Panasonic GX9 vs Fujifilm GFX 50R

The Panasonic Lumix DC-GX9 and the Fujifilm GFX 50R are two digital cameras that were officially introduced, respectively, in February 2018 and September 2018. Both the GX9 and the GFX 50R are mirrorless interchangeable lens cameras that are based on a Four Thirds (GX9) and a medium format (GFX 50R) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Fujifilm provides 51.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic GX9		Fujifilm GFX 50R
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Fujifilm G mount lenses
20.2 MP – Four Thirds sensor		51.1 MP – Medium Format sensor
4K/30p Video		1080/30p Video
ISO 200-25,600		ISO 100-12,800 (50 - 102,400)
Electronic viewfinder (2760k dots)		Electronic viewfinder (3690k dots)
3.0" LCD – 1240k dots		3.2" LCD – 2360k dots
Tilting touchscreen		Tilting touchscreen
9 shutter flaps per second		3 shutter flaps per second
In-body stabilization		Lens stabilization only
not weather sealed		Weathersealed body
260 shots per battery charge		400 shots per battery charge
124 x 72 x 47 mm, 407 g		161 x 97 x 66 mm, 775 g

Check GX9 offers at
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Check GFX 50R offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-GX9 and the Fujifilm GFX 50R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic GX9 and the Fujifilm GFX 50R are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The GX9 can be obtained in two different colors (black, silver), while the GFX 50R is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50R is considerably larger (75 percent) than the Panasonic GX9. Moreover, the GFX 50R is substantially heavier (90 percent) than the GX9. It is noteworthy in this context that the GFX 50R is splash and dust-proof, while the GX9 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GX9 gets 260 shots out of its Panasonic DMW-BLG10 battery, while the GFX 50R can take 400 images on a single charge of its Fujifilm NP-T125 power pack. The power pack in the GX9 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GX9	124 mm	72 mm	47 mm	407 g	260	n	Feb 2018	849	ebay.com
2.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	4,499	ebay.com
3.		Canon 5DS	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	3,699	ebay.com
4.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	3,999	amazon.com
5.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	6,499	ebay.com
6.		Hasselblad X1D II	148 mm	97 mm	70 mm	766 g	..	Y	Jun 2019	5,750	ebay.com
7.		Leica Q2	130 mm	80 mm	92 mm	718 g	370	Y	Mar 2019	4,995	amazon.com
8.		Olympus E-P7	118 mm	69 mm	38 mm	337 g	360	n	Jun 2021	799	amazon.com
9.		Olympus E-M10 IV	122 mm	84 mm	49 mm	383 g	360	n	Aug 2020	699	amazon.com
10.		Olympus E-M10 III	122 mm	84 mm	50 mm	410 g	330	n	Aug 2017	649	ebay.com
11.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320	n	Aug 2015	649	ebay.com
12.		Panasonic G95	130 mm	94 mm	77 mm	536 g	290	Y	Apr 2019	999	ebay.com
13.		Panasonic LX100 II	115 mm	66 mm	65 mm	392 g	300	n	Aug 2018	999	ebay.com
14.		Panasonic ZS200	111 mm	65 mm	45 mm	340 g	370	n	Feb 2018	799	amazon.com
15.		Panasonic GX85	122 mm	71 mm	44 mm	426 g	290	n	Apr 2016	799	amazon.com
16.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	1,199	ebay.com
17.		Panasonic GX7	123 mm	71 mm	55 mm	402 g	350	n	Aug 2013	999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GX9 was launched at a markedly lower price (by 81 percent) than the GFX 50R, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic GX9 features a Four Thirds sensor and the Fujifilm GFX 50R a medium format sensor. The sensor area in the GFX 50R is 545 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 0.79. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

With 51.1MP, the GFX 50R offers a higher resolution than the GX9 (20.2MP), but the GFX 50R nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.34μm for the GX9) due to its larger sensor. Moreover, the GFX 50R is a somewhat more recent model (by 7 months) than the GX9, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Panasonic GX9 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

