Panasonic GM5 vs Pentax MX-1
The Panasonic Lumix DMC-GM5 and the Pentax MX-1 are two digital cameras that were announced, respectively, in September 2014 and January 2013. The GM5 is a mirrorless interchangeable lens camera, while the MX-1 is a fixed lens compact. The cameras are based on a Four Thirds (GM5) and a 1/1.7-inch (MX-1) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Pentax provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GM5 and the Pentax MX-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic GM5 and the Pentax MX-1. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The GM5 can be obtained in two different colors (black, silver), while the MX-1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax MX-1 is notably larger (25 percent) than the Panasonic GM5. In this context, it is worth noting that neither the GM5 nor the MX-1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the MX-1 has a lens built in, whereas the GM5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GM5 and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749||ebay.com|
|2.||Pentax MX-1||122 mm||61 mm||51 mm||391 g||290||n||Jan 2013||499||ebay.com|
|3.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549||ebay.com|
|4.||Canon G15||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499||ebay.com|
|5.||Nikon P7800||119 mm||78 mm||50 mm||399 g||350||n||Sep 2013||549||ebay.com|
|6.||Olympus XZ-2||113 mm||65 mm||48 mm||346 g||340||n||Sep 2012||599||ebay.com|
|7.||Panasonic GX85||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799||amazon.com|
|8.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649||ebay.com|
|9.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499||ebay.com|
|10.||Panasonic LX100||115 mm||66 mm||55 mm||393 g||300||n||Sep 2014||899||ebay.com|
|11.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|12.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749||ebay.com|
|13.||Panasonic LF1||103 mm||62 mm||28 mm||192 g||250||n||Apr 2013||499||ebay.com|
|14.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699||ebay.com|
|15.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899||ebay.com|
|16.||Ricoh GR II||117 mm||63 mm||35 mm||251 g||320||n||Jun 2015||699||ebay.com|
|17.||Ricoh GR||117 mm||61 mm||35 mm||245 g||290||n||Apr 2013||799||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The MX-1 was launched at a lower price than the GM5, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GM5 features a Four Thirds sensor and the Pentax MX-1 a 1/1.7-inch sensor. The sensor area in the MX-1 is 81 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 4.5. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 15.8MP, the GM5 offers a higher resolution than the MX-1 (12MP), but the GM5 nevertheless has larger individual pixels (pixel pitch of 3.77μm versus 1.89μm for the MX-1) due to its larger sensor. Moreover, the GM5 is a somewhat more recent model (by 1 year and 8 months) than the MX-1, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Panasonic GM5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GM5 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Pentax MX-1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-GM5 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Pentax MX-1 are ISO 100 to ISO 12800 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the GM5 provides substantially higher image quality than the MX-1, with an overall score that is 17 points higher. This advantage is based on 1.7 bits higher color depth, 0.4 EV in additional dynamic range, and 1.8 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|7.||Panasonic GX85||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|8.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.4||904||71|
|9.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|10.||Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|11.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|12.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|14.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|15.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|16.||Ricoh GR II||APS-C||16.1||4928||3264||1080/30p||23.6||13.7||1078||80|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GM5 provides a higher frame rate than the MX-1. It can shoot video footage at 1080/60p, while the Pentax is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GM5 has an electronic viewfinder (1166k dots), which can be very helpful when shooting in bright sunlight. In contrast, the MX-1 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic GM5, the Pentax MX-1, and comparable cameras.
|1.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8/s||n||n|
|2.||Pentax MX-1||none||n||3.0 / 920||tilting||n||1/8000s||1.0/s||Y||Y|
|3.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2/s||Y||Y|
|4.||Canon G15||optical||n||3.0 / 922||fixed||n||1/4000s||2.1/s||Y||Y|
|5.||Nikon P7800||921||n||3.0 / 921||swivel||n||1/4000s||8.0/s||Y||Y|
|6.||Olympus XZ-2||optional||n||3.0 / 920||tilting||Y||1/2000s||5.0/s||Y||Y|
|7.||Panasonic GX85||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||Y|
|8.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0/s||Y||n|
|9.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0/s||Y||n|
|10.||Panasonic LX100||2764||n||3.0 / 921||fixed||n||1/4000s||11.0/s||n||Y|
|11.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|12.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0/s||Y||n|
|13.||Panasonic LF1||200||n||3.0 / 920||fixed||n||1/4000s||10.0/s||Y||Y|
|14.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2/s||Y||n|
|15.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|16.||Ricoh GR II||optional||n||3.0 / 1230||fixed||n||1/4000s||4.0/s||Y||n|
|17.||Ricoh GR||optional||n||3.0 / 1230||fixed||n||1/4000s||4.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GM5 has a touchscreen, while the MX-1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GM5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GM5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GM5 and the MX-1 write their files to SDXC cards. The GM5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the MX-1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GM5 and Pentax MX-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Pentax MX-1||-||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|4.||Canon G15||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|5.||Nikon P7800||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|6.||Olympus XZ-2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Panasonic GX85||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|9.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|10.||Panasonic LX100||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|11.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|12.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Panasonic LF1||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|14.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|16.||Ricoh GR II||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Ricoh GR||Y||mono / mono||-||-||micro||2.0||-||-||-|
It is notable that the GM5 has a hotshoe, while the MX-1 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the GM5 and the MX-1 have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Panasonic and Pentax. Further information on the features and operation of the GM5 and MX-1 can be found, respectively, in the Panasonic GM5 Manual (free pdf) or the online Pentax MX-1 Manual.
