Panasonic L1 vs Pentax MX-1
The Panasonic Lumix DMC-L1 and the Pentax MX-1 are two digital cameras that were announced, respectively, in February 2006 and January 2013. The L1 is a DSLR, while the MX-1 is a fixed lens compact. The cameras are based on a Four Thirds (L1) and a 1/1.7-inch (MX-1) sensor. The Panasonic has a resolution of 7.4 megapixels, whereas the Pentax provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-L1 and the Pentax MX-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Panasonic L1 and the Pentax MX-1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax MX-1 is considerably smaller (41 percent) than the Panasonic L1. In this context, it is worth noting that neither the L1 nor the MX-1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the MX-1 has a lens built in, whereas the L1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the L1 and their specifications in the Four Thirds Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic L1 | 146 mm | 87 mm | 64 mm | 606 g | 750 | n | Feb 2006 | 999 | ebay.com | |
2. | Pentax MX-1 | 122 mm | 61 mm | 51 mm | 391 g | 290 | n | Jan 2013 | 499 | ebay.com | |
3. | Canon G16 | 109 mm | 76 mm | 40 mm | 356 g | 360 | n | Aug 2013 | 549 | ebay.com | |
4. | Canon G15 | 107 mm | 76 mm | 40 mm | 352 g | 350 | n | Sep 2012 | 499 | ebay.com | |
5. | Canon XT | 127 mm | 94 mm | 64 mm | 540 g | 400 | n | Feb 2005 | 899 | ebay.com | |
6. | Canon Rebel | 142 mm | 99 mm | 72 mm | 649 g | 400 | n | Aug 2003 | 899 | ebay.com | |
7. | Leica Digilux 3 | 146 mm | 87 mm | 77 mm | 606 g | 750 | n | Sep 2006 | 1,499 | ebay.com | |
8. | Leica V-LUX 1 | 141 mm | 86 mm | 142 mm | 734 g | 360 | n | Sep 2006 | 849 | ebay.com | |
9. | Nikon P7800 | 119 mm | 78 mm | 50 mm | 399 g | 350 | n | Sep 2013 | 549 | ebay.com | |
10. | Nikon D80 | 132 mm | 103 mm | 77 mm | 668 g | 600 | n | Aug 2006 | 999 | ebay.com | |
11. | Nikon D70s | 140 mm | 111 mm | 78 mm | 679 g | 500 | n | Apr 2005 | 899 | ebay.com | |
12. | Olympus XZ-2 | 113 mm | 65 mm | 48 mm | 346 g | 340 | n | Sep 2012 | 599 | ebay.com | |
13. | Olympus E-330 | 140 mm | 87 mm | 72 mm | 637 g | 750 | n | Jan 2006 | 999 | ebay.com | |
14. | Olympus E-500 | 130 mm | 95 mm | 66 mm | 479 g | 750 | n | Sep 2005 | 599 | ebay.com | |
15. | Olympus E-300 | 147 mm | 85 mm | 64 mm | 624 g | 750 | n | Sep 2004 | 799 | ebay.com | |
16. | Panasonic LF1 | 103 mm | 62 mm | 28 mm | 192 g | 250 | n | Apr 2013 | 499 | ebay.com | |
17. | Panasonic L10 | 135 mm | 96 mm | 78 mm | 556 g | 450 | n | Aug 2007 | 599 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The MX-1 was launched at a lower price than the L1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic L1 features a Four Thirds sensor and the Pentax MX-1 a 1/1.7-inch sensor. The sensor area in the MX-1 is 81 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 4.5. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the MX-1 offers a higher resolution of 12 megapixels, compared with 7.4 MP of the L1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.89μm versus 5.51μm for the L1). However, it should be noted that the MX-1 is much more recent (by 6 years and 10 months) than the L1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Pentax MX-1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the MX-1 for good quality output (200 dots per inch) amounts to 20 x 15 inches or 50.8 x 38.1 cm, for very good quality (250 dpi) 16 x 12 inches or 40.6 x 30.5 cm, and for excellent quality (300 dpi) 13.3 x 10 inches or 33.9 x 25.4 cm. The corresponding values for the Panasonic L1 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.
