Panasonic L1 vs Sony A6000

The Panasonic Lumix DMC-L1 and the Sony Alpha A6000 are two digital cameras that were revealed to the public, respectively, in February 2006 and February 2014. The L1 is a DSLR, while the A6000 is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (L1) and an APS-C (A6000) sensor. The Panasonic has a resolution of 7.4 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic L1		Sony A6000
Digital single lens reflex		Mirrorless system camera
Four Thirds lenses		Sony E mount lenses
7.4 MP – Four Thirds sensor		24 MP – APS-C sensor
no Video		1080/60p Video
ISO 100-1,600		ISO 100-25,600 (100 - 51,200)
Optical viewfinder		Electronic viewfinder (1440k dots)
2.5" LCD – 207k dots		3.0" LCD – 922k dots
Fixed screen (not touch-sensitive)		Tilting screen (no touchscreen)
3 shutter flaps per second		11 shutter flaps per second
750 shots per battery charge		360 shots per battery charge
146 x 87 x 64 mm, 606 g		120 x 67 x 45 mm, 344 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-L1 and the Sony Alpha A6000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic L1 and the Sony A6000 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

The A6000 can be obtained in three different colors (black, silver, white), while the L1 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6000 is considerably smaller (37 percent) than the Panasonic L1. Moreover, the A6000 is substantially lighter (43 percent) than the L1. In this context, it is worth noting that neither the L1 nor the A6000 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (L1) and the Sony E-Mount Lens Catalog (A6000). Mirrorless cameras, such as the A6000, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

The power pack in the A6000 can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic L1	146 mm	87 mm	64 mm	606 g	750	n	Feb 2006	999	ebay.com
2.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	599	ebay.com
3.		Canon XT	127 mm	94 mm	64 mm	540 g	400	n	Feb 2005	899	ebay.com
4.		Canon Rebel	142 mm	99 mm	72 mm	649 g	400	n	Aug 2003	899	ebay.com
5.		Leica Digilux 3	146 mm	87 mm	77 mm	606 g	750	n	Sep 2006	1,499	ebay.com
6.		Leica V-LUX 1	141 mm	86 mm	142 mm	734 g	360	n	Sep 2006	849	ebay.com
7.		Nikon D80	132 mm	103 mm	77 mm	668 g	600	n	Aug 2006	999	ebay.com
8.		Nikon D70s	140 mm	111 mm	78 mm	679 g	500	n	Apr 2005	899	ebay.com
9.		Olympus E-330	140 mm	87 mm	72 mm	637 g	750	n	Jan 2006	999	ebay.com
10.		Olympus E-500	130 mm	95 mm	66 mm	479 g	750	n	Sep 2005	599	ebay.com
11.		Olympus E-300	147 mm	85 mm	64 mm	624 g	750	n	Sep 2004	799	ebay.com
12.		Panasonic L10	135 mm	96 mm	78 mm	556 g	450	n	Aug 2007	599	ebay.com
13.		Sony A6300	120 mm	67 mm	49 mm	404 g	400	Y	Feb 2016	999	ebay.com
14.		Sony A5000	110 mm	63 mm	36 mm	269 g	420	n	Jan 2014	449	ebay.com
15.		Sony A5100	110 mm	63 mm	36 mm	283 g	400	n	Aug 2014	549	ebay.com
16.		Sony A3000	128 mm	91 mm	85 mm	411 g	470	n	Aug 2013	329	ebay.com
17.		Sony NEX-3	117 mm	62 mm	33 mm	297 g	330	n	May 2010	599	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A6000 was launched at a markedly lower price (by 40 percent) than the L1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic L1 features a Four Thirds sensor and the Sony A6000 an APS-C sensor. The sensor area in the A6000 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the L1 has a native 4:3 aspect ratio, while the one in the A6000 offers a 3:2 aspect.

With 24MP, the A6000 offers a higher resolution than the L1 (7.4MP), but the A6000 has smaller individual pixels (pixel pitch of 3.91μm versus 5.51μm for the L1). Yet, the A6000 is a much more recent model (by 7 years and 11 months) than the L1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony A6000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6000 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic L1 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.

