Panasonic GX85 vs Sony A850
The Panasonic Lumix DMC-GX85 (called Panasonic GX80 in some regions) and the Sony Alpha A850 are two digital cameras that were revealed to the public, respectively, in April 2016 and August 2009. The GX85 is a mirrorless interchangeable lens camera, while the A850 is a DSLR. The cameras are based on a Four Thirds (GX85) and a full frame (A850) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 24.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GX85 and the Sony Alpha A850? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic GX85 and the Sony A850 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The GX85 can be obtained in two different colors (black, silver), while the A850 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A850 is considerably larger (111 percent) than the Panasonic GX85. Moreover, the A850 is substantially heavier (110 percent) than the GX85. It is noteworthy in this context that the A850 is splash and dust-proof, while the GX85 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the GX85 gets 290 shots out of its DMW-BLG10 battery, while the A850 can take 880 images on a single charge of its NP-FM500H power pack. The power pack in the GX85 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic GX85||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|2.||Sony A850||156 mm||117 mm||82 mm||895 g||880||Y||Aug 2009||1,999|
|3.||Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299|
|4.||Olympus E-PL8||115 mm||67 mm||38 mm||357 g||350||n||Sep 2016||549|
|5.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|6.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|7.||Panasonic GX9||124 mm||72 mm||47 mm||407 g||260||n||Feb 2018||849|
|8.||Panasonic G85||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|9.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|10.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|11.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749|
|12.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|13.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|14.||Sony A7C||124 mm||71 mm||60 mm||509 g||740||Y||Sep 2020||1,799|
|15.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|16.||Sony A99||147 mm||111 mm||78 mm||812 g||500||Y||Sep 2012||2,799|
|17.||Sony A900||156 mm||117 mm||82 mm||895 g||880||Y||Sep 2008||2,999|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GX85 was launched at a markedly lower price (by 60 percent) than the A850, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic GX85 features a Four Thirds sensor and the Sony A850 a full frame sensor. The sensor area in the A850 is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the GX85 has a native 4:3 aspect ratio, while the one in the A850 offers a 3:2 aspect.
With 24.4MP, the A850 offers a higher resolution than the GX85 (15.8MP), but the A850 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 3.77μm for the GX85) due to its larger sensor. However, the GX85 is a much more recent model (by 6 years and 7 months) than the A850, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GX85 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A850 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A850 for good quality output (200 dots per inch) amounts to 30.2 x 20.2 inches or 76.8 x 51.2 cm, for very good quality (250 dpi) 24.2 x 16.1 inches or 61.4 x 41 cm, and for excellent quality (300 dpi) 20.2 x 13.4 inches or 51.2 x 34.1 cm. The corresponding values for the Panasonic GX85 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The Panasonic Lumix DMC-GX85 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A850 are ISO 200 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A850 has a markedly higher DXO score than the GX85 (overall score 8 points higher), which will translate into better image quality. The advantage is based on 0.9 bits higher color depth, 0.4 EV of lower dynamic range, and 1.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Panasonic GX85||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|2.||Sony A850||Full Frame||24.4||6048||4032||none||23.8||12.2||1415||79|
|3.||Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|4.||Olympus E-PL8||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.6||1030||73|
|5.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|6.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|7.||Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||23.1||12.8||1163||74|
|8.||Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|9.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.4||904||71|
|10.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|11.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|12.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|13.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|14.||Sony A7C||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3407||95|
|15.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|16.||Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
|17.||Sony A900||Full Frame||24.4||6048||4032||none||23.7||12.3||1431||79|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The GX85 indeed provides movie recording capabilities, while the A850 does not. The highest resolution format that the GX85 can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GX85 has an electronic viewfinder (2765k dots), while the A850 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GX85 offers a wider field of view (100%) than the one in the A850 (98%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the A850 has a higher magnification (0.74x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Panasonic GX85, the Sony A850, and comparable cameras.
