Panasonic GX7 vs Canon G5 X
The Panasonic Lumix DMC-GX7 and the Canon PowerShot G5 X are two digital cameras that were officially introduced, respectively, in August 2013 and October 2015. The GX7 is a mirrorless interchangeable lens camera, while the G5X is a fixed lens compact. The cameras are based on a Four Thirds (GX7) and an one-inch (G5X) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Canon provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GX7 and the Canon PowerShot G5 X? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Panasonic GX7 and the Canon G5 X. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The GX7 can be obtained in two different colors (black, silver), while the G5X is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G5 X is somewhat smaller (3 percent) than the Panasonic GX7. In this context, it is worth noting that neither the GX7 nor the G5X are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G5X has a lens built in, whereas the GX7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GX7 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the GX7 gets 350 shots out of its Panasonic DMW-BLG10 battery, while the G5X can take 210 images on a single charge of its Canon NB-13L power pack. The power pack in the G5X can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GX7 | 123 mm | 71 mm | 55 mm | 402 g | 350 | n | Aug 2013 | 999 | ebay.com | |
2. | Canon G5 X | 112 mm | 76 mm | 44 mm | 353 g | 210 | n | Oct 2015 | 799 | ebay.com | |
3. | Canon G7 X Mark II | 106 mm | 61 mm | 42 mm | 319 g | 265 | n | Feb 2016 | 699 | ebay.com | |
4. | Canon G9 X | 98 mm | 58 mm | 31 mm | 209 g | 220 | n | Oct 2015 | 529 | ebay.com | |
5. | Canon G7 X | 103 mm | 60 mm | 40 mm | 304 g | 210 | n | Sep 2014 | 699 | ebay.com | |
6. | Olympus E-M10 | 119 mm | 82 mm | 46 mm | 396 g | 320 | n | Jan 2014 | 699 | ebay.com | |
7. | Olympus E-PL7 | 115 mm | 67 mm | 38 mm | 357 g | 350 | n | Aug 2014 | 599 | ebay.com | |
8. | Olympus E-P5 | 122 mm | 69 mm | 37 mm | 420 g | 330 | n | May 2013 | 999 | ebay.com | |
9. | Panasonic G85 | 128 mm | 89 mm | 74 mm | 505 g | 330 | Y | Sep 2016 | 899 | ebay.com | |
10. | Panasonic GX85 | 122 mm | 71 mm | 44 mm | 426 g | 290 | n | Apr 2016 | 799 | amazon.com | |
11. | Panasonic ZS100 | 111 mm | 65 mm | 44 mm | 312 g | 300 | n | Jan 2016 | 699 | ebay.com | |
12. | Panasonic GX8 | 133 mm | 78 mm | 63 mm | 487 g | 330 | Y | Jul 2015 | 1,199 | ebay.com | |
13. | Panasonic GM5 | 99 mm | 60 mm | 36 mm | 211 g | 220 | n | Sep 2014 | 749 | ebay.com | |
14. | Panasonic G6 | 122 mm | 85 mm | 71 mm | 390 g | 340 | n | Apr 2013 | 599 | ebay.com | |
15. | Panasonic G5 | 120 mm | 83 mm | 71 mm | 396 g | 320 | n | Jul 2012 | 599 | ebay.com | |
16. | Panasonic GH2 | 124 mm | 90 mm | 76 mm | 442 g | 330 | n | Sep 2010 | 899 | ebay.com | |
17. | Sony RX100 III | 102 mm | 58 mm | 41 mm | 290 g | 320 | n | May 2014 | 799 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G5X was launched at a lower price than the GX7, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GX7 features a Four Thirds sensor and the Canon G5 X an one-inch sensor. The sensor area in the G5X is 48 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 2.7. The sensor in the GX7 has a native 4:3 aspect ratio, while the one in the G5X offers a 3:2 aspect.
Despite having a smaller sensor, the G5X offers a higher resolution of 20 megapixels, compared with 15.8 MP of the GX7. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 3.77μm for the GX7). However, it should be noted that the G5X is much more recent (by 2 years and 2 months) than the GX7, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon G5 X implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G5X for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic GX7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The Panasonic Lumix DMC-GX7 has a native sensitivity range from ISO 125 to ISO 25600. The corresponding ISO settings for the Canon PowerShot G5 X are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 125-25600.
