Panasonic LX10 vs Sony NEX-5T
The Panasonic Lumix DMC-LX10 (called Panasonic LX15 in some regions) and the Sony Alpha NEX-5T are two digital cameras that were announced, respectively, in September 2016 and August 2013. The LX10 is a fixed lens compact, while the NEX-5T is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (LX10) and an APS-C (NEX-5T) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic LX10||Sony NEX-5T|
|Fixed lens compact camera||Mirrorless system camera|
|24-72mm f/1.4-2.8||Sony E mount lenses|
|20 MP, 1" Sensor||16 MP, APS-C Sensor|
|4K/30p Video||1080/60p Video|
|ISO 125-12800 (80-25600)||ISO 100-25600|
|No viewfinder, LCD framing||Viewfinder optional|
|3.0" LCD, 1040k dots||3.0" LCD, 922k dots|
|Tilting touchscreen||Tilting touchscreen|
|10 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|260 shots per battery charge||330 shots per battery charge|
|106 x 60 x 42 mm, 310 g||111 x 59 x 39 mm, 2776 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX10 and the Sony Alpha NEX-5T? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic LX10 and the Sony NEX-5T is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-5T is somewhat larger (3 percent) than the Panasonic LX10. In this context, it is worth noting that neither the LX10 nor the NEX-5T are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX10 has a lens built in, whereas the NEX-5T is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-5T and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the LX10 gets 260 shots out of its DMW-BLH7 battery, while the NEX-5T can take 330 images on a single charge of its NP-FW50 power pack. The power pack in the LX10 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Panasonic LX10»||4.2 in||2.4 in||1.7 in||10.9 oz||260||n||Sep 2016||699||Panasonic LX10|
|Sony NEX-5T«||4.4 in||2.3 in||1.5 in||97.9 oz||330||n||Aug 2013||699||-||Sony NEX-5T|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||-||Canon G7 X Mark II|
|Canon G5 X« »||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799||-||Canon G5 X|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||-||Canon G7 X|
|Panasonic ZS200« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799||Panasonic ZS200|
|Panasonic ZS70« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||-||Panasonic ZS70|
|Panasonic ZS100« »||4.4 in||2.6 in||1.7 in||11.0 oz||300||n||Jan 2016||699||-||Panasonic ZS100|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||-||Panasonic LX7|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony A5100« »||4.3 in||2.5 in||1.4 in||10.0 oz||400||n||Aug 2014||549||Sony A5100|
|Sony A6000« »||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||-||Sony A6000|
|Sony RX100 III« »||4.0 in||2.3 in||1.6 in||10.2 oz||320||n||May 2014||799||-||Sony RX100 III|
|Sony RX100 II« »||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749||-||Sony RX100 II|
|Sony NEX-5R« »||4.4 in||2.3 in||1.5 in||9.7 oz||330||n||Aug 2012||749||-||Sony NEX-5R|
|Sony NEX-F3« »||4.6 in||2.6 in||1.7 in||11.1 oz||470||n||May 2012||599||-||Sony NEX-F3|
|Sony NEX-3« »||4.6 in||2.4 in||1.3 in||10.5 oz||330||n||May 2010||599||-||Sony NEX-3|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic LX10 features an one-inch sensor and the Sony NEX-5T an APS-C sensor. The sensor area in the NEX-5T is 215 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2. The LX10 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the Panasonic LX10 offers a higher resolution of 20 megapixels, compared with 16 MP of the Sony NEX-5T. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.78μm for the NEX-5T). However, it should be noted that the LX10 is much more recent (by 3 years) than the NEX-5T, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic LX10 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the LX10 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Sony NEX-5T are 24.6 x 16.3 inch or 62.4 x 41.5 cm for good quality, 19.6 x 13.1 inch or 49.9 x 33.2 cm for very good quality, and 16.4 x 10.9 inch or 41.6 x 27.6 cm for excellent quality prints.
