Panasonic LF1 vs Sony NEX-5R
The Panasonic Lumix DMC-LF1 and the Sony Alpha NEX-5R are two digital cameras that were announced, respectively, in April 2013 and August 2012. The LF1 is a fixed lens compact, while the NEX-5R is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.7-inch (LF1) and an APS-C (NEX-5R) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LF1 and the Sony Alpha NEX-5R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic LF1 and the Sony NEX-5R. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The NEX-5R can be obtained in two different colors (black, silver), while the LF1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-5R is somewhat larger (3 percent) than the Panasonic LF1. In this context, it is worth noting that neither the LF1 nor the NEX-5R are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LF1 has a lens built in, whereas the NEX-5R is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-5R and their specifications in the Sony E-Mount Lens Catalog.
The power pack in the LF1 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic LF1||103 mm||62 mm||28 mm||192 g||250||n||Apr 2013||499|
|2.||Sony NEX-5R||111 mm||59 mm||39 mm||276 g||330||n||Aug 2012||749|
|3.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|4.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449|
|5.||Canon G15||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499|
|6.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|7.||Fujifilm XQ1||100 mm||59 mm||33 mm||206 g||240||n||Oct 2013||499|
|8.||Nikon P7800||119 mm||78 mm||50 mm||399 g||350||n||Sep 2013||549|
|9.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|10.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499|
|11.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|12.||Pentax MX-1||122 mm||61 mm||51 mm||391 g||290||n||Jan 2013||499|
|13.||Ricoh GR||117 mm||61 mm||35 mm||245 g||290||n||Apr 2013||799|
|14.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499|
|15.||Sony NEX-5T||111 mm||59 mm||39 mm||276 g||330||n||Aug 2013||699|
|16.||Sony NEX-5N||111 mm||59 mm||38 mm||269 g||460||n||Aug 2011||699|
|17.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LF1 was launched at a lower price than the NEX-5R, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic LF1 features a 1/1.7-inch sensor and the Sony NEX-5R an APS-C sensor. The sensor area in the NEX-5R is 749 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.5 and 1.5. The sensor in the LF1 has a native 4:3 aspect ratio, while the one in the NEX-5R offers a 3:2 aspect.
With 16MP, the NEX-5R offers a higher resolution than the LF1 (12MP), but the NEX-5R nevertheless has larger individual pixels (pixel pitch of 4.78μm versus 1.89μm for the LF1) due to its larger sensor. However, the LF1 is a somewhat more recent model (by 7 months) than the NEX-5R, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony NEX-5R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-5R for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inches or 62.4 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.9 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inches or 41.6 x 27.6 cm. The corresponding values for the Panasonic LF1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-LF1 has a native sensitivity range from ISO 80 to ISO 6400, which can be extended to ISO 80-12800. The corresponding ISO settings for the Sony Alpha NEX-5R are ISO 100 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the NEX-5R offers substantially better image quality than the LF1 (overall score 26 points higher). The advantage is based on 2.9 bits higher color depth, 1.5 EV in additional dynamic range, and 2.1 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|10.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60i).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the LF1 has an electronic viewfinder (200k dots), which can be very helpful when shooting in bright sunlight. In contrast, the NEX-5R relies on live view and the rear LCD for framing. That said, the NEX-5R can be equipped with an optional viewfinder – the FDA-EV1S. The following table reports on some other key feature differences and similarities of the Panasonic LF1, the Sony NEX-5R, and comparable cameras.
|1.||Panasonic LF1||200||n||3.0 / 920||fixed||n||1/4000s||10.0/s||Y||Y|
|2.||Sony NEX-5R||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0/s||n||n|
|3.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2/s||Y||Y|
|4.||Canon S120||none||n||3.0 / 922||fixed||Y||1/2000s||12.1/s||Y||Y|
|5.||Canon G15||optical||n||3.0 / 922||fixed||n||1/4000s||2.1/s||Y||Y|
|6.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2/s||Y||Y|
|7.||Fujifilm XQ1||none||n||3.0 / 920||fixed||n||1/4000s||12.0/s||Y||Y|
|8.||Nikon P7800||921||n||3.0 / 921||swivel||n||1/4000s||8.0/s||Y||Y|
|9.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0/s||Y||Y|
|10.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0/s||Y||n|
|11.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|12.||Pentax MX-1||none||n||3.0 / 920||tilting||n||1/8000s||1.0/s||Y||Y|
|13.||Ricoh GR||optional||n||3.0 / 1230||fixed||n||1/4000s||4.0/s||Y||n|
|14.||Sony NEX-3N||optional||n||3.0 / 460||tilting||n||1/4000s||4.0/s||Y||n|
|15.||Sony NEX-5T||optional||n||3.0 / 922||tilting||Y||1/4000s||10.0/s||n||n|
|16.||Sony NEX-5N||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0/s||n||n|
|17.||Sony NEX-3||optional||n||3.0 / 920||tilting||n||1/4000s||7.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The LF1 has one, while the NEX-5R does not. While the built-in flash of the LF1 is not very powerful, it can at times be useful as a fill-in light.The NEX-5R has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the LF1 does not have a selfie-screen.
