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Panasonic GM5 vs Sony A7R III

The Panasonic Lumix DMC-GM5 and the Sony Alpha A7R III are two digital cameras that were officially introduced, respectively, in September 2014 and October 2017. Both the GM5 and the A7R III are mirrorless interchangeable lens cameras that are based on a Four Thirds (GM5) and a full frame (A7R III) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 42.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Panasonic GM5   Sony A7R III
Panasonic GM5 Sony A7R III
Mirrorless system camera Mirrorless system camera
Micro Four Thirds lenses Sony E mount lenses
15.8 MP, Four Thirds Sensor 42.2 MP, Full Frame Sensor
1080/60p Video 4K/30p Video
ISO 200-25600 ISO 100-32000 (50-102400)
Electronic viewfinder (1166k dots) Electronic viewfinder (3686k dots)
3.0" LCD, 921k dots 3.0" LCD, 1440k dots
Fixed touchscreen Tilting touchscreen
5.8 shutter flaps per second 10 shutter flaps per second
Lens stabilization onlyIn-body stabilization
Not weather sealedWeathersealed body
220 shots per battery charge650 shots per battery charge
99 x 60 x 36 mm, 211 g 127 x 96 x 74 mm, 650 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GM5 and the Sony Alpha A7R III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison: Panasonic GM5 vs Sony A7R III

The physical size and weight of the Panasonic GM5 and the Sony A7R III are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The GM5 can be obtained in two different colors (black, silver), while the A7R III is only available in black.

Size Panasonic GM5 vs Sony A7R III
Compare GM5 versus A7R III top
Comparison GM5 or A7R III rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R III is considerably larger (105 percent) than the Panasonic GM5. Moreover, the A7R III is substantially heavier (208 percent) than the GM5. It is noteworthy in this context that the A7R III is splash and dust-proof, while the GM5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GM5) and the Sony FE Lens Catalog (A7R III). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the GM5 gets 220 shots out of its DMW-BLH7 battery, while the A7R III can take 650 images on a single charge of its NP-FZ100 power pack. The power pack in the A7R III can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic GM5» 3.9 in 2.4 in 1.4 in 7.4 oz 220 n Sep 2014 749- i Panasonic GM5
 
Sony A7R III« 5.0 in 3.8 in 2.9 in 22.9 oz 650 Y Oct 2017 3,199 i i Sony A7R III
 
Panasonic GX85« » 4.8 in 2.8 in 1.7 in 15.0 oz 290 n Apr 2016 799 i i Panasonic GX85
 
Panasonic G7« » 4.9 in 3.4 in 3.0 in 14.5 oz 350 n May 2015 649- i Panasonic G7
 
Panasonic GH4« » 5.2 in 3.7 in 3.3 in 19.8 oz 500 Y Feb 2014 1,499- i Panasonic GH4
 
Panasonic LX100« » 4.5 in 2.6 in 2.2 in 13.9 oz 300 n Sep 2014 899 i i Panasonic LX100
 
Panasonic G6« » 4.8 in 3.3 in 2.8 in 13.8 oz 340 n Apr 2013 599- i Panasonic G6
 
Panasonic GM1« » 3.9 in 2.2 in 1.2 in 7.2 oz 230 n Oct 2013 749- i Panasonic GM1
 
Panasonic GX1« » 4.6 in 2.7 in 1.5 in 11.2 oz 320 n Nov 2011 699- i Panasonic GX1
 
Panasonic GH2« » 4.9 in 3.5 in 3.0 in 15.6 oz 330 n Sep 2010 899- i Panasonic GH2
 
