Panasonic GX7 vs TZ100
The Panasonic Lumix DMC-GX7 and the Panasonic Lumix DMC-TZ100 (labelled Panasonic ZS100 in some countries) are two digital cameras that were revealed to the public, respectively, in August 2013 and January 2016. The GX7 is a mirrorless interchangeable lens camera, while the TZ100 is a fixed lens compact. The cameras are based on a Four Thirds (GX7) and an one-inch (TZ100) sensor. The GX7 has a resolution of 15.8 megapixels, whereas the TZ100 provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic GX7||Panasonic TZ100|
|Mirrorless system camera||Fixed lens compact camera|
|Micro Four Thirds lenses||25-250mm f/2.8-5.9|
|15.8 MP, Four Thirds Sensor||20 MP, 1" Sensor|
|1080/60p Video||4K/30p Video|
|ISO 125-25600||ISO 125-12800 (80-25600)|
|Electronic viewfinder (2760k dots)||Electronic viewfinder (1166k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1040k dots|
|Tilting touchscreen||Fixed touchscreen|
|5 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|350 shots per battery charge||300 shots per battery charge|
|123 x 71 x 55 mm, 402 g||111 x 65 x 44 mm, 312 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GX7 and the Panasonic Lumix DMC-TZ100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic GX7 and the Panasonic TZ100 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic TZ100 is notably smaller (17 percent) than the Panasonic GX7. In this context, it is worth noting that neither the GX7 nor the TZ100 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TZ100 has a lens built in, whereas the GX7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GX7 and their specifications in the Micro Four Thirds Lens Catalog.
The power pack in the TZ100 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic GX7»||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||Panasonic GX7|
|Panasonic TZ100«||111 mm||65 mm||44 mm||312 g||300||n||Jan 2016||699||Panasonic TZ100|
|Canon G5 X« »||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799||Canon G5 X|
|Canon M3« »||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679||Canon M3|
|Olympus PEN-F« »||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199||Olympus PEN-F|
|Olympus E-M5 II« »||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M10 II« »||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649||Olympus E-M10 II|
|Olympus E-M10« »||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699||Olympus E-M10|
|Olympus E-PL7« »||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599||Olympus E-PL7|
|Olympus E-P5« »||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999||Olympus E-P5|
|Panasonic TZ200« »||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799||Panasonic TZ200|
|Panasonic GX80« »||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799||Panasonic GX80|
|Panasonic LX15« »||106 mm||60 mm||42 mm||310 g||260||n||Sep 2016||699||Panasonic LX15|
|Panasonic G6« »||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||Panasonic G6|
|Panasonic GX1« »||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699||Panasonic GX1|
|Panasonic GH2« »||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899||Panasonic GH2|
|Sony RX100 IV« »||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||Sony RX100 IV|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The TZ100 was launched at a lower price than the GX7, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GX7 features a Four Thirds sensor and the Panasonic TZ100 an one-inch sensor. The sensor area in the TZ100 is 48 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 2.7. The sensor in the GX7 has a native 4:3 aspect ratio, while the one in the TZ100 offers a 3:2 aspect.
Despite having a smaller sensor, the TZ100 offers a higher resolution of 20 megapixels, compared with 15.8 MP of the GX7. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 3.77μm for the GX7). However, it should be noted that the TZ100 is much more recent (by 2 years and 5 months) than the GX7, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic TZ100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the TZ100 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Panasonic GX7 are 23 x 17.2 inch or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inch or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inch or 38.9 x 29.2 cm for excellent quality prints.
The Panasonic Lumix DMC-GX7 has a native sensitivity range from ISO 125 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DMC-TZ100 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
|Panasonic TZ100||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70||Panasonic TZ100|
|Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..||Canon G5 X|
|Canon M3||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72||Canon M3|
|Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74||Olympus PEN-F|
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73||Olympus E-M10 II|
|Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72||Olympus E-M10|
|Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72||Olympus E-PL7|
|Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Panasonic TZ200||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic TZ200|
|Panasonic GX80||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71||Panasonic GX80|
|Panasonic LX15||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic LX15|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55||Panasonic GX1|
|Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60||Panasonic GH2|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the TZ100 provides a better video resolution than the GX7. It can shoot movie footage at 4K/30p, while the GX7 is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GX7 offers a substantially higher resolution than the one in the TZ100 (2760k vs 1166k dots). The adjacent table lists some of the other core features of the Panasonic GX7 and Panasonic TZ100 along with similar information for a selection of comparators.
