Panasonic LF1 vs Sony NEX-3N
The Panasonic Lumix DMC-LF1 and the Sony Alpha NEX-3N are two digital cameras that were announced, respectively, in April 2013 and February 2013. The LF1 is a fixed lens compact, while the NEX-3N is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.7-inch (LF1) and an APS-C (NEX-3N) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LF1 and the Sony Alpha NEX-3N? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Panasonic LF1 and the Sony NEX-3N is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The NEX-3N can be obtained in two different colors (black, white), while the LF1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-3N is notably larger (7 percent) than the Panasonic LF1. In this context, it is worth noting that neither the LF1 nor the NEX-3N are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LF1 has a lens built in, whereas the NEX-3N is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-3N and their specifications in the Sony E-Mount Lens Catalog.
The power pack in the LF1 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic LF1 | 103 mm | 62 mm | 28 mm | 192 g | 250 | n | Apr 2013 | 499 | ebay.com | |
2. | Sony NEX-3N | 110 mm | 62 mm | 35 mm | 269 g | 480 | n | Feb 2013 | 499 | ebay.com | |
3. | Canon G16 | 109 mm | 76 mm | 40 mm | 356 g | 360 | n | Aug 2013 | 549 | ebay.com | |
4. | Canon S120 | 100 mm | 59 mm | 29 mm | 217 g | 230 | n | Aug 2013 | 449 | ebay.com | |
5. | Canon G15 | 107 mm | 76 mm | 40 mm | 352 g | 350 | n | Sep 2012 | 499 | ebay.com | |
6. | Canon SX50 | 123 mm | 87 mm | 106 mm | 595 g | 315 | n | Sep 2012 | 429 | ebay.com | |
7. | Fujifilm XQ1 | 100 mm | 59 mm | 33 mm | 206 g | 240 | n | Oct 2013 | 499 | ebay.com | |
8. | Nikon P7800 | 119 mm | 78 mm | 50 mm | 399 g | 350 | n | Sep 2013 | 549 | ebay.com | |
9. | Panasonic FZ200 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Jul 2012 | 599 | ebay.com | |
10. | Panasonic GF5 | 108 mm | 67 mm | 37 mm | 267 g | 360 | n | Apr 2012 | 499 | ebay.com | |
11. | Panasonic LX7 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Jul 2012 | 499 | ebay.com | |
12. | Pentax MX-1 | 122 mm | 61 mm | 51 mm | 391 g | 290 | n | Jan 2013 | 499 | ebay.com | |
13. | Sony A5000 | 110 mm | 63 mm | 36 mm | 269 g | 420 | n | Jan 2014 | 449 | ebay.com | |
14. | Sony A5100 | 110 mm | 63 mm | 36 mm | 283 g | 400 | n | Aug 2014 | 549 | ebay.com | |
15. | Sony NEX-F3 | 117 mm | 67 mm | 42 mm | 314 g | 470 | n | May 2012 | 599 | ebay.com | |
16. | Sony NEX-3 | 117 mm | 62 mm | 33 mm | 297 g | 330 | n | May 2010 | 599 | ebay.com | |
17. | Sony NEX-5 | 111 mm | 59 mm | 38 mm | 287 g | 330 | n | May 2010 | 699 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic LF1 features a 1/1.7-inch sensor and the Sony NEX-3N an APS-C sensor. The sensor area in the NEX-3N is 749 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.5 and 1.5. The sensor in the LF1 has a native 4:3 aspect ratio, while the one in the NEX-3N offers a 3:2 aspect.
With 16MP, the NEX-3N offers a higher resolution than the LF1 (12MP), but the NEX-3N nevertheless has larger individual pixels (pixel pitch of 4.78μm versus 1.89μm for the LF1) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation.
