Panasonic LX10 vs LX5
The Panasonic Lumix DMC-LX10 (called Panasonic LX15 in some regions) and the Panasonic Lumix DMC-LX5 are two digital cameras that were announced, respectively, in September 2016 and July 2010. Both the LX10 and the LX5 are fixed lens compact cameras that are based on an one-inch (LX10) and a 1/1.7-inch (LX5) sensor. The LX10 has a resolution of 20 megapixels, whereas the LX5 provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic LX10||Panasonic LX5|
|Fixed lens compact camera||Fixed lens compact camera|
|24-72mm f/1.4-2.8||24-90mm f/2.0-3.3|
|20 MP, 1" Sensor||10 MP, 1/1.7" Sensor|
|4K/30p Video||720/60p Video|
|ISO 125-12800 (80-25600)||ISO 80-3200 (80-12800)|
|No viewfinder, LCD framing||Viewfinder optional|
|3.0" LCD, 1040k dots||3.0" LCD, 460k dots|
|Tilting touchscreen||Fixed screen (not touch-sensitive)|
|10 shutter flaps per second||2.5 shutter flaps per second|
|In-body stabilization||Lens-based stabilization|
|260 shots per battery charge||400 shots per battery charge|
|106 x 60 x 42 mm, 310 g||110 x 65 x 43 mm, 271 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX10 and the Panasonic Lumix DMC-LX5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic LX10 and the Panasonic LX5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The LX10 can be obtained in two different colors (black, silver), while the LX5 is also available in two color-versions, but different ones (black, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX5 is notably larger (12 percent) than the Panasonic LX10. However, the LX5 is markedly lighter (13 percent) than the LX10. In this context, it is worth noting that neither the LX10 nor the LX5 are weather-sealed.
Concerning battery life, the LX10 gets 260 shots out of its DMW-BLH7 battery, while the LX5 can take 400 images on a single charge of its DMW-BCJ13 power pack. The power pack in the LX10 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic LX10»||4.2 in||2.4 in||1.7 in||10.9 oz||260||n||Sep 2016||699||Panasonic LX10|
|Panasonic LX5«||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499||Panasonic LX5|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||Canon G7 X Mark II|
|Canon G5 X« »||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799||Canon G5 X|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||Canon G7 X|
|Fujifilm X10« »||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599||Fujifilm X10|
|Olympus XZ-1« »||4.4 in||2.6 in||1.7 in||9.7 oz||320||n||Jan 2011||499||Olympus XZ-1|
|Panasonic ZS200« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799||Panasonic ZS200|
|Panasonic ZS70« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||Panasonic ZS70|
|Panasonic ZS100« »||4.4 in||2.6 in||1.7 in||11.0 oz||300||n||Jan 2016||699||Panasonic ZS100|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||Panasonic LX7|
|Panasonic FZ150« »||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||Panasonic FZ150|
|Panasonic GF3« »||4.3 in||2.6 in||1.3 in||9.3 oz||300||n||Jun 2011||549||Panasonic GF3|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||Sony RX100 IV|
|Sony RX100 III« »||4.0 in||2.3 in||1.6 in||10.2 oz||320||n||May 2014||799||Sony RX100 III|
|Sony RX100 II« »||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749||Sony RX100 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX5 was launched at a markedly lower price (by 29 percent) than the LX10, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic LX10 features an one-inch sensor and the Panasonic LX5 a 1/1.7-inch sensor. The sensor area in the LX5 is 60 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 4.4. The sensor in the LX10 has a native 3:2 aspect ratio, while the one in the LX5 offers a 4:3 aspect. Both cameras have the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 20MP, the LX10 offers a higher resolution than the LX5 (10MP), but the LX10 nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 2.14μm for the LX5) due to its larger sensor. Moreover, the LX10 is a much more recent model (by 6 years and 2 months) than the LX5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Panasonic LX10 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the LX10 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Panasonic LX5 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The Panasonic Lumix DMC-LX10 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Panasonic Lumix DMC-LX5 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic LX10||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic LX10|
|Panasonic LX5||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
|Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..||Canon G7 X Mark II|
|Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..||Canon G5 X|
|Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Fujifilm X10||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Olympus XZ-1||1/1.7||10.1||3664||2752||720/30p||18.8||10.4||117||34||Olympus XZ-1|
|Panasonic ZS200||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic ZS200|
|Panasonic ZS70||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Panasonic ZS100||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70||Panasonic ZS100|
|Panasonic LX7||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Panasonic FZ150||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49||Panasonic GF3|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67||Sony RX100 III|
|Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the LX10 provides a higher video resolution than the LX5. It can shoot video footage at 4K/30p, while the LX5 is limited to 720/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The LX10 and the LX5 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the LX5 can be equipped with an optional viewfinder – the DMW-LVF1. The adjacent table lists some of the other core features of the Panasonic LX10 and Panasonic LX5 along with similar information for a selection of comparators.
