Pentax K-1 II
The Panasonic Lumix DC-LX100 II and the Pentax K-1 II are two enthusiast cameras that were revealed to the public, respectively, in August 2018 and February 2018. The LX100 II is a fixed lens compact, while the K-1 II is a DSLR. The cameras are based on a Four Thirds (LX100 II) and a full frame (K-1 II) sensor. The Panasonic has a resolution of 16.8 megapixels, whereas the Pentax provides 36.2 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Panasonic LX100 II||Pentax K-1 II|
|Fixed lens compact camera||Digital single lens reflex|
|24-75mm f/1.7-2.8||Pentax K mount lenses|
|16.8 MP, Four Thirds Sensor||36.2 MP, Full Frame Sensor|
|4K/30p Video||1080/60i Video|
|ISO 200-25600||ISO 100-819200|
|Electronic viewfinder (2764k dots)||Optical viewfinder|
|3.0" LCD, 1240k dots||3.2" LCD, 1037k dots|
|Fixed touchscreen||Fully flexible screen (no touchscreen)|
|11 shutter flaps per second||4.4 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|Not weather sealed||Weathersealed body|
|300 shots per battery charge||670 shots per battery charge|
|115 x 66 x 65 mm, 392 g||137 x 110 x 86 mm, 1010 g|
Body comparison: Panasonic LX100 II vs Pentax K-1 II
The side-by-side display below illustrates the physical size and weight of the Panasonic LX100 II and the Pentax K-1 II. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the LX100 II – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-1 II is considerably larger (99 percent) than the Panasonic LX100 II. It is noteworthy in this context that the K-1 II is splash and dust-proof, while the LX100 II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX100 II has a lens built in, whereas the K-1 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic LX100 II»||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Aug 2018||999||Panasonic LX100 II|
|Pentax K-1 II«||5.4 in||4.3 in||3.4 in||35.6 oz||670||Y||Feb 2018||1,999||Pentax K-1 II|
|Canon R« »||5.5 in||3.9 in||3.3 in||23.3 oz||370||Y||Sep 2018||2,299||Canon R|
|Leica D-LUX 7« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Nov 2018||1,195||Leica D-LUX 7|
|Leica C-LUX« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Jun 2018||1,049||Leica C-LUX|
|Nikon Z6« »||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Panasonic GX9« »||4.9 in||2.8 in||1.9 in||14.4 oz||260||n||Feb 2018||849||Panasonic GX9|
|Panasonic ZS200« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799||Panasonic ZS200|
|Panasonic GX850« »||4.2 in||2.6 in||1.3 in||9.5 oz||210||n||Jan 2017||549||Panasonic GX850|
|Panasonic ZS70« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||Panasonic ZS70|
|Panasonic FZ2500« »||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199||Panasonic FZ2500|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Panasonic LX100« »||4.5 in||2.6 in||2.2 in||13.9 oz||300||n||Sep 2014||899||Panasonic LX100|
|Pentax K-1« »||5.4 in||4.3 in||3.4 in||35.6 oz||760||Y||Feb 2016||1,799||-||Pentax K-1|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony RX100 VI« »||4.0 in||2.3 in||1.7 in||10.6 oz||240||n||Jun 2018||1,199||Sony RX100 VI|
|Sony A850« »||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Aug 2009||1,999||-||Sony A850|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX100 II was launched at a lower price than the K-1 II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Panasonic LX100 II vs Pentax K-1 II
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic LX100 II features a Four Thirds sensor and the Pentax K-1 II a full frame sensor. The sensor area in the K-1 II is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the LX100 II has a native 4:3 aspect ratio, while the one in the K-1 II offers a 3:2 aspect. The LX100 II has the particularity of featuring a switch that allows to toggle between different aspect ratios, while maintaining the same field of view and full image resolution.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 36.2MP, the K-1 II offers a higher resolution than the LX100 II (16.8MP), but the K-1 II nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 3.66μm for the LX100 II) due to its larger sensor. However, the LX100 II is a somewhat more recent model (by 5 months) than the K-1 II, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
Unlike the LX100 II, the K-1 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DC-LX100 II has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Pentax K-1 II are ISO 100 to ISO 819200 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic LX100 II»||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Panasonic LX100 II|
|Pentax K-1 II«||Full Frame||36.2||7360||4912||1080/60i||-||-||-||-||Pentax K-1 II|
|Canon R« »||Full Frame||30.1||6720||4480||4K/30p||-||-||-||-||Canon R|
|Leica D-LUX 7« »||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Leica D-LUX 7|
|Leica C-LUX« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica C-LUX|
|Nikon Z6« »||Full Frame||24.3||6048||4024||4K/30p||-||-||-||-||Nikon Z6|
|Panasonic GX9« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic GX9|
|Panasonic ZS200« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic ZS200|
|Panasonic GX850« »||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73||Panasonic GX850|
|Panasonic ZS70« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Panasonic FZ2500« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ2500|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Panasonic LX100« »||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67||Panasonic LX100|
|Pentax K-1« »||Full Frame||36.2||7360||4912||1080/60i||25.4||14.6||3280||96||Pentax K-1|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony RX100 VI« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VI|
|Sony A850« »||Full Frame||24.4||6048||4032||-||23.8||12.2||1415||79||Sony A850|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the LX100 II provides a higher video resolution than the K-1 II. It can shoot video footage at 4K/30p, while the Pentax is limited to 1080/60i.