The Panasonic Lumix DMC-L1 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Pentax MX-1 are ISO 100 to ISO 12800 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic L1 | Four Thirds | 7.4 | 3136 | 2352 | none | 20.8 | 10.4 | 80 | 52 | |
2. | Pentax MX-1 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/30p | 20.4 | 11.3 | 208 | 49 | |
3. | Canon G16 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.0 | 11.7 | 230 | 54 | |
4. | Canon G15 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/24p | 19.9 | 11.5 | 165 | 46 | |
5. | Canon XT | APS-C | 8.0 | 3456 | 2304 | none | 21.8 | 10.8 | 637 | 60 | |
6. | Canon Rebel | APS-C | 6.3 | 3072 | 2048 | none | 21.0 | 10.8 | 544 | 55 | |
7. | Leica Digilux 3 | Four Thirds | 7.4 | 3136 | 2352 | none | 21.0 | 10.6 | 127 | 53 | |
8. | Leica V-LUX 1 | 1/1.8 | 10.0 | 3648 | 2736 | 480/30p | 18.4 | 9.5 | -727 | 29 | |
9. | Nikon P7800 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/30p | 21.2 | 11.7 | 200 | 54 | |
10. | Nikon D80 | APS-C | 10.0 | 3872 | 2592 | none | 22.1 | 11.2 | 524 | 61 | |
11. | Nikon D70s | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 10.3 | 529 | 50 | |
12. | Olympus XZ-2 | 1/1.7 | 11.8 | 3968 | 2976 | 1080/30p | 20.4 | 11.3 | 216 | 49 | |
13. | Olympus E-330 | Four Thirds | 7.4 | 3136 | 2352 | none | 20.8 | 10.4 | 73 | 52 | |
14. | Olympus E-500 | Four Thirds | 8.0 | 3264 | 2448 | none | 20.7 | 10.3 | 45 | 51 | |
15. | Olympus E-300 | Four Thirds | 8.0 | 3264 | 2448 | none | 20.4 | 10.1 | -40 | 48 | |
16. | Panasonic LF1 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60i | 20.8 | 11.6 | 211 | 52 | |
17. | Panasonic L10 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.3 | 10.8 | 429 | 55 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The MX-1 indeed provides for movie recording, while the L1 does not. The highest resolution format that the MX-1 can use is 1080/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the L1 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the MX-1 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic L1, the Pentax MX-1, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic L1 | optical | n | 2.5 / 207 | fixed | n | 1/4000s | 3.0/s | Y | n | |
2. | Pentax MX-1 | none | n | 3.0 / 920 | tilting | n | 1/8000s | 1.0/s | Y | Y | |
3. | Canon G16 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.2/s | Y | Y | |
4. | Canon G15 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.1/s | Y | Y | |
5. | Canon XT | optical | n | 1.8 / 115 | fixed | n | 1/4000s | 3.0/s | Y | n | |
6. | Canon Rebel | optical | n | 1.8 / 118 | fixed | n | 1/4000s | 2.5/s | Y | n | |
7. | Leica Digilux 3 | optical | n | 2.5 / 207 | fixed | n | 1/4000s | 3.0/s | Y | n | |
8. | Leica V-LUX 1 | 235 | n | 2.0 / 207 | tilting | n | 1/2000s | 2.0/s | Y | Y | |
9. | Nikon P7800 | 921 | n | 3.0 / 921 | swivel | n | 1/4000s | 8.0/s | Y | Y | |
10. | Nikon D80 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
11. | Nikon D70s | optical | n | 2.0 / 130 | fixed | n | 1/8000s | 3.0/s | Y | n | |
12. | Olympus XZ-2 | optional | n | 3.0 / 920 | tilting | Y | 1/2000s | 5.0/s | Y | Y | |
13. | Olympus E-330 | optical | n | 2.5 / 215 | tilting | n | 1/4000s | 3.0/s | Y | n | |
14. | Olympus E-500 | optical | n | 2.5 / 215 | fixed | n | 1/4000s | 2.5/s | Y | n | |
15. | Olympus E-300 | optical | n | 1.8 / 134 | fixed | n | 1/4000s | 2.5/s | Y | n | |
16. | Panasonic LF1 | 200 | n | 3.0 / 920 | fixed | n | 1/4000s | 10.0/s | Y | Y | |
