Panasonic GX85 vs Nikon D500

The Panasonic Lumix DMC-GX85 (called Panasonic GX80 in some regions) and the Nikon D500 are two digital cameras that were officially introduced, respectively, in April 2016 and January 2016. The GX85 is a mirrorless interchangeable lens camera, while the D500 is a DSLR. The cameras are based on a Four Thirds (GX85) and an APS-C (D500) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Nikon provides 20.7 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic GX85		Nikon D500
Mirrorless system camera		Digital single lens reflex
Micro Four Thirds lenses		Nikon F mount lenses
15.8 MP – Four Thirds sensor		20.7 MP – APS-C sensor
4K/30p Video		4K/30p Video
ISO 200-25,600		ISO 100-51,200 (50 - 1,640,000)
Electronic viewfinder (2765k dots)		Optical viewfinder
3.0" LCD – 1040k dots		3.2" LCD – 2359k dots
Tilting touchscreen		Tilting touchscreen
8 shutter flaps per second		10 shutter flaps per second
In-body stabilization		Lens stabilization only
not weather sealed		Weathersealed body
290 shots per battery charge		1240 shots per battery charge
122 x 71 x 44 mm, 426 g		147 x 115 x 81 mm, 860 g

Check GX85 price at
amazon.com
Check D500 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GX85 and the Nikon D500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic GX85 and the Nikon D500 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The GX85 can be obtained in two different colors (black, silver), while the D500 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D500 is considerably larger (95 percent) than the Panasonic GX85. Moreover, the D500 is substantially heavier (102 percent) than the GX85. It is noteworthy in this context that the D500 is splash and dust-proof, while the GX85 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GX85) and the Nikon Lens Catalog (D500). Mirrorless cameras, such as the Panasonic GX85, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

Concerning battery life, the GX85 gets 290 shots out of its Panasonic DMW-BLG10 battery, while the D500 can take 1240 images on a single charge of its Nikon EN-EL15 power pack. The power pack in the GX85 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GX85	122 mm	71 mm	44 mm	426 g	290	n	Apr 2016	799	amazon.com
2.		Nikon D500	147 mm	115 mm	81 mm	860 g	1240	Y	Jan 2016	1,999	ebay.com
3.		Nikon D300S	147 mm	115 mm	81 mm	938 g	950	Y	Jul 2009	1,799	ebay.com
4.		Nikon D3400	124 mm	98 mm	76 mm	445 g	1200	n	Aug 2016	499	ebay.com
5.		Nikon D5500	124 mm	97 mm	70 mm	470 g	820	n	Jan 2015	899	ebay.com
6.		Nikon D7200	136 mm	107 mm	76 mm	765 g	1110	Y	Mar 2015	1,199	ebay.com
7.		Nikon D7500	136 mm	104 mm	73 mm	720 g	950	Y	Apr 2017	1,299	amazon.com
8.		Olympus E-M10	119 mm	82 mm	46 mm	396 g	320	n	Jan 2014	699	ebay.com
9.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320	n	Aug 2015	649	ebay.com
10.		Olympus E-PL8	115 mm	67 mm	38 mm	357 g	350	n	Sep 2016	549	ebay.com
11.		Panasonic G7	125 mm	86 mm	77 mm	410 g	350	n	May 2015	649	ebay.com
12.		Panasonic G85	128 mm	89 mm	74 mm	505 g	330	Y	Sep 2016	899	ebay.com
13.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	899	ebay.com
14.		Panasonic GM5	99 mm	60 mm	36 mm	211 g	220	n	Sep 2014	749	ebay.com
15.		Panasonic GX7	123 mm	71 mm	55 mm	402 g	350	n	Aug 2013	999	ebay.com
16.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	1,199	ebay.com
17.		Panasonic GX9	124 mm	72 mm	47 mm	407 g	260	n	Feb 2018	849	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GX85 was launched at a markedly lower price (by 60 percent) than the D500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic GX85 features a Four Thirds sensor and the Nikon D500 an APS-C sensor. The sensor area in the D500 is 64 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the GX85 has a native 4:3 aspect ratio, while the one in the D500 offers a 3:2 aspect.

