Panasonic L10 vs Sony NEX-6
The Panasonic Lumix DMC- L10 and the Sony Alpha NEX-6 are two digital cameras that were officially introduced, respectively, in August 2007 and September 2012. The L10 is a DSLR, while the NEX-6 is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (L10) and an APS-C (NEX-6) sensor. The Panasonic has a resolution of 10 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC- L10 and the Sony Alpha NEX-6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic L10 and the Sony NEX-6. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-6 is considerably smaller (38 percent) than the Panasonic L10. Moreover, the NEX-6 is substantially lighter (38 percent) than the L10. In this context, it is worth noting that neither the L10 nor the NEX-6 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (L10) and the Sony E-Mount Lens Catalog (NEX-6). Mirrorless cameras, such as the NEX-6, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599|
|2.||Sony NEX-6||120 mm||67 mm||43 mm||345 g||360||n||Sep 2012||999|
|3.||Nikon D60||126 mm||94 mm||64 mm||522 g||500||n||Jan 2008||629|
|4.||Nikon D40X||124 mm||94 mm||64 mm||522 g||520||n||Mar 2007||729|
|5.||Olympus E-450||130 mm||91 mm||53 mm||440 g||500||n||Mar 2009||499|
|6.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699|
|7.||Olympus E-420||130 mm||91 mm||53 mm||440 g||500||n||Mar 2008||599|
|8.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699|
|9.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699|
|10.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599|
|11.||Panasonic G1||124 mm||84 mm||45 mm||360 g||410||n||Sep 2008||599|
|12.||Panasonic L1||146 mm||87 mm||64 mm||606 g||750||n||Feb 2006||999|
|13.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|14.||Sony A3000||128 mm||91 mm||85 mm||411 g||470||n||Aug 2013||329|
|15.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499|
|16.||Sony NEX-F3||117 mm||67 mm||42 mm||314 g||470||n||May 2012||599|
|17.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The L10 was launched at a markedly lower price (by 40 percent) than the NEX-6, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic L10 features a Four Thirds sensor and the Sony NEX-6 an APS-C sensor. The sensor area in the NEX-6 is 62 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the L10 has a native 4:3 aspect ratio, while the one in the NEX-6 offers a 3:2 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 16MP, the NEX-6 offers a higher resolution than the L10 (10MP), but the NEX-6 nevertheless has marginally larger individual pixels (pixel pitch of 4.78μm versus 4.74μm for the L10) due to its larger sensor. Moreover, the NEX-6 is a much more recent model (by 5 years) than the L10, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony NEX-6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-6 for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inches or 62.4 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.9 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inches or 41.6 x 27.6 cm. The corresponding values for the Panasonic L10 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Panasonic Lumix DMC- L10 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Sony Alpha NEX-6 are ISO 100 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the NEX-6 offers substantially better image quality than the L10 (overall score 23 points higher). The advantage is based on 2.4 bits higher color depth, 2.3 EV in additional dynamic range, and 1.2 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
|5.||Olympus E-450||Four Thirds||10.0||3648||2736||none||21.5||10.5||512||56|
|6.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|7.||Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56|
|8.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|9.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|10.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|11.||Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53|
|12.||Panasonic L1||Four Thirds||7.4||3136||2352||none||20.8||10.4||80||52|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The NEX-6 indeed provides for movie recording, while the L10 does not. The highest resolution format that the NEX-6 can use is 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the NEX-6 has an electronic viewfinder (2359k dots), while the L10 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the NEX-6 offers a wider field of view (100%) than the one in the L10 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the NEX-6 has a higher magnification (0.73x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Panasonic L10, the Sony NEX-6, and comparable cameras.
|1.||Panasonic L10||optical||n||2.5 / 207||swivel||n||1/4000s||3.0/s||Y||n|
|2.||Sony NEX-6||2359||n||3.0 / 921||tilting||n||1/4000s||10.0/s||Y||n|
|3.||Nikon D60||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|4.||Nikon D40X||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|5.||Olympus E-450||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||n|
|6.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|7.||Olympus E-420||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||n|
|8.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||Y|
|9.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||n|
|10.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6/s||Y||n|
|11.||Panasonic G1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|12.||Panasonic L1||optical||n||2.5 / 207||fixed||n||1/4000s||3.0/s||Y||n|
|13.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|14.||Sony A3000||202||n||3.0 / 230||fixed||n||1/4000s||2.5/s||Y||n|
|15.||Sony NEX-3N||optional||n||3.0 / 460||tilting||n||1/4000s||4.0/s||Y||n|
|16.||Sony NEX-F3||optional||n||3.0 / 920||tilting||n||1/4000s||5.5/s||Y||n|
|17.||Sony NEX-3||optional||n||3.0 / 920||tilting||n||1/4000s||7.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The L10 writes its imaging data to SDHC cards, while the NEX-6 uses SDXC or Memory Stick PRO Duo cards. The NEX-6 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the L10 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC- L10 and Sony Alpha NEX-6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic L10||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Sony NEX-6||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|3.||Nikon D60||Y||- / -||-||-||-||2.0||-||-||-|
|4.||Nikon D40X||Y||- / -||-||-||-||2.0||-||-||-|
|5.||Olympus E-450||Y||- / -||-||-||-||2.0||-||-||-|
|6.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|7.||Olympus E-420||Y||- / -||-||-||-||2.0||-||-||-|
|8.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic G1||Y||- / -||-||-||mini||2.0||-||-||-|
|12.||Panasonic L1||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|14.||Sony A3000||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Sony NEX-3N||-||stereo / mono||-||-||micro||2.0||-||-||-|
|16.||Sony NEX-F3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony NEX-3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the NEX-6 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the L10 does not provide wifi capability.