The resolution advantage of the Sony NEX-3N implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-3N for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inches or 62.4 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.9 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inches or 41.6 x 27.6 cm. The corresponding values for the Panasonic LF1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-LF1 has a native sensitivity range from ISO 80 to ISO 6400, which can be extended to ISO 80-12800. The corresponding ISO settings for the Sony Alpha NEX-3N are ISO 200 to ISO 16000 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the NEX-3N offers substantially better image quality than the LF1 (overall score 22 points higher). The advantage is based on 2 bits higher color depth, 0.9 EV in additional dynamic range, and 2.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic LF1 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60i | 20.8 | 11.6 | 211 | 52 | |
2. | Sony NEX-3N | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 22.8 | 12.5 | 1067 | 74 | |
3. | Canon G16 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.0 | 11.7 | 230 | 54 | |
4. | Canon S120 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.3 | 11.9 | 246 | 56 | |
5. | Canon G15 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/24p | 19.9 | 11.5 | 165 | 46 | |
6. | Canon SX50 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/24p | 20.3 | 11.2 | 179 | 47 | |
7. | Fujifilm XQ1 | 2/3 | 12.0 | 4000 | 3000 | 1080/60p | 20.3 | 11.0 | -390 | 47 | |
8. | Nikon P7800 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/30p | 21.2 | 11.7 | 200 | 54 | |
9. | Panasonic FZ200 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.1 | 10.8 | 114 | 37 | |
10. | Panasonic GF5 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.5 | 10.0 | 573 | 50 | |
11. | Panasonic LX7 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 20.7 | 11.7 | 147 | 50 | |
12. | Pentax MX-1 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/30p | 20.4 | 11.3 | 208 | 49 | |
13. | Sony A5000 | APS-C | 19.8 | 5456 | 3632 | 1080/60i | 23.8 | 13.0 | 1089 | 79 | |
14. | Sony A5100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.8 | 12.7 | 1347 | 80 | |
15. | Sony NEX-F3 | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 22.7 | 12.3 | 1114 | 73 | |
16. | Sony NEX-3 | APS-C | 14.0 | 4592 | 3056 | 720/30p | 22.1 | 12.0 | 830 | 68 | |
17. | Sony NEX-5 | APS-C | 14.0 | 4592 | 3056 | 1080/60i | 22.2 | 12.2 | 796 | 69 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60i).
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the LF1 has an electronic viewfinder (200k dots), which can be very helpful when shooting in bright sunlight. In contrast, the NEX-3N relies on live view and the rear LCD for framing. That said, the NEX-3N can be equipped with an optional viewfinder – the FDA-SV1. The table below summarizes some of the other core capabilities of the Panasonic LF1 and Sony NEX-3N in connection with corresponding information for a sample of similar cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic LF1 | 200 | n | 3.0 / 920 | fixed | n | 1/4000s | 10.0/s | Y | Y | |
2. | Sony NEX-3N | optional | n | 3.0 / 460 | tilting | n | 1/4000s | 4.0/s | Y | n | |
3. | Canon G16 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.2/s | Y | Y | |
4. | Canon S120 | none | n | 3.0 / 922 | fixed | Y | 1/2000s | 12.1/s | Y | Y | |
5. | Canon G15 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.1/s | Y | Y | |
6. | Canon SX50 | 202 | n | 3.0 / 461 | swivel | n | 1/2000s | 2.2/s | Y | Y | |
7. | Fujifilm XQ1 | none | n | 3.0 / 920 | fixed | n | 1/4000s | 12.0/s | Y | Y | |
8. | Nikon P7800 | 921 | n | 3.0 / 921 | swivel | n | 1/4000s | 8.0/s | Y | Y | |
9. | Panasonic FZ200 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
10. | Panasonic GF5 | none | n | 3.0 / 920 | fixed | Y | 1/4000s | 4.0/s | Y | n | |
