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Panasonic LF1 vs Sony A6500

The Panasonic Lumix DMC-LF1 and the Sony Alpha A6500 are two digital cameras that were revealed to the public, respectively, in April 2013 and October 2016. The LF1 is a fixed lens compact, while the A6500 is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.7-inch (LF1) and an APS-C (A6500) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Panasonic LF1 versus Sony A6500
Panasonic LF1 Sony A6500
Fixed lens compact camera Mirrorless system camera
28-200mm f/2.0-5.9 Sony E mount lenses
12 MP, 1/1.7" Sensor 24 MP, APS-C Sensor
1080/60i Video 4K/30p Video
ISO 80-6,400 (80 - 12,800) ISO 100-25,600 (100 - 51,200)
Electronic viewfinder (200k dots) Electronic viewfinder (2359k dots)
3.0 LCD, 920k dots 3.0 LCD, 922k dots
Fixed screen (not touch-sensitive) Tilting touchscreen
10 shutter flaps per second 11 shutter flaps per second
Lens-based stabilizationIn-body stabilization
not weather sealedWeathersealed body
250 shots per battery charge350 shots per battery charge
103 x 62 x 28 mm, 192 g 120 x 67 x 53 mm, 453 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LF1 and the Sony Alpha A6500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic LF1 and the Sony A6500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

Size Panasonic LF1 vs Sony A6500
Compare LF1 versus A6500 top
Comparison LF1 or A6500 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is notably larger (26 percent) than the Panasonic LF1. It is noteworthy in this context that the A6500 is splash and dust-proof, while the LF1 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LF1 has a lens built in, whereas the A6500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6500 and their specifications in the Sony E-Mount Lens Catalog.

The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

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Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life 1
Weather
Sealing
Camera
Launch 2
Launch
Price (USD)
Street
Price
 
Panasonic LF1 4.1 in 2.4 in 1.1 in 6.8 oz 250 n Apr 2013 499 i
 
Sony A6500 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399i
 
Canon G16 4.3 in 3.0 in 1.6 in 12.6 oz 360 n Aug 2013 549 i
 
Canon S120 3.9 in 2.3 in 1.1 in 7.7 oz 230 n Aug 2013 449i
 
Canon G15 4.2 in 3.0 in 1.6 in 12.4 oz 350 n Sep 2012 499i
 
Canon SX50 4.8 in 3.4 in 4.2 in 21.0 oz 315 n Sep 2012 429i
 
Fujifilm XQ1 3.9 in 2.3 in 1.3 in 7.3 oz 240 n Oct 2013 499i
 
Nikon P7800 4.7 in 3.1 in 2.0 in 14.1 oz 350 n Sep 2013 549i
 
Panasonic GX8 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199i
 
Panasonic FZ200 4.9 in 3.4 in 4.3 in 20.7 oz 540 n Jul 2012 599i
 
Panasonic GF5 4.3 in 2.6 in 1.5 in 9.4 oz 360 n Apr 2012 499i
 
Panasonic LX7 4.4 in 2.7 in 1.8 in 10.5 oz 330 n Jul 2012 499i
 
Pentax MX-1 4.8 in 2.4 in 2.0 in 13.8 oz 290 n Jan 2013 499i
 
Sony A6600 4.7 in 2.6 in 2.7 in 17.7 oz 810 Y Aug 2019 1,399 i
 
Sony A6300 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999i
 
Sony A77 5.6 in 4.1 in 3.2 in 25.8 oz 470 Y Aug 2011 1,399i
 
Sony NEX-7 4.7 in 2.6 in 1.7 in 14.1 oz 430 n Aug 2011 1,349i
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LF1 was launched at a lower price than the A6500, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

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Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic LF1 features a 1/1.7-inch sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 753 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.5 and 1.5. The sensor in the LF1 has a native 4:3 aspect ratio, while the one in the A6500 offers a 3:2 aspect.

In terms of underlying technology, both cameras are build around CMOS sensors.

Panasonic LF1 and Sony A6500 sensor measures

With 24MP, the A6500 offers a higher resolution than the LF1 (12MP), but the A6500 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 1.89μm for the LF1) due to its larger sensor. Moreover, the A6500 is a much more recent model (by 3 years and 5 months) than the LF1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony A6500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6500 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic LF1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The A6500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-LF1 has a native sensitivity range from ISO 80 to ISO 6400, which can be extended to ISO 80-12800. The corresponding ISO settings for the Sony Alpha A6500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.