With 20.7MP, the D500 offers a higher resolution than the GX85 (15.8MP), but the D500 nevertheless has larger individual pixels (pixel pitch of 4.22μm versus 3.77μm for the GX85) due to its larger sensor. However, the GX85 is a somewhat more recent model (by 2 months) than the D500, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Nikon D500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D500 for good quality output (200 dots per inch) amounts to 27.8 x 18.6 inches or 70.7 x 47.1 cm, for very good quality (250 dpi) 22.3 x 14.8 inches or 56.6 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inches or 47.1 x 31.4 cm. The corresponding values for the Panasonic GX85 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The Panasonic Lumix DMC-GX85 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Nikon D500 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-1640000.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the D500 offers substantially better image quality than the GX85 (overall score 12 points higher). The advantage is based on 1.1 bits higher color depth, 1.4 EV in additional dynamic range, and 1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic GX85	Four Thirds	15.8	4592	3448	4K/30p	22.9	12.6	662	71
2.		Nikon D500	APS-C	20.7	5568	3712	4K/30p	24.0	14.0	1324	83
3.		Nikon D300S	APS-C	12.2	4288	2848	720/24p	22.5	12.2	787	70
4.		Nikon D3400	APS-C	24.0	6000	4000	1080/60p	24.8	13.9	1192	86
5.		Nikon D5500	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1438	84
6.		Nikon D7200	APS-C	24.0	6000	4000	1080/60p	24.5	14.6	1333	87
7.		Nikon D7500	APS-C	20.7	5568	3712	4K/30p	24.3	14.0	1483	86
8.		Olympus E-M10	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	884	72
9.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
10.		Olympus E-PL8	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.6	1030	73
11.		Panasonic G7	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.4	904	71
12.		Panasonic G85	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.5	656	71
13.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
14.		Panasonic GM5	Four Thirds	15.8	4592	3448	1080/60p	22.1	11.7	721	66
15.		Panasonic GX7	Four Thirds	15.8	4592	3448	1080/60p	22.6	12.2	718	70
16.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
17.		Panasonic GX9	Four Thirds	20.2	5184	3888	4K/30p	23.1	12.8	1163	74
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the GX85 has an electronic viewfinder (2765k dots), while the D500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the GX85 has a higher magnification than the one of the D500 (0.70x vs 0.67x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Panasonic GX85, the Nikon D500, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic GX85	2765	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
2.		Nikon D500	optical	Y	3.2 / 2359	tilting	Y	1/8000s	10.0/s	n	n
3.		Nikon D300S	optical	Y	3.0 / 920	fixed	n	1/8000s	7.0/s	Y	n
4.		Nikon D3400	optical	n	3.0 / 921	fixed	n	1/4000s	5.0/s	Y	n
5.		Nikon D5500	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
6.		Nikon D7200	optical	Y	3.2 / 1229	fixed	n	1/8000s	6.0/s	Y	n
7.		Nikon D7500	optical	Y	3.2 / 922	tilting	Y	1/8000s	8.0/s	Y	n
8.		Olympus E-M10	1440	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	Y	Y
9.		Olympus E-M10 II	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
10.		Olympus E-PL8	optional	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	n	Y
11.		Panasonic G7	2360	n	3.0 / 1040	swivel	Y	1/4000s	7.0/s	Y	n
12.		Panasonic G85	2360	n	3.0 / 1040	swivel	Y	1/4000s	9.0/s	Y	Y
13.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
14.		Panasonic GM5	1166	n	3.0 / 921	fixed	Y	1/500s	5.8/s	n	n
15.		Panasonic GX7	2760	n	3.0 / 1040	tilting	Y	1/8000s	5.0/s	Y	Y
16.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
17.		Panasonic GX9	2760	n	3.0 / 1240	tilting	Y	1/4000s	9.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The GX85 has one, while the D500 does not. While the built-in flash of the GX85 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX85 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic GX85 and the Nikon D500 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GX85 writes its imaging data to SDXC cards, while the D500 uses SDXC or XQD cards. The D500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the GX85 only has one slot. The D500 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the GX85 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GX85 and Nikon D500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic GX85	Y	stereo / mono	-	-	micro	2.0	Y	-	-
2.		Nikon D500	Y	stereo / mono	Y	Y	mini	3.0	Y	Y	Y
3.		Nikon D300S	Y	stereo / mono	Y	-	mini	2.0	-	-	-
4.		Nikon D3400	Y	mono / mono	-	-	mini	2.0	-	-	Y
5.		Nikon D5500	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
6.		Nikon D7200	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
7.		Nikon D7500	Y	stereo / mono	Y	Y	mini	2.0	Y	-	Y
8.		Olympus E-M10	Y	stereo / mono	-	-	micro	2.0	Y	-	-
9.		Olympus E-M10 II	Y	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Olympus E-PL8	Y	stereo / mono	-	-	micro	2.0	Y	-	-
11.		Panasonic G7	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
12.		Panasonic G85	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
13.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
14.		Panasonic GM5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
15.		Panasonic GX7	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
16.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
17.		Panasonic GX9	Y	stereo / mono	-	-	micro	2.0	Y	-	Y