11. | Panasonic LX7 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
12. | Pentax MX-1 | none | n | 3.0 / 920 | tilting | n | 1/8000s | 1.0/s | Y | Y | |
13. | Sony A5000 | none | n | 3.0 / 461 | tilting | n | 1/4000s | 3.5/s | Y | n | |
14. | Sony A5100 | none | n | 3.0 / 922 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
15. | Sony NEX-F3 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 5.5/s | Y | n | |
16. | Sony NEX-3 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 7.0/s | n | n | |
17. | Sony NEX-5 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 7.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The LF1 writes its imaging data to SDXC cards, while the NEX-3N uses SDXC or Memory Stick PRO Duo cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LF1 and Sony Alpha NEX-3N and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic LF1 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
2. | Sony NEX-3N | - | stereo / mono | - | - | micro | 2.0 | - | - | - | |
3. | Canon G16 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
4. | Canon S120 | - | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
5. | Canon G15 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
6. | Canon SX50 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
7. | Fujifilm XQ1 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
8. | Nikon P7800 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
9. | Panasonic FZ200 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
10. | Panasonic GF5 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
11. | Panasonic LX7 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
12. | Pentax MX-1 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Sony A5000 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
14. | Sony A5100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
15. | Sony NEX-F3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
16. | Sony NEX-3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
17. | Sony NEX-5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - |
It is notable that the LF1 offers wifi support, while the NEX-3N does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the LF1 and the NEX-3N have been discontinued, but can regularly be found used on ebay. The NEX-3N was replaced by the Sony A5000, while the LF1 does not have a direct successor. Further information on the features and operation of the LF1 and NEX-3N can be found, respectively, in the Panasonic LF1 Manual (free pdf) or the online Sony NEX-3N Manual.
Review summary
So how do things add up? Is the Panasonic LF1 better than the Sony NEX-3N or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DMC-LF1:
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- Faster burst: Shoots at higher frequency (10 vs 4 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the NEX-3N requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the NEX-3N).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
Reasons to prefer the Sony Alpha NEX-3N:
- More detail: Has more megapixels (16 vs 12MP), which boosts linear resolution by 18%.
- Better image quality: Scores substantially higher (22 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (0.9 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.3 stops ISO advantage).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (480 versus 250) out of a single battery charge.
If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (9 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic LF1 and the Sony NEX-3N place the cameras among the top in their class? Find out in the latest Best Prime Lens Compact Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the LF1 and the NEX-3N in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic LF1 | 3/5 | + | .. | .. | 4/5 | 4.5/5 | Apr 2013 | 499 | ebay.com | |
2. | Sony NEX-3N | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Feb 2013 | 499 | ebay.com | |
3. | Canon G16 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 549 | ebay.com | |
