Panasonic GX8 versus Canon 80D
The Panasonic Lumix DMC-GX8 and the Canon EOS 80D are two enthusiast cameras that were revealed to the public, respectively, in July 2015 and February 2016. The GX8 is a mirrorless interchangeable lens camera, while the 80D is a DSLR. The cameras are based on a Four Thirds (GX8) and an APS-C (80D) sensor. The Panasonic has a resolution of 20.2 megapixel, whereas the Canon provides 24 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Panasonic GX8 vs Canon 80D
The physical size and weight of the Panasonic GX8 and the Canon 80D are illustrated in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the GX8 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 80D is notably larger (41 percent) than the Panasonic GX8. Moreover, the 80D is substantially heavier (50 percent) than the GX8. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Micro Four Thirds Lens Catalog (GX8) and the Canon EF Lens Catalog (80D). Mirrorless cameras, such as the Panasonic GX8, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Panasonic GX8»||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||-|
|Canon 80D«||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999|
|Canon 70D« »||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||-|
|Canon 60D« »||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399||-|
|Nikon D7200« »||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199||-|
|Olympus E-M1 II« »||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999|
|Olympus PEN-F« »||4.9 in||2.8 in||1.5 in||15.1 oz||330||n||Jan 2016||1,199|
|Olympus E-M5 II« »||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099|
|Panasonic GX9« »||4.9 in||2.8 in||1.9 in||14.4 oz||260||n||Feb 2018||849|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999|
|Panasonic G85« »||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899|
|Panasonic GX85« »||4.8 in||2.8 in||1.7 in||15.0 oz||290||n||Apr 2016||799|
|Panasonic GX7« »||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999||-|
|Sony A6300« »||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||-|
|Sony A6500« »||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic GX8 vs Canon 80D
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GX8 features a Four Thirds sensor and the Canon 80D an APS-C sensor. The sensor area in the 80D is 50 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.6. The sensor in the GX8 has a native 4:3 aspect ratio, while the one in the 80D offers a 3:2 aspect.
With 24MP, the 80D offers a higher resolution than the GX8 (20.2MP), but the 80D nevertheless has larger individual pixels (pixel pitch of 3.75μm versus 3.34μm for the GX8) due to its larger sensor. Moreover, the 80D is a somewhat more recent model (by 7 months) than the GX8, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the 80D has a markedly higher DXO score than the GX8 (overall score 4 points higher), which will translate into better image quality. The advantage is based on 0.1 bits higher color depth, 0.6 EV in additional dynamic range, and 0.5 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic GX8»||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|Canon G3 X« »||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|Canon 70D« »||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68|
|Canon 60D« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66|
|Nikon D7200« »||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Olympus PEN-F« »||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Olympus E-M5 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Panasonic GX9« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Panasonic G85« »||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|Panasonic GX85« »||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|Panasonic GX7« »||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|Sony A6300« »||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85|
|Sony A6500« »||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85|
|Sony RX10 II« »||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GX8 provides a higher video resolution than the 80D. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/60p.
Feature comparison: Panasonic GX8 vs Canon 80D
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GX8 has an electronic viewfinder (2360k dots), while the 80D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Panasonic GX8, the Canon 80D, and comparable cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Canon G3 X« »||-||n||3.2||1620||tilting||Y||2000||5.9||Y||Y|
|Canon 70D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n|
|Canon 60D« »||optical||Y||3.0||1040||swivel||n||8000||5.3||Y||n|
|Nikon D7200« »||optical||Y||3.2||1229||fixed||n||8000||6.0||Y||n|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||8000||18.0||n||Y|
|Olympus PEN-F« »||2360||n||3.0||1037||swivel||Y||8000||10.0||n||Y|
|Olympus E-M5 II« »||2360||n||3.0||1037||swivel||Y||8000||10.0||n||Y|
|Panasonic GX9« »||2760||n||3.0||1240||tilting||Y||4000||9.0||Y||Y|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||8000||12.0||n||Y|
|Panasonic G85« »||2360||n||3.0||1040||swivel||Y||4000||9.0||Y||Y|
|Panasonic GX85« »||2765||n||3.0||1040||tilting||Y||4000||8.0||Y||Y|
|Panasonic GX7« »||2760||n||3.0||1040||tilting||Y||8000||5.0||Y||Y|
|Sony A6300« »||2300||n||3.0||922||tilting||n||4000||11.0||Y||n|
|Sony A6500« »||2300||n||3.0||922||tilting||Y||4000||11.0||Y||Y|
|Sony RX10 II« »||2359||Y||3.0||1229||tilting||n||3200||14.0||Y||Y|
The 80D is a current model that online retailers, such as amazon, will have in stock. In contrast, the GX8 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the GX8 was succeeded by the Panasonic GX9.