17. | Panasonic L10 | optical | n | 2.5 / 207 | swivel | n | 1/4000s | 3.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The L1 writes its imaging data to SDHC cards, while the MX-1 uses SDXC cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-L1 and Pentax MX-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic L1 | Y | - / - | - | - | - | 2.0 | - | - | - | |
2. | Pentax MX-1 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
3. | Canon G16 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
4. | Canon G15 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
5. | Canon XT | Y | - / - | - | - | - | 2.0 | - | - | - | |
6. | Canon Rebel | Y | - / - | - | - | - | 1.1 | - | - | - | |
7. | Leica Digilux 3 | Y | stereo / mono | - | - | - | 2.0 | - | - | - | |
8. | Leica V-LUX 1 | Y | mono / mono | - | - | - | 2.0 | - | - | - | |
9. | Nikon P7800 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
10. | Nikon D80 | Y | - / - | - | - | - | 2.0 | - | - | - | |
11. | Nikon D70s | Y | - / - | - | - | - | 2.0 | - | - | - | |
12. | Olympus XZ-2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Olympus E-330 | Y | - / - | - | - | - | 2.0 | - | - | - | |
14. | Olympus E-500 | Y | - / - | - | - | - | 2.0 | - | - | - | |
15. | Olympus E-300 | Y | - / - | - | - | - | 2.0 | - | - | - | |
16. | Panasonic LF1 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
17. | Panasonic L10 | Y | - / - | - | - | - | 2.0 | - | - | - |
It is notable that the L1 has a hotshoe, while the MX-1 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the L1 and the MX-1 have been discontinued, but can regularly be found used on ebay. The L1 was replaced by the Panasonic L10, while the MX-1 does not have a direct successor. Further information on the features and operation of the L1 and MX-1 can be found, respectively, in the Panasonic L1 Manual (free pdf) or the online Pentax MX-1 Manual.
Review summary
So what is the bottom line? Is there a clear favorite between the Panasonic L1 and the Pentax MX-1? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Panasonic Lumix DMC-L1:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Faster burst: Shoots at higher frequency (3 vs 1 flaps/sec) to capture the decisive moment.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (750 versus 290) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been available for much longer (launched in February 2006).
Reasons to prefer the Pentax MX-1:
- More detail: Has more megapixels (12 vs 7.4MP), which boosts linear resolution by 28%.
- Broader imaging potential: Can capture not only stills but also 1080/30p video.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 207k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Ready to shoot: Comes with an integrated lens, while the L1 requires a separate lens.
- More compact: Is smaller (122x61mm vs 146x87mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the L1).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 6 years and 10 months of technical progress since the L1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the MX-1 emerges as the winner of the match-up (12 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic L1 and the Pentax MX-1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the L1 or the MX-1. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic L1 | .. | 85/100 | .. | + | .. | 3.5/5 | Feb 2006 | 999 | ebay.com | |
2. | Pentax MX-1 | 3/5 | .. | .. | 74/100 | 4/5 | 4/5 | Jan 2013 | 499 | ebay.com | |
3. | Canon G16 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 549 | ebay.com | |
4. | Canon G15 | 4/5 | + | .. | 76/100 | 4.5/5 | 4.5/5 | Sep 2012 | 499 | ebay.com | |
5. | Canon XT | .. | 80/100 | .. | + + | o | .. | Feb 2005 | 899 | ebay.com | |
