Panasonic GH5s vs YI M1
The Panasonic Lumix DC-GH5s and the YI M1 are two digital cameras that were officially introduced, respectively, in January 2018 and September 2016. Both the GH5s and the M1 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The Panasonic has a resolution of 9.9 megapixels, whereas the YI provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-GH5s and the YI M1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic GH5s and the YI M1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The M1 can be obtained in two different colors (black, silver), while the GH5s is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the YI M1 is considerably smaller (46 percent) than the Panasonic GH5s. Moreover, the M1 is substantially lighter (57 percent) than the GH5s. It is worth mentioning in this context that the GH5s is splash and dust resistant, while the M1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The power pack in the M1 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Panasonic GH5s||139 mm||98 mm||87 mm||660 g||440||Y||Jan 2018||2,499|
|2.||YI M1||114 mm||64 mm||34 mm||281 g||450||n||Sep 2016||349|
|3.||Canon R||139 mm||98 mm||84 mm||660 g||370||Y||Sep 2018||2,299|
|4.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399|
|5.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399|
|6.||Nikon 1 J5||98 mm||60 mm||32 mm||231 g||250||n||Apr 2015||399|
|7.||Panasonic G9||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699|
|8.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|9.||Panasonic GX850||107 mm||65 mm||33 mm||269 g||210||n||Jan 2017||549|
|10.||Panasonic FZ300||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599|
|11.||Panasonic GF7||107 mm||65 mm||33 mm||266 g||230||n||Jan 2015||499|
|12.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499|
|13.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499|
|14.||Panasonic GH3||133 mm||93 mm||82 mm||550 g||540||Y||Sep 2012||1,299|
|15.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549|
|16.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|17.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The M1 was launched at a markedly lower price (by 86 percent) than the GH5s, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
While the two cameras under review share the same sensor size, the M1 offers a higher resolution of 20.2 megapixels, compared with 9.9 MP of the GH5s. This megapixels advantage translates into a 41 percent gain in linear resolution. On the other hand, these sensor specs imply that the M1 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 4.77μm for the GH5s). Moreover, it should be noted, that the GH5s is a somewhat more recent model (by 1 year and 3 months) than the M1, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of individual pixels. Coming back to sensor resolution, it should be mentioned that the GH5s has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the YI M1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M1 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Panasonic GH5s are 18.4 x 13.5 inches or 46.7 x 34.3 cm for good quality, 14.7 x 10.8 inches or 37.4 x 27.4 cm for very good quality, and 12.3 x 9 inches or 31.2 x 22.9 cm for excellent quality prints.
The Panasonic Lumix DC-GH5s has a native sensitivity range from ISO 160 to ISO 51200, which can be extended to ISO 80-204800. The corresponding ISO settings for the YI M1 are ISO 100 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Panasonic GH5s||Four Thirds||9.9||3680||2700||4K/60p||..||..||..||..|
|2.||YI M1||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|3.||Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|6.||Nikon 1 J5||1-inch||20.7||5568||3712||4K/15p||21.1||12.0||479||65|
|7.||Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..|
|8.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|9.||Panasonic GX850||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73|
|11.||Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||..||..||..||..|
|12.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|13.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|14.||Panasonic GH3||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
|15.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
|16.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|17.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GH5s provides a higher frame rate than the M1. It can shoot video footage at 4K/60p, while the YI is limited to 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GH5s has an electronic viewfinder (3680k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M1 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Panasonic GH5s and YI M1 in connection with corresponding information for a sample of similar cameras.
|1.||Panasonic GH5s||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0||n||n|
|2.||YI M1||none||n||3.0 / 1040||fixed||Y||1/4000s||5.0||n||n|
|3.||Canon R||3690||Y||3.2 / 2100||swivel||Y||1/8000s||8.0||n||n|
|4.||Canon SX730||none||n||3.0 / 922||tilting||n||1/3200s||5.9||Y||Y|
|5.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0||Y||n|
|6.||Nikon 1 J5||none||n||3.0 / 1037||tilting||Y||1/4000s||60.0||Y||n|
|7.||Panasonic G9||3680||Y||3.0 / 1040||swivel||Y||1/8000s||20.0||n||Y|
|8.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|9.||Panasonic GX850||none||n||3.0 / 1040||tilting||Y||1/500s||10.0||Y||n|
|10.||Panasonic FZ300||1440||n||3.0 / 1040||swivel||Y||1/4000s||12.0||Y||Y|
|11.||Panasonic GF7||none||n||3.0 / 1040||tilting||Y||1/500s||5.8||Y||n|
|12.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0||Y||n|
|13.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0||Y||n|
|14.||Panasonic GH3||1746||n||3.0 / 614||swivel||Y||1/4000s||6.0||Y||n|
|15.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2||Y||n|
|16.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6||Y||n|
|17.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6||Y||n|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH5s is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH5s and the YI M1 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GH5s and the M1 write their files to SDXC cards. The GH5s features dual card slots, which can be very useful in case a memory card fails. In contrast, the M1 only has one slot. The GH5s supports UHS-II cards (on both slots), while the M1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-GH5s and YI M1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic GH5s||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|2.||YI M1||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|3.||Canon R||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|4.||Canon SX730||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|5.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Nikon 1 J5||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|7.||Panasonic G9||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|8.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|9.||Panasonic GX850||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Panasonic FZ300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|11.||Panasonic GF7||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|12.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|13.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Panasonic GH3||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|15.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|17.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the GH5s has a microphone port, which is missing on the M1. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Panasonic GH5s (unlike the M1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the GH5s and the M1 are recent models that are part of the current product line-up. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Panasonic and YI. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and YI websites.
