Panasonic L1 vs ZS70
The Panasonic Lumix DMC-L1 and the Panasonic Lumix DC-ZS70 (labelled Panasonic TZ90 in some countries) are two digital cameras that were announced, respectively, in February 2006 and April 2017. The L1 is a DSLR, while the ZS70 is a fixed lens compact. The cameras are based on a Four Thirds (L1) and a 1/2.3-inch (ZS70) sensor. The L1 has a resolution of 7.4 megapixels, whereas the ZS70 provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-L1 and the Panasonic Lumix DC-ZS70? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic L1 and the Panasonic ZS70. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The ZS70 can be obtained in two different colors (black, silver), while the L1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic ZS70 is considerably smaller (41 percent) than the Panasonic L1. In this context, it is worth noting that neither the L1 nor the ZS70 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZS70 has a lens built in, whereas the L1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the L1 and their specifications in the Four Thirds Lens Catalog.
The power pack in the ZS70 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic L1||146 mm||87 mm||64 mm||606 g||750||n||Feb 2006||999|
|2.||Panasonic ZS70||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|3.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399|
|4.||Canon SX720||110 mm||64 mm||36 mm||270 g||250||n||Feb 2016||379|
|5.||Canon XT||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899|
|6.||Canon Rebel||142 mm||99 mm||72 mm||649 g||400||n||Aug 2003||899|
|7.||Leica Digilux 3||146 mm||87 mm||77 mm||606 g||750||n||Sep 2006||1,499|
|8.||Leica V-LUX 1||141 mm||86 mm||142 mm||734 g||360||n||Sep 2006||849|
|9.||Nikon D80||132 mm||103 mm||77 mm||668 g||600||n||Aug 2006||999|
|10.||Nikon D70s||140 mm||111 mm||78 mm||679 g||500||n||Apr 2005||899|
|11.||Olympus E-330||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999|
|12.||Olympus E-500||130 mm||95 mm||66 mm||479 g||750||n||Sep 2005||599|
|13.||Olympus E-300||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799|
|14.||Panasonic ZS80||112 mm||69 mm||42 mm||327 g||380||n||Feb 2019||449|
|15.||Panasonic FZ80||130 mm||94 mm||119 mm||616 g||330||n||Jan 2017||399|
|16.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|17.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The ZS70 was launched at a lower price than the L1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic L1 features a Four Thirds sensor and the Panasonic ZS70 a 1/2.3-inch sensor. The sensor area in the ZS70 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the ZS70 offers a higher resolution of 20.2 megapixels, compared with 7.4 MP of the L1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 5.51μm for the L1). However, it should be noted that the ZS70 is much more recent (by 11 years and 1 month) than the L1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the ZS70 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic ZS70 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the ZS70 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Panasonic L1 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.
The Panasonic Lumix DMC-L1 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DC-ZS70 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Panasonic L1||Four Thirds||7.4||3136||2352||none||20.8||10.4||80||52|
|7.||Leica Digilux 3||Four Thirds||7.4||3136||2352||none||21.0||10.6||127||53|
|8.||Leica V-LUX 1||1/1.8||10.0||3648||2736||480/30p||18.4||9.5||-727||29|
|11.||Olympus E-330||Four Thirds||7.4||3136||2352||none||20.8||10.4||73||52|
|12.||Olympus E-500||Four Thirds||8.0||3264||2448||none||20.7||10.3||45||51|
|13.||Olympus E-300||Four Thirds||8.0||3264||2448||none||20.4||10.1||-40||48|
|17.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The ZS70 indeed provides for movie recording, while the L1 does not. The highest resolution format that the ZS70 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the ZS70 has an electronic viewfinder (1166k dots), while the L1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the ZS70 offers a wider field of view (100%) than the one in the L1 (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the L1 has a higher magnification (0.47x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Panasonic L1 and Panasonic ZS70 along with similar information for a selection of comparators.
|1.||Panasonic L1||optical||n||2.5 / 207||fixed||n||1/4000s||3.0/s||Y||n|
|2.||Panasonic ZS70||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|3.||Canon SX730||none||n||3.0 / 922||tilting||n||1/3200s||5.9/s||Y||Y|
|4.||Canon SX720||none||n||3.0 / 922||fixed||n||1/3200s||5.9/s||Y||Y|
|5.||Canon XT||optical||n||1.8 / 115||fixed||n||1/4000s||3.0/s||Y||n|
|6.||Canon Rebel||optical||n||1.8 / 118||fixed||n||1/4000s||2.5/s||Y||n|
|7.||Leica Digilux 3||optical||n||2.5 / 207||fixed||n||1/4000s||3.0/s||Y||n|
|8.||Leica V-LUX 1||235||n||2.0 / 207||tilting||n||1/2000s||2.0/s||Y||Y|
|9.||Nikon D80||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|10.||Nikon D70s||optical||n||2.0 / 130||fixed||n||1/8000s||3.0/s||Y||n|
|11.||Olympus E-330||optical||n||2.5 / 215||tilting||n||1/4000s||3.0/s||Y||n|
|12.||Olympus E-500||optical||n||2.5 / 215||fixed||n||1/4000s||2.5/s||Y||n|
|13.||Olympus E-300||optical||n||1.8 / 134||fixed||n||1/4000s||2.5/s||Y||n|
|14.||Panasonic ZS80||2330||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|15.||Panasonic FZ80||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0/s||Y||Y|
|16.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0/s||Y||Y|
|17.||Panasonic L10||optical||n||2.5 / 207||swivel||n||1/4000s||3.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The ZS70 has a touchscreen, while the L1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The ZS70 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the L1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the ZS70 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The L1 writes its imaging data to SDHC cards, while the ZS70 uses SDXC cards. The ZS70 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the L1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-L1 and Panasonic Lumix DC-ZS70 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic L1||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Panasonic ZS70||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Canon SX730||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|4.||Canon SX720||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|5.||Canon XT||Y||- / -||-||-||-||2.0||-||-||-|
|6.||Canon Rebel||Y||- / -||-||-||-||1.1||-||-||-|
|7.||Leica Digilux 3||Y||stereo / mono||-||-||-||2.0||-||-||-|
|8.||Leica V-LUX 1||Y||mono / mono||-||-||-||2.0||-||-||-|
|9.||Nikon D80||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Nikon D70s||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Olympus E-330||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Olympus E-500||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Olympus E-300||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Panasonic ZS80||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|15.||Panasonic FZ80||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|17.||Panasonic L10||Y||- / -||-||-||-||2.0||-||-||-|
It is notable that the L1 has a hotshoe, while the ZS70 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the L1 and the ZS70 have been discontinued, but can regularly be found used on eBay. The L1 was replaced by the Panasonic L10, while the ZS70 was followed by the Panasonic ZS80. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So how do things add up? Which of the two cameras – the Panasonic L1 or the Panasonic ZS70 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Panasonic Lumix DMC-L1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.47x vs 0.46x).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (750 versus 380) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been available for much longer (launched in February 2006).
