Panasonic LF1 vs S1H
The Panasonic Lumix DMC-LF1 and the Panasonic Lumix DC-S1H are two digital cameras that were announced, respectively, in April 2013 and May 2019. The LF1 is a fixed lens compact, while the S1H is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.7-inch (LF1) and a full frame (S1H) sensor. The LF1 has a resolution of 12 megapixels, whereas the S1H provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LF1 and the Panasonic Lumix DC-S1H? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Panasonic LF1 and the Panasonic S1H is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1H is considerably larger (170 percent) than the Panasonic LF1. It is noteworthy in this context that the S1H is splash and dust-proof, while the LF1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LF1 has a lens built in, whereas the S1H is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic LF1 | 103 mm | 62 mm | 28 mm | 192 g | 250 | n | Apr 2013 | 499 | ebay.com | |
2. | Panasonic S1H | 151 mm | 114 mm | 110 mm | 1052 g | 400 | Y | May 2019 | 3,999 | amazon.com | |
3. | Canon G15 | 107 mm | 76 mm | 40 mm | 352 g | 350 | n | Sep 2012 | 499 | ebay.com | |
4. | Canon G16 | 109 mm | 76 mm | 40 mm | 356 g | 360 | n | Aug 2013 | 549 | ebay.com | |
5. | Canon S120 | 100 mm | 59 mm | 29 mm | 217 g | 230 | n | Aug 2013 | 449 | ebay.com | |
6. | Canon SX50 | 123 mm | 87 mm | 106 mm | 595 g | 315 | n | Sep 2012 | 429 | ebay.com | |
7. | Fujifilm XQ1 | 100 mm | 59 mm | 33 mm | 206 g | 240 | n | Oct 2013 | 499 | ebay.com | |
8. | Leica SL2-S | 146 mm | 107 mm | 83 mm | 931 g | 510 | Y | Dec 2020 | 4,895 | amazon.com | |
9. | Nikon P7800 | 119 mm | 78 mm | 50 mm | 399 g | 350 | n | Sep 2013 | 549 | ebay.com | |
10. | Panasonic FZ200 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Jul 2012 | 599 | ebay.com | |
11. | Panasonic GF5 | 108 mm | 67 mm | 37 mm | 267 g | 360 | n | Apr 2012 | 499 | ebay.com | |
12. | Panasonic LX7 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Jul 2012 | 499 | ebay.com | |
13. | Panasonic S1 | 149 mm | 110 mm | 97 mm | 1017 g | 400 | Y | Feb 2019 | 2,499 | amazon.com | |
14. | Panasonic S1R | 149 mm | 110 mm | 97 mm | 1016 g | 380 | Y | Feb 2019 | 3,699 | amazon.com | |
15. | Panasonic S5 | 133 mm | 98 mm | 82 mm | 714 g | 440 | Y | Sep 2020 | 1,999 | amazon.com | |
16. | Pentax MX-1 | 122 mm | 61 mm | 51 mm | 391 g | 290 | n | Jan 2013 | 499 | ebay.com | |
17. | Sigma fp | 113 mm | 70 mm | 45 mm | 422 g | 280 | Y | Jul 2019 | 1,899 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The LF1 was launched at a lower price than the S1H, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic LF1 features a 1/1.7-inch sensor and the Panasonic S1H a full frame sensor. The sensor area in the S1H is 1870 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.5 and 1.0. The sensor in the LF1 has a native 4:3 aspect ratio, while the one in the S1H offers a 3:2 aspect.
With 24MP, the S1H offers a higher resolution than the LF1 (12MP), but the S1H nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 1.89μm for the LF1) due to its larger sensor. Moreover, the S1H is a much more recent model (by 6 years and 1 month) than the LF1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Panasonic S1H implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1H for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic LF1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
Unlike the LF1, the S1H has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DMC-LF1 has a native sensitivity range from ISO 80 to ISO 6400, which can be extended to ISO 80-12800. The corresponding ISO settings for the Panasonic Lumix DC-S1H are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic LF1 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60i | 20.8 | 11.6 | 211 | 52 | |
2. | Panasonic S1H | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.2 | 14.2 | 2805 | 94 | |
3. | Canon G15 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/24p | 19.9 | 11.5 | 165 | 46 | |
4. | Canon G16 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.0 | 11.7 | 230 | 54 | |
5. | Canon S120 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.3 | 11.9 | 246 | 56 | |
6. | Canon SX50 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/24p | 20.3 | 11.2 | 179 | 47 | |
7. | Fujifilm XQ1 | 2/3 | 12.0 | 4000 | 3000 | 1080/60p | 20.3 | 11.0 | -390 | 47 | |
8. | Leica SL2-S | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.2 | 14.1 | 3504 | 95 | |
9. | Nikon P7800 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/30p | 21.2 | 11.7 | 200 | 54 | |
10. | Panasonic FZ200 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.1 | 10.8 | 114 | 37 | |
11. | Panasonic GF5 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.5 | 10.0 | 573 | 50 | |
12. | Panasonic LX7 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 20.7 | 11.7 | 147 | 50 | |
13. | Panasonic S1 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.2 | 14.5 | 3333 | 95 | |
14. | Panasonic S1R | Full Frame | 46.7 | 8368 | 5584 | 4K/60p | 26.4 | 14.1 | 3525 | 100 | |
15. | Panasonic S5 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.1 | 14.5 | 2697 | 94 | |
