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Panasonic GM5 versus Sony A6300

The Panasonic Lumix DMC-GM5 and the Sony Alpha A6300 are two digital cameras that were revealed to the public, respectively, in September 2014 and February 2016. Both the GM5 and the A6300 are mirrorless interchangeable lens cameras that are based on a Four Thirds (GM5) and an APS-C (A6300) sensor. The Panasonic has a resolution of 15.8 megapixel, whereas the Sony provides 24 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Panasonic GM5 vs Sony A6300

An illustration of the physical size and weight of the Panasonic GM5 and the Sony A6300 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the GM5 – represents the basis for the calculations across all the size and weight measures).

Compare Panasonic GM5 vs Sony A6300
Compare GM5 versus A6300 top
Compare GM5 and A6300 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6300 is notably larger (35 percent) than the Panasonic GM5. Moreover, the A6300 is substantially heavier (91 percent) than the GM5. It is noteworthy in this context that the A6300 is splash and dust-proof, while the GM5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Micro Four Thirds Lens Catalog (GM5) and the Sony E-Mount Lens Catalog (A6300). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the GM5 gets 220 shots out of its DMW-BLH7 battery, while the A6300 can take 400 images on a single charge of its NP-FW50 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Panasonic GM5» 3.9 in 2.4 in 1.4 in 7.4 oz 220 n Sep 2014 749- i Panasonic GM5
Sony A6300« 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999- i Sony A6300
Panasonic GX85« » 4.8 in 2.8 in 1.7 in 15.0 oz 290 n Apr 2016 799 i i Panasonic GX85
Panasonic G7« » 4.9 in 3.4 in 3.0 in 14.5 oz 350 n May 2015 649- i Panasonic G7
Panasonic GF7« » 4.2 in 2.6 in 1.3 in 9.4 oz 230 n Jan 2015 499- i Panasonic GF7
Panasonic GH4« » 5.2 in 3.7 in 3.3 in 19.8 oz 500 Y Feb 2014 1,499- i Panasonic GH4
Panasonic LX100« » 4.5 in 2.6 in 2.2 in 13.9 oz 300 n Sep 2014 899 i i Panasonic LX100
Panasonic G6« » 4.8 in 3.3 in 2.8 in 13.8 oz 340 n Apr 2013 599- i Panasonic G6
Panasonic GF6« » 4.4 in 2.6 in 1.5 in 11.4 oz 340 n Apr 2013 499- i Panasonic GF6
Panasonic GM1« » 3.9 in 2.2 in 1.2 in 7.2 oz 230 n Oct 2013 749- i Panasonic GM1
Ricoh GR II« » 4.6 in 2.5 in 1.4 in 8.9 oz 320 n Jun 2015 699- i Ricoh GR II
Ricoh GR« » 4.6 in 2.4 in 1.4 in 8.6 oz 290 n Apr 2013 799- i Ricoh GR
Sony A6500« » 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399 i i Sony A6500
Sony A6000« » 4.7 in 2.6 in 1.8 in 12.1 oz 360 n Feb 2014 599- i Sony A6000
Sony A3000« » 5.0 in 3.6 in 3.3 in 14.5 oz 470 n Aug 2013 329- i Sony A3000
Sony NEX-6« » 4.7 in 2.6 in 1.7 in 12.2 oz 360 n Sep 2012 999- i Sony NEX-6
Sony NEX-7« » 4.7 in 2.6 in 1.7 in 14.1 oz 430 n Aug 2011 1,349- i Sony NEX-7

The camera’s price is obviously a critical decision-making factor. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GM5 was launched at a somewhat lower price (by 25 percent) than the A6300, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison: Panasonic GM5 vs Sony A6300

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic GM5 features a Four Thirds sensor and the Sony A6300 an APS-C sensor. The sensor area in the A6300 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the GM5 has a native 4:3 aspect ratio, while the one in the A6300 offers a 3:2 aspect.

Panasonic GM5 and Sony A6300 sensor measures

With 24MP, the A6300 offers a higher resolution than the GM5 (15.8MP), but the A6300 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.77μm for the GM5) due to its larger sensor. Moreover, the A6300 is a somewhat more recent model (by 1 year and 4 months) than the GM5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