LF1 versus A6500 MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A6500 offers substantially better image quality than the LF1 (overall score 33 points higher). The advantage is based on 3.7 bits higher color depth, 2.1 EV in additional dynamic range, and 2.7 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

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Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
 
Panasonic LF1 1/1.7 12.0 4000 30001080/60i20.811.621152
 
Sony A6500 APS-C 24.0 6000 40004K/30p24.513.7140585
 
Canon G16 1/1.7 12.0 4000 30001080/60p21.011.723054
 
Canon S120 1/1.7 12.0 4000 30001080/60p21.311.924656
 
Canon G15 1/1.7 12.0 4000 30001080/24p19.911.516546
 
Canon SX50 1/2.3 12.0 4000 30001080/24p20.311.217947
 
Fujifilm XQ1 2/3 12.0 4000 30001080/60p........
 
Nikon P7800 1/1.7 12.0 4000 30001080/30p21.211.720054
 
Panasonic GX8 Four Thirds 20.2 5184 38884K/30p23.512.680675
 
Panasonic FZ200 1/2.3 12.0 4000 30001080/60p19.110.811437
 
Panasonic GF5 Four Thirds 12.0 4000 30001080/60i21.411.661861
 
Panasonic LX7 1/1.7 10.0 3648 27361080/60p20.711.714750
 
Pentax MX-1 1/1.7 12.0 4000 30001080/30p20.411.320849
 
Sony A6600 APS-C 24.0 6000 40004K/30p23.813.4149782
 
Sony A6300 APS-C 24.0 6000 40004K/30p24.413.7143785
 
Sony A77 APS-C 24.0 6000 40001080/60p24.013.280178
 
Sony NEX-7 APS-C 24.0 6000 40001080/60i24.113.4101681

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A6500 provides a better video resolution than the LF1. It can shoot movie footage at 4K/30p, while the Panasonic is limited to 1080/60i.

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Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A6500 offers a substantially higher resolution than the one in the LF1 (2359k vs 200k dots). The following table reports on some other key feature differences and similarities of the Panasonic LF1, the Sony A6500, and comparable cameras.

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Core Features
  Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
(000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
 
Panasonic LF1200 n 3.0 920 fixed n 1/4000s 10.0 Y Y
 
Sony A65002359 n 3.0 922 tilting Y 1/4000s 11.0 Y Y
 
Canon G16optical n 3.0 922 fixed n 1/4000s 2.2 Y Y
 
Canon S120none n 3.0 922 fixed Y 1/2000s 12.1 Y Y
 
Canon G15optical n 3.0 922 fixed n 1/4000s 2.1 Y Y
 
Canon SX50202 n 3.0 461 swivel n 1/2000s 2.2 Y Y
 
Fujifilm XQ1none n 3.0 920 fixed n 1/4000s 12.0 Y Y
 
Nikon P7800921 n 3.0 921 swivel n 1/4000s 8.0 Y Y
 
Panasonic GX82360 n 3.0 1040 swivel Y 1/8000s 10.0 n Y
 
Panasonic FZ2001312 n 3.0 460 swivel n 1/4000s 12.0 Y Y
 
Panasonic GF5none n 3.0 920 fixed Y 1/4000s 4.0 Y n
 
Panasonic LX7optional n 3.0 920 fixed n 1/4000s 11.0 Y Y
 
Pentax MX-1none n 3.0 920 tilting n 1/8000s 1.0 Y Y
 
Sony A66002359 n 3.0 922 tilting Y 1/4000s 11.0 n Y
 
Sony A63002359 n 3.0 922 tilting n 1/4000s 11.0 Y n
 
Sony A772359 Y 3.0 921 full-flex n 1/8000s 12.0 Y Y
 
Sony NEX-72359 n 3.0 921 tilting n 1/4000s 10.0 Y n

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The A6500 has a touchscreen, while the LF1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The LF1 writes its imaging data to SDXC cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards. The A6500 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LF1 cannot take advantage of Ultra High Speed SD cards.