Ricoh GR II« » 4.6 in 2.5 in 1.4 in 8.9 oz 320 n Jun 2015 699 i i Ricoh GR II
 
Ricoh GR« » 4.6 in 2.4 in 1.4 in 8.6 oz 290 n Apr 2013 799- i Ricoh GR
 
Sony A7 III« » 5.0 in 3.8 in 2.9 in 22.9 oz 610 Y Feb 2018 1,999 i i Sony A7 III
 
Sony A9« » 5.0 in 3.8 in 2.5 in 23.7 oz 650 Y Apr 2017 4,499 i i Sony A9
 
Sony A99 II« » 5.6 in 4.1 in 3.0 in 29.9 oz 490 Y Sep 2016 3,199 i i Sony A99 II
 
Sony A7R II« » 5.0 in 3.8 in 2.4 in 22.0 oz 290 Y Jun 2015 3,199- i Sony A7R II
 
Sony A7S II« » 5.0 in 3.8 in 2.4 in 22.1 oz 370 Y Sep 2015 2,999 i i Sony A7S II
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GM5 was launched at a markedly lower price (by 77 percent) than the A7R III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison: Panasonic GM5 vs Sony A7R III

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic GM5 features a Four Thirds sensor and the Sony A7R III a full frame sensor. The sensor area in the A7R III is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the GM5 has a native 4:3 aspect ratio, while the one in the A7R III offers a 3:2 aspect.

Panasonic GM5 and Sony A7R III sensor measures

With 42.2MP, the A7R III offers a higher resolution than the GM5 (15.8MP), but the A7R III nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 3.77μm for the GM5) due to its larger sensor. Moreover, the A7R III is a much more recent model (by 3 years and 1 month) than the GM5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A7R III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R III for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inch or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inch or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inch or 67.3 x 44.9 cm. The corresponding values for the Panasonic GM5 are 23 x 17.2 inch or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inch or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inch or 38.9 x 29.2 cm for excellent quality prints.

The A7R III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the GM5, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DMC-GM5 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A7R III are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.

GM5 versus A7R III MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A7R III offers substantially better image quality than the GM5 (overall score 34 points higher). The advantage is based on 3.9 bits higher color depth, 3 EV in additional dynamic range, and 2.3 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Panasonic GM5» Four Thirds 15.8 4592 34481080/60p22.111.772166Panasonic GM5
 
Sony A7R III« Full Frame 42.2 7952 53044K/30p26.014.73523100Sony A7R III
 
Panasonic GX85« » Four Thirds 15.8 4592 34484K/30p22.912.666271Panasonic GX85
 
Panasonic G7« » Four Thirds 15.8 4592 34484K/30p----Panasonic G7
 
Panasonic GH4« » Four Thirds 15.9 4608 34564K/30p23.212.879174Panasonic GH4
 
Panasonic LX100« » Four Thirds 12.7 4112 30884K/30p22.312.555367Panasonic LX100
 
Panasonic G6« » Four Thirds 15.9 4608 34561080/60p21.311.563961Panasonic G6
 
Panasonic GM1« » Four Thirds 15.8 4592 34481080/60i22.311.766066Panasonic GM1
 
Panasonic GX1« » Four Thirds 15.8 4592 34481080/60p20.810.670355Panasonic GX1
 
Panasonic GH2« » Four Thirds 15.9 4608 34561080/60i21.211.365560Panasonic GH2
 
Ricoh GR II« » APS-C 16.1 4928 32641080/30p23.613.7107880Ricoh GR II
 
Ricoh GR« » APS-C 16.1 4928 32641080/30p23.613.597278Ricoh GR
 
Sony A7 III« » Full Frame 24.0 6000 40004K/30p25.014.7373096Sony A7 III
 
Sony A9« » Full Frame 24.0 6000 40004K/30p24.913.3351792Sony A9
 
Sony A99 II« » Full Frame 42.2 7952 53044K/30p25.413.4231792Sony A99 II
 
Sony A7R II« » Full Frame 42.2 7952 53044K/30p26.013.9343498Sony A7R II
 
Sony A7S II« » Full Frame 12.0 4240 28324K/30p23.613.3299385Sony A7S II

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A7R III provides a better video resolution than the GM5. It can shoot movie footage at 4K/30p, while the Panasonic is limited to 1080/60p.