GM5 versus A6300 MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A6300 offers substantially better image quality than the GM5 (overall score 19 points higher). The advantage is based on 2.3 bits higher color depth, 2 EV in additional dynamic range, and 1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Panasonic GM5» Four Thirds 15.8 4592 34481080/60p22.111.772166Panasonic GM5
Sony A6300« APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
Panasonic GX85« » Four Thirds 15.8 4592 34484K/30p22.912.666271Panasonic GX85
Panasonic G7« » Four Thirds 15.8 4592 34484K/30p----Panasonic G7
Panasonic GF7« » Four Thirds 15.8 4592 34481080/60p----Panasonic GF7
Panasonic GH4« » Four Thirds 15.9 4608 34564K/30p23.212.879174Panasonic GH4
Panasonic LX100« » Four Thirds 12.7 4112 30884K/30p22.312.555367Panasonic LX100
Panasonic G6« » Four Thirds 15.9 4608 34561080/60p21.311.563961Panasonic G6
Panasonic GF6« » Four Thirds 15.8 4592 34481080/60i20.710.662254Panasonic GF6
Panasonic GM1« » Four Thirds 15.8 4592 34481080/60i22.311.766066Panasonic GM1
Ricoh GR II« » APS-C 16.1 4928 32641080/30p23.613.7107880Ricoh GR II
Ricoh GR« » APS-C 16.1 4928 32641080/30p23.613.597278Ricoh GR
Sony A6500« » APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
Sony A6000« » APS-C 24.0 6000 40001080/60p24.113.1134782Sony A6000
Sony A3000« » APS-C 19.8 5456 36321080/60i23.712.8106878Sony A3000
Sony NEX-6« » APS-C 16.0 4912 32641080/60i23.713.1101878Sony NEX-6
Sony NEX-7« » APS-C 24.0 6000 40001080/60i24.113.4101681Sony NEX-7

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A6300 provides a better video resolution than the GM5. It can shoot movie footage at 4K/30p, while the Panasonic is limited to 1080/60p.

 

Feature comparison: Panasonic GM5 vs Sony A6300

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A6300 offers a substantially higher resolution than the one in the GM5 (2300k vs 1166k dots). The adjacent table lists some of the other core features of the Panasonic GM5 and Sony A6300 along with similar information for a selection of comparators. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec)
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Panasonic GM5»1166 n 3.0 921 fixed Y 500 5.8 n n Panasonic GM5
Sony A6300«2300 n 3.0 922 tilting n 4000 11.0 Y n Sony A6300
Panasonic GX85« »2765 n 3.0 1040 tilting Y 4000 8.0 Y Y Panasonic GX85
Panasonic G7« »2360 n 3.0 1040 swivel Y 4000 7.0 Y n Panasonic G7
Panasonic GF7« »- n 3.0 1040 tilting Y 500 5.8 Y n Panasonic GF7
Panasonic GH4« »2359 n 3.0 1036 swivel Y 8000 12.0 Y n Panasonic GH4
Panasonic LX100« »2764 n 3.0 921 fixed n 4000 11.0 n Y Panasonic LX100
Panasonic G6« »1440 n 3.0 1036 swivel Y 4000 7.0 Y n Panasonic G6
Panasonic GF6« »- n 3.0 1040 tilting Y 4000 4.2 Y n Panasonic GF6
Panasonic GM1« »- n 3.0 1036 fixed Y 500 5.0 Y n Panasonic GM1
Ricoh GR II« »- n 3.0 1230 fixed n 4000 4.0 Y n Ricoh GR II
Ricoh GR« »- n 3.0 1230 fixed n 4000 4.0 Y n Ricoh GR
Sony A6500« »2300 n 3.0 922 tilting Y 4000 11.0 Y Y Sony A6500
Sony A6000« »1440 n 3.0 922 tilting n 4000 11.0 Y n Sony A6000
Sony A3000« »202 n 3.0 230 fixed n 4000 2.5 Y n Sony A3000
Sony NEX-6« »2359 n 3.0 921 tilting n 4000 10.0 Y n Sony NEX-6
Sony NEX-7« »2359 n 3.0 921 tilting n 4000 10.0 Y n Sony NEX-7

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GM5 has a touchscreen, while the A6300 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the GM5 features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (rolling shutter) or shooting under artificial light sources (flickering).