So what is the bottom line? Is there a clear favorite between the Panasonic GH5s and the YI M1? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DC-GH5s:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Is somewhat more recent (announced 1 year and 3 months after the M1).
Reasons to prefer the YI M1:
- More detail: Has more megapixels (20.2 vs 9.9MP), which boosts linear resolution by 42%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More compact: Is smaller (114x64mm vs 139x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 379g or 57 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- More affordable: Was introduced into a lower priced category (86 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in September 2016).
If the number of relative strengths (bullet points above) is taken as a guide, the GH5s is the clear winner of the match-up (19 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GH5s and the YI M1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the GH5s or the M1 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic GH5s||..||..||4.5/5||84/100||4.5/5||4.5/5||Jan 2018||2,499|
|2.||YI M1||..||..||..||69/100||..||..||Sep 2016||349|
|3.||Canon R||4/5||o||4/5||79/100||4.5/5||4/5||Sep 2018||2,299|
|4.||Canon SX730||..||+||..||..||4/5||4/5||Apr 2017||399|
|5.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399|
|6.||Nikon 1 J5||..||..||..||..||4.5/5||4.5/5||Apr 2015||399|
|7.||Panasonic G9||..||+ +||5/5||85/100||5/5||5/5||Nov 2017||1,699|
|8.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999|
|9.||Panasonic GX850||..||+||..||76/100||4.5/5||4.5/5||Jan 2017||549|
|10.||Panasonic FZ300||..||+ +||..||..||4.5/5||4.5/5||Jul 2015||599|
|11.||Panasonic GF7||4/5||+||..||..||4.5/5||4.5/5||Jan 2015||499|
|12.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499|
|13.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499|
|14.||Panasonic GH3||5/5||+ +||..||79/100||4.5/5||4.5/5||Sep 2012||1,299|
|15.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549|
|16.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499|
|17.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 90D vs YI M1
- Canon G5 X Mark II vs Panasonic GH5s
- Canon G7 X vs YI M1
- Canon T7i vs YI M1
- Fujifilm X100T vs Panasonic GH5s
- Leica S3 vs YI M1
- Nikon D800 vs Panasonic GH5s
- Olympus E-600 vs YI M1
- Panasonic GH5s vs Pentax K-1 II
- Panasonic GH5s vs Pentax K-S1
- Panasonic GH5s vs Sony HX350
- Sony RX100 II vs YI M1
Specifications: Panasonic GH5s vs YI M1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GH5s||YI M1|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||January 2018||September 2016|
|Launch Price||USD 2,499||USD 349|
|Sensor Specs||Panasonic GH5s||YI M1|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||9.9 Megapixels||20.2 Megapixels|
|Image Resolution||3680 x 2700 pixels||5184 x 3888 pixels|
|Pixel Pitch||4.77 μm||3.34 μm|
|Pixel Density||4.42 MP/cm2||8.96 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/60p Video||4K/30p Video|
|ISO Setting||160 - 51,200 ISO||100 - 25,600 ISO|
|ISO Boost||80 - 204,800 ISO||no Enhancement|
|Screen Specs||Panasonic GH5s||YI M1|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3680k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1620k dots||1040k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Panasonic GH5s||YI M1|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||12 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||no|
|Connectivity Specs||Panasonic GH5s||YI M1|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||full HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Panasonic GH5s||YI M1|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||440 shots per charge||450 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
139 x 98 x 87 mm
(5.5 x 3.9 x 3.4 in)
114 x 64 x 34 mm
(4.5 x 2.5 x 1.3 in)
|Camera Weight||660 g (23.3 oz)||281 g (9.9 oz)|
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