 

Feature comparison: Panasonic GM5 vs Sony A7R III

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7R III offers a substantially higher resolution than the one in the GM5 (3686k vs 1166k dots). The following table reports on some other key feature differences and similarities of the Panasonic GM5, the Sony A7R III, and comparable cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Panasonic GM5»1166 n 3.0 921 fixed Y 1/500s 5.8 n n Panasonic GM5
 
Sony A7R III«3686 n 3.0 1440 tilting Y 1/8000s 10.0 n Y Sony A7R III
 
Panasonic GX85« »2765 n 3.0 1040 tilting Y 1/4000s 8.0 Y Y Panasonic GX85
 
Panasonic G7« »2360 n 3.0 1040 swivel Y 1/4000s 7.0 Y n Panasonic G7
 
Panasonic GH4« »2359 n 3.0 1036 swivel Y 1/8000s 12.0 Y n Panasonic GH4
 
Panasonic LX100« »2764 n 3.0 921 fixed n 1/4000s 11.0 n Y Panasonic LX100
 
Panasonic G6« »1440 n 3.0 1036 swivel Y 1/4000s 7.0 Y n Panasonic G6
 
Panasonic GM1« »- n 3.0 1036 fixed Y 1/500s 5.0 Y n Panasonic GM1
 
Panasonic GX1« »- n 3.0 460 fixed Y 1/4000s 4.2 Y n Panasonic GX1
 
Panasonic GH2« »1534 n 3.0 460 swivel n 1/4000s 3.0 Y n Panasonic GH2
 
Ricoh GR II« »- n 3.0 1230 fixed n 1/4000s 4.0 Y n Ricoh GR II
 
Ricoh GR« »- n 3.0 1230 fixed n 1/4000s 4.0 Y n Ricoh GR
 
Sony A7 III« »2359 n 3.0 922 tilting Y 1/8000s 10.0 n Y Sony A7 III
 
Sony A9« »3686 n 3.0 1440 tilting Y 1/8000s 20.0 n Y Sony A9
 
Sony A99 II« »2400 Y 3.0 1229 full-flex n 1/8000s 12.0 n Y Sony A99 II
 
Sony A7R II« »2400 n 3.0 1229 tilting n 1/8000s 5.0 n Y Sony A7R II
 
Sony A7S II« »2400 n 3.0 1229 tilting n 1/8000s 5.0 n Y Sony A7S II

One feature that differentiates the A7R III and the GM5 is in-body image stabilization (IBIS). The A7R III reduces the risk of handshake-induced blur with all attached lenses, while the GM5 has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic GM5 and the Sony A7R III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GM5 writes its imaging data to SDXC cards, while the A7R III uses SDXC or Memory Stick PRO Duo cards. The A7R III features dual card slots, which can be very useful in case a memory card fails. In contrast, the GM5 only has one slot. The A7R III supports UHS-II cards (on its first slot), while the GM5 can use UHS-I cards.

 

Connectivity comparison: Panasonic GM5 vs Sony A7R III

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GM5 and Sony Alpha A7R III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Panasonic GM5»Ystereomono--micro2.0Y--Panasonic GM5
 
Sony A7R III«YstereomonoYYmicro3.1YYYSony A7R III
 
Panasonic GX85« »Ystereomono--micro2.0Y--Panasonic GX85
 
Panasonic G7« »YstereomonoY-micro2.0Y--Panasonic G7
 
Panasonic GH4« »YstereomonoYYmicro2.0YY-Panasonic GH4
 
Panasonic LX100« »Ystereomono--micro2.0YY-Panasonic LX100
 
Panasonic G6« »YstereomonoY-mini2.0YY-Panasonic G6
 
Panasonic GM1« »-stereomono--micro2.0Y--Panasonic GM1
 
Panasonic GX1« »Ystereomono--mini2.0---Panasonic GX1
 
Panasonic GH2« »YstereomonoY-mini2.0---Panasonic GH2
 
Ricoh GR II« »Ystereomono--micro2.0YY-Ricoh GR II
 
Ricoh GR« »Ymonomono--micro2.0---Ricoh GR
 
Sony A7 III« »YstereomonoYYmicro3.1YYYSony A7 III
 
Sony A9« »YstereomonoYYmicro2.0YYYSony A9
 
Sony A99 II« »YstereomonoYYmicro2.0YYYSony A99 II
 
Sony A7R II« »YstereomonoYYmicro2.0YY-Sony A7R II
 
Sony A7S II« »YstereomonoYYmicro2.0YY-Sony A7S II

It is notable that the A7R III has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The GM5 lacks such a headphone port.