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Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LF1 and Sony Alpha A6500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
 
Panasonic LF1-stereomono--mini2.0YY-
 
Sony A6500YstereomonoY-micro2.0YY-
 
Canon G16Ystereomono--mini2.0Y--
 
Canon S120-stereomono--mini2.0Y--
 
Canon G15Ystereomono--mini2.0---
 
Canon SX50Ystereomono--mini2.0---
 
Fujifilm XQ1-stereomono--micro2.0Y--
 
Nikon P7800YstereomonoY-mini2.0---
 
Panasonic GX8YstereomonoY-micro2.0YY-
 
Panasonic FZ200YstereomonoY-mini2.0---
 
Panasonic GF5-stereomono--mini2.0---
 
Panasonic LX7Ystereomono--mini2.0---
 
Pentax MX-1-stereomono--mini2.0---
 
Sony A6600YstereomonoYYYES2.0YYY
 
Sony A6300YstereomonoY-micro2.0YY-
 
Sony A77YstereomonoY-mini2.0---
 
Sony NEX-7YstereomonoY-mini2.0---

It is notable that the A6500 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The LF1 does not feature such a mic input.

The LF1 is a recent model that features in the current product line-up of Panasonic. In contrast, the A6500 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the A6500 was succeeded by the Sony A6600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.

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Review summary

So what conclusions can be drawn? Is there a clear favorite between the Panasonic LF1 and the Sony A6500? Which camera is better? The listing below highlights the relative strengths of the two models.

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Reasons to prefer the Panasonic Lumix DMC-LF1:

  • Ready to shoot: Has a lens built-in, whereas the A6500 requires a separate lens.
  • More compact: Is smaller (103x62mm vs 120x67mm) and thus needs less room in the bag.
  • Less heavy: Is lighter even though it comes with a built-in lens (unlike the A6500).
  • More affordable: Was introduced at a lower price, despite coming with a built-in lens.
  • More heavily discounted: Has been available for much longer (launched in April 2013).

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Arguments in favor of the Sony Alpha A6500:

  • More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
  • Better image quality: Scores substantially higher (33 points) in the DXO overall evaluation.
  • Richer colors: Generates noticeably more natural colors (3.7 bits more color depth).
  • More dynamic range: Captures a broader range of light and dark details (2.1 EV of extra DR).
  • Better low-light sensitivity: Can shoot in dim conditions (2.7 stops ISO advantage).
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
  • Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • More detailed viewfinder: Has higher resolution electronic viewfinder (2359k vs 200k dots).
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
  • Longer lasting: Gets more shots (350 versus 250) out of a single battery charge.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
  • Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
  • More modern: Reflects 3 years and 5 months of technical progress since the LF1 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the A6500 is the clear winner of the contest (18 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

LF1 05:18 A6500

How about other alternatives? Do the specifications of the Panasonic LF1 and the Sony A6500 place the cameras among the top in their class? Find out in the latest Best Prime Lens Compact Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the LF1 or the A6500. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Review Scores
  Camera
Model
camera
  labs  
dp
review  
ephoto
  zine  
imaging
resource
photography
  blog  
Camera
Launch
Launch
Price (USD)
Street
Price
 
Panasonic LF1+..4/5..4.5/5 Apr 2013 499 i
 
Sony A6500+ +85/1004.5/55/54.5/5 Oct 2016 1,399i
 
Canon G16+..4.5/54.5/54.5/5 Aug 2013 549 i
 
Canon S120+ +..4.5/5o4.5/5 Aug 2013 449i
 
Canon G15+76/1004.5/54.5/54.5/5 Sep 2012 499i
 
Canon SX50+ +72/1004.5/5..4.5/5 Sep 2012 429i
 
Fujifilm XQ1....4.5/5..4.5/5 Oct 2013 499i
 
Nikon P7800....4/53.5/54.5/5 Sep 2013 549i
 
Panasonic GX8+82/1004.5/55/54.5/5 Jul 2015 1,199i
 
Panasonic FZ200+ +80/1004.5/54.5/54.5/5 Jul 2012 599i
 
Panasonic GF5....4.5/54/54.5/5 Apr 2012 499i
 
Panasonic LX7+ +75/1004/55/54.5/5 Jul 2012 499i
 
Pentax MX-1..74/1004/53.5/54/5 Jan 2013 499i
 
Sony A6600+83/1004.5/5..4/5 Aug 2019 1,399 i
 
Sony A6300+85/1005/55/55/5 Feb 2016 999i
 
Sony A7791/10081/100..4.5/55/5 Aug 2011 1,399i
 
Sony NEX-7+ +81/1004.5/55/55/5 Aug 2011 1,349i
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Panasonic LF1:
Check Amazon price
Sony A6500:
Check Ebay offers