16. | Pentax MX-1 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/30p | 20.4 | 11.3 | 208 | 49 | |
17. | Sigma fp | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.2 | 14.2 | 2829 | 94 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the S1H provides a better video resolution than the LF1. It can shoot movie footage at 6K/30p, while the LF1 is limited to 1080/60i.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the S1H offers a substantially higher resolution than the one in the LF1 (5760k vs 200k dots). The table below summarizes some of the other core capabilities of the Panasonic LF1 and Panasonic S1H in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic LF1 | 200 | n | 3.0 / 920 | fixed | n | 1/4000s | 10.0/s | Y | Y | |
2. | Panasonic S1H | 5760 | Y | 3.2 / 2330 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
3. | Canon G15 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.1/s | Y | Y | |
4. | Canon G16 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.2/s | Y | Y | |
5. | Canon S120 | none | n | 3.0 / 922 | fixed | Y | 1/2000s | 12.1/s | Y | Y | |
6. | Canon SX50 | 202 | n | 3.0 / 461 | swivel | n | 1/2000s | 2.2/s | Y | Y | |
7. | Fujifilm XQ1 | none | n | 3.0 / 920 | fixed | n | 1/4000s | 12.0/s | Y | Y | |
8. | Leica SL2-S | 5760 | Y | 3.2 / 2100 | fixed | Y | 1/8000s | 20.0/s | n | Y | |
9. | Nikon P7800 | 921 | n | 3.0 / 921 | swivel | n | 1/4000s | 8.0/s | Y | Y | |
10. | Panasonic FZ200 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
11. | Panasonic GF5 | none | n | 3.0 / 920 | fixed | Y | 1/4000s | 4.0/s | Y | n | |
12. | Panasonic LX7 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
13. | Panasonic S1 | 5760 | Y | 3.2 / 2100 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
14. | Panasonic S1R | 5760 | Y | 3.2 / 2100 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
15. | Panasonic S5 | 2360 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 7.0/s | n | Y | |
16. | Pentax MX-1 | none | n | 3.0 / 920 | tilting | n | 1/8000s | 1.0/s | Y | Y | |
17. | Sigma fp | optional | n | 3.2 / 2100 | fixed | Y | 1/8000s | 12.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The LF1 has one, while the S1H does not. While the built-in flash of the LF1 is not very powerful, it can at times be useful as a fill-in light.
The S1H has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the LF1 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1H is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic S1H has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the LF1 and the S1H write their files to SDXC cards. The S1H features dual card slots, which can be very useful in case a memory card fails. In contrast, the LF1 only has one slot. The S1H supports UHS-II cards (on both slots), while the LF1 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LF1 and Panasonic Lumix DC-S1H and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic LF1 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
2. | Panasonic S1H | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
3. | Canon G15 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
4. | Canon G16 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
5. | Canon S120 | - | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
6. | Canon SX50 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
7. | Fujifilm XQ1 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
8. | Leica SL2-S | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
9. | Nikon P7800 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
10. | Panasonic FZ200 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
11. | Panasonic GF5 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
12. | Panasonic LX7 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic S1 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
14. | Panasonic S1R | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
15. | Panasonic S5 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
16. | Pentax MX-1 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
17. | Sigma fp | Y | stereo / mono | Y | - | micro | 3.1 | - | - | - |
It is notable that the S1H has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The LF1 does not feature such a mic input.
Studio photographers will appreciate that the Panasonic S1H (unlike the LF1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The S1H is a recent model that features in the current product line-up of Panasonic. In contrast, the LF1 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the LF1 from Panasonic. Further information on the features and operation of the LF1 and S1H can be found, respectively, in the Panasonic LF1 Manual (free pdf) or the online Panasonic S1H Manual.
Review summary
So how do things add up? Is the Panasonic LF1 better than the Panasonic S1H or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DMC-LF1:
- Ready to shoot: Has a lens built-in, whereas the S1H requires a separate lens.
- More compact: Is smaller (103x62mm vs 151x114mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the S1H).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in April 2013).