|Panasonic LX10||none||n||3.0||1040||tilting||Y||1/4000s||10.0||Y||Y||Panasonic LX10|
|Panasonic LX5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
|Canon G7 X Mark II||none||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y||Canon G7 X Mark II|
|Canon G5 X||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y||Canon G5 X|
|Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Fujifilm X10||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Olympus XZ-1||optional||n||3.0||614||fixed||n||1/2000s||2.0||Y||Y||Olympus XZ-1|
|Panasonic ZS200||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Panasonic ZS200|
|Panasonic ZS70||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS70|
|Panasonic ZS100||1166||n||3.0||1040||fixed||Y||1/2000s||10.0||Y||Y||Panasonic ZS100|
|Panasonic LX7||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Panasonic FZ150||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Panasonic GF3||none||n||3.0||460||fixed||Y||1/4000s||3.2||Y||n||Panasonic GF3|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony RX100 III||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 III|
|Sony RX100 II||optional||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 II|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The LX10 has a touchscreen, while the LX5 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The LX10 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the LX5 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the LX10 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic LX10 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the LX10 and the LX5 have zoom lenses built in. The LX10 has a 24-72mm f/1.4-2.8 optic and the LX5 offers a 24-90mm f/2.0-3.3 (focal lengths in full frame equivalent terms). Hence, the LX10 and LX5 provide the same view at the wide-angle end, but the LX5 has more tele-photo reach at the long end. The LX10 offers the faster maximum aperture.
Concerning the storage of imaging data, both the LX10 and the LX5 write their files to SDXC cards. The LX10 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LX5 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX10 and Panasonic Lumix DMC-LX5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic LX10||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic LX10|
|Panasonic LX5||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
|Canon G7 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon G5 X||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G5 X|
|Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Fujifilm X10||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Olympus XZ-1||Y||mono||none||-||-||mini||2.0||-||-||-||Olympus XZ-1|
|Panasonic ZS200||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic ZS200|
|Panasonic ZS70||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Panasonic ZS100||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS100|
|Panasonic LX7||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Panasonic FZ150||Y||stereo||none||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Panasonic GF3||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF3|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony RX100 III||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 III|
|Sony RX100 II||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
It is notable that the LX10 offers wifi support, while the LX5 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The LX10 is a recent model that features in the current product line-up of Panasonic. In contrast, the LX5 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the LX5 was succeeded by the Panasonic LX7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So what conclusions can be drawn? Is the Panasonic LX10 better than the Panasonic LX5 or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Panasonic Lumix DMC-LX10:
- More detail: Offers more megapixels (20 vs 10MP) with a 44% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 720/60p).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 2.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/2.0).
- More compact: Is smaller (106x60mm vs 110x65mm) and thus needs less room in the bag.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 6 years and 2 months of technical progress since the LX5 launch.
Advantages of the Panasonic Lumix DMC-LX5:
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Less heavy: Has a lower weight (by 39g or 13 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (400 versus 260) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More affordable: Was introduced into a lower priced category (29 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in July 2010).
If the count of relative strengths (bullet points above) is taken as a measure, the LX10 is the clear winner of the match-up (18 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic LX10 and the Panasonic LX5 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the LX10 or the LX5. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 10D vs Panasonic LX5
- Canon 40D vs Panasonic LX10
- Canon T1i vs Panasonic LX5
- Canon T6 vs Panasonic LX5
- Leica Q2 vs Panasonic LX10
- Leica X-U Typ 113 vs Panasonic LX10
- Nikon D3X vs Panasonic LX5
- Nikon D5300 vs Panasonic LX10
- Nikon D70s vs Panasonic LX5
- Olympus TG-6 vs Panasonic LX10
- Panasonic LX10 vs Sony A6300
- Panasonic LX5 vs Sony A850
Specifications: Panasonic LX10 vs Panasonic LX5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic LX10||Panasonic LX5|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-72mm f/1.4-2.8||24-90mm f/2.0-3.3|
|Launch Date||September 2016||July 2010|
|Launch Price||USD 699||USD 499|
|Sensor Specs||Panasonic LX10||Panasonic LX5|
|Sensor Format||1" Sensor||1/1.7" Sensor|
|Sensor Size||13.2 x 8.8 mm||7.85 x 5.89 mm|
|Sensor Area||116.16 mm2||46.2365 mm2|
|Sensor Diagonal||15.9 mm||9.8 mm|
|Sensor Resolution||20 Megapixels||10 Megapixels|
|Image Resolution||5472 x 3648 pixels||3648 x 2736 pixels|
|Pixel Pitch||2.41 μm||2.14 μm|
|Pixel Density||17.18 MP/cm2||21.59 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||720/60p Video|
|ISO Setting||125-12800 ISO||80-3200 ISO|
|ISO Boost||80-25600 ISO||80-12800 ISO|
|Image Processor||Venus||Venus FHD|
|DXO Sensor Quality (score)||..||41|
|DXO Color Depth (bits)||..||19.6|
|DXO Dynamic Range (EV)||..||10.8|
|DXO Low Light (ISO)||..||132|
|Screen Specs||Panasonic LX10||Panasonic LX5|
|Viewfinder Type||No viewfinder||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic LX10||Panasonic LX5|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||10 shutter flaps/s||2.5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic LX10||Panasonic LX5|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Panasonic LX10||Panasonic LX5|
|Battery Life (CIPA)||260 shots per charge||400 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
106 x 60 x 42 mm
(4.2 x 2.4 x 1.7 in)
110 x 65 x 43 mm
(4.3 x 2.6 x 1.7 in)
|Camera Weight||310 g (10.9 oz)||271 g (9.6 oz)|
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