Panasonic GX800 vs Sony A77

The Panasonic Lumix DMC-GX800 (called Panasonic GX850 in some regions) and the Sony Alpha SLT-A77 are two digital cameras that were officially introduced, respectively, in January 2017 and August 2011. The GX800 is a mirrorless interchangeable lens camera, while the A77 is a DSLR. The cameras are based on a Four Thirds (GX800) and an APS-C (A77) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic GX800		Sony A77
Mirrorless system camera		Digital single lens reflex
Micro Four Thirds lenses		Sony A mount lenses
15.8 MP – Four Thirds sensor		24 MP – APS-C sensor
4K/30p Video		1080/60p Video
ISO 200-25,600		ISO 100-16,000 (50 - 25,600)
No viewfinder, LCD framing		Electronic viewfinder (2359k dots)
3.0" LCD – 1040k dots		3.0" LCD – 921k dots
Tilting touchscreen		Fully flexible screen (no touchscreen)
10 shutter flaps per second		12 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
210 shots per battery charge		470 shots per battery charge
107 x 65 x 33 mm, 269 g		143 x 104 x 81 mm, 732 g

Check GX800 offers at
ebay.com
Check A77 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GX800 and the Sony Alpha SLT-A77? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic GX800 and the Sony A77 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The GX800 can be obtained in three different colors (black, silver, red), while the A77 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A77 is considerably larger (114 percent) than the Panasonic GX800. Moreover, the A77 is substantially heavier (172 percent) than the GX800. It is noteworthy in this context that the A77 is splash and dust-proof, while the GX800 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GX800 gets 210 shots out of its Panasonic DMW-BLH7 battery, while the A77 can take 470 images on a single charge of its Sony NP-FM500H power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GX800	107 mm	65 mm	33 mm	269 g	210	n	Jan 2017	549	ebay.com
2.		Sony A77	143 mm	104 mm	81 mm	732 g	470	Y	Aug 2011	1,399	ebay.com
3.		Canon M10	108 mm	67 mm	35 mm	301 g	255	n	Oct 2015	499	ebay.com
4.		Canon M100	108 mm	67 mm	35 mm	302 g	295	n	Aug 2017	499	ebay.com
5.		Panasonic G5	120 mm	83 mm	71 mm	396 g	320	n	Jul 2012	599	ebay.com
6.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	599	ebay.com
7.		Panasonic G7	125 mm	86 mm	77 mm	410 g	350	n	May 2015	649	ebay.com
8.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	499	ebay.com
9.		Panasonic GF6	111 mm	65 mm	38 mm	323 g	340	n	Apr 2013	499	ebay.com
10.		Panasonic GF7	107 mm	65 mm	33 mm	266 g	230	n	Jan 2015	499	ebay.com
11.		Panasonic GM1	99 mm	55 mm	30 mm	204 g	230	n	Oct 2013	749	ebay.com
12.		Panasonic GM5	99 mm	60 mm	36 mm	211 g	220	n	Sep 2014	749	ebay.com
13.		Pentax K-3	131 mm	100 mm	77 mm	800 g	560	Y	Oct 2013	1,299	ebay.com
14.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	1,999	ebay.com
15.		Sony A77 II	143 mm	104 mm	81 mm	647 g	480	Y	May 2014	1,199	ebay.com
16.		Sony A99	147 mm	111 mm	78 mm	812 g	500	Y	Sep 2012	2,799	ebay.com
17.		Sony A6500	120 mm	67 mm	53 mm	453 g	350	Y	Oct 2016	1,399	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GX800 was launched at a markedly lower price (by 61 percent) than the A77, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic GX800 features a Four Thirds sensor and the Sony A77 an APS-C sensor. The sensor area in the A77 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the GX800 has a native 4:3 aspect ratio, while the one in the A77 offers a 3:2 aspect.

