Panasonic L1 vs Sony A7R
The Panasonic Lumix DMC-L1 and the Sony Alpha A7R are two digital cameras that were officially introduced, respectively, in February 2006 and October 2013. The L1 is a DSLR, while the A7R is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (L1) and a full frame (A7R) sensor. The Panasonic has a resolution of 7.4 megapixels, whereas the Sony provides 36.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-L1 and the Sony Alpha A7R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic L1 and the Sony A7R. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R is notably smaller (6 percent) than the Panasonic L1. Moreover, the A7R is markedly lighter (23 percent) than the L1. It is noteworthy in this context that the A7R is splash and dust-proof, while the L1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (L1) and the Sony FE Lens Catalog (A7R). Mirrorless cameras, such as the A7R, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The power pack in the A7R can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic L1||146 mm||87 mm||64 mm||606 g||750||n||Feb 2006||999||ebay.com|
|2.||Sony A7R||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299||ebay.com|
|3.||Canon 350D||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899||ebay.com|
|4.||Canon 300D||142 mm||99 mm||72 mm||649 g||400||n||Aug 2003||899||ebay.com|
|5.||Leica Digilux 3||146 mm||87 mm||77 mm||606 g||750||n||Sep 2006||1,499||ebay.com|
|6.||Leica V-LUX 1||141 mm||86 mm||142 mm||734 g||360||n||Sep 2006||849||ebay.com|
|7.||Nikon D80||132 mm||103 mm||77 mm||668 g||600||n||Aug 2006||999||ebay.com|
|8.||Nikon D70s||140 mm||111 mm||78 mm||679 g||500||n||Apr 2005||899||ebay.com|
|9.||Olympus E-330||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999||ebay.com|
|10.||Olympus E-500||130 mm||95 mm||66 mm||479 g||750||n||Sep 2005||599||ebay.com|
|11.||Olympus E-300||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799||ebay.com|
|12.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599||ebay.com|
|13.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199||ebay.com|
|14.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999||ebay.com|
|15.||Sony A7S||127 mm||94 mm||48 mm||489 g||380||Y||Apr 2014||2,499||ebay.com|
|16.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699||ebay.com|
|17.||Sony RX1R||113 mm||65 mm||70 mm||482 g||270||n||Jun 2013||2,799||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The L1 was launched at a markedly lower price (by 57 percent) than the A7R, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic L1 features a Four Thirds sensor and the Sony A7R a full frame sensor. The sensor area in the A7R is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the L1 has a native 4:3 aspect ratio, while the one in the A7R offers a 3:2 aspect.
With 36.2MP, the A7R offers a higher resolution than the L1 (7.4MP), but the A7R has smaller individual pixels (pixel pitch of 4.88μm versus 5.51μm for the L1). Yet, the A7R is a much more recent model (by 7 years and 7 months) than the L1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Panasonic L1 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.
The Panasonic Lumix DMC-L1 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Sony Alpha A7R are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Panasonic L1||Four Thirds||7.4||3136||2352||none||20.8||10.4||80||52|
|2.||Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|5.||Leica Digilux 3||Four Thirds||7.4||3136||2352||none||21.0||10.6||127||53|
|6.||Leica V-LUX 1||1/1.8||10.0||3648||2736||480/30p||18.4||9.5||-727||29|
|9.||Olympus E-330||Four Thirds||7.4||3136||2352||none||20.8||10.4||73||52|
|10.||Olympus E-500||Four Thirds||8.0||3264||2448||none||20.7||10.3||45||51|
|11.||Olympus E-300||Four Thirds||8.0||3264||2448||none||20.4||10.1||-40||48|
|12.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
|13.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|14.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|15.||Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87|
|16.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|17.||Sony RX1R||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The A7R indeed provides for movie recording, while the L1 does not. The highest resolution format that the A7R can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7R has an electronic viewfinder (2400k dots), while the L1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7R offers a wider field of view (100%) than the one in the L1 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7R has a higher magnification (0.71x vs 0.47x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Panasonic L1, the Sony A7R, and comparable cameras.
|1.||Panasonic L1||optical||n||2.5 / 207||fixed||n||1/4000s||3.0/s||Y||n|
|2.||Sony A7R||2400||n||3.0 / 1230||tilting||n||1/8000s||4.0/s||n||n|
|3.||Canon 350D||optical||n||1.8 / 115||fixed||n||1/4000s||3.0/s||Y||n|
|4.||Canon 300D||optical||n||1.8 / 118||fixed||n||1/4000s||2.5/s||Y||n|
|5.||Leica Digilux 3||optical||n||2.5 / 207||fixed||n||1/4000s||3.0/s||Y||n|
|6.||Leica V-LUX 1||235||n||2.0 / 207||tilting||n||1/2000s||2.0/s||Y||Y|
|7.||Nikon D80||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|8.||Nikon D70s||optical||n||2.0 / 130||fixed||n||1/8000s||3.0/s||Y||n|
|9.||Olympus E-330||optical||n||2.5 / 215||tilting||n||1/4000s||3.0/s||Y||n|
|10.||Olympus E-500||optical||n||2.5 / 215||fixed||n||1/4000s||2.5/s||Y||n|
|11.||Olympus E-300||optical||n||1.8 / 134||fixed||n||1/4000s||2.5/s||Y||n|
|12.||Panasonic L10||optical||n||2.5 / 207||swivel||n||1/4000s||3.0/s||Y||n|
|13.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|14.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||Y|
|15.||Sony A7S||2400||n||3.0 / 921||tilting||n||1/8000s||5.0/s||n||n|
|16.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||n|
|17.||Sony RX1R||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The L1 has one, while the A7R does not. While the built-in flash of the L1 is not very powerful, it can at times be useful as a fill-in light.
