Panasonic L1 vs S1R

The Panasonic Lumix DMC-L1 and the Panasonic Lumix DC-S1R are two digital cameras that were officially introduced, respectively, in February 2006 and February 2019. The L1 is a DSLR, while the S1R is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (L1) and a full frame (S1R) sensor. The L1 has a resolution of 7.4 megapixels, whereas the S1R provides 46.7 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic L1		Panasonic S1R
Digital single lens reflex		Mirrorless system camera
Four Thirds lenses		Leica L mount lenses
7.4 MP – Four Thirds sensor		46.7 MP – Full Frame sensor
no Video		4K/60p Video
ISO 100-1,600		ISO 100-25,600 (50 - 51,200)
Optical viewfinder		Electronic viewfinder (5760k dots)
2.5" LCD – 207k dots		3.2" LCD – 2100k dots
Fixed screen (not touch-sensitive)		Fully flexible touchscreen
3 shutter flaps per second		9 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
750 shots per battery charge		380 shots per battery charge
146 x 87 x 64 mm, 606 g		149 x 110 x 97 mm, 1016 g

Check L1 offers at
ebay.com
Check S1R price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-L1 and the Panasonic Lumix DC-S1R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic L1 and the Panasonic S1R. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1R is notably larger (29 percent) than the Panasonic L1. Moreover, the S1R is substantially heavier (68 percent) than the L1. It is noteworthy in this context that the S1R is splash and dust-proof, while the L1 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The power pack in the S1R can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic L1	146 mm	87 mm	64 mm	606 g	750	n	Feb 2006	999	ebay.com
2.		Panasonic S1R	149 mm	110 mm	97 mm	1016 g	380	Y	Feb 2019	3,699	amazon.com
3.		Canon 350D	127 mm	94 mm	64 mm	540 g	400	n	Feb 2005	899	ebay.com
4.		Canon 300D	142 mm	99 mm	72 mm	649 g	400	n	Aug 2003	899	ebay.com
5.		Leica SL2	146 mm	107 mm	42 mm	953 g	370	Y	Nov 2019	5,999	amazon.com
6.		Leica Digilux 3	146 mm	87 mm	77 mm	606 g	750	n	Sep 2006	1,499	ebay.com
7.		Leica V-LUX 1	141 mm	86 mm	142 mm	734 g	360	n	Sep 2006	849	ebay.com
8.		Nikon Z7	134 mm	101 mm	67 mm	675 g	330	Y	Aug 2018	3,399	ebay.com
9.		Nikon D80	132 mm	103 mm	77 mm	668 g	600	n	Aug 2006	999	ebay.com
10.		Nikon D70s	140 mm	111 mm	78 mm	679 g	500	n	Apr 2005	899	ebay.com
11.		Olympus E-330	140 mm	87 mm	72 mm	637 g	750	n	Jan 2006	999	ebay.com
12.		Olympus E-500	130 mm	95 mm	66 mm	479 g	750	n	Sep 2005	599	ebay.com
13.		Olympus E-300	147 mm	85 mm	64 mm	624 g	750	n	Sep 2004	799	ebay.com
14.		Panasonic S1	149 mm	110 mm	97 mm	1017 g	400	Y	Feb 2019	2,499	amazon.com
15.		Panasonic S1H	151 mm	114 mm	110 mm	1052 g	400	Y	May 2019	3,999	amazon.com
16.		Panasonic L10	135 mm	96 mm	78 mm	556 g	450	n	Aug 2007	599	ebay.com
17.		Sony A99 II	143 mm	104 mm	76 mm	849 g	490	Y	Sep 2016	3,199	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The L1 was launched at a markedly lower price (by 73 percent) than the S1R, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic L1 features a Four Thirds sensor and the Panasonic S1R a full frame sensor. The sensor area in the S1R is 284 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the L1 has a native 4:3 aspect ratio, while the one in the S1R offers a 3:2 aspect.

With 46.7MP, the S1R offers a higher resolution than the L1 (7.4MP), but the S1R has smaller individual pixels (pixel pitch of 4.30μm versus 5.51μm for the L1). Yet, the S1R is a much more recent model (by 12 years and 11 months) than the L1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the S1R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Panasonic S1R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1R for good quality output (200 dots per inch) amounts to 41.8 x 27.9 inches or 106.3 x 70.9 cm, for very good quality (250 dpi) 33.5 x 22.3 inches or 85 x 56.7 cm, and for excellent quality (300 dpi) 27.9 x 18.6 inches or 70.8 x 47.3 cm. The corresponding values for the Panasonic L1 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.