Both the L10 and the NEX-6 have been discontinued, but can regularly be found used on eBay. The NEX-6 was replaced by the Sony A6000, while the L10 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So how do things add up? Which of the two cameras – the Panasonic L10 or the Sony NEX-6 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DMC- L10:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Longer lasting: Can take more shots (450 versus 360) on a single battery charge.
- More affordable: Was introduced into a lower priced category (40 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in August 2007).
Arguments in favor of the Sony Alpha NEX-6:
- More detail: Has more megapixels (16 vs 10MP), which boosts linear resolution by 29%.
- Better image quality: Scores substantially higher (23 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.3 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.2 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.46x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (921k vs 207k dots).
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x67mm vs 135x96mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 211g or 38 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 5 years of technical progress since the L10 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the NEX-6 is the clear winner of the contest (18 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic L10 and the Sony NEX-6 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the L10 and the NEX-6 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic L10||..||85/100||..||+||3.5/5||4/5||Aug 2007||599|
|2.||Sony NEX-6||5/5||+ +||..||78/100||4.5/5||4.5/5||Sep 2012||999|
|3.||Nikon D60||..||80/100||..||+ +||4/5||4.5/5||Jan 2008||629|
|4.||Nikon D40X||..||79/100||..||+ +||4/5||4/5||Mar 2007||729|
|5.||Olympus E-450||..||..||..||..||4/5||4/5||Mar 2009||499|
|6.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699|
|7.||Olympus E-420||..||85/100||..||+ +||4/5||4.5/5||Mar 2008||599|
|8.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699|
|9.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699|
|10.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599|
|11.||Panasonic G1||..||+ +||..||70/100||4/5||4.5/5||Sep 2008||599|
|12.||Panasonic L1||..||85/100||..||+||..||3.5/5||Feb 2006||999|
|13.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599|
|14.||Sony A3000||3/5||+||..||..||4/5||4/5||Aug 2013||329|
|15.||Sony NEX-3N||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||499|
|16.||Sony NEX-F3||4/5||..||..||74/100||4.5/5||4.5/5||May 2012||599|
|17.||Sony NEX-3||..||..||..||70/100||4.5/5||4/5||May 2010||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1Ds Mark II vs Panasonic L10
- Canon T6i vs Panasonic L10
- Fujifilm X-A7 vs Sony NEX-6
- Leica V-LUX 4 vs Panasonic L10
- Leica X-U Typ 113 vs Sony NEX-6
- Nikon 1 J5 vs Panasonic L10
- Nikon D3000 vs Sony NEX-6
- Nikon D3300 vs Panasonic L10
- Panasonic GH2 vs Sony NEX-6
- Panasonic GH4 vs Sony NEX-6
- Panasonic L10 vs Sony A5100
- Sony NEX-5R vs Sony NEX-6
Specifications: Panasonic L10 vs Sony NEX-6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic L10||Sony NEX-6|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Four Thirds lenses||Sony E mount lenses|
|Launch Date||August 2007||September 2012|
|Launch Price||USD 599||USD 999|
|Sensor Specs||Panasonic L10||Sony NEX-6|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.4 x 15.6 mm|
|Sensor Area||224.9 mm2||365.04 mm2|
|Sensor Diagonal||21.6 mm||28.1 mm|
|Sensor Resolution||10 Megapixels||16 Megapixels|
|Image Resolution||3648 x 2736 pixels||4912 x 3264 pixels|
|Pixel Pitch||4.74 μm||4.78 μm|
|Pixel Density||4.44 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100 - 1,600 ISO||100 - 25,600 ISO|
|DXO Sensor Quality (score)||55||78|
|DXO Color Depth (bits)||21.3||23.7|
|DXO Dynamic Range (EV)||10.8||13.1|
|DXO Low Light (ISO)||429||1018|
|Screen Specs||Panasonic L10||Sony NEX-6|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||207k dots||921k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Panasonic L10||Sony NEX-6|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||3 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDHC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Panasonic L10||Sony NEX-6|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Panasonic L10||Sony NEX-6|
|Battery Life (CIPA)||450 shots per charge||360 shots per charge|
135 x 96 x 78 mm
(5.3 x 3.8 x 3.1 in)
120 x 67 x 43 mm
(4.7 x 2.6 x 1.7 in)
|Camera Weight||556 g (19.6 oz)||345 g (12.2 oz)|
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