Panasonic GX7 vs Sony RX10 III
The Panasonic Lumix DMC-GX7 and the Sony Cyber-shot DSC-RX10 III are two enthusiast cameras that were announced, respectively, in August 2013 and March 2016. The GX7 is a mirrorless interchangeable lens camera, while the RX10 III is a fixed lens compact. The cameras are based on a Four Thirds (GX7) and an one-inch (RX10 III) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GX7 and the Sony Cyber-shot DSC-RX10 III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic GX7 and the Sony RX10 III. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The GX7 can be obtained in two different colors (black, silver), while the RX10 III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX10 III is considerably larger (43 percent) than the Panasonic GX7. It is noteworthy in this context that the RX10 III is splash and dust-proof, while the GX7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX10 III has a lens built in, whereas the GX7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GX7 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the GX7 gets 350 shots out of its DMW-BLG10 battery, while the RX10 III can take 420 images on a single charge of its NP-FW50 power pack. The power pack in the RX10 III can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||ebay.com|
|2.||Sony RX10 III||133 mm||94 mm||127 mm||1051 g||420||Y||Mar 2016||1,499||ebay.com|
|3.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699||ebay.com|
|4.||Olympus E-PL7||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599||ebay.com|
|5.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999||ebay.com|
|6.||Panasonic G85||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899||ebay.com|
|7.||Panasonic GX85||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799||amazon.com|
|8.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199||ebay.com|
|9.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749||ebay.com|
|10.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|11.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699||ebay.com|
|12.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899||ebay.com|
|13.||Sony RX10 IV||133 mm||94 mm||145 mm||1095 g||400||Y||Sep 2017||1,699||amazon.com|
|14.||Sony RX0||59 mm||41 mm||30 mm||110 g||240||Y||Aug 2017||699||ebay.com|
|15.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999||ebay.com|
|16.||Sony RX10 II||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299||ebay.com|
|17.||Sony RX10||129 mm||88 mm||102 mm||813 g||420||Y||Oct 2013||1,299||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GX7 features a Four Thirds sensor and the Sony RX10 III an one-inch sensor. The sensor area in the RX10 III is 48 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 2.7. The sensor in the GX7 has a native 4:3 aspect ratio, while the one in the RX10 III offers a 3:2 aspect.
Despite having a smaller sensor, the RX10 III offers a higher resolution of 20 megapixels, compared with 15.8 MP of the GX7. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 3.77μm for the GX7). However, it should be noted that the RX10 III is much more recent (by 2 years and 7 months) than the GX7, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Sony RX10 III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX10 III for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic GX7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The Panasonic Lumix DMC-GX7 has a native sensitivity range from ISO 125 to ISO 25600. The corresponding ISO settings for the Sony Cyber-shot DSC-RX10 III are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 64-25600.
In terms of underlying technology, the GX7 is build around a CMOS sensor, while the RX10 III uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|2.||Sony RX10 III||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
|3.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|4.||Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|5.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|6.||Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|7.||Panasonic GX85||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|8.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|9.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|10.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|11.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|12.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|13.||Sony RX10 IV||1-inch||20.0||5472||3648||4K/30p||22.0||12.2||408||63|
|15.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|16.||Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the RX10 III provides a better video resolution than the GX7. It can shoot movie footage at 4K/30p, while the Panasonic is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GX7 offers a higher resolution than the one in the RX10 III (2760k vs 2359k dots). The table below summarizes some of the other core capabilities of the Panasonic GX7 and Sony RX10 III in connection with corresponding information for a sample of similar cameras.
|1.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0/s||Y||Y|
|2.||Sony RX10 III||2359||Y||3.0 / 1229||tilting||n||1/2000s||14.0/s||Y||Y|
|3.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||Y||Y|
|4.||Olympus E-PL7||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||n||Y|
|5.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0/s||Y||Y|
|6.||Panasonic G85||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0/s||Y||Y|
|7.||Panasonic GX85||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||Y|
|8.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0/s||n||Y|
|9.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8/s||n||n|
|10.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|11.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2/s||Y||n|
|12.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|13.||Sony RX10 IV||2359||Y||3.0 / 1440||tilting||Y||1/2000s||24.0/s||Y||Y|
|14.||Sony RX0||none||n||1.5 / 230||fixed||n||..||5.5/s||n||n|
|15.||Sony RX100 V||2359||n||3.0 / 1229||tilting||n||1/2000s||24.0/s||Y||Y|
|16.||Sony RX10 II||2359||Y||3.0 / 1229||tilting||n||1/3200s||14.0/s||Y||Y|
|17.||Sony RX10||1440||Y||3.0 / 1229||tilting||n||1/3200s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GX7 has a touchscreen, while the RX10 III has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GX7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GX7 writes its imaging data to SDXC cards, while the RX10 III uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GX7 and Sony Cyber-shot DSC-RX10 III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|2.||Sony RX10 III||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|4.||Olympus E-PL7||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|5.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Panasonic G85||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|7.||Panasonic GX85||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|9.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|11.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|13.||Sony RX10 IV||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|14.||Sony RX0||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|15.||Sony RX100 V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony RX10 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony RX10||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the RX10 III has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The GX7 does not feature such a mic input.