Advantages of the Panasonic Lumix DC-S1H:
- More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (6K/30p vs 1080/60i).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 200k dots).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2330k vs 920k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (400 versus 250) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 6 years and 1 month of technical progress since the LF1 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the S1H is the clear winner of the contest (30 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic LF1 and the Panasonic S1H place the cameras among the top in their class? Find out in the latest Best Prime Lens Compact Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the LF1 and the S1H in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic LF1 | 3/5 | + | .. | .. | 4/5 | 4.5/5 | Apr 2013 | 499 | ebay.com | |
2. | Panasonic S1H | .. | .. | 4/5 | 90/100 | .. | .. | May 2019 | 3,999 | amazon.com | |
3. | Canon G15 | 4/5 | + | .. | 76/100 | 4.5/5 | 4.5/5 | Sep 2012 | 499 | ebay.com | |
4. | Canon G16 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 549 | ebay.com | |
5. | Canon S120 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 449 | ebay.com | |
6. | Canon SX50 | 3/5 | + + | .. | 72/100 | 4.5/5 | 4.5/5 | Sep 2012 | 429 | ebay.com | |
7. | Fujifilm XQ1 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Oct 2013 | 499 | ebay.com | |
8. | Leica SL2-S | 4/5 | .. | 4/5 | .. | 4.5/5 | 4.5/5 | Dec 2020 | 4,895 | amazon.com | |
9. | Nikon P7800 | 3/5 | .. | .. | .. | 4/5 | 4.5/5 | Sep 2013 | 549 | ebay.com | |
10. | Panasonic FZ200 | 3/5 | + + | .. | 80/100 | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
11. | Panasonic GF5 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2012 | 499 | ebay.com | |
12. | Panasonic LX7 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Jul 2012 | 499 | ebay.com | |
13. | Panasonic S1 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4/5 | Feb 2019 | 2,499 | amazon.com | |
14. | Panasonic S1R | 4.5/5 | .. | 4.6/5 | 89/100 | 4.5/5 | 4.5/5 | Feb 2019 | 3,699 | amazon.com | |
15. | Panasonic S5 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4.5/5 | Sep 2020 | 1,999 | amazon.com | |
16. | Pentax MX-1 | 3/5 | .. | .. | 74/100 | 4/5 | 4/5 | Jan 2013 | 499 | ebay.com | |
17. | Sigma fp | 4/5 | .. | 4/5 | .. | 4/5 | 4.5/5 | Jul 2019 | 1,899 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon M10 vs Panasonic LF1
- Fujifilm X70 vs Panasonic LF1
- Hasselblad X1D vs Panasonic S1H
- Leica M10-P vs Panasonic LF1
- Leica V-LUX 5 vs Panasonic LF1
- Leica X Typ 113 vs Panasonic LF1
- Olympus E-M10 II vs Panasonic LF1
- Olympus E-P2 vs Panasonic S1H
- Panasonic FZ200 vs Panasonic S1H
- Panasonic GH5 II vs Panasonic S1H
- Panasonic S1H vs Pentax 645D
- Panasonic S1H vs Sony HX350
Specifications: Panasonic LF1 vs Panasonic S1H
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic LF1 | Panasonic S1H |
---|---|---|
Camera Type | Fixed lens compact camera | Mirrorless system camera |
Camera Lens | 28-200mm f/2.0-5.9 | Leica L mount lenses |
Launch Date | April 2013 | May 2019 |
Launch Price | USD 499 | USD 3,999 |
Sensor Specs | Panasonic LF1 | Panasonic S1H |
Sensor Technology | CMOS | CMOS |
Sensor Format | 1/1.7" Sensor | Full Frame Sensor |
Sensor Size | 7.6 x 5.7 mm | 35.6 x 23.8 mm |
Sensor Area | 43.32 mm2 | 847.28 mm2 |
Sensor Diagonal | 9.5 mm | 42.8 mm |
Crop Factor | 4.5x | 1.0x |
Sensor Resolution | 12 Megapixels | 24 Megapixels |
Image Resolution | 4000 x 3000 pixels | 6000 x 4000 pixels |
Pixel Pitch | 1.89 μm | 5.94 μm |
Pixel Density | 27.70 MP/cm2 | 2.83 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/60i Video | 6K/30p Video |
ISO Setting | 80 - 6,400 ISO | 100 - 51,200 ISO |
ISO Boost | 80 - 12,800 ISO | 50 - 204,800 ISO |
Image Processor | Venus | Venus |
DXO Sensor Quality (score) | 52 | .. |
DXO Color Depth (bits) | 20.8 | .. |
DXO Dynamic Range (EV) | 11.6 | .. |
DXO Low Light (ISO) | 211 | .. |
Screen Specs | Panasonic LF1 | Panasonic S1H |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.78x | |
Viewfinder Resolution | 200k dots | 5760k dots |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 920k dots | 2330k dots |
LCD Attachment | Fixed screen | Swivel screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Panasonic LF1 | Panasonic S1H |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
Continuous Shooting | 10 shutter flaps/s | 9 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/8000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Image Stabilization | Lens-based stabilization | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | no | Dual UHS-II |
Connectivity Specs | Panasonic LF1 | Panasonic S1H |
External Flash | no Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 3.1 |
HDMI Port | mini HDMI | full HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | NFC built-in | no NFC |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Panasonic LF1 | Panasonic S1H |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Panasonic DMW-BCN10 | Panasonic DMW-BLJ31 |
Battery Life (CIPA) | 250 shots per charge | 400 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
103 x 62 x 28 mm (4.1 x 2.4 x 1.1 in) |
151 x 114 x 110 mm (5.9 x 4.5 x 4.3 in) |
Camera Weight | 192 g (6.8 oz) | 1052 g (37.1 oz) |
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