|1.||Panasonic GX85||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||Y|
|2.||Sony A850||optical||Y||3.0 / 922||fixed||n||1/8000s||3.0/s||n||Y|
|3.||Nikon D750||optical||Y||3.2 / 1229||tilting||n||1/4000s||6.0/s||Y||n|
|4.||Olympus E-PL8||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||n||Y|
|5.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||Y|
|6.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||Y||Y|
|7.||Panasonic GX9||2760||n||3.0 / 1240||tilting||Y||1/4000s||9.0/s||Y||Y|
|8.||Panasonic G85||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0/s||Y||Y|
|9.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0/s||Y||n|
|10.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0/s||n||Y|
|11.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8/s||n||n|
|12.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0/s||Y||Y|
|13.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|14.||Sony A7C||2360||n||3.0 / 922||swivel||Y||1/4000s||10.0/s||n||Y|
|15.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0/s||n||Y|
|16.||Sony A99||2359||Y||3.0 / 1229||full-flex||n||1/8000s||6.0/s||n||Y|
|17.||Sony A900||optical||Y||3.0 / 922||fixed||n||1/8000s||5.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The GX85 has one, while the A850 does not. While the built-in flash of the GX85 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX85 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GX85 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GX85 writes its imaging data to SDXC cards, while the A850 uses Compact Flash or Memory Stick PRO Duo cards. The A850 features dual card slots, which can be very useful in case a memory card fails. In contrast, the GX85 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GX85 and Sony Alpha A850 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic GX85||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Sony A850||Y||- / -||-||-||mini||2.0||-||-||-|
|3.||Nikon D750||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|4.||Olympus E-PL8||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|5.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Panasonic GX9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|8.||Panasonic G85||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|9.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|10.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|11.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|13.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|14.||Sony A7C||Y||stereo / mono||Y||Y||micro||3.2||Y||Y||Y|
|15.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|16.||Sony A99||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|17.||Sony A900||Y||- / -||-||-||mini||2.0||-||-||-|
It is notable that the GX85 offers wifi support, while the A850 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Sony A850 (unlike the GX85) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The GX85 is a recent model that features in the current product line-up of Panasonic. In contrast, the A850 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the A850 from Sony. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what is the bottom line? Is the Panasonic GX85 better than the Sony A850 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DMC-GX85:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (8 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (122x71mm vs 156x117mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 469g or 52 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
- More modern: Reflects 6 years and 7 months of technical progress since the A850 launch.
Arguments in favor of the Sony Alpha A850:
- More detail: Has more megapixels (24.4 vs 15.8MP), which boosts linear resolution by 27%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores markedly higher (8 points) in the DXO overall evaluation.
- Better low-light sensitivity: Can shoot in dim conditions (1.1 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.70x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Gets more shots (880 versus 290) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in August 2009).
If the count of relative strengths (bullet points above) is taken as a measure, the GX85 is the clear winner of the match-up (18 : 13 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GX85 and the Sony A850 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the GX85 and the A850 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic GX85||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799|
|2.||Sony A850||3/5||..||..||75/100||..||4.5/5||Aug 2009||1,999|
|3.||Nikon D750||5/5||+ +||4/5||90/100||4.5/5||4.5/5||Sep 2014||2,299|
|4.||Olympus E-PL8||..||..||..||..||4.5/5||4/5||Sep 2016||549|
|5.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649|
|6.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699|
|7.||Panasonic GX9||4/5||+||4/5||84/100||4.5/5||4.5/5||Feb 2018||849|
|8.||Panasonic G85||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899|
|9.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|10.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|11.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749|
|12.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999|
|13.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899|
|14.||Sony A7C||3.5/5||..||3.5/5||86/100||4/5||4/5||Sep 2020||1,799|
|15.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999|
|16.||Sony A99||5/5||..||..||84/100||4.5/5||4.5/5||Sep 2012||2,799|
|17.||Sony A900||..||+ +||..||+ +||4.5/5||5/5||Sep 2008||2,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon SX720 vs Sony A850
- Leica M Typ 262 vs Panasonic GX85
- Nikon D1H vs Panasonic GX85
- Olympus E-M5 II vs Panasonic GX85
- Olympus E-PL1 vs Sony A850
- Panasonic G1 vs Sony A850
- Panasonic G80 vs Panasonic GX85
- Panasonic GX85 vs Pentax 645Z
- Panasonic GX85 vs Sony NEX-5
- Samsung NX30 vs Sony A850
- Sony A77 vs Sony A850
- Sony A7R vs Sony A850
Specifications: Panasonic GX85 vs Sony A850
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GX85||Sony A850|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Sony A mount lenses|
|Launch Date||April 2016||August 2009|
|Launch Price||USD 799||USD 1,999|
|Sensor Specs||Panasonic GX85||Sony A850|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.9 x 24.0 mm|
|Sensor Area||224.9 mm2||861.6 mm2|
|Sensor Diagonal||21.6 mm||43.2 mm|
|Sensor Resolution||15.8 Megapixels||24.4 Megapixels|
|Image Resolution||4592 x 3448 pixels||6048 x 4032 pixels|
|Pixel Pitch||3.77 μm||5.94 μm|
|Pixel Density||7.04 MP/cm2||2.83 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||no Video|
|ISO Setting||200 - 25,600 ISO||200 - 3,200 ISO|
|ISO Boost||100 - 25,600 ISO||100 - 6,400 ISO|
|DXO Sensor Quality (score)||71||79|
|DXO Color Depth (bits)||22.9||23.8|
|DXO Dynamic Range (EV)||12.6||12.2|
|DXO Low Light (ISO)||662||1415|
|Screen Specs||Panasonic GX85||Sony A850|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||98%|
|Viewfinder Resolution||2765k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||922k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic GX85||Sony A850|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||8 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF or MS cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Panasonic GX85||Sony A850|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Panasonic GX85||Sony A850|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||290 shots per charge||880 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
122 x 71 x 44 mm
(4.8 x 2.8 x 1.7 in)
156 x 117 x 82 mm
(6.1 x 4.6 x 3.2 in)
|Camera Weight||426 g (15.0 oz)||895 g (31.6 oz)|
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