Panasonic GM5 vs Nikon 1 J5
The Panasonic Lumix DMC-GM5 and the Nikon 1 J5 are two digital cameras that were revealed to the public, respectively, in September 2014 and April 2015. Both the GM5 and the J5 are mirrorless interchangeable lens cameras that are based on a Four Thirds (GM5) and an one-inch (J5) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Nikon provides 20.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GM5 and the Nikon 1 J5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Panasonic GM5 and the Nikon 1 J5. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The GM5 can be obtained in two different colors (black, silver), while the J5 is available in three color-versions (black, silver, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon 1 J5 is somewhat smaller (1 percent) than the Panasonic GM5. However, the J5 is markedly heavier (9 percent) than the GM5. In this context, it is worth noting that neither the GM5 nor the J5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GM5 | 99 mm | 60 mm | 36 mm | 211 g | 220 | n | Sep 2014 | 749 | ebay.com | |
2. | Nikon 1 J5 | 98 mm | 60 mm | 32 mm | 231 g | 250 | n | Apr 2015 | 399 | ebay.com | |
3. | Canon G9 X | 98 mm | 58 mm | 31 mm | 209 g | 220 | n | Oct 2015 | 529 | ebay.com | |
4. | Nikon 1 J4 | 100 mm | 60 mm | 29 mm | 232 g | 300 | n | Apr 2014 | 549 | ebay.com | |
5. | Nikon 1 V3 | 111 mm | 65 mm | 33 mm | 381 g | 310 | n | Mar 2014 | 799 | ebay.com | |
6. | Panasonic G6 | 122 mm | 85 mm | 71 mm | 390 g | 340 | n | Apr 2013 | 599 | ebay.com | |
7. | Panasonic G7 | 125 mm | 86 mm | 77 mm | 410 g | 350 | n | May 2015 | 649 | ebay.com | |
8. | Panasonic GH2 | 124 mm | 90 mm | 76 mm | 442 g | 330 | n | Sep 2010 | 899 | ebay.com | |
9. | Panasonic GH4 | 133 mm | 93 mm | 84 mm | 560 g | 500 | Y | Feb 2014 | 1,499 | ebay.com | |
10. | Panasonic GM1 | 99 mm | 55 mm | 30 mm | 204 g | 230 | n | Oct 2013 | 749 | ebay.com | |
11. | Panasonic GX1 | 116 mm | 68 mm | 39 mm | 318 g | 320 | n | Nov 2011 | 699 | ebay.com | |
12. | Panasonic GX85 | 122 mm | 71 mm | 44 mm | 426 g | 290 | n | Apr 2016 | 799 | amazon.com | |
13. | Panasonic LX100 | 115 mm | 66 mm | 55 mm | 393 g | 300 | n | Sep 2014 | 899 | ebay.com | |
14. | Ricoh GR | 117 mm | 61 mm | 35 mm | 245 g | 290 | n | Apr 2013 | 799 | ebay.com | |
15. | Ricoh GR II | 117 mm | 63 mm | 35 mm | 251 g | 320 | n | Jun 2015 | 699 | ebay.com | |
16. | Sony A5000 | 110 mm | 63 mm | 36 mm | 269 g | 420 | n | Jan 2014 | 449 | ebay.com | |
17. | Sony RX100 IV | 102 mm | 58 mm | 41 mm | 298 g | 280 | n | Jun 2015 | 999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The J5 was launched at a markedly lower price (by 47 percent) than the GM5, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GM5 features a Four Thirds sensor and the Nikon 1 J5 an one-inch sensor. The sensor area in the J5 is 48 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 2.7. The sensor in the GM5 has a native 4:3 aspect ratio, while the one in the J5 offers a 3:2 aspect.