The Panasonic Lumix DMC-LX10 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Sony Alpha NEX-5T are ISO 100 to ISO 25600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic LX10»||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic LX10|
|Sony NEX-5T«||APS-C||16.0||4912||3264||1080/60p||23.6||13.0||1015||78||Sony NEX-5T|
|Canon G7 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G7 X Mark II|
|Canon G5 X« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G5 X|
|Canon G7 X« »||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Panasonic ZS200« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic ZS200|
|Panasonic ZS70« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Panasonic ZS100« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70||Panasonic ZS100|
|Panasonic LX7« »||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony A5100« »||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80||Sony A5100|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony RX100 III« »||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67||Sony RX100 III|
|Sony RX100 II« »||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
|Sony NEX-5R« »||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||910||78||Sony NEX-5R|
|Sony NEX-F3« »||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73||Sony NEX-F3|
|Sony NEX-3« »||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68||Sony NEX-3|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the LX10 provides a higher video resolution than the NEX-5T. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The LX10 and the NEX-5T are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the NEX-5T can be equipped with an optional viewfinder – the FDA-EV1S. The adjacent table lists some of the other core features of the Panasonic LX10 and Sony NEX-5T along with similar information for a selection of comparators.
|Panasonic LX10»||-||n||3.0||1040||tilting||Y||1/4000s||10.0||Y||Y||Panasonic LX10|
|Sony NEX-5T«||-||n||3.0||922||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5T|
|Canon G7 X Mark II« »||-||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y||Canon G7 X Mark II|
|Canon G5 X« »||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y||Canon G5 X|
|Canon G7 X« »||-||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Panasonic ZS200« »||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Panasonic ZS200|
|Panasonic ZS70« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS70|
|Panasonic ZS100« »||1166||n||3.0||1040||fixed||Y||1/2000s||10.0||Y||Y||Panasonic ZS100|
|Panasonic LX7« »||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony A5100« »||-||n||3.0||922||tilting||Y||1/4000s||6.0||Y||n||Sony A5100|
|Sony A6000« »||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony RX100 III« »||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 III|
|Sony RX100 II« »||-||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 II|
|Sony NEX-5R« »||-||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5R|
|Sony NEX-F3« »||-||n||3.0||920||tilting||n||1/4000s||5.5||Y||n||Sony NEX-F3|
|Sony NEX-3« »||-||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-3|
One difference between the cameras concerns the presence of an on-board flash. The LX10 has one, while the NEX-5T does not. While the built-in flash of the LX10 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the LX10 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic LX10 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The LX10 writes its imaging data to SDXC cards, while the NEX-5T uses SDXC or Memory Stick PRO Duo cards. The LX10 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-5T cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX10 and Sony Alpha NEX-5T and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic LX10»||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic LX10|
|Sony NEX-5T«||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Sony NEX-5T|
|Canon G7 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon G5 X« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G5 X|
|Canon G7 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Panasonic ZS200« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic ZS200|
|Panasonic ZS70« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Panasonic ZS100« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS100|
|Panasonic LX7« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony A5100« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5100|
|Sony A6000« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony RX100 III« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 III|
|Sony RX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
|Sony NEX-5R« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-5R|
|Sony NEX-F3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-F3|
|Sony NEX-3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-3|
It is notable that the NEX-5T has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The LX10 does not feature such an accessory-socket.
The LX10 is a recent model that features in the current product line-up of Panasonic. In contrast, the NEX-5T has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the NEX-5T was succeeded by the Sony A5100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So how do things add up? Is there a clear favorite between the Panasonic LX10 and the Sony NEX-5T? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Panasonic Lumix DMC-LX10:
- More detail: Offers more megapixels (20 vs 16MP) with a 12% higher linear resolution.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the NEX-5T requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the NEX-5T).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 3 years of technical progress since the NEX-5T launch.
Advantages of the Sony Alpha NEX-5T:
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (330 versus 260) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been around for much longer (launched in August 2013).