Unlike the L1, the S1R has the capacity to capture high quality composite images (187MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DMC-L1 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DC-S1R are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic L1	Four Thirds	7.4	3136	2352	none	20.8	10.4	80	52
2.		Panasonic S1R	Full Frame	46.7	8368	5584	4K/60p	26.4	14.1	3525	100
3.		Canon 350D	APS-C	8.0	3456	2304	none	21.8	10.8	637	60
4.		Canon 300D	APS-C	6.3	3072	2048	none	21.0	10.8	544	55
5.		Leica SL2	Full Frame	46.7	8368	5584	4K/60p	25.3	14.3	2866	95
6.		Leica Digilux 3	Four Thirds	7.4	3136	2352	none	21.0	10.6	127	53
7.		Leica V-LUX 1	1/1.8	10.0	3648	2736	480/30p	18.4	9.5	-727	29
8.		Nikon Z7	Full Frame	45.4	8256	5504	4K/30p	26.3	14.6	2668	99
9.		Nikon D80	APS-C	10.0	3872	2592	none	22.1	11.2	524	61
10.		Nikon D70s	APS-C	6.0	3008	2000	none	20.4	10.3	529	50
11.		Olympus E-330	Four Thirds	7.4	3136	2352	none	20.8	10.4	73	52
12.		Olympus E-500	Four Thirds	8.0	3264	2448	none	20.7	10.3	45	51
13.		Olympus E-300	Four Thirds	8.0	3264	2448	none	20.4	10.1	-40	48
14.		Panasonic S1	Full Frame	24.0	6000	4000	4K/60p	25.2	14.5	3333	95
15.		Panasonic S1H	Full Frame	24.0	6000	4000	6K/30p	25.2	14.2	2805	94
16.		Panasonic L10	Four Thirds	10.0	3648	2736	none	21.3	10.8	429	55
17.		Sony A99 II	Full Frame	42.2	7952	5304	4K/30p	25.4	13.4	2317	92
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The S1R indeed provides for movie recording, while the L1 does not. The highest resolution format that the S1R can use is 4K/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the S1R has an electronic viewfinder (5760k dots), while the L1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the S1R offers a wider field of view (100%) than the one in the L1 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the S1R has a higher magnification (0.78x vs 0.47x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Panasonic L1 and Panasonic S1R along with similar information for a selection of comparators.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic L1	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
2.		Panasonic S1R	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
3.		Canon 350D	optical	n	1.8 / 115	fixed	n	1/4000s	3.0/s	Y	n
4.		Canon 300D	optical	n	1.8 / 118	fixed	n	1/4000s	2.5/s	Y	n
5.		Leica SL2	5760	Y	3.2 / 2100	fixed	Y	1/8000s	10.0/s	n	Y
6.		Leica Digilux 3	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
7.		Leica V-LUX 1	235	n	2.0 / 207	tilting	n	1/2000s	2.0/s	Y	Y
8.		Nikon Z7	3690	Y	3.2 / 2100	tilting	Y	1/8000s	9.0/s	n	Y
9.		Nikon D80	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
10.		Nikon D70s	optical	n	2.0 / 130	fixed	n	1/8000s	3.0/s	Y	n
11.		Olympus E-330	optical	n	2.5 / 215	tilting	n	1/4000s	3.0/s	Y	n
12.		Olympus E-500	optical	n	2.5 / 215	fixed	n	1/4000s	2.5/s	Y	n
13.		Olympus E-300	optical	n	1.8 / 134	fixed	n	1/4000s	2.5/s	Y	n
14.		Panasonic S1	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
15.		Panasonic S1H	5760	Y	3.2 / 2330	swivel	Y	1/8000s	9.0/s	n	Y
16.		Panasonic L10	optical	n	2.5 / 207	swivel	n	1/4000s	3.0/s	Y	n
17.		Sony A99 II	2400	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The L1 has one, while the S1R does not. While the built-in flash of the L1 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic S1R has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The L1 writes its imaging data to SDHC cards, while the S1R uses SDXC or XQD cards. The S1R features dual card slots, which can be very useful in case a memory card fails. In contrast, the L1 only has one slot. The S1R supports UHS-II cards (on both slots), while the L1 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-L1 and Panasonic Lumix DC-S1R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic L1	Y	- / -	-	-	-	2.0	-	-	-
2.		Panasonic S1R	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
3.		Canon 350D	Y	- / -	-	-	-	2.0	-	-	-
4.		Canon 300D	Y	- / -	-	-	-	1.1	-	-	-
5.		Leica SL2	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
6.		Leica Digilux 3	Y	stereo / mono	-	-	-	2.0	-	-	-
7.		Leica V-LUX 1	Y	mono / mono	-	-	-	2.0	-	-	-
8.		Nikon Z7	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
9.		Nikon D80	Y	- / -	-	-	-	2.0	-	-	-
10.		Nikon D70s	Y	- / -	-	-	-	2.0	-	-	-
11.		Olympus E-330	Y	- / -	-	-	-	2.0	-	-	-
12.		Olympus E-500	Y	- / -	-	-	-	2.0	-	-	-
13.		Olympus E-300	Y	- / -	-	-	-	2.0	-	-	-
14.		Panasonic S1	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
15.		Panasonic S1H	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
16.		Panasonic L10	Y	- / -	-	-	-	2.0	-	-	-
17.		Sony A99 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y