Despite having a smaller sensor, the J5 offers a higher resolution of 20.7 megapixels, compared with 15.8 MP of the GM5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.37μm versus 3.77μm for the GM5). However, it should be noted that the J5 is a somewhat more recent model (by 6 months) than the GM5, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the J5 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon 1 J5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the J5 for good quality output (200 dots per inch) amounts to 27.8 x 18.6 inches or 70.7 x 47.1 cm, for very good quality (250 dpi) 22.3 x 14.8 inches or 56.6 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inches or 47.1 x 31.4 cm. The corresponding values for the Panasonic GM5 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The J5 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DMC-GM5 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Nikon 1 J5 are ISO 160 to ISO 12800 (no boost).
In terms of underlying technology, the GM5 is build around a CMOS sensor, while the J5 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GM5 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.1 | 11.7 | 721 | 66 | |
2. | Nikon 1 J5 | 1-inch | 20.7 | 5568 | 3712 | 4K/15p | 21.1 | 12.0 | 479 | 65 | |
3. | Canon G9 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.5 | 12.3 | 495 | 63 | |
4. | Nikon 1 J4 | 1-inch | 18.2 | 5232 | 3488 | 1080/60p | 20.8 | 10.7 | 426 | 53 | |
5. | Nikon 1 V3 | 1-inch | 18.2 | 5232 | 3488 | 1080/60p | 20.8 | 10.7 | 384 | 52 | |
6. | Panasonic G6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.3 | 11.5 | 639 | 61 | |
7. | Panasonic G7 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.8 | 12.4 | 904 | 71 | |
8. | Panasonic GH2 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60i | 21.2 | 11.3 | 655 | 60 | |
9. | Panasonic GH4 | Four Thirds | 15.9 | 4608 | 3456 | 4K/30p | 23.2 | 12.8 | 791 | 74 | |
10. | Panasonic GM1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 22.3 | 11.7 | 660 | 66 | |
11. | Panasonic GX1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 20.8 | 10.6 | 703 | 55 | |
12. | Panasonic GX85 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.9 | 12.6 | 662 | 71 | |
13. | Panasonic LX100 | Four Thirds | 12.7 | 4112 | 3088 | 4K/30p | 22.3 | 12.5 | 553 | 67 | |
14. | Ricoh GR | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.6 | 13.5 | 972 | 78 | |
15. | Ricoh GR II | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.6 | 13.7 | 1078 | 80 | |
16. | Sony A5000 | APS-C | 19.8 | 5456 | 3632 | 1080/60i | 23.8 | 13.0 | 1089 | 79 | |
17. | Sony RX100 IV | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.6 | 591 | 70 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the J5 provides a better video resolution than the GM5. It can shoot movie footage at 4K/15p, while the Panasonic is limited to 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GM5 has an electronic viewfinder (1166k dots), which can be very helpful when shooting in bright sunlight. In contrast, the J5 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Panasonic GM5 and Nikon 1 J5 in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GM5 | 1166 | n | 3.0 / 921 | fixed | Y | 1/500s | 5.8/s | n | n | |
2. | Nikon 1 J5 | none | n | 3.0 / 1037 | tilting | Y | 1/4000s | 60.0/s | Y | n | |
3. | Canon G9 X | none | n | 3.0 / 1040 | fixed | Y | 1/2000s | 6.0/s | Y | Y | |
4. | Nikon 1 J4 | none | n | 3.0 / 1037 | Fixed | Y | 1/4000s | 60.0/s | Y | n | |
5. | Nikon 1 V3 | optional | n | 3.0 / 1037 | tilting | Y | 1/4000s | 60.0/s | Y | n | |
6. | Panasonic G6 | 1440 | n | 3.0 / 1036 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
7. | Panasonic G7 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
8. | Panasonic GH2 | 1534 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
9. | Panasonic GH4 | 2359 | n | 3.0 / 1036 | swivel | Y | 1/8000s | 12.0/s | Y | n | |
10. | Panasonic GM1 | none | n | 3.0 / 1036 | fixed | Y | 1/500s | 5.0/s | Y | n | |
11. | Panasonic GX1 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 4.2/s | Y | n | |
12. | Panasonic GX85 | 2765 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | Y | |
13. | Panasonic LX100 | 2764 | n | 3.0 / 921 | fixed | n | 1/4000s | 11.0/s | n | Y | |
14. | Ricoh GR | optional | n | 3.0 / 1230 | fixed | n | 1/4000s | 4.0/s | Y | n | |
15. | Ricoh GR II | optional | n | 3.0 / 1230 | fixed | n | 1/4000s | 4.0/s | Y | n | |
16. | Sony A5000 | none | n | 3.0 / 461 | tilting | n | 1/4000s | 3.5/s | Y | n | |
17. | Sony RX100 IV | 2359 | n | 3.0 / 1228 | tilting | n | 1/2000s | 16.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The J5 has one, while the GM5 does not. While the built-in flash of the J5 is not very powerful, it can at times be useful as a fill-in light.