Studio photographers will appreciate that the Sony A7R III (unlike the GM5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The A7R III is a recent model that features in the current product line-up of Sony. In contrast, the GM5 has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the GM5 from Panasonic. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.


Review summary: Panasonic GM5 vs Sony A7R III

So how do things add up? Is the Panasonic GM5 better than the Sony A7R III or vice versa? Below is a summary of the relative strengths of each of the two contestants.

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Arguments in favor of the Panasonic Lumix DMC-GM5:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • More compact: Is smaller (99x60mm vs 127x96mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 439g or 68 percent) and hence easier to carry around.
  • More affordable: Was introduced into a lower priced category (77 percent cheaper at launch).
  • More heavily discounted: Has been available for much longer (launched in September 2014).

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Reasons to prefer the Sony Alpha A7R III:

  • More detail: Has more megapixels (42.2 vs 15.8MP), which boosts linear resolution by 66%.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better image quality: Scores substantially higher (34 points) in the DXO overall evaluation.
  • Richer colors: Generates noticeably more natural colors (3.9 bits more color depth).
  • More dynamic range: Captures a broader range of light and dark details (3 EV of extra DR).
  • Better low-light sensitivity: Can shoot in dim conditions (2.3 stops ISO advantage).
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • Better live-view autofocus: Features on-sensor phase-detection for quicker and more confident autofocus.
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • More detailed viewfinder: Has higher resolution electronic viewfinder (3686k vs 1166k dots).
  • Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.46x).
  • More detailed LCD: Has a higher resolution rear screen (1440k vs 921k dots).
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/500s) to freeze action.
  • Faster burst: Shoots at higher frequency (10 vs 5.8 flaps/sec) to capture the decisive moment.
  • Longer lasting: Gets more shots (650 versus 220) out of a single battery charge.
  • Easier travel charging: Can be conveniently charged via its USB port.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
  • Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
  • More modern: Reflects 3 years and 1 month of technical progress since the GM5 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the A7R III is the clear winner of the contest (27 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GM5 05:27 A7R III

How about other alternatives? Do the specifications of the Panasonic GM5 and the Sony A7R III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the GM5 and the A7R III in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews: Panasonic GM5 vs Sony A7R III

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic GM5»+77/1005/55/54.5/5 Sep 2014 749- i Panasonic GM5
 
Sony A7R III«+ +90/1004.5/55/55/5 Oct 2017 3,199 i i Sony A7R III
 
Panasonic GX85« »+ +82/1005/54.5/55/5 Apr 2016 799 i i Panasonic GX85
 
Panasonic G7« »+ +80/1005/54.5/54.5/5 May 2015 649- i Panasonic G7
 
Panasonic GH4« »+ +85/1005/55/55/5 Feb 2014 1,499- i Panasonic GH4
 
Panasonic LX100« »+ +85/1005/54/55/5 Sep 2014 899 i i Panasonic LX100
 
Panasonic G6« »+ +-5/5-4.5/5 Apr 2013 599- i Panasonic G6
 
Panasonic GM1« »+78/1005/54.5/54.5/5 Oct 2013 749- i Panasonic GM1
 
Panasonic GX1« »+77/1004.5/54.5/54.5/5 Nov 2011 699- i Panasonic GX1
 
Panasonic GH2« »+ +79/1004.5/54.5/55/5 Sep 2010 899- i Panasonic GH2
 
Ricoh GR II« »--4.5/54.5/54.5/5 Jun 2015 699 i i Ricoh GR II
 
Ricoh GR« »-79/1004.5/54.5/54.5/5 Apr 2013 799- i Ricoh GR
 
Sony A7 III« »+ +89/1005/55/55/5 Feb 2018 1,999 i i Sony A7 III
 
Sony A9« »+ +89/1005/55/55/5 Apr 2017 4,499 i i Sony A9
 
Sony A99 II« »-85/1004.5/54.5/54.5/5 Sep 2016 3,199 i i Sony A99 II
 
Sony A7R II« »+ +90/1005/54.5/55/5 Jun 2015 3,199- i Sony A7R II
 
Sony A7S II« »+-4.5/55/55/5 Sep 2015 2,999 i i Sony A7S II
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Panasonic GM5:
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Sony A7R III:
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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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    Specifications: Panasonic GM5 vs Sony A7R III