The A6000 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-L1 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Sony Alpha A6000 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic L1	Four Thirds	7.4	3136	2352	none	20.8	10.4	80	52
2.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
3.		Canon XT	APS-C	8.0	3456	2304	none	21.8	10.8	637	60
4.		Canon Rebel	APS-C	6.3	3072	2048	none	21.0	10.8	544	55
5.		Leica Digilux 3	Four Thirds	7.4	3136	2352	none	21.0	10.6	127	53
6.		Leica V-LUX 1	1/1.8	10.0	3648	2736	480/30p	18.4	9.5	-727	29
7.		Nikon D80	APS-C	10.0	3872	2592	none	22.1	11.2	524	61
8.		Nikon D70s	APS-C	6.0	3008	2000	none	20.4	10.3	529	50
9.		Olympus E-330	Four Thirds	7.4	3136	2352	none	20.8	10.4	73	52
10.		Olympus E-500	Four Thirds	8.0	3264	2448	none	20.7	10.3	45	51
11.		Olympus E-300	Four Thirds	8.0	3264	2448	none	20.4	10.1	-40	48
12.		Panasonic L10	Four Thirds	10.0	3648	2736	none	21.3	10.8	429	55
13.		Sony A6300	APS-C	24.0	6000	4000	4K/30p	24.4	13.7	1437	85
14.		Sony A5000	APS-C	19.8	5456	3632	1080/60i	23.8	13.0	1089	79
15.		Sony A5100	APS-C	24.0	6000	4000	1080/60p	23.8	12.7	1347	80
16.		Sony A3000	APS-C	19.8	5456	3632	1080/60i	23.7	12.8	1068	78
17.		Sony NEX-3	APS-C	14.0	4592	3056	720/30p	22.1	12.0	830	68
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The A6000 indeed provides for movie recording, while the L1 does not. The highest resolution format that the A6000 can use is 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6000 has an electronic viewfinder (1440k dots), while the L1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A6000 offers a wider field of view (100%) than the one in the L1 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A6000 has a higher magnification (0.70x vs 0.47x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Panasonic L1 and Sony A6000 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic L1	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
2.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
3.		Canon XT	optical	n	1.8 / 115	fixed	n	1/4000s	3.0/s	Y	n
4.		Canon Rebel	optical	n	1.8 / 118	fixed	n	1/4000s	2.5/s	Y	n
5.		Leica Digilux 3	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
6.		Leica V-LUX 1	235	n	2.0 / 207	tilting	n	1/2000s	2.0/s	Y	Y
7.		Nikon D80	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
8.		Nikon D70s	optical	n	2.0 / 130	fixed	n	1/8000s	3.0/s	Y	n
9.		Olympus E-330	optical	n	2.5 / 215	tilting	n	1/4000s	3.0/s	Y	n
10.		Olympus E-500	optical	n	2.5 / 215	fixed	n	1/4000s	2.5/s	Y	n
11.		Olympus E-300	optical	n	1.8 / 134	fixed	n	1/4000s	2.5/s	Y	n
12.		Panasonic L10	optical	n	2.5 / 207	swivel	n	1/4000s	3.0/s	Y	n
13.		Sony A6300	2359	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
14.		Sony A5000	none	n	3.0 / 461	tilting	n	1/4000s	3.5/s	Y	n
15.		Sony A5100	none	n	3.0 / 922	tilting	Y	1/4000s	6.0/s	Y	n
16.		Sony A3000	202	n	3.0 / 230	fixed	n	1/4000s	2.5/s	Y	n
17.		Sony NEX-3	optional	n	3.0 / 920	tilting	n	1/4000s	7.0/s	n	n
Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The L1 writes its imaging data to SDHC cards, while the A6000 uses SDXC or Memory Stick PRO Duo cards. The A6000 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the L1 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-L1 and Sony Alpha A6000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic L1	Y	- / -	-	-	-	2.0	-	-	-
2.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
3.		Canon XT	Y	- / -	-	-	-	2.0	-	-	-
4.		Canon Rebel	Y	- / -	-	-	-	1.1	-	-	-
5.		Leica Digilux 3	Y	stereo / mono	-	-	-	2.0	-	-	-
6.		Leica V-LUX 1	Y	mono / mono	-	-	-	2.0	-	-	-
7.		Nikon D80	Y	- / -	-	-	-	2.0	-	-	-
8.		Nikon D70s	Y	- / -	-	-	-	2.0	-	-	-
9.		Olympus E-330	Y	- / -	-	-	-	2.0	-	-	-
10.		Olympus E-500	Y	- / -	-	-	-	2.0	-	-	-
11.		Olympus E-300	Y	- / -	-	-	-	2.0	-	-	-
12.		Panasonic L10	Y	- / -	-	-	-	2.0	-	-	-
13.		Sony A6300	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
14.		Sony A5000	-	stereo / mono	-	-	micro	2.0	Y	Y	-
15.		Sony A5100	-	stereo / mono	-	-	micro	2.0	Y	Y	-
16.		Sony A3000	Y	stereo / mono	-	-	mini	2.0	-	-	-
17.		Sony NEX-3	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the A6000 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the L1 does not provide wifi capability.