The GM5 writes its imaging data to SDXC cards, while the A6300 uses SDXC or Memory Stick PRO Duo cards.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
Panasonic GM5»Ystereomono--micro2.0Y--Panasonic GM5
Sony A6300«YstereomonoY-micro2.0YY-Sony A6300
Panasonic GX85« »Ystereomono--micro2.0YY-Panasonic GX85
Panasonic G7« »YstereomonoY-micro2.0Y--Panasonic G7
Panasonic GF7« »-stereomono--micro2.0YY-Panasonic GF7
Panasonic GH4« »YstereomonoYYmicro2.0YY-Panasonic GH4
Panasonic LX100« »Ystereomono--micro2.0YY-Panasonic LX100
Panasonic G6« »YstereomonoY-mini2.0YY-Panasonic G6
Panasonic GF6« »-stereomono--mini2.0YY-Panasonic GF6
Panasonic GM1« »-stereomono--micro2.0Y--Panasonic GM1
Ricoh GR II« »Ystereomono--micro2.0YY-Ricoh GR II
Ricoh GR« »Ymonomono--micro2.0---Ricoh GR
Sony A6500« »YstereomonoY-micro2.0YY-Sony A6500
Sony A6000« »Ystereomono--micro2.0YY-Sony A6000
Sony A3000« »Ystereomono--mini2.0---Sony A3000
Sony NEX-6« »Ystereomono--mini2.0Y--Sony NEX-6
Sony NEX-7« »Ystereomono--mini2.0---Sony NEX-7

Both the GM5 and the A6300 have been discontinued, but can regularly be found used on eBay. The GM5 was replaced by the .., while the A6300 was followed by the Sony A6500.

Review summary: Panasonic GM5 vs Sony A6300

So how do things add up? Which of the two cameras – the Panasonic GM5 or the Sony A6300 – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.

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Advantages of the Panasonic Lumix DMC-GM5:

  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • More compact: Is smaller (99x60mm vs 120x67mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 193g or 48 percent) and hence easier to carry around.
  • More affordable: Was introduced into a lower priced segment (25 percent cheaper at launch).
  • More heavily discounted: Has been on the market for longer (launched in September 2014).

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Arguments in favor of the Sony Alpha A6300:

  • More detail: Has more megapixels (24 vs 15.8MP), which boosts linear resolution by 26%.
  • Better image quality: Scores substantially higher (19 points) in the DXO overall evaluation.
  • Richer colors: Generates noticeably more natural colors (2.3 bits more color depth).
  • More dynamic range: Captures a broader range of light and dark details (2 EV of extra DR).
  • Better low-light sensitivity: Can shoot in dim conditions (1 stops ISO advantage).
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • More detailed viewfinder: Has higher resolution electronic viewfinder (2300k vs 1166k dots).
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Faster shutter: Has higher mechanical shutter speed (4000/sec vs 500/sec) to freeze action.
  • Faster burst: Shoots at higher frequency (11 vs 5.8 flaps/sec) to capture the decisive moment.
  • Longer lasting: Gets more shots (400 versus 220) out of a single battery charge.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • More modern: Was introduced somewhat (1 year and 4 months) more recently.

If the number of relative strengths (bullet points above) is taken as a guide, the A6300 is the clear winner of the contest (16 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.

GM5 06:16 A6300

In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the GM5 and the A6300 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Panasonic GM5»Rec77/1005/55/54.5/5 Sep 2014 749- i Panasonic GM5
Sony A6300«Rec85/1005/55/55/5 Feb 2016 999- i Sony A6300
Panasonic GX85« »HiRec82/1005/54.5/55/5 Apr 2016 799 i i Panasonic GX85
Panasonic G7« »HiRec80/1005/54.5/54.5/5 May 2015 649- i Panasonic G7
Panasonic GF7« »Rec-4.5/54.5/54.5/5 Jan 2015 499- i Panasonic GF7
Panasonic GH4« »HiRec85/1005/55/55/5 Feb 2014 1,499- i Panasonic GH4
Panasonic LX100« »HiRec85/1005/54/55/5 Sep 2014 899 i i Panasonic LX100
Panasonic G6« »HiRec-5/5-4.5/5 Apr 2013 599- i Panasonic G6
Panasonic GF6« »HiRec-4.5/5-4.5/5 Apr 2013 499- i Panasonic GF6
Panasonic GM1« »Rec78/1005/54.5/54.5/5 Oct 2013 749- i Panasonic GM1
Ricoh GR II« »--4.5/54.5/54.5/5 Jun 2015 699- i Ricoh GR II
Ricoh GR« »-79/1004.5/54.5/54.5/5 Apr 2013 799- i Ricoh GR
Sony A6500« »HiRec85/1004.5/55/54.5/5 Oct 2016 1,399 i i Sony A6500
Sony A6000« »Rec80/1004.5/55/55/5 Feb 2014 599- i Sony A6000
Sony A3000« »Rec-4/54.5/54/5 Aug 2013 329- i Sony A3000
Sony NEX-6« »HiRec78/1004.5/55/54.5/5 Sep 2012 999- i Sony NEX-6
Sony NEX-7« »HiRec81/1004.5/55/55/5 Aug 2011 1,349- i Sony NEX-7

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

 

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you do not see the camera that you are looking for, kindly get in touch, and I will try to locate and add the respective data to the application.

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