In terms of underlying technology, the GX7 is build around a CMOS sensor, while the G5X uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the GX7 has a notably higher overall DXO score than the G5X (overall score 8 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 1.2 bits higher color depth, 0.1 EV of lower dynamic range, and 0.6 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GX7 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.6 | 12.2 | 718 | 70 | |
2. | Canon G5 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.4 | 12.3 | 471 | 62 | |
3. | Canon G7 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.8 | 11.9 | 260 | 62 | |
4. | Canon G9 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.5 | 12.3 | 495 | 63 | |
5. | Canon G7 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 23.0 | 12.7 | 556 | 71 | |
6. | Olympus E-M10 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.3 | 884 | 72 | |
7. | Olympus E-PL7 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.7 | 12.4 | 873 | 72 | |
8. | Olympus E-P5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.4 | 895 | 72 | |
9. | Panasonic G85 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.8 | 12.5 | 656 | 71 | |
10. | Panasonic GX85 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.9 | 12.6 | 662 | 71 | |
11. | Panasonic ZS100 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.5 | 559 | 70 | |
12. | Panasonic GX8 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.5 | 12.6 | 806 | 75 | |
13. | Panasonic GM5 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.1 | 11.7 | 721 | 66 | |
14. | Panasonic G6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.3 | 11.5 | 639 | 61 | |
15. | Panasonic G5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.4 | 11.6 | 618 | 61 | |
16. | Panasonic GH2 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60i | 21.2 | 11.3 | 655 | 60 | |
17. | Sony RX100 III | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 22.4 | 12.3 | 495 | 67 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GX7 offers a higher resolution than the one in the G5X (2760k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Panasonic GX7, the Canon G5 X, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GX7 | 2760 | n | 3.0 / 1040 | tilting | Y | 1/8000s | 5.0/s | Y | Y | |
2. | Canon G5 X | 2360 | n | 3.0 / 1040 | swivel | Y | 1/2000s | 5.9/s | Y | Y | |
3. | Canon G7 X Mark II | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 8.0/s | Y | Y | |
4. | Canon G9 X | none | n | 3.0 / 1040 | fixed | Y | 1/2000s | 6.0/s | Y | Y | |
5. | Canon G7 X | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 6.5/s | Y | Y | |
6. | Olympus E-M10 | 1440 | n | 3.0 / 1037 | tilting | Y | 1/4000s | 8.0/s | Y | Y | |
7. | Olympus E-PL7 | optional | n | 3.0 / 1037 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
8. | Olympus E-P5 | optional | n | 3.0 / 1037 | tilting | Y | 1/8000s | 9.0/s | Y | Y | |
9. | Panasonic G85 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 9.0/s | Y | Y | |
10. | Panasonic GX85 | 2765 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | Y | |
11. | Panasonic ZS100 | 1166 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
12. | Panasonic GX8 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
13. | Panasonic GM5 | 1166 | n | 3.0 / 921 | fixed | Y | 1/500s | 5.8/s | n | n | |
14. | Panasonic G6 | 1440 | n | 3.0 / 1036 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
15. | Panasonic G5 | 1440 | n | 3.0 / 920 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
16. | Panasonic GH2 | 1534 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
17. | Sony RX100 III | 1440 | n | 3.0 / 1229 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GX7 and the Canon G5 X both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GX7 and the G5X write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GX7 and Canon PowerShot G5 X and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GX7 | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
2. | Canon G5 X | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
3. | Canon G7 X Mark II | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
4. | Canon G9 X | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
5. | Canon G7 X | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
6. | Olympus E-M10 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
7. | Olympus E-PL7 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
8. | Olympus E-P5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
9. | Panasonic G85 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
10. | Panasonic GX85 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
11. | Panasonic ZS100 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
12. | Panasonic GX8 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
13. | Panasonic GM5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
14. | Panasonic G6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
15. | Panasonic G5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
16. | Panasonic GH2 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
17. | Sony RX100 III | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
Both the GX7 and the G5X have been discontinued, but can regularly be found used on ebay. The GX7 was replaced by the Panasonic GX85, while the G5X was followed by the Canon G5 X Mark II. Further information on the features and operation of the GX7 and G5X can be found, respectively, in the Panasonic GX7 Manual (free pdf) or the online Canon G5 X Manual.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Panasonic GX7 and the Canon G5 X? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Panasonic Lumix DMC-GX7:
- Better image quality: Scores markedly higher (8 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.2 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (0.6 stops ISO advantage).
- More detailed viewfinder: Has higher resolution electronic viewfinder (2760k vs 2360k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (350 versus 210) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in August 2013).
Reasons to prefer the Canon PowerShot G5 X:
- More detail: Has more megapixels (20 vs 15.8MP), which boosts linear resolution by 15%.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5.9 vs 5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the GX7 necessitates an extra lens.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the GX7).