The J5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GM5 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GM5 and the Nikon 1 J5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GM5 and the J5 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GM5 and Nikon 1 J5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GM5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
2. | Nikon 1 J5 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
3. | Canon G9 X | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
4. | Nikon 1 J4 | - | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
5. | Nikon 1 V3 | - | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
6. | Panasonic G6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
7. | Panasonic G7 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
8. | Panasonic GH2 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
9. | Panasonic GH4 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
10. | Panasonic GM1 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
11. | Panasonic GX1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
12. | Panasonic GX85 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
13. | Panasonic LX100 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
14. | Ricoh GR | Y | mono / mono | - | - | micro | 2.0 | - | - | - | |
15. | Ricoh GR II | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
16. | Sony A5000 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
17. | Sony RX100 IV | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the GM5 has a hotshoe, while the J5 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the GM5 and the J5 have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Panasonic and Nikon. Further information on the features and operation of the GM5 and J5 can be found, respectively, in the Panasonic GM5 Manual (free pdf) or the online Nikon 1 J5 Manual.
Review summary
So what conclusions can be drawn? Which of the two cameras – the Panasonic GM5 or the Nikon 1 J5 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Panasonic Lumix DMC-GM5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better low-light sensitivity: Requires less light for good images (0.6 stops ISO advantage).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been on the market for longer (launched in September 2014).
Reasons to prefer the Nikon 1 J5:
- More detail: Has more megapixels (20.7 vs 15.8MP), which boosts linear resolution by 17%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/15p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 921k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
- Faster burst: Shoots at higher frequency (60 vs 5.8 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (250 versus 220) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (47 percent cheaper at launch).
- More modern: Was introduced somewhat (6 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the J5 is the clear winner of the contest (14 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GM5 and the Nikon 1 J5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the GM5 or the J5 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GM5 | 3.5/5 | + | .. | 77/100 | 5/5 | 4.5/5 | Sep 2014 | 749 | ebay.com | |
2. | Nikon 1 J5 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2015 | 399 | ebay.com | |
3. | Canon G9 X | 3.5/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Oct 2015 | 529 | ebay.com | |
4. | Nikon 1 J4 | 3/5 | .. | .. | .. | 4.5/5 | 4/5 | Apr 2014 | 549 | ebay.com | |
5. | Nikon 1 V3 | 3/5 | .. | .. | 76/100 | 4.5/5 | 4/5 | Mar 2014 | 799 | ebay.com | |