Feature comparison: Panasonic LX100 II vs Pentax K-1 II
Apart from body and sensor, cameras can and do differ across a range of features. For example, the LX100 II has an electronic viewfinder (2764k dots), while the K-1 II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Panasonic LX100 II and Pentax K-1 II in connection with corresponding information for a sample of similar cameras.
|Panasonic LX100 II»||2764||n||3.0||1240||fixed||Y||4000||11.0||n||Y||Panasonic LX100 II|
|Pentax K-1 II«||optical||Y||3.2||1037||full-flex||n||8000||4.4||n||Y||Pentax K-1 II|
|Canon R« »||3690||n||3.2||2100||swivel||Y||8000||8.0||n||n||Canon R|
|Leica D-LUX 7« »||2764||n||3.0||1240||fixed||Y||4000||11.0||n||Y||Leica D-LUX 7|
|Leica C-LUX« »||2330||n||3.0||1240||fixed||Y||2000||10.0||Y||Y||Leica C-LUX|
|Nikon Z6« »||3690||Y||3.2||2100||tilting||Y||8000||12.0||n||Y||Nikon Z6|
|Panasonic GX9« »||2760||n||3.0||1240||tilting||Y||4000||9.0||Y||Y||Panasonic GX9|
|Panasonic ZS200« »||2330||n||3.0||1240||fixed||Y||2000||10.0||Y||Y||Panasonic ZS200|
|Panasonic GX850« »||-||n||3.0||1040||tilting||Y||500||10.0||Y||n||Panasonic GX850|
|Panasonic ZS70« »||1166||n||3.0||1040||tilting||Y||2000||10.0||Y||Y||Panasonic ZS70|
|Panasonic FZ2500« »||2360||n||3.0||1040||swivel||Y||4000||12.0||Y||Y||Panasonic FZ2500|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||4000||12.0||Y||Y||Panasonic FZ1000|
|Panasonic LX100« »||2764||n||3.0||921||fixed||n||4000||11.0||n||Y||Panasonic LX100|
|Pentax K-1« »||optical||Y||3.2||1037||full-flex||n||8000||4.4||n||Y||Pentax K-1|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||8000||10.0||n||Y||Sony A7 III|
|Sony RX100 VI« »||2359||n||3.0||1229||tilting||Y||2000||24.0||Y||Y||Sony RX100 VI|
|Sony A850« »||optical||Y||3.0||922||fixed||n||8000||3.0||n||Y||Sony A850|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The LX100 II has a touchscreen, while the K-1 II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the LX100 II features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the LX100 II and the K-1 II write their files to SDXC cards. The K-1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the LX100 II only has one slot.
Connectivity comparison: Panasonic LX100 II vs Pentax K-1 II
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-LX100 II and Pentax K-1 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic LX100 II»||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic LX100 II|
|Pentax K-1 II«||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Pentax K-1 II|
|Canon R« »||Y||stereo||mono||Y||-||mini||3.1||Y||-||Y||Canon R|
|Leica D-LUX 7« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica D-LUX 7|
|Leica C-LUX« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Leica C-LUX|
|Nikon Z6« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Panasonic GX9« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic GX9|
|Panasonic ZS200« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS200|
|Panasonic GX850« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GX850|
|Panasonic ZS70« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Panasonic FZ2500« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2500|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Panasonic LX100« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic LX100|
|Pentax K-1« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Pentax K-1|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony RX100 VI« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony RX100 VI|
|Sony A850« »||Y||-||-||-||-||mini||2.0||-||-||-||Sony A850|
It is notable that the K-1 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The LX100 II does not feature such a mic input.
Both the LX100 II and the K-1 II are recent models that feature in their makers' current product line-up. The K-1 II replaced the earlier Pentax K-1, while the LX100 II followed on from the Panasonic LX100.
Review summary: Panasonic LX100 II vs Pentax K-1 II
So what conclusions can be drawn? Is the Panasonic LX100 II better than the Pentax K-1 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DC-LX100 II:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1240k vs 1037k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (11 vs 4.4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with a built-in lens, while the K-1 II requires a separate lens.
- More compact: Is smaller (115x66mm vs 137x110mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the K-1 II).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 5 months after the K-1 II).
Advantages of the Pentax K-1 II:
- More detail: Has more megapixels (36.2 vs 16.8MP), which boosts linear resolution by 49%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: Larger pixels generate images with better, more accurate colors.
