Panasonic LX10 vs Ricoh WG-6
The Panasonic Lumix DMC-LX10 (called Panasonic LX15 in some regions) and the Ricoh WG-6 are two digital cameras that were officially introduced, respectively, in September 2016 and February 2019. Both the LX10 and the WG-6 are fixed lens compact cameras that are based on an one-inch (LX10) and a 1/2.3-inch (WG-6) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Ricoh provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX10 and the Ricoh WG-6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic LX10 and the Ricoh WG-6 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The LX10 can be obtained in two different colors (black, silver), while the WG-6 is also available in two color-versions, but different ones (black, orange).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Ricoh WG-6 is notably larger (22 percent) than the Panasonic LX10. However, the WG-6 is markedly lighter (21 percent) than the LX10. It is noteworthy in this context that the WG-6 is splash and dust-proof, while the LX10 does not feature any corresponding weather-sealing. More than that, the WG-6 is water-proof up to 20m and can, thus, be used for underwater photography.
Concerning battery life, the LX10 gets 260 shots out of its DMW-BLH7 battery, while the WG-6 can take 340 images on a single charge of its DB-110 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic LX10||106 mm||60 mm||42 mm||310 g||260||n||Sep 2016||699||amazon.com|
|2.||Ricoh WG-6||118 mm||66 mm||33 mm||246 g||340||Y||Feb 2019||399||amazon.com|
|3.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399||amazon.com|
|4.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699||ebay.com|
|5.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799||ebay.com|
|6.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699||ebay.com|
|7.||Panasonic TS7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449||amazon.com|
|8.||Panasonic ZS200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799||amazon.com|
|9.||Panasonic FZ2500||138 mm||102 mm||135 mm||915 g||350||n||Sep 2016||1,199||amazon.com|
|10.||Panasonic ZS100||111 mm||65 mm||44 mm||312 g||300||n||Jan 2016||699||ebay.com|
|11.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449||amazon.com|
|12.||Sony HX95||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429||amazon.com|
|13.||Sony WX800||102 mm||58 mm||36 mm||233 g||370||n||Oct 2018||399||ebay.com|
|14.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999||ebay.com|
|15.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||ebay.com|
|16.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799||ebay.com|
|17.||Sony RX100 II||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The WG-6 was launched at a markedly lower price (by 43 percent) than the LX10, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic LX10 features an one-inch sensor and the Ricoh WG-6 a 1/2.3-inch sensor. The sensor area in the WG-6 is 76 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 5.6. The sensor in the LX10 has a native 3:2 aspect ratio, while the one in the WG-6 offers a 4:3 aspect. The LX10 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the WG-6 offers a slightly higher resolution of 20.2 megapixels, compared with 20 MP of the LX10. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 2.41μm for the LX10). However, it should be noted that the WG-6 is much more recent (by 2 years and 5 months) than the LX10, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the WG-6 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Panasonic Lumix DMC-LX10 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Ricoh WG-6 are ISO 125 to ISO 6400 (no boost).
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|4.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||260||62|
|5.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||471||62|
|6.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|14.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|15.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|16.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|17.||Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Beyond body and sensor, cameras can and do differ across a range of features. The LX10 and the WG-6 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The table below summarizes some of the other core capabilities of the Panasonic LX10 and Ricoh WG-6 in connection with corresponding information for a sample of similar cameras.
|1.||Panasonic LX10||none||n||3.0 / 1040||tilting||Y||1/4000s||10.0/s||Y||Y|
|2.||Ricoh WG-6||none||n||3.0 / 1040||fixed||n||1/4000s||1.0/s||Y||n|
|3.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0/s||Y||Y|
|4.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0/s||Y||Y|
|5.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9/s||Y||Y|
|6.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5/s||Y||Y|
|7.||Panasonic TS7||1170||n||3.0 / 1040||fixed||n||1/1300s||10.0/s||Y||Y|
|8.||Panasonic ZS200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|9.||Panasonic FZ2500||2360||n||3.0 / 1040||swivel||Y||1/4000s||12.0/s||Y||Y|
|10.||Panasonic ZS100||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0/s||Y||Y|
|11.||Sony HX99||638||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|12.||Sony HX95||638||n||3.0 / 922||tilting||n||1/2000s||10.0/s||Y||Y|
|13.||Sony WX800||none||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|14.||Sony RX100 V||2359||n||3.0 / 1229||tilting||n||1/2000s||24.0/s||Y||Y|
|15.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0/s||Y||Y|
|16.||Sony RX100 III||1440||n||3.0 / 1229||tilting||n||1/2000s||10.0/s||Y||Y|
|17.||Sony RX100 II||optional||n||3.0 / 1229||tilting||n||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The LX10 has a touchscreen, while the WG-6 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The LX10 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the WG-6 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the LX10 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic LX10 and the Ricoh WG-6 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the LX10 and the WG-6 have zoom lenses built in. The LX10 has a 24-72mm f/1.4-2.8 optic and the WG-6 offers a 28-140mm f/3.5-5.5 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end than the Ricoh, but less tele-photo reach at the long end. The LX10 offers the faster maximum aperture.
