Panasonic GH5s vs Sony A9 II
The Panasonic Lumix DC-GH5s and the Sony Alpha A9 II are two digital cameras that were announced, respectively, in January 2018 and October 2019. Both the GH5s and the A9 II are mirrorless interchangeable lens cameras that are based on a Four Thirds (GH5s) and a full frame (A9 II) sensor. The Panasonic has a resolution of 9.9 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-GH5s and the Sony Alpha A9 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic GH5s and the Sony A9 II. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A9 II is notably smaller (9 percent) than the Panasonic GH5s. However, the A9 II is slightly heavier (3 percent) than the GH5s. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GH5s) and the Sony FE Lens Catalog (A9 II). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the GH5s gets 440 shots out of its DMW-BLF19 battery, while the A9 II can take 690 images on a single charge of its NP-FZ100 power pack. The power pack in the A9 II can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic GH5s||139 mm||98 mm||87 mm||660 g||440||Y||Jan 2018||2,499|
|2.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499|
|3.||Canon R||139 mm||98 mm||84 mm||660 g||370||Y||Sep 2018||2,299|
|4.||Panasonic G9||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699|
|5.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|6.||Panasonic FZ300||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599|
|7.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499|
|8.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499|
|9.||Panasonic GH3||133 mm||93 mm||82 mm||550 g||540||Y||Sep 2012||1,299|
|10.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549|
|11.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|12.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599|
|13.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|14.||Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499|
|15.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
|16.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|17.||Sony A99||147 mm||111 mm||78 mm||812 g||500||Y||Sep 2012||2,799|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GH5s was launched at a markedly lower price (by 44 percent) than the A9 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic GH5s features a Four Thirds sensor and the Sony A9 II a full frame sensor. The sensor area in the A9 II is 276 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the GH5s has a native 4:3 aspect ratio, while the one in the A9 II offers a 3:2 aspect.
With 24MP, the A9 II offers a higher resolution than the GH5s (9.9MP), but the A9 II nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 4.77μm for the GH5s) due to its larger sensor. Moreover, the A9 II is a somewhat more recent model (by 1 year and 8 months) than the GH5s, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GH5s has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A9 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A9 II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GH5s are 18.4 x 13.5 inches or 46.7 x 34.3 cm for good quality, 14.7 x 10.8 inches or 37.4 x 27.4 cm for very good quality, and 12.3 x 9 inches or 31.2 x 22.9 cm for excellent quality prints.
The A9 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DC-GH5s has a native sensitivity range from ISO 160 to ISO 51200, which can be extended to ISO 80-204800. The corresponding ISO settings for the Sony Alpha A9 II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Panasonic GH5s||Four Thirds||9.9||3680||2700||4K/60p||23.1||12.8||1154||74|
|2.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|3.||Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|4.||Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||23.1||12.8||1138||74|
|5.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|7.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|8.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|9.||Panasonic GH3||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
|10.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
|11.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|12.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|13.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|14.||Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|15.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|16.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|17.||Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GH5s provides a higher frame rate than the A9 II. It can shoot video footage at 4K/60p, while the Sony is limited to 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A9 II offers a slightly higher resolution than the one in the GH5s (3686k vs 3680k dots). The adjacent table lists some of the other core features of the Panasonic GH5s and Sony A9 II along with similar information for a selection of comparators.
|1.||Panasonic GH5s||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0/s||n||n|
|2.||Sony A9 II||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0/s||n||Y|
|3.||Canon R||3690||Y||3.2 / 2100||swivel||Y||1/8000s||8.0/s||n||n|
|4.||Panasonic G9||3680||Y||3.0 / 1040||swivel||Y||1/8000s||20.0/s||n||Y|
|5.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|6.||Panasonic FZ300||1440||n||3.0 / 1040||swivel||Y||1/4000s||12.0/s||Y||Y|
|7.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0/s||Y||n|
|8.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0/s||Y||n|
|9.||Panasonic GH3||1746||n||3.0 / 614||swivel||Y||1/4000s||6.0/s||Y||n|
|10.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2/s||Y||n|
|11.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6/s||Y||n|
|12.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6/s||Y||n|
|13.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0/s||n||Y|
|14.||Sony A9||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0/s||n||Y|
|15.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|16.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||Y|
|17.||Sony A99||2359||Y||3.0 / 1229||full-flex||n||1/8000s||6.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that differentiates the A9 II and the GH5s is in-body image stabilization (IBIS). The A9 II reduces the risk of handshake-induced blur with all attached lenses, while the GH5s offers no blur reduction with lenses that themselves do not provide optical image stabilization.The GH5s has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A9 II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH5s and the Sony A9 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GH5s and the A9 II write their files to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Moreover, both the GH5s and the A9 II support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s, on both slots.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-GH5s and Sony Alpha A9 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic GH5s||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|2.||Sony A9 II||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|3.||Canon R||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|4.||Panasonic G9||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|5.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|6.||Panasonic FZ300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|7.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|8.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Panasonic GH3||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|10.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|12.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|14.||Sony A9||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|15.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A99||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the GH5s and the A9 II are recent models that are part of the current product line-up. The A9 II replaced the earlier Sony A9, while the GH5s does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.
