Panasonic GM5 vs Sony A7S III
The Panasonic Lumix DMC-GM5 and the Sony Alpha 7S III are two digital cameras that were revealed to the public, respectively, in September 2014 and July 2020. Both the GM5 and the A7S III are mirrorless interchangeable lens cameras that are based on a Four Thirds (GM5) and a full frame (A7S III) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GM5 and the Sony Alpha 7S III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic GM5 and the Sony A7S III. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The GM5 can be obtained in two different colors (black, silver), while the A7S III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S III is considerably larger (107 percent) than the Panasonic GM5. Moreover, the A7S III is substantially heavier (231 percent) than the GM5. It is noteworthy in this context that the A7S III is splash and dust-proof, while the GM5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GM5) and the Sony FE Lens Catalog (A7S III). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the GM5 gets 220 shots out of its DMW-BLH7 battery, while the A7S III can take 600 images on a single charge of its NP-FZ100 power pack. The power pack in the A7S III can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749||ebay.com|
|2.||Sony A7S III||127 mm||97 mm||81 mm||699 g||600||Y||Jul 2020||3,499||amazon.com|
|3.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649||ebay.com|
|4.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699||ebay.com|
|5.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649||ebay.com|
|6.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899||ebay.com|
|7.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|8.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749||ebay.com|
|9.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699||ebay.com|
|10.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899||ebay.com|
|11.||Ricoh GR II||117 mm||63 mm||35 mm||251 g||320||n||Jun 2015||699||ebay.com|
|12.||Ricoh GR||117 mm||61 mm||35 mm||245 g||290||n||Apr 2013||799||ebay.com|
|13.||Sony A1||129 mm||97 mm||81 mm||737 g||530||Y||Jan 2021||6,499||amazon.com|
|14.||Sony A7 IV||131 mm||96 mm||80 mm||659 g||580||Y||Oct 2021||2,499||amazon.com|
|15.||Sony A7R IV||129 mm||96 mm||78 mm||665 g||670||Y||Jul 2019||3,499||amazon.com|
|16.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199||ebay.com|
|17.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GM5 was launched at a markedly lower price (by 79 percent) than the A7S III, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GM5 features a Four Thirds sensor and the Sony A7S III a full frame sensor. The sensor area in the A7S III is 276 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the GM5 has a native 4:3 aspect ratio, while the one in the A7S III offers a 3:2 aspect.
Despite having a smaller sensor, the Panasonic GM5 offers a higher resolution of 15.8 megapixels, compared with 12 MP of the Sony A7S III. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 8.40μm for the A7S III). Moreover, it should be noted that the A7S III is much more recent (by 5 years and 10 months) than the GM5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Panasonic GM5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GM5 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Sony A7S III are 21.2 x 14.2 inches or 53.8 x 36 cm for good quality, 17 x 11.3 inches or 43.1 x 28.8 cm for very good quality, and 14.1 x 9.4 inches or 35.9 x 24 cm for excellent quality prints.
The A7S III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DMC-GM5 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha 7S III are ISO 80 to ISO 102400, with the possibility to increase the ISO range to 40-409600.
In terms of underlying technology, the GM5 is build around a CMOS sensor, while the A7S III uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A7S III offers substantially better image quality than the GM5 (overall score 20 points higher). The advantage is based on 1.6 bits higher color depth, 2.2 EV in additional dynamic range, and 1.8 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|2.||Sony A7S III||Full Frame||12.0||4240||2832||4K/120p||23.7||13.9||2520||86|
|3.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|4.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|5.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.4||904||71|
|7.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|8.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|9.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|10.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|11.||Ricoh GR II||APS-C||16.1||4928||3264||1080/30p||23.6||13.7||1078||80|
|13.||Sony A1||Full Frame||49.8||8640||5760||8k/30p||25.9||14.5||3163||98|
|14.||Sony A7 IV||Full Frame||32.7||7008||4672||4K/60p||25.4||14.7||3379||97|
|15.||Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||26.0||14.8||3344||99|
|16.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|17.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A7S III provides a better video resolution than the GM5. It can shoot movie footage at 4K/120p, while the Panasonic is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7S III offers a substantially higher resolution than the one in the GM5 (9440k vs 1166k dots). The table below summarizes some of the other core capabilities of the Panasonic GM5 and Sony A7S III in connection with corresponding information for a sample of similar cameras.
|1.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8/s||n||n|
|2.||Sony A7S III||9440||n||3.0 / 1440||swivel||Y||1/8000s||10.0/s||n||Y|
|3.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||Y|
|4.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||Y||Y|
|5.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0/s||Y||n|
|6.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0/s||Y||Y|
|7.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|8.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0/s||Y||n|
|9.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2/s||Y||n|
|10.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|11.||Ricoh GR II||optional||n||3.0 / 1230||fixed||n||1/4000s||4.0/s||Y||n|
|12.||Ricoh GR||optional||n||3.0 / 1230||fixed||n||1/4000s||4.0/s||Y||n|
|13.||Sony A1||9437||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|14.||Sony A7 IV||3686||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|15.||Sony A7R IV||5760||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|16.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|17.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that differentiates the A7S III and the GM5 is in-body image stabilization (IBIS). The A7S III reduces the risk of handshake-induced blur with all attached lenses, while the GM5 offers no blur reduction with lenses that themselves do not provide optical image stabilization.The A7S III has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GM5 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GM5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GM5 writes its imaging data to SDXC cards, while the A7S III uses CFexpress (type A) or SDXC cards. The A7S III features dual card slots, which can be very useful in case a memory card fails. In contrast, the GM5 only has one slot. The A7S III supports UHS-II cards (on both slots), while the GM5 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GM5 and Sony Alpha 7S III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Sony A7S III||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|3.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|4.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|5.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|6.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|7.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|8.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|11.||Ricoh GR II||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|12.||Ricoh GR||Y||mono / mono||-||-||micro||2.0||-||-||-|
|13.||Sony A1||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|14.||Sony A7 IV||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|15.||Sony A7R IV||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|16.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7S III has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The GM5 lacks such a headphone port.