- Easier travel charging: Can be conveniently charged via its USB port.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 2 months of technical progress since the GX7 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the match-up finishes in a tie (9 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GX7 and the Canon G5 X place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the GX7 and the G5X in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GX7 | 4/5 | + | .. | 79/100 | 5/5 | 5/5 | Aug 2013 | 999 | ebay.com | |
2. | Canon G5 X | 5/5 | + + | .. | 78/100 | 4.5/5 | 4.5/5 | Oct 2015 | 799 | ebay.com | |
3. | Canon G7 X Mark II | 4.5/5 | + + | .. | 81/100 | 4.5/5 | 4.5/5 | Feb 2016 | 699 | ebay.com | |
4. | Canon G9 X | 3.5/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Oct 2015 | 529 | ebay.com | |
5. | Canon G7 X | 4/5 | + + | .. | 77/100 | 4.5/5 | 4.5/5 | Sep 2014 | 699 | ebay.com | |
6. | Olympus E-M10 | 4/5 | .. | .. | 80/100 | 5/5 | 5/5 | Jan 2014 | 699 | ebay.com | |
7. | Olympus E-PL7 | 4/5 | + | .. | .. | 5/5 | 4/5 | Aug 2014 | 599 | ebay.com | |
8. | Olympus E-P5 | 5/5 | + + | .. | 78/100 | 4.5/5 | 5/5 | May 2013 | 999 | ebay.com | |
9. | Panasonic G85 | .. | + + | .. | 84/100 | 5/5 | 4.5/5 | Sep 2016 | 899 | ebay.com | |
10. | Panasonic GX85 | 4.5/5 | + + | .. | 82/100 | 5/5 | 5/5 | Apr 2016 | 799 | amazon.com | |
11. | Panasonic ZS100 | 4.5/5 | + + | .. | 82/100 | 4.5/5 | 4.5/5 | Jan 2016 | 699 | ebay.com | |
12. | Panasonic GX8 | 5/5 | + | .. | 82/100 | 4.5/5 | 4.5/5 | Jul 2015 | 1,199 | ebay.com | |
13. | Panasonic GM5 | 3.5/5 | + | .. | 77/100 | 5/5 | 4.5/5 | Sep 2014 | 749 | ebay.com | |
14. | Panasonic G6 | 4/5 | + + | .. | .. | 5/5 | 4.5/5 | Apr 2013 | 599 | ebay.com | |
15. | Panasonic G5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
16. | Panasonic GH2 | 5/5 | + + | .. | 79/100 | 4.5/5 | 5/5 | Sep 2010 | 899 | ebay.com | |
17. | Sony RX100 III | 5/5 | + + | .. | 82/100 | 4.5/5 | 5/5 | May 2014 | 799 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G5 X vs Leica M Typ 240
- Canon G5 X vs Leica TL2
- Canon G5 X vs Nikon D5500
- Canon G5 X vs Olympus E-PL5
- Canon G5 X vs Sony RX100 VI
- Canon G5 X vs Sony RX100 VII
- Fujifilm X-T30 vs Panasonic GX7
- Fujifilm XP140 vs Panasonic GX7
- Leica D-LUX 5 vs Panasonic GX7
- Panasonic GX1 vs Panasonic GX7
- Panasonic GX7 vs Sony H300
- Panasonic GX7 vs Sony RX0
Specifications: Panasonic GX7 vs Canon G5 X
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic GX7 | Canon G5 X |
---|---|---|
Camera Type | Mirrorless system camera | Fixed lens compact camera |
Camera Lens | Micro Four Thirds lenses | 24-100mm f/1.8-2.8 |
Launch Date | August 2013 | October 2015 |
Launch Price | USD 999 | USD 799 |
Sensor Specs | Panasonic GX7 | Canon G5 X |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | Four Thirds Sensor | 1" Sensor |
Sensor Size | 17.3 x 13.0 mm | 13.2 x 8.8 mm |
Sensor Area | 224.9 mm2 | 116.16 mm2 |
Sensor Diagonal | 21.6 mm | 15.9 mm |
Crop Factor | 2.0x | 2.7x |
Sensor Resolution | 15.8 Megapixels | 20 Megapixels |
Image Resolution | 4592 x 3448 pixels | 5472 x 3648 pixels |
Pixel Pitch | 3.77 μm | 2.41 μm |
Pixel Density | 7.04 MP/cm2 | 17.18 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/60p Video | 1080/60p Video |
ISO Setting | 125 - 25,600 ISO | 125 - 12,800 ISO |
ISO Boost | no Enhancement | 125 - 25,600 ISO |
Image Processor | Venus | DIGIC 6 |
DXO Sensor Quality (score) | 70 | 62 |
DXO Color Depth (bits) | 22.6 | 21.4 |
DXO Dynamic Range (EV) | 12.2 | 12.3 |
DXO Low Light (ISO) | 718 | 471 |
Screen Specs | Panasonic GX7 | Canon G5 X |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.70x | |
Viewfinder Resolution | 2760k dots | 2360k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 1040k dots |
LCD Attachment | Tilting screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Panasonic GX7 | Canon G5 X |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/2000s |
Continuous Shooting | 5 shutter flaps/s | 5.9 shutter flaps/s |
Electronic Shutter | up to 1/8000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | In-body stabilization | Lens-based stabilization |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Panasonic GX7 | Canon G5 X |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | mini HDMI |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | NFC built-in | NFC built-in |
Body Specs | Panasonic GX7 | Canon G5 X |
Battery Type | Panasonic DMW-BLG10 | Canon NB-13L |
Battery Life (CIPA) | 350 shots per charge | 210 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
123 x 71 x 55 mm (4.8 x 2.8 x 2.2 in) |
112 x 76 x 44 mm (4.4 x 3.0 x 1.7 in) |
Camera Weight | 402 g (14.2 oz) | 353 g (12.5 oz) |
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