Concerning the storage of imaging data, both the LX10 and the WG-6 write their files to SDXC cards. The LX10 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the WG-6 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX10 and Ricoh WG-6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic LX10||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Ricoh WG-6||-||mono / mono||-||-||micro||3.0||-||-||-|
|3.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|5.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|6.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|7.||Panasonic TS7||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Panasonic ZS200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|9.||Panasonic FZ2500||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|10.||Panasonic ZS100||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Sony HX99||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|12.||Sony HX95||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|13.||Sony WX800||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|14.||Sony RX100 V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony RX100 III||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony RX100 II||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the LX10 offers wifi support, while the WG-6 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Travel and landscape photographers will find it useful that the WG-6 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the LX10 and the WG-6 are recent models that are part of the current product line-up. The LX10 replaced the earlier Panasonic LX7, while the WG-6 followed on from the Ricoh WG-5. Further information on the features and operation of the LX10 and WG-6 can be found, respectively, in the Panasonic LX10 Manual (free pdf) or the online Ricoh WG-6 Manual.
So what is the bottom line? Is there a clear favorite between the Panasonic LX10 and the Ricoh WG-6? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DMC-LX10:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 1 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/3.5).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (106x60mm vs 118x66mm) and thus needs less room in the bag.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been available for much longer (launched in September 2016).
Reasons to prefer the Ricoh WG-6:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Less heavy: Has a lower weight (by 64g or 21 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (340 versus 260) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 20m).
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- More affordable: Was introduced into a lower priced category (43 percent cheaper at launch).
- More modern: Reflects 2 years and 5 months of technical progress since the LX10 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the LX10 is the clear winner of the match-up (18 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic LX10 and the Ricoh WG-6 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the LX10 or the WG-6. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic LX10||..||+ +||4/5||81/100||4/5||4.5/5||Sep 2016||699||amazon.com|
|2.||Ricoh WG-6||..||..||..||..||3.5/5||3.5/5||Feb 2019||399||amazon.com|
|3.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399||amazon.com|
|4.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699||ebay.com|
|5.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799||ebay.com|
|6.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699||ebay.com|
|7.||Panasonic TS7||..||+||..||..||..||3.5/5||May 2018||449||amazon.com|
|8.||Panasonic ZS200||..||+ +||4.5/5||81/100||4.5/5||4.5/5||Feb 2018||799||amazon.com|
|9.||Panasonic FZ2500||..||+||..||82/100||4.5/5||5/5||Sep 2016||1,199||amazon.com|
|10.||Panasonic ZS100||4.5/5||+ +||..||82/100||4.5/5||4.5/5||Jan 2016||699||ebay.com|
|11.||Sony HX99||..||..||..||..||4/5||4.5/5||Aug 2018||449||amazon.com|
|12.||Sony HX95||..||..||..||..||..||..||Aug 2018||429||amazon.com|
|13.||Sony WX800||..||..||..||..||..||..||Oct 2018||399||ebay.com|
|14.||Sony RX100 V||4.5/5||+ +||..||83/100||4/5||4.5/5||Oct 2016||999||ebay.com|
|15.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999||ebay.com|
|16.||Sony RX100 III||5/5||+ +||..||82/100||4.5/5||5/5||May 2014||799||ebay.com|
|17.||Sony RX100 II||5/5||+ +||..||79/100||4.5/5||4.5/5||Jun 2013||749||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark II N vs Panasonic LX10
- Leica M9 vs Panasonic LX10
- Nikon D7200 vs Ricoh WG-6
- Nikon Df vs Ricoh WG-6
- Olympus E-M10 II vs Ricoh WG-6
- Olympus TG-6 vs Panasonic LX10
- Panasonic FZ150 vs Ricoh WG-6
- Panasonic G9 vs Ricoh WG-6
- Panasonic GX800 vs Ricoh WG-6
- Panasonic LX10 vs Ricoh GR III
- Panasonic LX10 vs Sony A7R III
- Panasonic LX10 vs Sony RX1R
Specifications: Panasonic LX10 vs Ricoh WG-6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic LX10||Ricoh WG-6|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-72mm f/1.4-2.8||28-140mm f/3.5-5.5|
|Launch Date||September 2016||February 2019|
|Launch Price||USD 699||USD 399|
|Sensor Specs||Panasonic LX10||Ricoh WG-6|
|Sensor Format||1" Sensor||1/2.3" Sensor|
|Sensor Size||13.2 x 8.8 mm||6.17 x 4.55 mm|
|Sensor Area||116.16 mm2||28.0735 mm2|
|Sensor Diagonal||15.9 mm||7.7 mm|
|Sensor Resolution||20 Megapixels||20.2 Megapixels|
|Image Resolution||5472 x 3648 pixels||5184 x 3888 pixels|
|Pixel Pitch||2.41 μm||1.18 μm|
|Pixel Density||17.18 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||125 - 12,800 ISO||125 - 6,400 ISO|
|ISO Boost||80 - 25,600 ISO||no Enhancement|
|DXO Sensor Quality (score)||70||..|
|DXO Color Depth (bits)||22.8||..|
|DXO Dynamic Range (EV)||12.5||..|
|DXO Low Light (ISO)||581||..|
|Screen Specs||Panasonic LX10||Ricoh WG-6|
|Viewfinder Type||no viewfinder||no viewfinder|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic LX10||Ricoh WG-6|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||10 shutter flaps/s||1 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||no handshake reduction|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic LX10||Ricoh WG-6|
|External Flash||no Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Panasonic LX10||Ricoh WG-6|
|Environmental Sealing||not weather sealed||Waterproof body (20m)|
|Battery Life (CIPA)||260 shots per charge||340 shots per charge|
|In-Camera Charging||USB charging||USB charging|
106 x 60 x 42 mm
(4.2 x 2.4 x 1.7 in)
118 x 66 x 33 mm
(4.6 x 2.6 x 1.3 in)
|Camera Weight||310 g (10.9 oz)||246 g (8.7 oz)|
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