6. | Canon Rebel | .. | .. | .. | + + | .. | .. | Aug 2003 | 899 | ebay.com | |
7. | Leica Digilux 3 | .. | .. | .. | .. | .. | .. | Sep 2006 | 1,499 | ebay.com | |
8. | Leica V-LUX 1 | .. | .. | .. | .. | .. | .. | Sep 2006 | 849 | ebay.com | |
9. | Nikon P7800 | 3/5 | .. | .. | .. | 4/5 | 4.5/5 | Sep 2013 | 549 | ebay.com | |
10. | Nikon D80 | .. | + | .. | + + | o | 4.5/5 | Aug 2006 | 999 | ebay.com | |
11. | Nikon D70s | .. | .. | .. | .. | .. | 5/5 | Apr 2005 | 899 | ebay.com | |
12. | Olympus XZ-2 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Sep 2012 | 599 | ebay.com | |
13. | Olympus E-330 | .. | .. | .. | + | o | .. | Jan 2006 | 999 | ebay.com | |
14. | Olympus E-500 | .. | 76/100 | .. | + + | .. | .. | Sep 2005 | 599 | ebay.com | |
15. | Olympus E-300 | .. | .. | .. | + | o | 4.5/5 | Sep 2004 | 799 | ebay.com | |
16. | Panasonic LF1 | 3/5 | + | .. | .. | 4/5 | 4.5/5 | Apr 2013 | 499 | ebay.com | |
17. | Panasonic L10 | .. | 85/100 | .. | + | 3.5/5 | 4/5 | Aug 2007 | 599 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5D Mark III vs Pentax MX-1
- Canon 700D vs Panasonic L1
- Canon T1i vs Panasonic L1
- Fujifilm X-A10 vs Pentax MX-1
- Fujifilm X-M1 vs Pentax MX-1
- Kodak S-1 vs Panasonic L1
- Nikon A1000 vs Pentax MX-1
- Olympus E-5 vs Pentax MX-1
- Olympus E-P1 vs Panasonic L1
- Panasonic L1 vs Sony A7S
- Panasonic L1 vs Sony RX100 VI
- Panasonic ZS70 vs Pentax MX-1
Specifications: Panasonic L1 vs Pentax MX-1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic L1 | Pentax MX-1 |
---|---|---|
Camera Type | Digital single lens reflex | Fixed lens compact camera |
Camera Lens | Four Thirds lenses | 28-112mm f/1.8-2.5 |
Launch Date | February 2006 | January 2013 |
Launch Price | USD 999 | USD 499 |
Sensor Specs | Panasonic L1 | Pentax MX-1 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | 1/1.7" Sensor |
Sensor Size | 17.3 x 13.0 mm | 7.6 x 5.7 mm |
Sensor Area | 224.9 mm2 | 43.32 mm2 |
Sensor Diagonal | 21.6 mm | 9.5 mm |
Crop Factor | 2.0x | 4.5x |
Sensor Resolution | 7.4 Megapixels | 12 Megapixels |
Image Resolution | 3136 x 2352 pixels | 4000 x 3000 pixels |
Pixel Pitch | 5.51 μm | 1.89 μm |
Pixel Density | 3.28 MP/cm2 | 27.70 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | no Video | 1080/30p Video |
ISO Setting | 100 - 1,600 ISO | 100 - 12,800 ISO |
DXO Sensor Quality (score) | .. | 49 |
DXO Color Depth (bits) | .. | 20.4 |
DXO Dynamic Range (EV) | .. | 11.3 |
DXO Low Light (ISO) | .. | 208 |
Screen Specs | Panasonic L1 | Pentax MX-1 |
Viewfinder Type | Optical viewfinder | no viewfinder |
Viewfinder Field of View | 95% | |
Viewfinder Magnification | 0.47x | |
LCD Framing | Live View | Live View |
Rear LCD Size | 2.5inch | 3.0inch |
LCD Resolution | 207k dots | 920k dots |
LCD Attachment | Fixed screen | Tilting screen |
Shooting Specs | Panasonic L1 | Pentax MX-1 |
Focus System | Phase-detect AF | Contrast-detect AF |
Continuous Shooting | 3 shutter flaps/s | 1 shutter flaps/s |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDHC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | no |
Connectivity Specs | Panasonic L1 | Pentax MX-1 |
External Flash | Hotshoe | no Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | no HDMI | mini HDMI |
Wifi Support | no Wifi | no Wifi |
Body Specs | Panasonic L1 | Pentax MX-1 |
Battery Type | Panasonic CGR-S602 | Pentax D-LI106 |
Battery Life (CIPA) | 750 shots per charge | 290 shots per charge |
Body Dimensions |
146 x 87 x 64 mm (5.7 x 3.4 x 2.5 in) |
122 x 61 x 51 mm (4.8 x 2.4 x 2.0 in) |
Camera Weight | 606 g (21.4 oz) | 391 g (13.8 oz) |
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