|Panasonic GX7||2760||n||3.0||1040||tilting||Y||1/8000s||5.0||Y||Y||Panasonic GX7|
|Panasonic TZ100||1166||n||3.0||1040||fixed||Y||1/2000s||10.0||Y||Y||Panasonic TZ100|
|Canon G5 X||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y||Canon G5 X|
|Canon M3||optional||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Canon M3|
|Olympus PEN-F||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus PEN-F|
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Olympus E-M10 II||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10 II|
|Olympus E-M10||1440||n||3.0||1037||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10|
|Olympus E-PL7||optional||n||3.0||1037||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL7|
|Olympus E-P5||optional||n||3.0||1037||tilting||Y||1/8000s||9.0||Y||Y||Olympus E-P5|
|Panasonic TZ200||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Panasonic TZ200|
|Panasonic GX80||2765||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Panasonic GX80|
|Panasonic LX15||none||n||3.0||1040||tilting||Y||1/4000s||10.0||Y||Y||Panasonic LX15|
|Panasonic G6||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GX1||optional||n||3.0||460||fixed||Y||1/4000s||4.2||Y||n||Panasonic GX1|
|Panasonic GH2||1534||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH2|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GX7 and the Panasonic TZ100 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GX7 and the TZ100 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GX7 and Panasonic Lumix DMC-TZ100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic GX7||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
|Panasonic TZ100||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ100|
|Canon G5 X||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G5 X|
|Canon M3||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon M3|
|Olympus PEN-F||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus PEN-F|
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus E-M10 II||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 II|
|Olympus E-M10||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10|
|Olympus E-PL7||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL7|
|Olympus E-P5||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Panasonic TZ200||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic TZ200|
|Panasonic GX80||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GX80|
|Panasonic LX15||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic LX15|
|Panasonic G6||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GX1||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GX1|
|Panasonic GH2||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic GH2|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
It is notable that the GX7 has a hotshoe, while the TZ100 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the GX7 and the TZ100 have been discontinued, but can regularly be found used on eBay. The GX7 was replaced by the Panasonic GX85, while the TZ100 was followed by the Panasonic TZ200. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So what is the bottom line? Which of the two cameras – the Panasonic GX7 or the Panasonic TZ100 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Panasonic Lumix DMC-GX7:
- Better low-light sensitivity: Requires less light for good images (0.4 stops ISO advantage).
- More detailed viewfinder: Has higher resolution electronic viewfinder (2760k vs 1166k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.46x).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (350 versus 300) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been available for much longer (launched in August 2013).
Arguments in favor of the Panasonic Lumix DMC-TZ100:
- More detail: Has more megapixels (20 vs 15.8MP), which boosts linear resolution by 15%.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the GX7 necessitates an extra lens.
- More compact: Is smaller (111x65mm vs 123x71mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the GX7).
- Easier travel charging: Can be conveniently charged via its USB port.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 5 months of technical progress since the GX7 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the GX7 emerges as the winner of the contest (10 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GX7 and the Panasonic TZ100 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the GX7 or the TZ100 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 550D vs Panasonic GX7
- Canon 5D Mark II vs Panasonic GX7
- Canon G7 X Mark II vs Panasonic GX7
- Fujifilm GFX 50R vs Panasonic TZ100
- Leica S2 vs Panasonic GX7
- Leica TL vs Panasonic GX7
- Leica TL vs Panasonic TZ100
- Nikon D40X vs Panasonic TZ100
- Panasonic GX7 vs Panasonic ZS200
- Panasonic GX7 vs Sony A7R II
- Panasonic TZ100 vs Panasonic ZS100
- Panasonic TZ100 vs Sony RX10 III
Specifications: Panasonic GX7 vs Panasonic TZ100
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GX7||Panasonic TZ100|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||25-250mm f/2.8-5.9|
|Launch Date||August 2013||January 2016|
|Launch Price||USD 999||USD 699|
|Sensor Specs||Panasonic GX7||Panasonic TZ100|
|Sensor Format||Four Thirds Sensor||1" Sensor|
|Sensor Size||17.3 x 13.0 mm||13.2 x 8.8 mm|
|Sensor Area||224.9 mm2||116.16 mm2|
|Sensor Diagonal||21.6 mm||15.9 mm|
|Sensor Resolution||15.8 Megapixels||20 Megapixels|
|Image Resolution||4592 x 3448 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.77 μm||2.41 μm|
|Pixel Density||7.04 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||125-25600 ISO||125-12800 ISO|
|ISO Boost||no Enhancement||80-25600 ISO|
|DXO Sensor Quality (score)||70||70|
|DXO Color Depth (bits)||22.6||22.8|
|DXO Dynamic Range (EV)||12.2||12.5|
|DXO Low Light (ISO)||718||559|
|Screen Specs||Panasonic GX7||Panasonic TZ100|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2760k dots||1166k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Shooting Specs||Panasonic GX7||Panasonic TZ100|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/2000/s|
|Continuous Shooting||5 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/8000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic GX7||Panasonic TZ100|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Panasonic GX7||Panasonic TZ100|
|Battery Life (CIPA)||350 shots per charge||300 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
123 x 71 x 55 mm
(4.8 x 2.8 x 2.2 in)
111 x 65 x 44 mm
(4.4 x 2.6 x 1.7 in)
|Camera Weight||402 g (14.2 oz)||312 g (11.0 oz)|
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