So what is the bottom line? Which of the two cameras – the Panasonic GH5s or the Sony A9 II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Panasonic Lumix DC-GH5s:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1440k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- More affordable: Was introduced into a lower priced category (44 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2018).
Advantages of the Sony Alpha A9 II:
- More detail: Has more megapixels (24 vs 9.9MP), which boosts linear resolution by 58%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.76x).
- Faster burst: Shoots at higher frequency (20 vs 12 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (690 versus 440) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Was introduced somewhat (1 year and 8 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the A9 II is the clear winner of the contest (14 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GH5s and the Sony A9 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the GH5s and the A9 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic GH5s||..||..||4.5/5||84/100||4.5/5||4.5/5||Jan 2018||2,499|
|2.||Sony A9 II||..||..||5/5||90/100||5/5||5/5||Oct 2019||4,499|
|3.||Canon R||4/5||o||4/5||79/100||4.5/5||4/5||Sep 2018||2,299|
|4.||Panasonic G9||..||+ +||5/5||85/100||5/5||5/5||Nov 2017||1,699|
|5.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999|
|6.||Panasonic FZ300||..||+ +||..||..||4.5/5||4.5/5||Jul 2015||599|
|7.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499|
|8.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499|
|9.||Panasonic GH3||5/5||+ +||..||79/100||4.5/5||4.5/5||Sep 2012||1,299|
|10.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549|
|11.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499|
|12.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599|
|13.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999|
|14.||Sony A9||5/5||+ +||4.8/5||89/100||5/5||5/5||Apr 2017||4,499|
|15.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999|
|16.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|17.||Sony A99||5/5||..||..||84/100||4.5/5||4.5/5||Sep 2012||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark II vs Sony A9 II
- Canon 1Ds Mark II vs Sony A9 II
- Canon SX70 vs Sony A9 II
- Canon T5i vs Panasonic GH5s
- Fujifilm GFX 100S vs Panasonic GH5s
- Fujifilm X-A10 vs Panasonic GH5s
- Nikon A1000 vs Sony A9 II
- Nikon D780 vs Panasonic GH5s
- Panasonic G3 vs Panasonic GH5s
- Panasonic GH5s vs Panasonic TS7
- Sony A58 vs Sony A9 II
- Sony A6500 vs Sony A9 II
Specifications: Panasonic GH5s vs Sony A9 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GH5s||Sony A9 II|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||January 2018||October 2019|
|Launch Price||USD 2,499||USD 4,499|
|Sensor Specs||Panasonic GH5s||Sony A9 II|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.6 x 23.8 mm|
|Sensor Area||224.9 mm2||847.28 mm2|
|Sensor Diagonal||21.6 mm||42.8 mm|
|Sensor Resolution||9.9 Megapixels||24 Megapixels|
|Image Resolution||3680 x 2700 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.77 μm||5.94 μm|
|Pixel Density||4.42 MP/cm2||2.83 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/60p Video||4K/30p Video|
|ISO Setting||160 - 51,200 ISO||100 - 51,200 ISO|
|ISO Boost||80 - 204,800 ISO||50 - 204,800 ISO|
|Image Processor||Venus 10||BIONZ X|
|DXO Sensor Quality (score)||..||93|
|DXO Color Depth (bits)||..||25.0|
|DXO Dynamic Range (EV)||..||14.0|
|DXO Low Light (ISO)||..||3434|
|Screen Specs||Panasonic GH5s||Sony A9 II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3680k dots||3686k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1620k dots||1440k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Panasonic GH5s||Sony A9 II|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||12 shutter flaps/s||20 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||500 000 actuations|
|Electronic Shutter||up to 1/16000s||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||Dual UHS-II||Dual UHS-II|
|Connectivity Specs||Panasonic GH5s||Sony A9 II|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.1||USB 3.1|
|HDMI Port||full HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Panasonic GH5s||Sony A9 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||440 shots per charge||690 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
139 x 98 x 87 mm
(5.5 x 3.9 x 3.4 in)
129 x 96 x 76 mm
(5.1 x 3.8 x 3.0 in)
|Camera Weight||660 g (23.3 oz)||678 g (23.9 oz)|
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