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Panasonic GM5 Sony A7R III
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Micro Four Thirds lenses Sony E mount lenses
    Launch Date September 2014 October 2017
    Launch Price USD 749 USD 3199
    Sensor Specs Panasonic GM5 Sony A7R III
    Sensor Technology CMOS BSI-CMOS
    Sensor Format Four Thirds Sensor Full Frame Sensor
    Sensor Size 17.3 x 13.0 mm 35.9 x 24.0 mm
    Sensor Area 224.9 mm2 861.6 mm2
    Sensor Diagonal 21.6 mm 43.2 mm
    Crop Factor 2.0x 1.0x
    Sensor Resolution 15.8 Megapixels 42.2 Megapixels
    Image Resolution 4592 x 3448 pixels 7952 x 5304 pixels
    Pixel Pitch 3.77 μm 4.52 μm
    Pixel Density 7.04 MP/cm2 4.90 MP/cm2
    Moiré control Anti-Alias filter no AA filter
    Movie Capability 1080/60p Video 4K/30p Video
    ISO Setting 200-25600 ISO 100-32000 ISO
    ISO Boost 100-25600 ISO 50-102400 ISO
    Image Processor Venus BIONZ X
    DXO Sensor Quality (score) 66 100
    DXO Color Depth (bits) 22.1 26.0
    DXO Dynamic Range (EV) 11.7 14.7
    DXO Low Light (ISO) 721 3523
    Screen Specs Panasonic GM5 Sony A7R III
    Viewfinder Type Electronic viewfinder Electronic viewfinder
    Viewfinder Field of View 100% 100%
    Viewfinder Magnification 0.46x 0.78x
    Viewfinder Resolution 1166k dots 3686k dots
    LCD Framing Live View Live View
    Rear LCD Size 3.0 inch 3.0 inch
    LCD Resolution 921k dots 1440k dots
    LCD Attachment Fixed screen Tilting screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Panasonic GM5 Sony A7R III
    Autofocus System Contrast-detect AF On-Sensor Phase-detect
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/500/s 1/8000/s
    Continuous Shooting 5.8 shutter flaps/s 10 shutter flaps/s
    Electronic Shutterup to 1/16000sYES
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Image StabilizationLens stabilization onlyIn-body stabilization
    Fill Flash no On-Board Flash no On-Board Flash
    Storage Medium SDXC cards MS or SDXC cards
    Second Storage Option Single card slot Dual card slots
    UHS card support UHS-I Single UHS-II
    Connectivity Specs Panasonic GM5 Sony A7R III
    External Flash Hotshoe Hotshoe
    Studio Flash no PC Sync PC Sync socket
    USB Connector USB 2.0 USB 3.1
    HDMI Port micro HDMI micro HDMI
    Microphone Port no MIC socket External MIC port
    Headphone Socket no Headphone port Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Near-Field Communication no NFC NFC built-in
    Bluetooth Support no Bluetooth Bluetooth built-in
    Body Specs Panasonic GM5 Sony A7R III
    Environmental SealingNot weather sealedWeathersealed body
    Battery Type DMW-BLH7 power pack NP-FZ100 power pack
    Battery Life (CIPA)220 shots per charge650 shots per charge
    In-Camera Charging no USB charging USB charging
    Body Dimensions 99 x 60 x 36 mm
    (3.9 x 2.4 x 1.4 in)
    127 x 96 x 74 mm
    (5.0 x 3.8 x 2.9 in)
    Camera Weight 211 g (7.4 oz) 650 g (22.9 oz)

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