Panasonic GM5 vs GX1
The Panasonic Lumix DMC-GM5 and the Panasonic Lumix DMC-GX1 are two digital cameras that were revealed to the public, respectively, in September 2014 and November 2011. Both the GM5 and the GX1 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. Both cameras offer a resolution of 15.8 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic GM5||Panasonic GX1|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Micro Four Thirds lenses|
|15.8 MP, Four Thirds Sensor||15.8 MP, Four Thirds Sensor|
|1080/60p Video||1080/60p Video|
|ISO 200-25,600||ISO 160-12,800|
|Electronic viewfinder (1166k dots)||Viewfinder optional|
|3.0 LCD, 921k dots||3.0 LCD, 460k dots|
|Fixed touchscreen||Fixed touchscreen|
|5.8 shutter flaps per second||4.2 shutter flaps per second|
|220 shots per battery charge||320 shots per battery charge|
|99 x 60 x 36 mm, 211 g||116 x 68 x 39 mm, 318 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GM5 and the Panasonic Lumix DMC-GX1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic GM5 and the Panasonic GX1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The GM5 can be obtained in two different colors (black, silver), while the GX1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX1 is notably larger (33 percent) than the Panasonic GM5. Moreover, the GX1 is substantially heavier (51 percent) than the GM5. In this context, it is worth noting that neither the GM5 nor the GX1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749|
|Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749|
|Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|Ricoh GR II||117 mm||63 mm||35 mm||251 g||320||n||Jun 2015||699|
|Ricoh GR||117 mm||61 mm||35 mm||245 g||290||n||Apr 2013||799|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GX1 was somewhat cheaper (by 7 percent) than the GM5 at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 15.8 megapixels. This similarity in sensor specs implies that both the GM5 and the GX1 have the same pixel density, as well as the same pixel size. It should, however, be noted that the GM5 is much more recent (by 2 years and 10 months) than the GX1, and its sensor will have benefitted from technological advances during this time.
The Panasonic Lumix DMC-GM5 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GX1 are ISO 160 to ISO 12800 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the GM5 provides substantially higher image quality than the GX1, with an overall score that is 11 points higher. This advantage is based on 1.3 bits higher color depth, 1.1 EV in additional dynamic range, and 0 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|Ricoh GR II||APS-C||16.1||4928||3264||1080/30p||23.6||13.7||1078||80|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GM5 has an electronic viewfinder (1166k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GX1 relies on live view and the rear LCD for framing. That said, the GX1 can be equipped with an optional viewfinder – the DMW-LVF2. The following table reports on some other key feature differences and similarities of the Panasonic GM5, the Panasonic GX1, and comparable cameras.
|Olympus E-M10 II||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y|
|Ricoh GR II||optional||n||3.0||1230||fixed||n||1/4000s||4.0||Y||n|
One difference between the cameras concerns the presence of an on-board flash. The GX1 has one, while the GM5 does not. While the built-in flash of the GX1 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GM5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GM5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GM5 and the GX1 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GM5 and Panasonic Lumix DMC-GX1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Olympus E-M10 II||Y||stereo||mono||-||-||micro||2.0||Y||-||-|
|Ricoh GR II||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the GM5 offers wifi support, while the GX1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the GM5 and the GX1 have been discontinued, but can regularly be found used on eBay. The GX1 was replaced by the Panasonic GX7, while the GM5 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So how do things add up? Is the Panasonic GM5 better than the Panasonic GX1 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Panasonic Lumix DMC-GM5:
- Better image quality: Scores substantially higher (11 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.3 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.1 EV of extra DR).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (921k vs 460k dots).
- Faster burst: Shoots at higher frequency (5.8 vs 4.2 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (99x60mm vs 116x68mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 107g or 34 percent) and hence easier to carry around.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More modern: Reflects 2 years and 10 months of technical progress since the GX1 launch.
Reasons to prefer the Panasonic Lumix DMC-GX1:
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
- Longer lasting: Gets more shots (320 versus 220) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More heavily discounted: Has been around for much longer (launched in November 2011).
If the count of relative strengths (bullet points above) is taken as a measure, the GM5 is the clear winner of the match-up (12 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GM5 and the Panasonic GX1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the GM5 and the GX1 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic GM5||+||77/100||5/5||5/5||4.5/5||Sep 2014||749|
|Panasonic GX1||+||77/100||4.5/5||4.5/5||4.5/5||Nov 2011||699|
|Olympus E-M10 II||+ +||80/100||5/5||5/5||5/5||Aug 2015||649|
|Olympus E-M10||..||80/100||5/5||4.5/5||5/5||Jan 2014||699|
|Panasonic G7||+ +||80/100||5/5||4.5/5||4.5/5||May 2015||649|
|Panasonic FZ1000||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899|
|Panasonic G6||+ +||..||5/5||..||4.5/5||Apr 2013||599|
|Panasonic GM1||+||78/100||5/5||4.5/5||4.5/5||Oct 2013||749|
|Panasonic GX7||+||79/100||5/5||4.5/5||5/5||Aug 2013||999|
|Panasonic G3||+ +||75/100||4.5/5||4.5/5||5/5||May 2011||599|
|Panasonic G10||..||70/100||4/5||..||4/5||Mar 2010||499|
|Panasonic GH2||+ +||79/100||4.5/5||4.5/5||5/5||Sep 2010||899|
|Ricoh GR II||..||..||4.5/5||4.5/5||4.5/5||Jun 2015||699|
|Ricoh GR||..||79/100||4.5/5||4.5/5||4.5/5||Apr 2013||799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1000D vs Panasonic GX1
- Canon 1Ds Mark II vs Panasonic GM5
- Canon 40D vs Panasonic GX1
- Canon RP vs Panasonic GX1
- Canon T3i vs Panasonic GX1
- Leica S Typ 007 vs Panasonic GX1
- Nikon D5000 vs Panasonic GM5
- Nikon D5200 vs Panasonic GM5
- Nikon D7000 vs Panasonic GM5
- Panasonic GX1 vs Ricoh WG-60
- Panasonic GX1 vs Sony A5100
- Panasonic GX1 vs Sony A850
Specifications: Panasonic GM5 vs Panasonic GX1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GM5||Panasonic GX1|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||September 2014||November 2011|
|Launch Price||USD 749||USD 699|
|Sensor Specs||Panasonic GM5||Panasonic GX1|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||15.8 Megapixels||15.8 Megapixels|
|Image Resolution||4592 x 3448 pixels||4592 x 3448 pixels|
|Pixel Pitch||3.77 μm||3.77 μm|
|Pixel Density||7.04 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||200 - 25,600 ISO||160 - 12,800 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|Image Processor||Venus||Venus FHD|
|DXO Sensor Quality (score)||66||55|
|DXO Color Depth (bits)||22.1||20.8|
|DXO Dynamic Range (EV)||11.7||10.6|
|DXO Low Light (ISO)||721||703|
|Screen Specs||Panasonic GM5||Panasonic GX1|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1166k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||921k dots||460k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Panasonic GM5||Panasonic GX1|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/500s||1/4000s|
|Continuous Shooting||5.8 shutter flaps/s||4.2 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic GM5||Panasonic GX1|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Panasonic GM5||Panasonic GX1|
|Battery Life (CIPA)||220 shots per charge||320 shots per charge|
99 x 60 x 36 mm
(3.9 x 2.4 x 1.4 in)
116 x 68 x 39 mm
(4.6 x 2.7 x 1.5 in)
|Camera Weight||211 g (7.4 oz)||318 g (11.2 oz)|
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