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Panasonic GH5 versus Canon 5D Mark III

The Panasonic Lumix DC-GH5 and the Canon EOS 5D Mark III are two digital cameras that were officially introduced, respectively, in January 2017 and March 2012. The GH5 is a mirrorless interchangeable lens camera, while the 5D Mark III is a DSLR. The cameras are based on a Four Thirds (GH5) and a full frame sensor. The Panasonic has a resolution of 20.2 megapixel, whereas the Canon provides 22.1 MP.

Body comparison

The physical size and weight of the Panasonic GH5 and the Canon 5D Mark III are illustrated in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the GH5 – represents the basis or 100 percent across all the size and weight measures).

Panasonic GH5 vs Canon 5D Mark III front
GH5 versus 5D Mark III top view
GH5 and 5D Mark III rear side
Body view (GH5 on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 5D Mark III is notably larger (29 percent) than the Panasonic GH5. Moreover, the 5D Mark III is markedly heavier (31 percent) than the GH5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Micro Four Thirds Lens Catalog (GH5) and the Canon EF Lens Catalog (5D Mark III). Mirrorless cameras, such as the Panasonic GH5, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

Concerning battery life, the GH5 gets 410 shots out of its DMW-BLF19 battery, while the 5D Mark III can take 950 images on a single charge of its LP-E6 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Panasonic GH5 (⇒ rgt) 139 mm 98 mm 87 mm 725 g 410 YES 2017 1,999 latest check
Canon 5D Mark III (⇒ lft) 152 mm 116 mm 76 mm 950 g 950 YES 2012 3,499discont. check
Canon 5D Mark IV (⇒ lft | rgt) 151 mm 116 mm 76 mm 890 g 900 YES 2016 3,499 latest check
Canon 5DS R (⇒ lft | rgt) 152 mm 116 mm 76 mm 930 g 700 YES 2015 3,699 latest check
Canon 5DS (⇒ lft | rgt) 152 mm 116 mm 76 mm 930 g 700 YES 2015 3,699 latest check
Canon 6D (⇒ lft | rgt) 145 mm 111 mm 71 mm 770 g 1090 YES 2012 2,099discont. check
Canon 5D Mark II (⇒ lft | rgt) 152 mm 114 mm 75 mm 850 g 850 YES 2008 3,499discont. check
Fujifilm X-H1 (⇒ lft | rgt) 140 mm 97 mm 86 mm 673 g 310 YES 2018 1,899 latest check
Olympus E-M1 II (⇒ lft | rgt) 134 mm 91 mm 67 mm 574 g 440 YES 2016 1,999 latest check
Panasonic GH5s (⇒ lft | rgt) 139 mm 98 mm 87 mm 660 g 440 YES 2018 2,499 latest check
Panasonic G9 (⇒ lft | rgt) 137 mm 97 mm 92 mm 658 g 400 YES 2017 1,699 latest check
Panasonic G80 (⇒ lft | rgt) 128 mm 89 mm 74 mm 505 g 330 YES 2016 899 latest check
Panasonic GX8 (⇒ lft | rgt) 133 mm 78 mm 63 mm 487 g 330 YES 2015 1,199discont. check
Panasonic GH4 (⇒ lft | rgt) 133 mm 93 mm 84 mm 560 g 500 YES 2014 1,499discont. check
Sony A9 (⇒ lft | rgt) 127 mm 96 mm 63 mm 673 g 650 YES 2017 4,499 latest check
Sony A7 II (⇒ lft | rgt) 127 mm 96 mm 60 mm 599 g 350 YES 2014 1,999discont. check
Sony A77 (⇒ lft | rgt) 143 mm 104 mm 81 mm 732 g 470 YES 2011 1,999discont. check

The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GH5 was launched at a markedly lower price (by 43 percent) than the 5D Mark III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic GH5 features a Four Thirds sensor and the Canon 5D Mark III a full frame sensor. The sensor area in the 5D Mark III is 284 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the GH5 has a native 4:3 aspect ratio, while the one in the 5D Mark III offers a 3:2 aspect.

Panasonic GH5 and Canon 5D Mark III sensor measures
Sensor size

With 22.1MP, the 5D Mark III offers a higher resolution than the GH5 (20.2MP), but the 5D Mark III nevertheless has larger individual pixels (pixel pitch of 6.25μm versus 3.34μm for the GH5) due to its larger sensor. However, the GH5 is a much more recent model (by 4 years and 10 months) than the 5D Mark III, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GH5 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

GH5 versus 5D Mark III MP
Sensor resolution

Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the 5D Mark III has a markedly higher DXO score than the GH5 (overall score 4 points higher), which will translate into better image quality. The advantage is based on 0.1 bits higher color depth, 1.3 EV of lower dynamic range, and 1.5 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Panasonic GH5 (⇒ rgt) Four Thirds 20.2 5184 3888 4K/60p 23.9 13.0 807 77
Canon 5D Mark III (⇒ lft) Full Frame 22.1 5760 3840 1080/30p 24 11.7 2293 81
Canon 5D Mark IV (⇒ lft | rgt) Full Frame 30.1 6720 4480 4K/30p 24.8 13.6 2995 91
Canon 5DS R (⇒ lft | rgt) Full Frame 50.3 8688 5792 1080/60p 24.6 12.4 2308 86
Canon 5DS (⇒ lft | rgt) Full Frame 50.3 8688 5792 1080/60p 24.7 12.4 2381 87
Canon 6D (⇒ lft | rgt) Full Frame 20.0 5472 3648 1080/30p 23.8 12.1 2340 82
Canon 5D Mark II (⇒ lft | rgt) Full Frame 21.0 5616 3744 1080/30p 23.7 11.9 1815 79
Fujifilm X-H1 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p - - - -
Olympus E-M1 II (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/30p 23.7 12.8 1312 80
Panasonic GH5s (⇒ lft | rgt) Four Thirds 9.9 3680 2700 4K/60p .. .. .. ..
Panasonic G9 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/60p - - - -
Panasonic G80 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 4K/30p 22.8 12.5 656 71
Panasonic GX8 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/30p 23.5 12.6 806 75
Panasonic GH4 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 4K/30p 23.2 12.8 791 74
Sony A9 (⇒ lft | rgt) Full Frame 24.0 6000 4000 4K/30p 24.9 13.3 3517 92
Sony A7 II (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 24.9 13.6 2449 90
Sony A77 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 24 13.2 801 78

