Panasonic GH5 vs Ricoh WG-6
The Panasonic Lumix DC-GH5 and the Ricoh WG-6 are two digital cameras that were revealed to the public, respectively, in January 2017 and February 2019. The GH5 is a mirrorless interchangeable lens camera, while the WG-6 is a fixed lens compact. The cameras are based on a Four Thirds (GH5) and a 1/2.3-inch (WG-6) sensor. Both cameras offer a resolution of 20.2 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-GH5 and the Ricoh WG-6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic GH5 and the Ricoh WG-6 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The WG-6 can be obtained in two different colors (black, orange), while the GH5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Ricoh WG-6 is considerably smaller (43 percent) than the Panasonic GH5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the WG-6 is water-proof up to 20m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the WG-6 has a lens built in, whereas the GH5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GH5 and their specifications in the Micro Four Thirds Lens Catalog.
The power pack in the WG-6 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|2.||Ricoh WG-6||118 mm||66 mm||33 mm||246 g||340||Y||Feb 2019||399|
|3.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|4.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|5.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|6.||Panasonic GH5 II||139 mm||98 mm||87 mm||727 g||400||Y||May 2021||1,699|
|7.||Panasonic S5||133 mm||98 mm||82 mm||714 g||440||Y||Sep 2020||1,999|
|8.||Panasonic TS7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449|
|9.||Panasonic G9||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699|
|10.||Panasonic G85||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|11.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|12.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499|
|13.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449|
|14.||Sony HX95||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429|
|15.||Sony WX800||102 mm||58 mm||36 mm||233 g||370||n||Oct 2018||399|
|16.||Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499|
|17.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The WG-6 was launched at a lower price than the GH5, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic GH5 features a Four Thirds sensor and the Ricoh WG-6 a 1/2.3-inch sensor. The sensor area in the WG-6 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Even though the GH5 has a larger sensor, both cameras offer the same resolution of 20.2 megapixels. This implies that the GH5 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.34μm versus 1.18μm for the WG-6), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the WG-6 is much more recent (by 2 years and 1 month) than the GH5, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The Panasonic Lumix DC-GH5 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Ricoh WG-6 are ISO 125 to ISO 6400 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|5.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|6.||Panasonic GH5 II||Four Thirds||20.2||5184||3888||4K/60p||23.7||13.1||1136||79|
|7.||Panasonic S5||Full Frame||24.0||6000||4000||4K/60p||25.1||14.5||2697||94|
|9.||Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..|
|10.||Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|11.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|12.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|16.||Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|17.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GH5 provides a higher frame rate than the WG-6. It can shoot video footage at 4K/60p, while the Ricoh is limited to 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GH5 has an electronic viewfinder (3680k dots), which can be very helpful when shooting in bright sunlight. In contrast, the WG-6 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Panasonic GH5 and Ricoh WG-6 in connection with corresponding information for a sample of similar cameras.
|1.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|2.||Ricoh WG-6||none||n||3.0 / 1040||fixed||n||1/4000s||1.0||Y||n|
|3.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0||Y||Y|
|4.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0||n||n|
|5.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|6.||Panasonic GH5 II||3680||n||3.0 / 1840||swivel||Y||1/8000s||12.0||n||Y|
|7.||Panasonic S5||2360||n||3.0 / 1840||swivel||Y||1/8000s||7.0||n||Y|
|8.||Panasonic TS7||1170||n||3.0 / 1040||fixed||n||1/1300s||10.0||Y||Y|
|9.||Panasonic G9||3680||Y||3.0 / 1040||swivel||Y||1/8000s||20.0||n||Y|
|10.||Panasonic G85||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0||Y||Y|
|11.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|12.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0||Y||n|
|13.||Sony HX99||638||n||3.0 / 922||tilting||Y||1/2000s||10.0||Y||Y|
|14.||Sony HX95||638||n||3.0 / 922||tilting||n||1/2000s||10.0||Y||Y|
|15.||Sony WX800||none||n||3.0 / 922||tilting||Y||1/2000s||10.0||Y||Y|
|16.||Sony A9||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0||n||Y|
|17.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GH5 has a touchscreen, while the WG-6 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The GH5 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the WG-6 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH5 and the Ricoh WG-6 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GH5 and the WG-6 write their files to SDXC cards. The GH5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the WG-6 only has one slot. The GH5 supports UHS-II cards (on both slots), while the WG-6 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-GH5 and Ricoh WG-6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|2.||Ricoh WG-6||-||mono / mono||-||-||micro||3.0||-||-||-|
|3.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|5.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|6.||Panasonic GH5 II||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|7.||Panasonic S5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|8.||Panasonic TS7||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Panasonic G9||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|10.||Panasonic G85||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|11.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|12.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|13.||Sony HX99||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|14.||Sony HX95||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|15.||Sony WX800||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony A9||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|17.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the GH5 has a hotshoe, while the WG-6 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Panasonic GH5 (unlike the WG-6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the WG-6 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The WG-6 is a recent model that features in the current product line-up of Ricoh. In contrast, the GH5 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the GH5 was succeeded by the Panasonic GH5 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Ricoh websites.