With 24MP, the A77 offers a higher resolution than the GX800 (15.8MP), but the A77 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.77μm for the GX800) due to its larger sensor. However, the GX800 is a much more recent model (by 5 years and 4 months) than the A77, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GX800 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A77 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A77 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GX800 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The Panasonic Lumix DMC-GX800 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha SLT-A77 are ISO 100 to ISO 16000, with the possibility to increase the ISO range to 50-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A77 has a markedly higher DXO score than the GX800 (overall score 5 points higher), which will translate into better image quality. The advantage is based on 0.8 bits higher color depth, 0.1 EV of lower dynamic range, and 0.5 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic GX800	Four Thirds	15.8	4592	3448	4K/30p	23.2	13.3	586	73
2.		Sony A77	APS-C	24.0	6000	4000	1080/60p	24.0	13.2	801	78
3.		Canon M10	APS-C	17.9	5184	3456	1080/30p	22.2	11.4	753	65
4.		Canon M100	APS-C	24.0	6000	4000	1080/60p	23.5	12.9	1272	78
5.		Panasonic G5	Four Thirds	15.9	4608	3456	1080/60p	21.4	11.6	618	61
6.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
7.		Panasonic G7	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.4	904	71
8.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
9.		Panasonic GF6	Four Thirds	15.8	4592	3448	1080/60i	20.7	10.6	622	54
10.		Panasonic GF7	Four Thirds	15.8	4592	3448	1080/60p	22.7	12.3	874	70
11.		Panasonic GM1	Four Thirds	15.8	4592	3448	1080/60i	22.3	11.7	660	66
12.		Panasonic GM5	Four Thirds	15.8	4592	3448	1080/60p	22.1	11.7	721	66
13.		Pentax K-3	APS-C	24.1	6016	4000	1080/60i	23.7	13.4	1216	80
14.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
15.		Sony A77 II	APS-C	24.0	6000	4000	1080/60p	24.4	13.4	1013	82
16.		Sony A99	Full Frame	24.0	6000	4000	1080/60p	25.0	14.0	1555	89
17.		Sony A6500	APS-C	24.0	6000	4000	4K/30p	24.5	13.7	1405	85
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GX800 provides a higher video resolution than the A77. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the A77 has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GX800 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic GX800, the Sony A77, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic GX800	none	n	3.0 / 1040	tilting	Y	1/500s	10.0/s	Y	n
2.		Sony A77	2359	Y	3.0 / 921	full-flex	n	1/8000s	12.0/s	Y	Y
3.		Canon M10	none	n	3.0 / 1040	tilting	Y	1/4000s	4.6/s	Y	n
4.		Canon M100	none	n	3.0 / 1040	tilting	Y	1/4000s	6.1/s	Y	n
5.		Panasonic G5	1440	n	3.0 / 920	swivel	Y	1/4000s	6.0/s	Y	n
6.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
7.		Panasonic G7	2360	n	3.0 / 1040	swivel	Y	1/4000s	7.0/s	Y	n
8.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
9.		Panasonic GF6	none	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
10.		Panasonic GF7	none	n	3.0 / 1040	tilting	Y	1/500s	5.8/s	Y	n
11.		Panasonic GM1	none	n	3.0 / 1036	fixed	Y	1/500s	5.0/s	Y	n
12.		Panasonic GM5	1166	n	3.0 / 921	fixed	Y	1/500s	5.8/s	n	n
13.		Pentax K-3	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	Y	Y
14.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
15.		Sony A77 II	2359	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	Y	Y
16.		Sony A99	2359	Y	3.0 / 1229	full-flex	n	1/8000s	6.0/s	n	Y
17.		Sony A6500	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GX800 has a touchscreen, while the A77 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX800 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic GX800 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GX800 writes its imaging data to SDXC cards, while the A77 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GX800 and Sony Alpha SLT-A77 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic GX800	-	stereo / mono	-	-	micro	2.0	Y	-	-
2.		Sony A77	Y	stereo / mono	Y	-	mini	2.0	-	-	-
3.		Canon M10	-	stereo / mono	-	-	mini	2.0	Y	Y	-
4.		Canon M100	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
5.		Panasonic G5	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
7.		Panasonic G7	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
8.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
9.		Panasonic GF6	-	stereo / mono	-	-	mini	2.0	Y	Y	-
10.		Panasonic GF7	-	stereo / mono	-	-	micro	2.0	Y	Y	-
11.		Panasonic GM1	-	stereo / mono	-	-	micro	2.0	Y	-	-
12.		Panasonic GM5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
13.		Pentax K-3	Y	mono / mono	Y	Y	mini	3.0	-	-	-
14.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
15.		Sony A77 II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
16.		Sony A99	Y	stereo / mono	Y	Y	mini	2.0	-	-	-
17.		Sony A6500	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-