The A7S III is a recent model that features in the current product line-up of Sony. In contrast, the GM5 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the GM5 from Panasonic. Further information on the features and operation of the GM5 and A7S III can be found, respectively, in the Panasonic GM5 Manual (free pdf) or the online Sony A7S III Manual.
So what conclusions can be drawn? Is the Panasonic GM5 better than the Sony A7S III or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DMC-GM5:
- More detail: Offers more megapixels (15.8 vs 12MP) with a 13% higher linear resolution.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (99x60mm vs 127x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 488g or 70 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (79 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2014).
Advantages of the Sony Alpha 7S III:
- Better image quality: Scores substantially higher (20 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.6 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.2 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.8 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/120p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (9440k vs 1166k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.91x vs 0.46x).
- More detailed LCD: Has a higher resolution rear screen (1440k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/500s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 5.8 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (600 versus 220) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 5 years and 10 months of technical progress since the GM5 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A7S III is the clear winner of the contest (25 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GM5 and the Sony A7S III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GM5 or the A7S III. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749||ebay.com|
|2.||Sony A7S III||..||+ +||5/5||91/100||4.5/5||5/5||Jul 2020||3,499||amazon.com|
|3.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649||ebay.com|
|4.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699||ebay.com|
|5.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649||ebay.com|
|6.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899||ebay.com|
|7.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|8.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749||ebay.com|
|9.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699||ebay.com|
|10.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899||ebay.com|
|11.||Ricoh GR II||..||..||..||..||4.5/5||4.5/5||Jun 2015||699||ebay.com|
|12.||Ricoh GR||5/5||..||..||79/100||4.5/5||4.5/5||Apr 2013||799||ebay.com|
|13.||Sony A1||5/5||o||4.5/5||93/100||4.5/5||5/5||Jan 2021||6,499||amazon.com|
|14.||Sony A7 IV||5/5||+ +||4.5/5||89/100||4.5/5||4.5/5||Oct 2021||2,499||amazon.com|
|15.||Sony A7R IV||5/5||+||4.5/5||91/100||4.5/5||5/5||Jul 2019||3,499||amazon.com|
|16.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199||ebay.com|
|17.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 10D vs Panasonic GM5
- Canon 1D X vs Panasonic GM5
- Canon M100 vs Sony A7S III
- Canon M6 vs Panasonic GM5
- Canon R6 vs Panasonic GM5
- Fujifilm X-E3 vs Panasonic GM5
- Nikon D200 vs Sony A7S III
- Nikon D3100 vs Sony A7S III
- Nikon P1000 vs Sony A7S III
- Panasonic G10 vs Sony A7S III
- Panasonic GM5 vs Sony NEX-5T
- Sony A7R II vs Sony A7S III
Specifications: Panasonic GM5 vs Sony A7S III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GM5||Sony A7S III|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||September 2014||July 2020|
|Launch Price||USD 749||USD 3,499|
|Sensor Specs||Panasonic GM5||Sony A7S III|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.6 x 23.8 mm|
|Sensor Area||224.9 mm2||847.28 mm2|
|Sensor Diagonal||21.6 mm||42.8 mm|
|Sensor Resolution||15.8 Megapixels||12 Megapixels|
|Image Resolution||4592 x 3448 pixels||4240 x 2832 pixels|
|Pixel Pitch||3.77 μm||8.40 μm|
|Pixel Density||7.04 MP/cm2||1.42 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/120p Video|
|ISO Setting||200 - 25,600 ISO||80 - 102,400 ISO|
|ISO Boost||100 - 25,600 ISO||40 - 409,600 ISO|
|Image Processor||Venus||BIONZ XR|
|DXO Sensor Quality (score)||66||86|
|DXO Color Depth (bits)||22.1||23.7|
|DXO Dynamic Range (EV)||11.7||13.9|
|DXO Low Light (ISO)||721||2520|
|Screen Specs||Panasonic GM5||Sony A7S III|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1166k dots||9440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||921k dots||1440k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Panasonic GM5||Sony A7S III|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/500s||1/8000s|
|Continuous Shooting||5.8 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||YES|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CFexA or SDXC cards|
|Single or Dual Card Slots||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Panasonic GM5||Sony A7S III|
|USB Connector||USB 2.0||USB 3.2|
|HDMI Port||micro HDMI||full HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Panasonic GM5||Sony A7S III|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||220 shots per charge||600 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
99 x 60 x 36 mm
(3.9 x 2.4 x 1.4 in)
127 x 97 x 81 mm
(5.0 x 3.8 x 3.2 in)
|Camera Weight||211 g (7.4 oz)||699 g (24.7 oz)|
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