The L1 writes its imaging data to SDHC cards, while the A7R uses SDXC or Memory Stick PRO Duo cards. The A7R supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the L1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-L1 and Sony Alpha A7R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic L1||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Sony A7R||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Canon 350D||Y||- / -||-||-||-||2.0||-||-||-|
|4.||Canon 300D||Y||- / -||-||-||-||1.1||-||-||-|
|5.||Leica Digilux 3||Y||stereo / mono||-||-||-||2.0||-||-||-|
|6.||Leica V-LUX 1||Y||mono / mono||-||-||-||2.0||-||-||-|
|7.||Nikon D80||Y||- / -||-||-||-||2.0||-||-||-|
|8.||Nikon D70s||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Olympus E-330||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Olympus E-500||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Olympus E-300||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Panasonic L10||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|14.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|15.||Sony A7S||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony RX1R||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the A7R offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the L1 does not provide wifi capability.
Both the L1 and the A7R have been discontinued, but can regularly be found used on ebay. The L1 was replaced by the Panasonic L10, while the A7R was followed by the Sony A7R II. Further information on the features and operation of the L1 and A7R can be found, respectively, in the Panasonic L1 Manual (free pdf) or the online Sony A7R Manual.
So how do things add up? Is the Panasonic L1 better than the Sony A7R or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Panasonic Lumix DMC-L1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (750 versus 340) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (57 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in February 2006).
Reasons to prefer the Sony Alpha A7R:
- More detail: Has more megapixels (36.2 vs 7.4MP), which boosts linear resolution by 126%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.47x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 207k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (4 vs 3 flaps/sec) to capture the decisive moment.
- Less heavy: Has a lower weight (by 141g or 23 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 7 years and 7 months of technical progress since the L1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A7R is the clear winner of the contest (23 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic L1 and the Sony A7R place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the L1 and the A7R in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic L1||..||85/100||..||+||..||3.5/5||Feb 2006||999||ebay.com|
|2.||Sony A7R||5/5||+ +||..||82/100||4.5/5||5/5||Oct 2013||2,299||ebay.com|
|3.||Canon 350D||..||80/100||..||+ +||o||..||Feb 2005||899||ebay.com|
|4.||Canon 300D||..||..||..||+ +||..||..||Aug 2003||899||ebay.com|
|5.||Leica Digilux 3||..||..||..||..||..||..||Sep 2006||1,499||ebay.com|
|6.||Leica V-LUX 1||..||..||..||..||..||..||Sep 2006||849||ebay.com|
|7.||Nikon D80||..||+||..||+ +||o||4.5/5||Aug 2006||999||ebay.com|
|8.||Nikon D70s||..||..||..||..||..||5/5||Apr 2005||899||ebay.com|
|9.||Olympus E-330||..||..||..||+||o||..||Jan 2006||999||ebay.com|
|10.||Olympus E-500||..||76/100||..||+ +||..||..||Sep 2005||599||ebay.com|
|11.||Olympus E-300||..||..||..||+||o||4.5/5||Sep 2004||799||ebay.com|
|12.||Panasonic L10||..||85/100||..||+||3.5/5||4/5||Aug 2007||599||ebay.com|
|13.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199||ebay.com|
|14.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999||ebay.com|
|15.||Sony A7S||4/5||..||..||86/100||4.5/5||5/5||Apr 2014||2,499||ebay.com|
|16.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699||ebay.com|
|17.||Sony RX1R||5/5||..||..||..||4/5||4.5/5||Jun 2013||2,799||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Panasonic L1 vs Sony A7R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic L1||Sony A7R|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Four Thirds lenses||Sony E mount lenses|
|Launch Date||February 2006||October 2013|
|Launch Price||USD 999||USD 2,299|
|Sensor Specs||Panasonic L1||Sony A7R|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.9 x 24.0 mm|
|Sensor Area||224.9 mm2||861.6 mm2|
|Sensor Diagonal||21.6 mm||43.2 mm|
|Sensor Resolution||7.4 Megapixels||36.2 Megapixels|
|Image Resolution||3136 x 2352 pixels||7360 x 4912 pixels|
|Pixel Pitch||5.51 μm||4.88 μm|
|Pixel Density||3.28 MP/cm2||4.20 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100 - 1,600 ISO||100 - 25,600 ISO|
|ISO Boost||no Enhancement||50 - 51,200 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||..||95|
|DXO Color Depth (bits)||..||25.6|
|DXO Dynamic Range (EV)||..||14.1|
|DXO Low Light (ISO)||..||2746|
|Screen Specs||Panasonic L1||Sony A7R|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||207k dots||1230k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Panasonic L1||Sony A7R|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||3 shutter flaps/s||4 shutter flaps/s|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDHC cards||MS or SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Panasonic L1||Sony A7R|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Panasonic L1||Sony A7R|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||750 shots per charge||340 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
146 x 87 x 64 mm
(5.7 x 3.4 x 2.5 in)
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
|Camera Weight||606 g (21.4 oz)||465 g (16.4 oz)|
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