If the count of relative strengths (bullet points above) is taken as a measure, the LX10 is the clear winner of the match-up (12 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic LX10 and the Sony NEX-5T place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the LX10 or the NEX-5T perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic LX10»||+ +||81/100||4/5||4.5/5||4.5/5||Sep 2016||699||Panasonic LX10|
|Sony NEX-5T«||-||-||4.5/5||-||4.5/5||Aug 2013||699||-||Sony NEX-5T|
|Canon G7 X Mark II« »||+ +||81/100||4.5/5||4/5||4.5/5||Feb 2016||699||-||Canon G7 X Mark II|
|Canon G5 X« »||+ +||78/100||4.5/5||4/5||4.5/5||Oct 2015||799||-||Canon G5 X|
|Canon G7 X« »||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699||-||Canon G7 X|
|Panasonic ZS200« »||+ +||81/100||4.5/5||-||4.5/5||Feb 2018||799||Panasonic ZS200|
|Panasonic ZS70« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic ZS70|
|Panasonic ZS100« »||+ +||82/100||4.5/5||4/5||4.5/5||Jan 2016||699||-||Panasonic ZS100|
|Panasonic LX7« »||+ +||75/100||4/5||5/5||4.5/5||Jul 2012||499||-||Panasonic LX7|
|Sony RX100 IV« »||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony A5100« »||+||-||4.5/5||4.5/5||5/5||Aug 2014||549||Sony A5100|
|Sony A6000« »||+||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Sony RX100 III« »||+ +||82/100||4.5/5||4.5/5||5/5||May 2014||799||-||Sony RX100 III|
|Sony RX100 II« »||+ +||79/100||4.5/5||5/5||4.5/5||Jun 2013||749||-||Sony RX100 II|
|Sony NEX-5R« »||-||-||4.5/5||-||4.5/5||Aug 2012||749||-||Sony NEX-5R|
|Sony NEX-F3« »||-||74/100||4.5/5||4.5/5||4.5/5||May 2012||599||-||Sony NEX-F3|
|Sony NEX-3« »||-||70/100||4.5/5||5/5||4/5||May 2010||599||-||Sony NEX-3|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 6D Mark II vs Sony NEX-5T
- Canon G16 vs Sony NEX-5T
- Canon M6 vs Panasonic LX10
- Leica D-LUX 7 vs Sony NEX-5T
- Leica M8 vs Panasonic LX10
- Nikon 1 V2 vs Panasonic LX10
- Nikon D3400 vs Sony NEX-5T
- Nikon D3X vs Panasonic LX10
- Nikon D4S vs Sony NEX-5T
- Olympus E-400 vs Sony NEX-5T
- Olympus E-M5 II vs Sony NEX-5T
- Panasonic LX10 vs Sony A7S II
Specifications: Panasonic LX10 vs Sony NEX-5T
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic LX10||Sony NEX-5T|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-72mm f/1.4-2.8||Sony E mount lenses|
|Launch Date||September 2016||August 2013|
|Launch Price||USD 699||USD 699|
|Sensor Specs||Panasonic LX10||Sony NEX-5T|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||23.4 x 15.6 mm|
|Sensor Area||116.16 mm2||365.04 mm2|
|Sensor Diagonal||15.9 mm||28.1 mm|
|Sensor Resolution||20 Megapixels||16 Megapixels|
|Image Resolution||5472 x 3648 pixels||4912 x 3264 pixels|
|Pixel Pitch||2.41 μm||4.78 μm|
|Pixel Density||17.18 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||125-12800 ISO||100-25600 ISO|
|ISO Boost||80-25600 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||78|
|DXO Color Depth (bits)||..||23.6|
|DXO Dynamic Range (EV)||..||13.0|
|DXO Low Light (ISO)||..||1015|
|Screen Specs||Panasonic LX10||Sony NEX-5T|
|Viewfinder Type||No viewfinder||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||922k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Panasonic LX10||Sony NEX-5T|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic LX10||Sony NEX-5T|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Panasonic LX10||Sony NEX-5T|
|Battery Life (CIPA)||260 shots per charge||330 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
106 x 60 x 42 mm
(4.2 x 2.4 x 1.7 in)
111 x 59 x 39 mm
(4.4 x 2.3 x 1.5 in)
|Camera Weight||310 g (10.9 oz)||2776 g (97.9 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.