So how do things add up? Which of the two cameras – the Panasonic GM5 or the Pentax MX-1 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Panasonic Lumix DMC-GM5:
- More detail: Offers more megapixels (15.8 vs 12MP) with a 15% higher linear resolution.
- Better image quality: Scores substantially higher (17 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.7 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (1.8 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (5.8 vs 1 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (99x60mm vs 122x61mm) and thus needs less room in the bag.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Is somewhat more recent (announced 1 year and 8 months after the MX-1).
Advantages of the Pentax MX-1:
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/500s) to freeze action.
- Ready to shoot: Has an integrated lens, whereas the GM5 necessitates an extra lens.
- Longer lasting: Gets more shots (290 versus 220) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in January 2013).
If the count of relative strengths (bullet points above) is taken as a measure, the GM5 is the clear winner of the match-up (16 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GM5 and the Pentax MX-1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the GM5 or the MX-1 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749||ebay.com|
|2.||Pentax MX-1||3/5||..||..||74/100||4/5||4/5||Jan 2013||499||ebay.com|
|3.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549||ebay.com|
|4.||Canon G15||4/5||+||..||76/100||4.5/5||4.5/5||Sep 2012||499||ebay.com|
|5.||Nikon P7800||3/5||..||..||..||4/5||4.5/5||Sep 2013||549||ebay.com|
|6.||Olympus XZ-2||4/5||+||..||..||4.5/5||4.5/5||Sep 2012||599||ebay.com|
|7.||Panasonic GX85||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799||amazon.com|
|8.||Panasonic G7||4/5||+ +||3.5/5||80/100||5/5||4.5/5||May 2015||649||ebay.com|
|9.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499||ebay.com|
|10.||Panasonic LX100||5/5||+ +||..||85/100||5/5||5/5||Sep 2014||899||ebay.com|
|11.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|12.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749||ebay.com|
|13.||Panasonic LF1||3/5||+||..||..||4/5||4.5/5||Apr 2013||499||ebay.com|
|14.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699||ebay.com|
|15.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899||ebay.com|
|16.||Ricoh GR II||..||..||..||..||4.5/5||4.5/5||Jun 2015||699||ebay.com|
|17.||Ricoh GR||5/5||..||..||79/100||4.5/5||4.5/5||Apr 2013||799||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon G7 X Mark III vs Panasonic GM5
- Leica CL vs Panasonic GM5
- Leica V-LUX 2 vs Panasonic GM5
- Leica V-LUX 4 vs Pentax MX-1
- Leica V-LUX 5 vs Pentax MX-1
- Nikon 1 V2 vs Panasonic GM5
- Nikon B500 vs Pentax MX-1
- Nikon D40 vs Panasonic GM5
- Olympus XZ-1 vs Pentax MX-1
- Panasonic G1 vs Panasonic GM5
- Pentax MX-1 vs Sony A7R II
- Pentax MX-1 vs Sony HX350
Specifications: Panasonic GM5 vs Pentax MX-1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GM5||Pentax MX-1|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||28-112mm f/1.8-2.5|
|Launch Date||September 2014||January 2013|
|Launch Price||USD 749||USD 499|
|Sensor Specs||Panasonic GM5||Pentax MX-1|
|Sensor Format||Four Thirds Sensor||1/1.7" Sensor|
|Sensor Size||17.3 x 13.0 mm||7.6 x 5.7 mm|
|Sensor Area||224.9 mm2||43.32 mm2|
|Sensor Diagonal||21.6 mm||9.5 mm|
|Sensor Resolution||15.8 Megapixels||12 Megapixels|
|Image Resolution||4592 x 3448 pixels||4000 x 3000 pixels|
|Pixel Pitch||3.77 μm||1.89 μm|
|Pixel Density||7.04 MP/cm2||27.70 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/30p Video|
|ISO Setting||200 - 25,600 ISO||100 - 12,800 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|DXO Sensor Quality (score)||66||49|
|DXO Color Depth (bits)||22.1||20.4|
|DXO Dynamic Range (EV)||11.7||11.3|
|DXO Low Light (ISO)||721||208|
|Screen Specs||Panasonic GM5||Pentax MX-1|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1166k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||921k dots||920k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic GM5||Pentax MX-1|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||5.8 shutter flaps/s||1 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic GM5||Pentax MX-1|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Panasonic GM5||Pentax MX-1|
|Battery Life (CIPA)||220 shots per charge||290 shots per charge|
99 x 60 x 36 mm
(3.9 x 2.4 x 1.4 in)
122 x 61 x 51 mm
(4.8 x 2.4 x 2.0 in)
|Camera Weight||211 g (7.4 oz)||391 g (13.8 oz)|
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