6. | Panasonic G6 | 4/5 | + + | .. | .. | 5/5 | 4.5/5 | Apr 2013 | 599 | ebay.com | |
7. | Panasonic G7 | 4/5 | + + | 3.5/5 | 80/100 | 5/5 | 4.5/5 | May 2015 | 649 | ebay.com | |
8. | Panasonic GH2 | 5/5 | + + | .. | 79/100 | 4.5/5 | 5/5 | Sep 2010 | 899 | ebay.com | |
9. | Panasonic GH4 | 5/5 | + + | .. | 85/100 | 5/5 | 5/5 | Feb 2014 | 1,499 | ebay.com | |
10. | Panasonic GM1 | 3/5 | + | .. | 78/100 | 5/5 | 4.5/5 | Oct 2013 | 749 | ebay.com | |
11. | Panasonic GX1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Nov 2011 | 699 | ebay.com | |
12. | Panasonic GX85 | 4.5/5 | + + | .. | 82/100 | 5/5 | 5/5 | Apr 2016 | 799 | amazon.com | |
13. | Panasonic LX100 | 5/5 | + + | .. | 85/100 | 5/5 | 5/5 | Sep 2014 | 899 | ebay.com | |
14. | Ricoh GR | 5/5 | .. | .. | 79/100 | 4.5/5 | 4.5/5 | Apr 2013 | 799 | ebay.com | |
15. | Ricoh GR II | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Jun 2015 | 699 | ebay.com | |
16. | Sony A5000 | 3/5 | + | .. | .. | 4.5/5 | 4.5/5 | Jan 2014 | 449 | ebay.com | |
17. | Sony RX100 IV | 4.5/5 | + + | .. | 85/100 | 4/5 | 4.5/5 | Jun 2015 | 999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon R5 vs Panasonic GM5
- Canon RP vs Nikon 1 J5
- Canon SX70 vs Panasonic GM5
- Fujifilm GFX 50S vs Nikon 1 J5
- Fujifilm X-T2 vs Panasonic GM5
- Leica CL vs Panasonic GM5
- Leica Q Typ 116 vs Panasonic GM5
- Leica V-LUX Typ 114 vs Nikon 1 J5
- Nikon 1 J5 vs Nikon D4
- Nikon 1 J5 vs Sony NEX-7
- Nikon 1 J5 vs Sony RX1R II
- Panasonic GM5 vs Panasonic LX7
Specifications: Panasonic GM5 vs Nikon 1 J5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic GM5 | Nikon 1 J5 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Micro Four Thirds lenses | Nikon 1 mount lenses |
Launch Date | September 2014 | April 2015 |
Launch Price | USD 749 | USD 399 |
Sensor Specs | Panasonic GM5 | Nikon 1 J5 |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | Four Thirds Sensor | 1" Sensor |
Sensor Size | 17.3 x 13.0 mm | 13.2 x 8.8 mm |
Sensor Area | 224.9 mm2 | 116.16 mm2 |
Sensor Diagonal | 21.6 mm | 15.9 mm |
Crop Factor | 2.0x | 2.7x |
Sensor Resolution | 15.8 Megapixels | 20.7 Megapixels |
Image Resolution | 4592 x 3448 pixels | 5568 x 3712 pixels |
Pixel Pitch | 3.77 μm | 2.37 μm |
Pixel Density | 7.04 MP/cm2 | 17.79 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 1080/60p Video | 4K/15p Video |
ISO Setting | 200 - 25,600 ISO | 160 - 12,800 ISO |
ISO Boost | 100 - 25,600 ISO | no Enhancement |
Image Processor | Venus | EXPEED 5 |
DXO Sensor Quality (score) | 66 | 65 |
DXO Color Depth (bits) | 22.1 | 21.1 |
DXO Dynamic Range (EV) | 11.7 | 12.0 |
DXO Low Light (ISO) | 721 | 479 |
Screen Specs | Panasonic GM5 | Nikon 1 J5 |
Viewfinder Type | Electronic viewfinder | no viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.46x | |
Viewfinder Resolution | 1166k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 921k dots | 1037k dots |
LCD Attachment | Fixed screen | Tilting screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Panasonic GM5 | Nikon 1 J5 |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 5.8 shutter flaps/s | 60 shutter flaps/s |
Electronic Shutter | up to 1/16000s | up to 1/16000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Panasonic GM5 | Nikon 1 J5 |
External Flash | Hotshoe | no Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Body Specs | Panasonic GM5 | Nikon 1 J5 |
Battery Type | Panasonic DMW-BLH7 | Nikon EN-EL24 |
Battery Life (CIPA) | 220 shots per charge | 250 shots per charge |
Body Dimensions |
99 x 60 x 36 mm (3.9 x 2.4 x 1.4 in) |
98 x 60 x 32 mm (3.9 x 2.4 x 1.3 in) |
Camera Weight | 211 g (7.4 oz) | 231 g (8.1 oz) |
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