Panasonic GH5 vs Nikon D7500
The Panasonic Lumix DC-GH5 and the Nikon D7500 are two enthusiast cameras that were officially introduced, respectively, in January 2017 and April 2017. The GH5 is a mirrorless interchangeable lens camera, while the D7500 is a DSLR. The cameras are based on a Four Thirds (GH5) and an APS-C (D7500) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Nikon provides 20.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic GH5||Nikon D7500|
|Mirrorless system camera||Digital single lens reflex|
|Micro Four Thirds lenses||Nikon F mount lenses|
|20.2 MP, Four Thirds Sensor||20.7 MP, APS-C Sensor|
|4K/60p Video||4K/30p Video|
|ISO 200-25600||ISO 100-51200 (50-1640000)|
|Electronic viewfinder (3680k dots)||Optical viewfinder|
|3.2" LCD, 1620k dots||3.2" LCD, 922k dots|
|Swivel touchscreen||Tilting touchscreen|
|12 shutter flaps per second||8 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|Weathersealed body||Weathersealed body|
|410 shots per battery charge||950 shots per battery charge|
|139 x 98 x 87 mm, 725 g||136 x 104 x 73 mm, 720 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-GH5 and the Nikon D7500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Panasonic GH5 vs Nikon D7500
The side-by-side display below illustrates the physical size and weight of the Panasonic GH5 and the Nikon D7500. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D7500 is somewhat larger (4 percent) than the Panasonic GH5. However, the D7500 is slightly lighter (1 percent) than the GH5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GH5) and the Nikon Lens Catalog (D7500). Mirrorless cameras, such as the Panasonic GH5, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic GH5»||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Nikon D7500«||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299||Nikon D7500|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||Canon 80D|
|Fujifilm X-H1« »||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Nikon D7200« »||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199||-||Nikon D7200|
|Nikon D7100« »||5.4 in||4.2 in||3.0 in||27.0 oz||950||Y||Feb 2013||1,199||-||Nikon D7100|
|Nikon D7000« »||5.2 in||4.1 in||3.0 in||27.5 oz||1050||Y||Sep 2010||1,499||-||Nikon D7000|
|Olympus E-M1 II« »||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic G9« »||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699||Panasonic G9|
|Panasonic G85« »||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899||-||Panasonic G85|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||-||Panasonic GX8|
|Panasonic GH4« »||5.2 in||3.7 in||3.3 in||19.8 oz||500||Y||Feb 2014||1,499||-||Panasonic GH4|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||Sony A9|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D7500 was launched at a markedly lower price (by 35 percent) than the GH5, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Panasonic GH5 vs Nikon D7500
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic GH5 features a Four Thirds sensor and the Nikon D7500 an APS-C sensor. The sensor area in the D7500 is 64 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the GH5 has a native 4:3 aspect ratio, while the one in the D7500 offers a 3:2 aspect.
With 20.7MP, the D7500 offers a higher resolution than the GH5 (20.2MP), but the D7500 nevertheless has larger individual pixels (pixel pitch of 4.22μm versus 3.34μm for the GH5) due to its larger sensor. Moreover, the D7500 is a somewhat more recent model (by 3 months) than the GH5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The Panasonic Lumix DC-GH5 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Nikon D7500 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-1640000.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the D7500 has a markedly higher DXO score than the GH5 (overall score 9 points higher), which will translate into better image quality. The advantage is based on 0.4 bits higher color depth, 1 EV in additional dynamic range, and 0.9 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic GH5»||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Nikon D7500«||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Fujifilm X-H1« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-H1|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Nikon D7200« »||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Nikon D7100« »||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83||Nikon D7100|
|Nikon D7000« »||APS-C||16.1||4928||3264||10800/24p||23.5||13.9||1167||80||Nikon D7000|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Panasonic G9« »||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-||Panasonic G9|
|Panasonic G85« »||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71||Panasonic G85|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Panasonic GH4« »||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74||Panasonic GH4|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A9« »||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GH5 provides a higher frame rate than the D7500. It can shoot video footage at 4K/60p, while the Nikon is limited to 4K/30p.
Feature comparison: Panasonic GH5 vs Nikon D7500
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GH5 has an electronic viewfinder (3680k dots), while the D7500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the GH5 has a higher magnification than the one of the D7500 (0.76x vs 0.61x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Panasonic GH5 and Nikon D7500 along with similar information for a selection of comparators.
|Panasonic GH5»||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Nikon D7500«||optical||Y||3.2||922||tilting||Y||1/8000s||8.0||Y||n||Nikon D7500|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Fujifilm X-H1« »||3690||Y||3.0||1040||full-flex||Y||1/8000s||14.0||n||Y||Fujifilm X-H1|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Nikon D7200« »||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Nikon D7100« »||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7100|
|Nikon D7000« »||optical||Y||3.0||921||fixed||n||1/8000s||6.0||Y||n||Nikon D7000|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Panasonic G9« »||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Panasonic G85« »||2360||n||3.0||1040||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G85|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Panasonic GH4« »||2359||n||3.0||1036||swivel||Y||1/8000s||12.0||Y||n||Panasonic GH4|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A9« »||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
One feature that differentiates the GH5 and the D7500 is in-body image stabilization (IBIS). The GH5 reduces the risk of handshake-induced blur with all attached lenses, while the D7500 has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.The GH5 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the D7500 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH5 and the Nikon D7500 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GH5 and the D7500 write their files to SDXC cards. The GH5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the D7500 only has one slot. The GH5 supports UHS-II cards (on both slots), while the D7500 can use UHS-I cards.