Both the GX7 and the RX10 III have been discontinued, but can regularly be found used on ebay. The GX7 was replaced by the Panasonic GX85, while the RX10 III was followed by the Sony RX10 IV. Further information on the features and operation of the GX7 and RX10 III can be found, respectively, in the Panasonic GX7 Manual (free pdf) or the online Sony RX10 III Manual.
So what is the bottom line? Which of the two cameras – the Panasonic GX7 or the Sony RX10 III – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Panasonic Lumix DMC-GX7:
- Better low-light sensitivity: Requires less light for good images (0.6 stops ISO advantage).
- More detailed viewfinder: Has higher resolution electronic viewfinder (2760k vs 2359k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (123x71mm vs 133x94mm) and thus needs less room in the bag.
- More heavily discounted: Has been available for much longer (launched in August 2013).
Reasons to prefer the Sony Cyber-shot DSC-RX10 III:
- More detail: Has more megapixels (20 vs 15.8MP), which boosts linear resolution by 15%.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- Faster burst: Shoots at higher frequency (14 vs 5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the GX7 necessitates an extra lens.
- Longer lasting: Gets more shots (420 versus 350) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More modern: Reflects 2 years and 7 months of technical progress since the GX7 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the RX10 III is the clear winner of the contest (12 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GX7 and the Sony RX10 III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GX7 or the RX10 III. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999||ebay.com|
|2.||Sony RX10 III||5/5||+||..||84/100||4.5/5||4.5/5||Mar 2016||1,499||ebay.com|
|3.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699||ebay.com|
|4.||Olympus E-PL7||4/5||+||..||..||5/5||4/5||Aug 2014||599||ebay.com|
|5.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999||ebay.com|
|6.||Panasonic G85||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899||ebay.com|
|7.||Panasonic GX85||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799||amazon.com|
|8.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199||ebay.com|
|9.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749||ebay.com|
|10.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|11.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699||ebay.com|
|12.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899||ebay.com|
|13.||Sony RX10 IV||5/5||+||3.5/5||84/100||4.5/5||5/5||Sep 2017||1,699||amazon.com|
|14.||Sony RX0||..||..||..||..||3.5/5||4/5||Aug 2017||699||ebay.com|
|15.||Sony RX100 V||4.5/5||+ +||..||83/100||4/5||4.5/5||Oct 2016||999||ebay.com|
|16.||Sony RX10 II||5/5||+ +||..||82/100||4.5/5||4/5||Jun 2015||1,299||ebay.com|
|17.||Sony RX10||5/5||+||..||80/100||4.5/5||4.5/5||Oct 2013||1,299||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D X Mark II vs Panasonic GX7
- Canon 1Ds vs Sony RX10 III
- Canon 90D vs Sony RX10 III
- Canon D30 vs Sony RX10 III
- Leica M9 vs Panasonic GX7
- Nikon D810 vs Panasonic GX7
- Olympus E-1 vs Sony RX10 III
- Olympus E-M5 vs Sony RX10 III
- Olympus E-PL6 vs Panasonic GX7
- Olympus PEN-F vs Panasonic GX7
- Panasonic GH3 vs Sony RX10 III
- Panasonic GX7 vs Panasonic S1R
Specifications: Panasonic GX7 vs Sony RX10 III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GX7||Sony RX10 III|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||24-600mm f/2.4-4.0|
|Launch Date||August 2013||March 2016|
|Launch Price||USD 999||USD 1,499|
|Sensor Specs||Panasonic GX7||Sony RX10 III|
|Sensor Format||Four Thirds Sensor||1" Sensor|
|Sensor Size||17.3 x 13.0 mm||13.2 x 8.8 mm|
|Sensor Area||224.9 mm2||116.16 mm2|
|Sensor Diagonal||21.6 mm||15.9 mm|
|Sensor Resolution||15.8 Megapixels||20 Megapixels|
|Image Resolution||4592 x 3448 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.77 μm||2.41 μm|
|Pixel Density||7.04 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||125 - 25,600 ISO||100 - 12,800 ISO|
|ISO Boost||no Enhancement||64 - 25,600 ISO|
|Image Processor||Venus||BIONZ X|
|DXO Sensor Quality (score)||70||70|
|DXO Color Depth (bits)||22.6||23.1|
|DXO Dynamic Range (EV)||12.2||12.6|
|DXO Low Light (ISO)||718||472|
|Screen Specs||Panasonic GX7||Sony RX10 III|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2760k dots||2359k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic GX7||Sony RX10 III|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/2000s|
|Continuous Shooting||5 shutter flaps/s||14 shutter flaps/s|
|Electronic Shutter||up to 1/8000s||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic GX7||Sony RX10 III|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Panasonic GX7||Sony RX10 III|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||420 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
123 x 71 x 55 mm
(4.8 x 2.8 x 2.2 in)
133 x 94 x 127 mm
(5.2 x 3.7 x 5.0 in)
|Camera Weight||402 g (14.2 oz)||1051 g (37.1 oz)|
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