So what is the bottom line? Which of the two cameras – the Panasonic GH5 or the Ricoh WG-6 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DC-GH5:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 1 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (410 versus 340) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More heavily discounted: Has been available for much longer (launched in January 2017).
Advantages of the Ricoh WG-6:
- Ready to shoot: Has an integrated lens, whereas the GH5 necessitates an extra lens.
- More compact: Is smaller (118x66mm vs 139x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the GH5).
- Easier travel charging: Can be conveniently charged via its USB port.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 20m).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 1 month of technical progress since the GH5 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GH5 is the clear winner of the match-up (27 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GH5 and the Ricoh WG-6 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the GH5 and the WG-6 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999|
|2.||Ricoh WG-6||..||..||..||..||3.5/5||3.5/5||Feb 2019||399|
|3.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399|
|4.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|5.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|6.||Panasonic GH5 II||..||..||4.5/5||..||..||5/5||May 2021||1,699|
|7.||Panasonic S5||4.5/5||+ +||4.5/5||88/100||4.5/5||4.5/5||Sep 2020||1,999|
|8.||Panasonic TS7||..||+||..||..||..||3.5/5||May 2018||449|
|9.||Panasonic G9||..||+ +||5/5||85/100||5/5||5/5||Nov 2017||1,699|
|10.||Panasonic G85||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899|
|11.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|12.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499|
|13.||Sony HX99||..||..||..||..||4/5||4.5/5||Aug 2018||449|
|14.||Sony HX95||..||..||..||..||..||..||Aug 2018||429|
|15.||Sony WX800||..||..||..||..||..||..||Oct 2018||399|
|16.||Sony A9||5/5||+ +||4.8/5||89/100||5/5||5/5||Apr 2017||4,499|
|17.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon R5 vs Ricoh WG-6
- Canon SX420 vs Panasonic GH5
- Canon T5i vs Ricoh WG-6
- Canon T6 vs Ricoh WG-6
- Fujifilm X100S vs Panasonic GH5
- Nikon 1 V1 vs Ricoh WG-6
- Panasonic FZ1000 vs Ricoh WG-6
- Panasonic GF1 vs Panasonic GH5
- Panasonic GH3 vs Panasonic GH5
- Panasonic GH5 vs Panasonic GX80
- Panasonic GH5 vs Sony NEX-7
- Ricoh WG-6 vs Sony NEX-F3
Specifications: Panasonic GH5 vs Ricoh WG-6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GH5||Ricoh WG-6|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||28-140mm f/3.5-5.5|
|Launch Date||January 2017||February 2019|
|Launch Price||USD 1,999||USD 399|
|Sensor Specs||Panasonic GH5||Ricoh WG-6|
|Sensor Format||Four Thirds Sensor||1/2.3" Sensor|
|Sensor Size||17.3 x 13.0 mm||6.17 x 4.55 mm|
|Sensor Area||224.9 mm2||28.0735 mm2|
|Sensor Diagonal||21.6 mm||7.7 mm|
|Sensor Resolution||20.2 Megapixels||20.2 Megapixels|
|Image Resolution||5184 x 3888 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.34 μm||1.18 μm|
|Pixel Density||8.96 MP/cm2||71.80 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/60p Video||4K/30p Video|
|ISO Setting||200 - 25,600 ISO||125 - 6,400 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|DXO Sensor Quality (score)||77||..|
|DXO Color Depth (bits)||23.9||..|
|DXO Dynamic Range (EV)||13.0||..|
|DXO Low Light (ISO)||807||..|
|Screen Specs||Panasonic GH5||Ricoh WG-6|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3680k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1620k dots||1040k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic GH5||Ricoh WG-6|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||12 shutter flaps/s||1 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||no handshake reduction|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||no|
|Connectivity Specs||Panasonic GH5||Ricoh WG-6|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 3.0|
|HDMI Port||full HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Panasonic GH5||Ricoh WG-6|
|Environmental Sealing||Weathersealed body||Waterproof body (20m)|
|Battery Life (CIPA)||410 shots per charge||340 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
139 x 98 x 87 mm
(5.5 x 3.9 x 3.4 in)
118 x 66 x 33 mm
(4.6 x 2.6 x 1.3 in)
|Camera Weight||725 g (25.6 oz)||246 g (8.7 oz)|
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