Review summary: Panasonic GX8 vs Canon 80D
So what conclusions can be drawn? Which of the two cameras – the Panasonic GX8 or the Canon 80D – has the upper hand? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DMC-GX8:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (133x78mm vs 139x105mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 243g or 33 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Sharper images: Has hand-shake reducing image stabilization build-in.
- More heavily discounted: Has been on the market for longer (launched in July 2015).
Arguments in favor of the Canon EOS 80D:
- More detail: Has more megapixels (24 vs 20.2MP), which boosts linear resolution by 11%.
- Better image quality: Scores markedly higher (4 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (0.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.5 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Has a control panel on top to check shooting parameters.
- Longer lasting: Gets more shots (960 versus 330) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More modern: Was introduced somewhat (7 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the 80D comes out slightly ahead of the GX8 (9 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the GX8 or the 80D. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Panasonic GX8»||Rec||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-|
|Canon 80D«||HiRec||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199|
|Canon G3 X« »||Rec||-||4.5/5||3.5/5||4/5||Jun 2015||999|
|Canon 70D« »||HiRec||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199||-|
|Canon 60D« »||Rec||79/100||4/5||5/5||4.5/5||Aug 2010||1,399||-|
|Nikon D7200« »||HiRec||84/100||4.5/5||4/5||4.5/5||Mar 2015||1,199||-|
|Olympus E-M1 II« »||HiRec||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999|
|Olympus PEN-F« »||-||82/100||4.5/5||4.5/5||5/5||Jan 2016||1,199|
|Olympus E-M5 II« »||HiRec||81/100||5/5||4.5/5||5/5||Feb 2015||1,099|
|Panasonic GX9« »||Rec||-||4.5/5||-||4.5/5||Feb 2018||849|
|Panasonic GH5« »||HiRec||85/100||4.5/5||5/5||5/5||Jan 2017||1,999|
|Panasonic G85« »||HiRec||84/100||5/5||4.5/5||4.5/5||Sep 2016||899|
|Panasonic GX85« »||HiRec||82/100||5/5||4.5/5||5/5||Apr 2016||799|
|Panasonic GX7« »||Rec||79/100||5/5||4.5/5||5/5||Aug 2013||999||-|
|Sony A6300« »||Rec||85/100||5/5||5/5||5/5||Feb 2016||999||-|
|Sony A6500« »||HiRec||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399|
|Sony RX10 II« »||HiRec||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If the camera you are interested in is not available, please contact me, and I will try to add information on that model to the database.
- Canon 600D vs Canon 5D Mark IV
- Fujifilm X-A2 vs Fujifilm X-E2S
- Leica M Typ 240 vs Fujifilm X100F
- Leica X Vario vs Fujifilm X-Pro2
- Nikon D3400 vs Fujifilm X100F
- Olympus E-1 vs Pentax K-1 II
- Olympus E-P1 vs Panasonic ZS100
- Panasonic GF2 vs Panasonic G1
- Panasonic GX85 vs Panasonic LX100
- Sony A6000 vs Canon 1200D
- Sony A7 III vs Canon T2i
- Sony A7 vs Nikon D500