The Panasonic Lumix DC-GX9 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Fujifilm GFX 50R are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic GX9	Four Thirds	20.2	5184	3888	4K/30p	23.1	12.8	1163	74
2.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
3.		Canon 5DS	Full Frame	50.3	8688	5792	1080/30p	24.7	12.4	2381	87
4.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
5.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
6.		Hasselblad X1D II	Medium Format	51.3	8272	6200	1080/25p	25.7	14.5	3234	99
7.		Leica Q2	Full Frame	46.7	8368	5584	4K/30p	26.4	13.5	2491	96
8.		Olympus E-P7	Four Thirds	20.2	5184	3888	4K/30p	23.4	13.3	1494	77
9.		Olympus E-M10 IV	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.2	1402	76
10.		Olympus E-M10 III	Four Thirds	15.9	4608	3456	4K/30p	23.1	12.8	1120	74
11.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
12.		Panasonic G95	Four Thirds	20.2	5184	3888	4K/30p	23.2	13.0	1273	75
13.		Panasonic LX100 II	Four Thirds	16.8	4736	3552	4K/30p	22.8	12.7	979	72
14.		Panasonic ZS200	1-inch	20.0	5472	3648	4K/30p	22.0	12.2	449	64
15.		Panasonic GX85	Four Thirds	15.8	4592	3448	4K/30p	22.9	12.6	662	71
16.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
17.		Panasonic GX7	Four Thirds	15.8	4592	3448	1080/60p	22.6	12.2	718	70
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GX9 provides a higher video resolution than the GFX 50R. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GFX 50R offers a higher resolution than the one in the GX9 (3690k vs 2760k dots). The table below summarizes some of the other core capabilities of the Panasonic GX9 and Fujifilm GFX 50R in connection with corresponding information for a sample of similar cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic GX9	2760	n	3.0 / 1240	tilting	Y	1/4000s	9.0/s	Y	Y
2.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
3.		Canon 5DS	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
4.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
5.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
6.		Hasselblad X1D II	3690	n	3.6 / 2360	fixed	Y	1/2000s	2.7/s	n	n
7.		Leica Q2	3680	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	n	Y
8.		Olympus E-P7	none	n	3.0 / 1040	tilting	Y	1/4000s	8.7/s	Y	Y
9.		Olympus E-M10 IV	2360	n	3.0 / 1040	tilting	Y	1/4000s	15.0/s	Y	Y
10.		Olympus E-M10 III	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.6/s	Y	Y
11.		Olympus E-M10 II	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
12.		Panasonic G95	2360	n	3.0 / 1240	swivel	Y	1/4000s	9.0/s	Y	Y
13.		Panasonic LX100 II	2764	n	3.0 / 1240	fixed	Y	1/4000s	11.0/s	n	Y
14.		Panasonic ZS200	2330	n	3.0 / 1240	fixed	Y	1/2000s	10.0/s	Y	Y
15.		Panasonic GX85	2765	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
16.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
17.		Panasonic GX7	2760	n	3.0 / 1040	tilting	Y	1/8000s	5.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The GX9 has one, while the GFX 50R does not. While the built-in flash of the GX9 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic GX9 and the Fujifilm GFX 50R both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GX9 and the GFX 50R write their files to SDXC cards. The GFX 50R features dual card slots, which can be very useful in case a memory card fails. In contrast, the GX9 only has one slot. The GFX 50R supports UHS-II cards (on both slots), while the GX9 can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-GX9 and Fujifilm GFX 50R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic GX9	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
2.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
3.		Canon 5DS	Y	mono / mono	Y	-	mini	3.0	-	-	-
4.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
5.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
6.		Hasselblad X1D II	Y	stereo / mono	Y	Y	-	3.0	Y	-	-
7.		Leica Q2	Y	stereo / mono	-	-	-	-	Y	-	Y
8.		Olympus E-P7	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
9.		Olympus E-M10 IV	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
10.		Olympus E-M10 III	Y	stereo / mono	-	-	micro	2.0	Y	-	-
11.		Olympus E-M10 II	Y	stereo / mono	-	-	micro	2.0	Y	-	-
12.		Panasonic G95	Y	stereo / mono	Y	Y	micro	2.0	Y	-	Y
13.		Panasonic LX100 II	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
14.		Panasonic ZS200	-	stereo / mono	-	-	micro	2.0	Y	-	Y
15.		Panasonic GX85	Y	stereo / mono	-	-	micro	2.0	Y	-	-
16.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
17.		Panasonic GX7	Y	stereo / mono	-	-	mini	2.0	Y	Y	-

It is notable that the GFX 50R has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The GX9 lacks such a headphone port.

Studio photographers will appreciate that the Fujifilm GFX 50R (unlike the GX9) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the GX9 and the GFX 50R have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Panasonic and Fujifilm. Further information on the features and operation of the GX9 and GFX 50R can be found, respectively, in the Panasonic GX9 Manual (free pdf) or the online Fujifilm GFX 50R Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Panasonic GX9 and the Fujifilm GFX 50R? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Panasonic Lumix DC-GX9:

• Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
• Faster burst: Shoots at higher frequency (9 vs 3 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (124x72mm vs 161x97mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 368g or 47 percent) and hence easier to carry around.
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (81 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in February 2018).

Reasons to prefer the Fujifilm GFX 50R:

• More detail: Has more megapixels (51.1 vs 20.2MP), which boosts linear resolution by 59%.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2760k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.70x).
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 1240k dots).
• Longer lasting: Gets more shots (400 versus 260) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Was introduced somewhat (7 months) more recently.

If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50R is the clear winner of the contest (18 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic GX9 and the Fujifilm GFX 50R place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GX9 or the GFX 50R. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GX9	4/5	+	4/5	84/100	4.5/5	4.5/5	Feb 2018	849	ebay.com
2.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	4,499	ebay.com
3.		Canon 5DS	..	+	..	83/100	4.5/5	4.5/5	Feb 2015	3,699	ebay.com
4.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	3,999	amazon.com
5.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	6,499	ebay.com
6.		Hasselblad X1D II	..	..	4/5	..	4/5	4/5	Jun 2019	5,750	ebay.com
7.		Leica Q2	..	..	4.5/5	84/100	4.5/5	4/5	Mar 2019	4,995	amazon.com
8.		Olympus E-P7	4/5	..	4.5/5	..	..	4.5/5	Jun 2021	799	amazon.com
9.		Olympus E-M10 IV	4.5/5	..	5/5	81/100	4.5/5	4.5/5	Aug 2020	699	amazon.com
10.		Olympus E-M10 III	..	+	5/5	80/100	4.5/5	4.5/5	Aug 2017	649	ebay.com
11.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	649	ebay.com
12.		Panasonic G95	4.5/5	+	4.5/5	83/100	4.5/5	4.5/5	Apr 2019	999	ebay.com
13.		Panasonic LX100 II	4.5/5	+	4.2/5	82/100	4.5/5	4.5/5	Aug 2018	999	ebay.com
14.		Panasonic ZS200	..	+ +	4.5/5	81/100	4.5/5	4.5/5	Feb 2018	799	amazon.com
15.		Panasonic GX85	4.5/5	+ +	..	82/100	5/5	5/5	Apr 2016	799	amazon.com
16.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	1,199	ebay.com
17.		Panasonic GX7	4/5	+	..	79/100	5/5	5/5	Aug 2013	999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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