Connectivity comparison: Panasonic GH5 vs Nikon D7500
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-GH5 and Nikon D7500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic GH5»||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Nikon D7500«||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Canon 80D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Fujifilm X-H1« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Nikon D500« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Nikon D7200« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Nikon D7100« »||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Nikon D7100|
|Nikon D7000« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D7000|
|Olympus E-M1 II« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Panasonic G9« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Panasonic G85« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G85|
|Panasonic GX8« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Panasonic GH4« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Panasonic GH4|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A9« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
Studio photographers will appreciate that the Panasonic GH5 (unlike the D7500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the GH5 and the D7500 are recent models that are part of the current product line-up. The GH5 replaced the earlier Panasonic GH4, while the D7500 followed on from the Nikon D7200. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Nikon websites.
Review summary: Panasonic GH5 vs Nikon D7500
So how do things add up? Is there a clear favorite between the Panasonic GH5 and the Nikon D7500? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DC-GH5:
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.61x).
- More detailed LCD: Has a higher resolution rear screen (1620k vs 922k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been on the market for longer (launched in January 2017).
Arguments in favor of the Nikon D7500:
- Better image quality: Scores markedly higher (9 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.9 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Longer lasting: Gets more shots (950 versus 410) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (35 percent cheaper at launch).
- More modern: Was introduced somewhat (3 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the GH5 is the clear winner of the match-up (16 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GH5 and the Nikon D7500 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the GH5 and the D7500 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Panasonic GH5 vs Nikon D7500
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic GH5»||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Nikon D7500«||+ +||86/100||5/5||4.5/5||4.5/5||Apr 2017||1,299||Nikon D7500|
|Canon 80D« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||Canon 80D|
|Fujifilm X-H1« »||+||86/100||4.5/5||-||4.5/5||Feb 2018||1,899||Fujifilm X-H1|
|Nikon D500« »||+ +||91/100||4.5/5||5/5||5/5||Jan 2016||1,999||Nikon D500|
|Nikon D7200« »||+ +||84/100||4.5/5||4/5||4.5/5||Mar 2015||1,199||-||Nikon D7200|
|Nikon D7100« »||+ +||85/100||4.5/5||5/5||4.5/5||Feb 2013||1,199||-||Nikon D7100|
|Nikon D7000« »||-||80/100||4.5/5||5/5||4.5/5||Sep 2010||1,499||-||Nikon D7000|
|Olympus E-M1 II« »||+ +||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic G9« »||+ +||85/100||5/5||5/5||5/5||Nov 2017||1,699||Panasonic G9|
|Panasonic G85« »||+ +||84/100||5/5||4.5/5||4.5/5||Sep 2016||899||-||Panasonic G85|
|Panasonic GX8« »||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-||Panasonic GX8|
|Panasonic GH4« »||+ +||85/100||5/5||5/5||5/5||Feb 2014||1,499||-||Panasonic GH4|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A9« »||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499||Sony A9|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark IV vs Panasonic GH5
- Canon G1 X Mark III vs Nikon D7500
- Canon Rebel vs Nikon D7500
- Canon XC10 vs Panasonic GH5
- Fujifilm GFX 50S vs Panasonic GH5
- Leica M Typ 262 vs Nikon D7500
- Nikon D300 vs Nikon D7500
- Nikon D610 vs Nikon D7500
- Nikon D7500 vs Panasonic G80
- Olympus E-300 vs Panasonic GH5
- Olympus E-M10 II vs Panasonic GH5
- Panasonic GH5 vs Pentax Q
Specifications: Panasonic GH5 vs Nikon D7500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GH5||Nikon D7500|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Nikon F mount lenses|
|Launch Date||January 2017||April 2017|
|Launch Price||USD 1999||USD 1299|
|Sensor Specs||Panasonic GH5||Nikon D7500|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.5 x 15.7 mm|
|Sensor Area||224.9 mm2||368.95 mm2|
|Sensor Diagonal||21.6 mm||28.3 mm|
|Sensor Resolution||20.2 Megapixels||20.7 Megapixels|
|Image Resolution||5184 x 3888 pixels||5568 x 3712 pixels|
|Pixel Pitch||3.34 μm||4.22 μm|
|Pixel Density||8.96 MP/cm2||5.60 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/60p Video||4K/30p Video|
|ISO Setting||200-25600 ISO||100-51200 ISO|
|ISO Boost||100-25600 ISO||50-1640000 ISO|
|Image Processor||Venus 10||EXPEED 5|
|DXO Sensor Quality (score)||77||86|
|DXO Color Depth (bits)||23.9||24.3|
|DXO Dynamic Range (EV)||13.0||14.0|
|DXO Low Light (ISO)||807||1483|
|Screen Specs||Panasonic GH5||Nikon D7500|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3680k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.2 inch|
|LCD Resolution||1620k dots||922k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Panasonic GH5||Nikon D7500|
|Autofocus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||12 shutter flaps/s||8 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||150 000 actuations|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Panasonic GH5||Nikon D7500|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||full HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Panasonic GH5||Nikon D7500|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||DMW-BLF19 power pack||EN-EL15a power pack|
|Battery Life (CIPA)||410 shots per charge||950 shots per charge|
139 x 98 x 87 mm
(5.5 x 3.9 x 3.4 in)
136 x 104 x 73 mm
(5.4 x 4.1 x 2.9 in)
|Camera Weight||725 g (25.6 oz)||720 g (25.4 oz)|
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