It is notable that the D500 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The GX85 lacks such a headphone port.

Studio photographers will appreciate that the Nikon D500 (unlike the GX85) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GX85 is a recent model that features in the current product line-up of Panasonic. In contrast, the D500 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the D500 from Nikon. Further information on the features and operation of the GX85 and D500 can be found, respectively, in the Panasonic GX85 Manual (free pdf) or the online Nikon D500 Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Panasonic GX85 and the Nikon D500? Which camera is better? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Panasonic Lumix DMC-GX85:

• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.67x).
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More compact: Is smaller (122x71mm vs 147x115mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 434g or 50 percent) and hence easier to carry around.
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
• More modern: Is somewhat more recent (announced 2 months after the D500).

Reasons to prefer the Nikon D500:

• More detail: Has more megapixels (20.7 vs 15.8MP), which boosts linear resolution by 17%.
• Better image quality: Scores substantially higher (12 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (1.1 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (1.4 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (1 stops ISO advantage).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2359k vs 1040k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
• Longer lasting: Gets more shots (1240 versus 290) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More heavily discounted: Has been on the market for longer (launched in January 2016).

If the count of relative strengths (bullet points above) is taken as a measure, the D500 is the clear winner of the contest (22 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic GX85 and the Nikon D500 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the GX85 and the D500 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GX85	4.5/5	+ +	..	82/100	5/5	5/5	Apr 2016	799	amazon.com
2.		Nikon D500	5/5	+ +	4.7/5	91/100	4.5/5	5/5	Jan 2016	1,999	ebay.com
3.		Nikon D300S	5/5	+ +	..	82/100	4/5	4.5/5	Jul 2009	1,799	ebay.com
4.		Nikon D3400	4/5	+	4/5	76/100	4/5	4.5/5	Aug 2016	499	ebay.com
5.		Nikon D5500	5/5	+	..	79/100	4.5/5	4.5/5	Jan 2015	899	ebay.com
6.		Nikon D7200	4/5	+ +	..	84/100	4.5/5	4.5/5	Mar 2015	1,199	ebay.com
7.		Nikon D7500	4.5/5	+ +	4.5/5	86/100	5/5	4.5/5	Apr 2017	1,299	amazon.com
8.		Olympus E-M10	4/5	..	..	80/100	5/5	5/5	Jan 2014	699	ebay.com
9.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	649	ebay.com
10.		Olympus E-PL8	..	..	..	..	4.5/5	4/5	Sep 2016	549	ebay.com
11.		Panasonic G7	4/5	+ +	3.5/5	80/100	5/5	4.5/5	May 2015	649	ebay.com
12.		Panasonic G85	..	+ +	..	84/100	5/5	4.5/5	Sep 2016	899	ebay.com
13.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	899	ebay.com
14.		Panasonic GM5	3.5/5	+	..	77/100	5/5	4.5/5	Sep 2014	749	ebay.com
15.		Panasonic GX7	4/5	+	..	79/100	5/5	5/5	Aug 2013	999	ebay.com
16.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	1,199	ebay.com
17.		Panasonic GX9	4/5	+	4/5	84/100	4.5/5	4.5/5	Feb 2018	849	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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