4. | Canon S120 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 449 | ebay.com | |
5. | Canon G15 | 4/5 | + | .. | 76/100 | 4.5/5 | 4.5/5 | Sep 2012 | 499 | ebay.com | |
6. | Canon SX50 | 3/5 | + + | .. | 72/100 | 4.5/5 | 4.5/5 | Sep 2012 | 429 | ebay.com | |
7. | Fujifilm XQ1 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Oct 2013 | 499 | ebay.com | |
8. | Nikon P7800 | 3/5 | .. | .. | .. | 4/5 | 4.5/5 | Sep 2013 | 549 | ebay.com | |
9. | Panasonic FZ200 | 3/5 | + + | .. | 80/100 | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
10. | Panasonic GF5 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2012 | 499 | ebay.com | |
11. | Panasonic LX7 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Jul 2012 | 499 | ebay.com | |
12. | Pentax MX-1 | 3/5 | .. | .. | 74/100 | 4/5 | 4/5 | Jan 2013 | 499 | ebay.com | |
13. | Sony A5000 | 3/5 | + | .. | .. | 4.5/5 | 4.5/5 | Jan 2014 | 449 | ebay.com | |
14. | Sony A5100 | 4.5/5 | + | .. | .. | 4.5/5 | 5/5 | Aug 2014 | 549 | ebay.com | |
15. | Sony NEX-F3 | 4/5 | .. | .. | 74/100 | 4.5/5 | 4.5/5 | May 2012 | 599 | ebay.com | |
16. | Sony NEX-3 | .. | .. | .. | 70/100 | 4.5/5 | 4/5 | May 2010 | 599 | ebay.com | |
17. | Sony NEX-5 | 3/5 | + + | .. | 71/100 | 4.5/5 | 4/5 | May 2010 | 699 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 7D vs Panasonic LF1
- Canon M5 vs Panasonic LF1
- Canon SX50 vs Panasonic LF1
- Leica M8 vs Panasonic LF1
- Leica V-LUX Typ 114 vs Sony NEX-3N
- Nikon D1 vs Sony NEX-3N
- Panasonic G90 vs Panasonic LF1
- Panasonic GX800 vs Sony NEX-3N
- Panasonic LF1 vs Sony RX100 V
- Panasonic S1 vs Sony NEX-3N
- Pentax Q vs Sony NEX-3N
- Sony NEX-3N vs Sony RX100 V
Specifications: Panasonic LF1 vs Sony NEX-3N
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic LF1 | Sony NEX-3N |
---|---|---|
Camera Type | Fixed lens compact camera | Mirrorless system camera |
Camera Lens | 28-200mm f/2.0-5.9 | Sony E mount lenses |
Launch Date | April 2013 | February 2013 |
Launch Price | USD 499 | USD 499 |
Sensor Specs | Panasonic LF1 | Sony NEX-3N |
Sensor Technology | CMOS | CMOS |
Sensor Format | 1/1.7" Sensor | APS-C Sensor |
Sensor Size | 7.6 x 5.7 mm | 23.4 x 15.6 mm |
Sensor Area | 43.32 mm2 | 365.04 mm2 |
Sensor Diagonal | 9.5 mm | 28.1 mm |
Crop Factor | 4.5x | 1.5x |
Sensor Resolution | 12 Megapixels | 16 Megapixels |
Image Resolution | 4000 x 3000 pixels | 4912 x 3264 pixels |
Pixel Pitch | 1.89 μm | 4.78 μm |
Pixel Density | 27.70 MP/cm2 | 4.39 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/60i Video | 1080/60i Video |
ISO Setting | 80 - 6,400 ISO | 200 - 16,000 ISO |
ISO Boost | 80 - 12,800 ISO | no Enhancement |
Image Processor | Venus | BIONZ |
DXO Sensor Quality (score) | 52 | 74 |
DXO Color Depth (bits) | 20.8 | 22.8 |
DXO Dynamic Range (EV) | 11.6 | 12.5 |
DXO Low Light (ISO) | 211 | 1067 |
Screen Specs | Panasonic LF1 | Sony NEX-3N |
Viewfinder Type | Electronic viewfinder | Viewfinder optional |
Viewfinder Field of View | 100% | |
Viewfinder Resolution | 200k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 920k dots | 460k dots |
LCD Attachment | Fixed screen | Tilting screen |
Shooting Specs | Panasonic LF1 | Sony NEX-3N |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 10 shutter flaps/s | 4 shutter flaps/s |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | no |
Connectivity Specs | Panasonic LF1 | Sony NEX-3N |
External Flash | no Hotshoe | no Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Wifi Support | Wifi built-in | no Wifi |
Near-Field Communication | NFC built-in | no NFC |
Body Specs | Panasonic LF1 | Sony NEX-3N |
Battery Type | Panasonic DMW-BCN10 | Sony NP-FW50 |
Battery Life (CIPA) | 250 shots per charge | 480 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
103 x 62 x 28 mm (4.1 x 2.4 x 1.1 in) |
110 x 62 x 35 mm (4.3 x 2.4 x 1.4 in) |
Camera Weight | 192 g (6.8 oz) | 269 g (9.5 oz) |
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