Advantages of the Panasonic Lumix DC-ZS70:
- More detail: Has more megapixels (20.2 vs 7.4MP), which boosts linear resolution by 65%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 207k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the L1 requires a separate lens.
- More compact: Is smaller (112x67mm vs 146x87mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the L1).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 11 years and 1 month of technical progress since the L1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the ZS70 is the clear winner of the contest (21 : 12 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic L1 and the Panasonic ZS70 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the L1 or the ZS70. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic L1||..||85/100||..||+||..||3.5/5||Feb 2006||999|
|2.||Panasonic ZS70||..||+ +||..||..||4/5||4/5||Apr 2017||449|
|3.||Canon SX730||..||+||..||..||4/5||4/5||Apr 2017||399|
|4.||Canon SX720||..||+||..||..||4/5||4.5/5||Feb 2016||379|
|5.||Canon XT||..||80/100||..||+ +||o||..||Feb 2005||899|
|6.||Canon Rebel||..||..||..||+ +||..||..||Aug 2003||899|
|7.||Leica Digilux 3||..||..||..||..||..||..||Sep 2006||1,499|
|8.||Leica V-LUX 1||..||..||..||..||..||..||Sep 2006||849|
|9.||Nikon D80||..||+||..||+ +||o||4.5/5||Aug 2006||999|
|10.||Nikon D70s||..||..||..||..||..||5/5||Apr 2005||899|
|11.||Olympus E-330||..||..||..||+||o||..||Jan 2006||999|
|12.||Olympus E-500||..||76/100||..||+ +||..||..||Sep 2005||599|
|13.||Olympus E-300||..||..||..||+||o||4.5/5||Sep 2004||799|
|14.||Panasonic ZS80||..||+ +||..||..||4.5/5||..||Feb 2019||449|
|15.||Panasonic FZ80||..||+ +||..||..||4.5/5||4.5/5||Jan 2017||399|
|16.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|17.||Panasonic L10||..||85/100||..||+||3.5/5||4/5||Aug 2007||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X vs Panasonic ZS70
- Canon 40D vs Panasonic L1
- Canon 77D vs Panasonic L1
- Fujifilm X-T4 vs Panasonic L1
- Kodak S-1 vs Panasonic ZS70
- Leica TL vs Panasonic ZS70
- Leica V-LUX 5 vs Panasonic L1
- Nikon 1 J5 vs Panasonic ZS70
- Nikon Z6 vs Panasonic ZS70
- Panasonic G95 vs Panasonic L1
- Panasonic GX1 vs Panasonic ZS70
- Panasonic L1 vs Sony HX99
Specifications: Panasonic L1 vs Panasonic ZS70
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic L1||Panasonic ZS70|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Four Thirds lenses||24-720mm f/3.3-6.4|
|Launch Date||February 2006||April 2017|
|Launch Price||USD 999||USD 449|
|Sensor Specs||Panasonic L1||Panasonic ZS70|
|Sensor Format||Four Thirds Sensor||1/2.3" Sensor|
|Sensor Size||17.3 x 13.0 mm||6.17 x 4.55 mm|
|Sensor Area||224.9 mm2||28.0735 mm2|
|Sensor Diagonal||21.6 mm||7.7 mm|
|Sensor Resolution||7.4 Megapixels||20.2 Megapixels|
|Image Resolution||3136 x 2352 pixels||5184 x 3888 pixels|
|Pixel Pitch||5.51 μm||1.18 μm|
|Pixel Density||3.28 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100 - 1,600 ISO||80 - 3,200 ISO|
|ISO Boost||no Enhancement||80 - 6,400 ISO|
|DXO Sensor Quality (score)||..||36|
|DXO Color Depth (bits)||..||19.1|
|DXO Dynamic Range (EV)||..||10.6|
|DXO Low Light (ISO)||..||106|
|Screen Specs||Panasonic L1||Panasonic ZS70|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1166k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||207k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Panasonic L1||Panasonic ZS70|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/2000s|
|Continuous Shooting||3 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDHC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Panasonic L1||Panasonic ZS70|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Panasonic L1||Panasonic ZS70|
|Battery Life (CIPA)||750 shots per charge||380 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
146 x 87 x 64 mm
(5.7 x 3.4 x 2.5 in)
112 x 67 x 41 mm
(4.4 x 2.6 x 1.6 in)
|Camera Weight||606 g (21.4 oz)||322 g (11.4 oz)|
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