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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    Specifications: Panasonic LF1 vs Sony A6500

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Panasonic LF1 Sony A6500
    Camera Type Fixed lens compact camera Mirrorless system camera
    Camera Lens 28-200mm f/2.0-5.9 Sony E mount lenses
    Launch Date April 2013 October 2016
    Launch Price USD 499 USD 1,399
    Sensor Specs Panasonic LF1 Sony A6500
    Sensor Technology CMOS CMOS
    Sensor Format 1/1.7" Sensor APS-C Sensor
    Sensor Size 7.6 x 5.7 mm 23.5 x 15.6 mm
    Sensor Area 43.32 mm2 366.6 mm2
    Sensor Diagonal 9.5 mm 28.2 mm
    Crop Factor 4.5x 1.5x
    Sensor Resolution 12 Megapixels 24 Megapixels
    Image Resolution 4000 x 3000 pixels 6000 x 4000 pixels
    Pixel Pitch 1.89 μm 3.91 μm
    Pixel Density 27.70 MP/cm2 6.55 MP/cm2
    Moiré control Anti-Alias filter Anti-Alias filter
    Movie Capability 1080/60i Video 4K/30p Video
    ISO Setting 80 - 6,400 ISO 100 - 25,600 ISO
    ISO Boost 80 - 12,800 ISO 100 - 51,200 ISO
    Image Processor Venus BIONZ X
    DXO Sensor Quality (score) 52 85
    DXO Color Depth (bits) 20.8 24.5
    DXO Dynamic Range (EV) 11.6 13.7
    DXO Low Light (ISO) 211 1405
    Screen Specs Panasonic LF1 Sony A6500
    Viewfinder Type Electronic viewfinder Electronic viewfinder
    Viewfinder Field of View 100% 100%
    Viewfinder Magnification 0.70x
    Viewfinder Resolution 200k dots 2359k dots
    LCD Framing Live View Live View
    Rear LCD Size 3.0inch 3.0inch
    LCD Resolution 920k dots 922k dots
    LCD Attachment Fixed screen Tilting screen
    Touch Input no Touchscreen Touchscreen
    Shooting Specs Panasonic LF1 Sony A6500
    Focus System Contrast-detect AF On-Sensor Phase-detect
    Manual Focusing Aidno Peaking FeatureFocus Peaking
    Max Shutter Speed (mechanical) 1/4000s 1/4000s
    Continuous Shooting 10 shutter flaps/s 11 shutter flaps/s
    Electronic Shutterno E-ShutterYES
    Image StabilizationLens-based stabilizationIn-body stabilization
    Fill Flash Build-in Flash Build-in Flash
    Storage Medium SDXC cards MS or SDXC cards
    Second Storage Option Single card slot Single card slot
    UHS card support no UHS-I
    Connectivity Specs Panasonic LF1 Sony A6500
    External Flash no Hotshoe Hotshoe
    USB Connector USB 2.0 USB 2.0
    HDMI Port mini HDMI micro HDMI
    Microphone Port no MIC socket External MIC port
    Wifi Support Wifi built-in Wifi built-in
    Near-Field Communication NFC built-in NFC built-in
    Body Specs Panasonic LF1 Sony A6500
    Environmental Sealingnot weather sealedWeathersealed body
    Battery Type DMW-BCN10 NP-FW50
    Battery Life (CIPA)250 shots per charge350 shots per charge
    In-Camera Charging USB charging USB charging
    Body Dimensions 103 x 62 x 28 mm
    (4.1 x 2.4 x 1.1 in)
    120 x 67 x 53 mm
    (4.7 x 2.6 x 2.1 in)
    Camera Weight 192 g (6.8 oz) 453 g (16.0 oz)

    Did you notice an error on this page? If so, please get in touch, so that we can correct the information.

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