It is notable that the GX800 offers wifi support, while the A77 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Studio photographers will appreciate that the Sony A77 (unlike the GX800) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Travel and landscape photographers will find it useful that the A77 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

Both the GX800 and the A77 have been discontinued, but can regularly be found used on ebay. The A77 was replaced by the Sony A77 II, while the GX800 does not have a direct successor. Further information on the features and operation of the GX800 and A77 can be found, respectively, in the Panasonic GX800 Manual (free pdf) or the online Sony A77 Manual.

Review summary

So how do things add up? Is the Panasonic GX800 better than the Sony A77 or vice versa? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Panasonic Lumix DMC-GX800:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More compact: Is smaller (107x65mm vs 143x104mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 463g or 63 percent) and hence easier to carry around.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• More affordable: Was introduced into a lower priced category (61 percent cheaper at launch).
• More modern: Reflects 5 years and 4 months of technical progress since the A77 launch.

Reasons to prefer the Sony Alpha SLT-A77:

• More detail: Has more megapixels (24 vs 15.8MP), which boosts linear resolution by 26%.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Scores markedly higher (5 points) in the DXO overall evaluation.
• Better low-light sensitivity: Can shoot in dim conditions (0.5 stops ISO advantage).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/500s) to freeze action.
• Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
• Longer lasting: Gets more shots (470 versus 210) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Easier geotagging: Features an internal GPS sensor to log localization data.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More heavily discounted: Has been around for much longer (launched in August 2011).

If the count of individual advantages (bullet points above) is taken as a guide, the A77 is the clear winner of the contest (17 : 12 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic GX800 and the Sony A77 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the GX800 and the A77 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GX800	..	+	..	76/100	4.5/5	4.5/5	Jan 2017	549	ebay.com
2.		Sony A77	5/5	91/100	..	81/100	..	5/5	Aug 2011	1,399	ebay.com
3.		Canon M10	..	..	..	..	..	4/5	Oct 2015	499	ebay.com
4.		Canon M100	3/5	+	..	..	4/5	3.5/5	Aug 2017	499	ebay.com
5.		Panasonic G5	3/5	+ +	..	..	4.5/5	4.5/5	Jul 2012	599	ebay.com
6.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	599	ebay.com
7.		Panasonic G7	4/5	+ +	3.5/5	80/100	5/5	4.5/5	May 2015	649	ebay.com
8.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	499	ebay.com
9.		Panasonic GF6	..	+ +	..	..	4.5/5	4.5/5	Apr 2013	499	ebay.com
10.		Panasonic GF7	4/5	+	..	..	4.5/5	4.5/5	Jan 2015	499	ebay.com
11.		Panasonic GM1	3/5	+	..	78/100	5/5	4.5/5	Oct 2013	749	ebay.com
12.		Panasonic GM5	3.5/5	+	..	77/100	5/5	4.5/5	Sep 2014	749	ebay.com
13.		Pentax K-3	4/5	..	..	83/100	5/5	5/5	Oct 2013	1,299	ebay.com
14.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	1,999	ebay.com
15.		Sony A77 II	4/5	..	..	80/100	4.5/5	5/5	May 2014	1,199	ebay.com
16.		Sony A99	5/5	..	..	84/100	4.5/5	4.5/5	Sep 2012	2,799	ebay.com
17.		Sony A6500	5/5	+ +	3.5/5	85/100	4.5/5	4.5/5	Oct 2016	1,399	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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