- More dynamic range: Capable of capturing a wider spectrum of light and dark details.
- Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More flexible LCD: Has full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (670 versus 300) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in February 2018).
If the count of individual advantages (bullet points above) is taken as a guide, the K-1 II is the clear winner of the contest (18 : 13 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the LX100 II or the K-1 II. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Panasonic LX100 II vs Pentax K-1 II
This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Panasonic LX100 II»||Rec||82/100||4.5/5||-||4.5/5||Aug 2018||999||Panasonic LX100 II|
|Pentax K-1 II«||-||79/100||4.5/5||-||4.5/5||Feb 2018||1,999||Pentax K-1 II|
|Canon R« »||rev||79/100||4.5/5||4/5||4/5||Sep 2018||2,299||Canon R|
|Leica D-LUX 7« »||-||-||-||-||4.5/5||Nov 2018||1,195||Leica D-LUX 7|
|Leica C-LUX« »||-||-||4.5/5||-||4/5||Jun 2018||1,049||Leica C-LUX|
|Nikon Z6« »||-||-||4.5/5||-||5/5||Aug 2018||1,999||Nikon Z6|
|Panasonic GX9« »||Rec||84/100||4.5/5||4.5/5||4.5/5||Feb 2018||849||Panasonic GX9|
|Panasonic ZS200« »||HiRec||81/100||4.5/5||-||4.5/5||Feb 2018||799||Panasonic ZS200|
|Panasonic GX850« »||Rec||76/100||4.5/5||4/5||4.5/5||Jan 2017||549||Panasonic GX850|
|Panasonic ZS70« »||HiRec||-||4/5||-||4/5||Apr 2017||449||Panasonic ZS70|
|Panasonic FZ2500« »||Rec||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199||Panasonic FZ2500|
|Panasonic FZ1000« »||HiRec||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Panasonic LX100« »||HiRec||85/100||5/5||4/5||5/5||Sep 2014||899||Panasonic LX100|
|Pentax K-1« »||-||84/100||5/5||4.5/5||5/5||Feb 2016||1,799||-||Pentax K-1|
|Sony A7 III« »||HiRec||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony RX100 VI« »||HiRec||83/100||4/5||-||4.5/5||Jun 2018||1,199||Sony RX100 VI|
|Sony A850« »||-||75/100||-||4/5||4.5/5||Aug 2009||1,999||-||Sony A850|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 50D vs Panasonic ZS100
- Canon M3 vs Canon M
- Fujifilm X-Pro1 vs Panasonic FZ1000
- Fujifilm X-T3 vs Sony A9
- Nikon D3400 vs Leica V-LUX 2
- Nikon D500 vs Nikon D4
- Nikon D5600 vs Olympus E-M5 II
- Olympus E-PL9 vs Panasonic G85
- Pentax K-3 II vs Fujifilm X-H1
- Sony A6500 vs Canon G9 X Mark II
- Sony A6500 vs Sony A850
- Sony A7R vs Sony A7R II
Specifications: Panasonic LX100 II vs Pentax K-1 II
|Camera Model||Panasonic LX100 II||Pentax K-1 II|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||24-75mm f/1.7-2.8||Pentax K mount lenses|
|Launch Date||August 2018||February 2018|
|Launch Price||USD 999||USD 1999|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.9 x 13.0 mm|
|Sensor Area||224.9 mm2||861.6 mm2|
|Sensor Diagonal||21.6 mm||43.2 mm|
|Sensor Resolution||16.8 Megapixels||36.2 Megapixels|
|Image Resolution||4736 x 3552 pixels||7360 x 4912 pixels|
|Pixel Pitch||3.66 μm||4.88 μm|
|Pixel Density||7.48 MP/cm2||4.20 MP/cm2|
|Movie Capability||4K/30p Video||1080/60i Video|
|ISO Setting||200-25600 ISO||100-819200 ISO|
|Image Processor||Venus||PRIME IV|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Resolution||2764k dots||n/a|
|Top-Level Screen||no Top Display||Control Panel|
|Rear LCD Size||3.0 inch||3.2 inch|
|LCD Resolution||1240k dots||1037k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Touch Input||Touchscreen||no Touchscreen|
|Maximum Shutter Speed||1/4000s||1/8000s|
|Continuous Shooting||11 shutter flaps/s||4.4 shutter flaps/s|
|Silent Shooting||Electronic Shutter||no E-Shutter|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||DMW-BLG10 power pack||D-LI90 power pack|
|Battery Life (CIPA)||300 shots per charge||670 shots per charge|
115 x 66 x 65 mm
(4.5 x 2.6 x 2.6 in)
137 x 110 x 86 mm
(5.4 x 4.3 x 3.4 in)
|Camera Weight||392 g (13.8 oz)||1010 g (35.6 oz)|
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