The LF1 writes its imaging data to SDXC cards, while the NEX-5R uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LF1 and Sony Alpha NEX-5R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic LF1||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|2.||Sony NEX-5R||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|3.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|4.||Canon S120||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|5.||Canon G15||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|6.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Fujifilm XQ1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Nikon P7800||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|10.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Pentax MX-1||-||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Ricoh GR||Y||mono / mono||-||-||micro||2.0||-||-||-|
|14.||Sony NEX-3N||-||stereo / mono||-||-||micro||2.0||-||-||-|
|15.||Sony NEX-5T||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|16.||Sony NEX-5N||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony NEX-3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the NEX-5R has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The LF1 does not feature such an accessory-socket.
The LF1 is a recent model that features in the current product line-up of Panasonic. In contrast, the NEX-5R has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the NEX-5R was succeeded by the Sony NEX-5T. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what is the bottom line? Is the Panasonic LF1 better than the Sony NEX-5R or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Panasonic Lumix DMC-LF1:
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Ready to shoot: Has a lens built-in, whereas the NEX-5R requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the NEX-5R).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 7 months after the NEX-5R).
Reasons to prefer the Sony Alpha NEX-5R:
- More detail: Has more megapixels (16 vs 12MP), which boosts linear resolution by 18%.
- Better image quality: Scores substantially higher (26 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.9 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.5 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.1 stops ISO advantage).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (330 versus 250) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been on the market for longer (launched in August 2012).
If the number of relative strengths (bullet points above) is taken as a guide, the NEX-5R emerges as the winner of the match-up (12 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic LF1 and the Sony NEX-5R place the cameras among the top in their class? Find out in the latest Best Prime Lens Compact Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the LF1 or the NEX-5R perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic LF1||3/5||+||..||..||4/5||4.5/5||Apr 2013||499|
|2.||Sony NEX-5R||..||..||..||..||4.5/5||4.5/5||Aug 2012||749|
|3.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|4.||Canon S120||..||+ +||..||..||4.5/5||4.5/5||Aug 2013||449|
|5.||Canon G15||4/5||+||..||76/100||4.5/5||4.5/5||Sep 2012||499|
|6.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429|
|7.||Fujifilm XQ1||..||..||..||..||4.5/5||4.5/5||Oct 2013||499|
|8.||Nikon P7800||3/5||..||..||..||4/5||4.5/5||Sep 2013||549|
|9.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599|
|10.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499|
|11.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|12.||Pentax MX-1||3/5||..||..||74/100||4/5||4/5||Jan 2013||499|
|13.||Ricoh GR||5/5||..||..||79/100||4.5/5||4.5/5||Apr 2013||799|
|14.||Sony NEX-3N||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||499|
|15.||Sony NEX-5T||..||..||..||..||4.5/5||4.5/5||Aug 2013||699|
|16.||Sony NEX-5N||3/5||+ +||..||79/100||4.5/5||4.5/5||Aug 2011||699|
|17.||Sony NEX-3||..||..||..||70/100||4.5/5||4/5||May 2010||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 7D vs Panasonic LF1
- Canon G1 X vs Panasonic LF1
- Canon SL2 vs Sony NEX-5R
- Fujifilm X-E1 vs Sony NEX-5R
- Leica X-U Typ 113 vs Panasonic LF1
- Nikon D3400 vs Sony NEX-5R
- Nikon D60 vs Sony NEX-5R
- Olympus E-520 vs Sony NEX-5R
- Panasonic GX800 vs Panasonic LF1
- Panasonic LF1 vs Pentax K-3
- Panasonic LF1 vs Sony H300
- Sony NEX-3N vs Sony NEX-5R
Specifications: Panasonic LF1 vs Sony NEX-5R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic LF1||Sony NEX-5R|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-200mm f/2.0-5.9||Sony E mount lenses|
|Launch Date||April 2013||August 2012|
|Launch Price||USD 499||USD 749|
|Sensor Specs||Panasonic LF1||Sony NEX-5R|
|Sensor Format||1/1.7" Sensor||APS-C Sensor|
|Sensor Size||7.6 x 5.7 mm||23.4 x 15.6 mm|
|Sensor Area||43.32 mm2||365.04 mm2|
|Sensor Diagonal||9.5 mm||28.1 mm|
|Sensor Resolution||12 Megapixels||16 Megapixels|
|Image Resolution||4000 x 3000 pixels||4912 x 3264 pixels|
|Pixel Pitch||1.89 μm||4.78 μm|
|Pixel Density||27.70 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||1080/60i Video|
|ISO Setting||80 - 6,400 ISO||100 - 25,600 ISO|
|ISO Boost||80 - 12,800 ISO||no Enhancement|
|DXO Sensor Quality (score)||52||78|
|DXO Color Depth (bits)||20.8||23.7|
|DXO Dynamic Range (EV)||11.6||13.1|
|DXO Low Light (ISO)||211||910|
|Screen Specs||Panasonic LF1||Sony NEX-5R|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||200k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||920k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Panasonic LF1||Sony NEX-5R|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Panasonic LF1||Sony NEX-5R|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Panasonic LF1||Sony NEX-5R|
|Battery Life (CIPA)||250 shots per charge||330 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
103 x 62 x 28 mm
(4.1 x 2.4 x 1.1 in)
111 x 59 x 39 mm
(4.4 x 2.3 x 1.5 in)
|Camera Weight||192 g (6.8 oz)||276 g (9.7 oz)|
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