Both the L1 and the A6000 have been discontinued, but can regularly be found used on ebay. The L1 was replaced by the Panasonic L10, while the A6000 was followed by the Sony A6300. Further information on the features and operation of the L1 and A6000 can be found, respectively, in the Panasonic L1 Manual (free pdf) or the online Sony A6000 Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Panasonic L1 and the Sony A6000? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Panasonic Lumix DMC-L1:

• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Longer lasting: Can take more shots (750 versus 360) on a single battery charge.
• More heavily discounted: Has been available for much longer (launched in February 2006).

Advantages of the Sony Alpha A6000:

• More detail: Has more megapixels (24 vs 7.4MP), which boosts linear resolution by 84%.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Broader imaging potential: Can capture not only stills but also 1080/60p video.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.47x).
• Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (922k vs 207k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (120x67mm vs 146x87mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 262g or 43 percent) and is thus easier to take along.
• Easier travel charging: Can be conveniently charged via its USB port.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More affordable: Was introduced into a lower priced category (40 percent cheaper at launch).
• More modern: Reflects 7 years and 11 months of technical progress since the L1 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the A6000 is the clear winner of the contest (23 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic L1 and the Sony A6000 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the L1 and the A6000 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic L1	..	85/100	..	+	..	3.5/5	Feb 2006	999	ebay.com
2.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	599	ebay.com
3.		Canon XT	..	80/100	..	+ +	o	..	Feb 2005	899	ebay.com
4.		Canon Rebel	..	..	..	+ +	..	..	Aug 2003	899	ebay.com
5.		Leica Digilux 3	..	..	..	..	..	..	Sep 2006	1,499	ebay.com
6.		Leica V-LUX 1	..	..	..	..	..	..	Sep 2006	849	ebay.com
7.		Nikon D80	..	+	..	+ +	o	4.5/5	Aug 2006	999	ebay.com
8.		Nikon D70s	..	..	..	..	..	5/5	Apr 2005	899	ebay.com
9.		Olympus E-330	..	..	..	+	o	..	Jan 2006	999	ebay.com
10.		Olympus E-500	..	76/100	..	+ +	..	..	Sep 2005	599	ebay.com
11.		Olympus E-300	..	..	..	+	o	4.5/5	Sep 2004	799	ebay.com
12.		Panasonic L10	..	85/100	..	+	3.5/5	4/5	Aug 2007	599	ebay.com
13.		Sony A6300	4.5/5	+	..	85/100	5/5	5/5	Feb 2016	999	ebay.com
14.		Sony A5000	3/5	+	..	..	4.5/5	4.5/5	Jan 2014	449	ebay.com
15.		Sony A5100	4.5/5	+	..	..	4.5/5	5/5	Aug 2014	549	ebay.com
16.		Sony A3000	3/5	+	..	..	4/5	4/5	Aug 2013	329	ebay.com
17.		Sony NEX-3	..	..	..	70/100	4.5/5	4/5	May 2010	599	ebay.com
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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