It is notable that the S1R offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the L1 does not provide wifi capability.

Studio photographers will appreciate that the Panasonic S1R (unlike the L1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The S1R is a recent model that features in the current product line-up of Panasonic. In contrast, the L1 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the L1 was succeeded by the Panasonic L10. Further information on the features and operation of the L1 and S1R can be found, respectively, in the Panasonic L1 Manual (free pdf) or the online Panasonic S1R Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Panasonic L1 and the Panasonic S1R? Which camera is better? The listing below highlights the relative strengths of the two models.

Advantages of the Panasonic Lumix DMC-L1:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• More compact: Is smaller (146x87mm vs 149x110mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 410g or 40 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (750 versus 380) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (73 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in February 2006).

Arguments in favor of the Panasonic Lumix DC-S1R:

• More detail: Has more megapixels (46.7 vs 7.4MP), which boosts linear resolution by 157%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Broader imaging potential: Can capture not only stills but also 4K/60p video.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.47x).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 2.5") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 207k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (9 vs 3 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
• More modern: Reflects 12 years and 11 months of technical progress since the L1 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the S1R is the clear winner of the contest (31 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic L1 and the Panasonic S1R place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the L1 or the S1R. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic L1	..	85/100	..	+	..	3.5/5	Feb 2006	999	ebay.com
2.		Panasonic S1R	4.5/5	..	4.6/5	89/100	4.5/5	4.5/5	Feb 2019	3,699	amazon.com
3.		Canon 350D	..	80/100	..	+ +	o	..	Feb 2005	899	ebay.com
4.		Canon 300D	..	..	..	+ +	..	..	Aug 2003	899	ebay.com
5.		Leica SL2	4/5	..	4.5/5	..	4.5/5	4/5	Nov 2019	5,999	amazon.com
6.		Leica Digilux 3	..	..	..	..	..	..	Sep 2006	1,499	ebay.com
7.		Leica V-LUX 1	..	..	..	..	..	..	Sep 2006	849	ebay.com
8.		Nikon Z7	5/5	+	4.8/5	89/100	4.5/5	5/5	Aug 2018	3,399	ebay.com
9.		Nikon D80	..	+	..	+ +	o	4.5/5	Aug 2006	999	ebay.com
10.		Nikon D70s	..	..	..	..	..	5/5	Apr 2005	899	ebay.com
11.		Olympus E-330	..	..	..	+	o	..	Jan 2006	999	ebay.com
12.		Olympus E-500	..	76/100	..	+ +	..	..	Sep 2005	599	ebay.com
13.		Olympus E-300	..	..	..	+	o	4.5/5	Sep 2004	799	ebay.com
14.		Panasonic S1	4.5/5	+ +	4.5/5	88/100	4.5/5	4/5	Feb 2019	2,499	amazon.com
15.		Panasonic S1H	..	..	4/5	90/100	..	..	May 2019	3,999	amazon.com
16.		Panasonic L10	..	85/100	..	+	3.5/5	4/5	Aug 2007	599	ebay.com
17.		Sony A99 II	..	..	4.5/5	85/100	4.5/5	4.5/5	Sep 2016	3,199	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check L1 offers at
ebay.com
Check S1R price at
amazon.com

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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