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GH5 provides a higher video resolution than the 5D Mark III. It can shoot video footage at 4K/60p, while the Canon is limited to 1080/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the GH5 has an electronic viewfinder (3680k dots), while the 5D Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Panasonic GH5, the Canon 5D Mark III, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Panasonic GH5 (⇒ rgt) 3680 no 3.2 1620 swivel YES 8000 12.0 no YES
Canon 5D Mark III (⇒ lft) optical YES 3.2 1040 fixed no 8000 6.0 no no
Canon 5D Mark IV (⇒ lft | rgt) optical YES 3.2 1620 fixed YES 8000 7.0 no no
Canon 5DS R (⇒ lft | rgt) optical YES 3.2 1040 fixed no 8000 5.0 no no
Canon 5DS (⇒ lft | rgt) optical YES 3.2 1040 fixed no 8000 5.0 no no
Canon 6D (⇒ lft | rgt) optical YES 3.0 1040 fixed no 4000 4.5 no no
Canon 5D Mark II (⇒ lft | rgt) optical YES 3.0 920 fixed no 8000 3.9 no no
Fujifilm X-H1 (⇒ lft | rgt) 3690 YES 3.0 1040 full-flex YES 8000 14.0 no YES
Olympus E-M1 II (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 18.0 no YES
Panasonic GH5s (⇒ lft | rgt) 3680 no 3.2 1620 swivel YES 8000 12.0 no no
Panasonic G9 (⇒ lft | rgt) 3680 YES 3.0 1040 swivel YES 8000 20.0 no YES
Panasonic G80 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 4000 9.0 6.2 YES
Panasonic GX8 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 8000 10.0 no YES
Panasonic GH4 (⇒ lft | rgt) 2359 no 3.0 1036 swivel YES 8000 12.0 17 no
Sony A9 (⇒ lft | rgt) 3686 no 3.0 1440 tilting YES 8000 20.0 no YES
Sony A7 II (⇒ lft | rgt) 2400 no 3.0 1230 tilting no 8000 5.0 no YES
Sony A77 (⇒ lft | rgt) 2359 YES 3.0 921 full-flex no 8000 12.0 12 YES

The GH5 is a current model that online retailers, such as amazon, will have in stock. In contrast, the 5D Mark III has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the 5D Mark III was succeeded by the Canon 5D Mark IV.

Summary

So what is the bottom line? Is the Panasonic GH5 better than the Canon 5D Mark III or vice versa? The listing below highlights the relative strengths of the two models.


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Arguments in favor of the Panasonic Lumix DC-GH5:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • More dynamic range: Captures a larger spectrum of light and dark details (1.3 EV of extra DR).
  • Better video: Provides higher definition movie capture (4K/60p vs 1080/30p).
  • More framing info: Has an electronic viewfinder that displays shooting data.
  • More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Faster burst: Shoots at higher frequency (12 vs 6 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (139x98mm vs 152x116mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 225g or 24 percent) and hence easier to carry around.
  • More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
  • Sharper images: Has hand-shake reducing image stabilization build-in.
  • More affordable: Was introduced into a lower priced category (43 percent cheaper at launch).
  • More modern: Reflects 4 years and 10 months of technical progress since the 5D Mark III launch.

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Reasons to prefer the Canon EOS 5D Mark III:

  • More detail: Has more megapixels (22.1 vs 20.2MP), which boosts linear resolution by 7%.
  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better image quality: Scores markedly higher (4 points) in the DXO overall evaluation.
  • Better low-light sensitivity: Can shoot in dim conditions (1.5 stops ISO advantage).
  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • Easier setting verification: Has a control panel on top to check shooting parameters.
  • Longer lasting: Gets more shots (950 versus 410) out of a single battery charge.
  • More heavily discounted: Has been around for much longer (launched in March 2012).

If the count of individual advantages (bullet points above) is taken as a guide, the GH5 is the clear winner of the match-up (14 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.

GH5 14:08 5D Mark III

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the GH5 and the 5D Mark III in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why hands-on reviews by experts are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
dp
review
ephoto
zine
imaging
resource
photography
blog
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Panasonic GH5 (⇒ rgt) HiRec 85/100 Gold 4.5/5 5/5 5/5 2017 1,999 latest check
Canon 5D Mark III (⇒ lft) HiRec 82/100 Gold 4.5/5 5/5 4.5/5 2012 3,499discont. check
Canon 5D Mark IV (⇒ lft | rgt) HiRec 87/100 Gold 4.5/5 5/5 4.5/5 2016 3,499 latest check
Canon 5DS R (⇒ lft | rgt) Rec 83/100 Silver 5/5 5/5 4.5/5 2015 3,699 latest check
Canon 5DS (⇒ lft | rgt) Rec 83/100 Silver 4.5/5 5/5 4.5/5 2015 3,699 latest check
Canon 6D (⇒ lft | rgt) HiRec 83/100 Silver 4.5/5 4.5/5 4.5/5 2012 2,099discont. check
Canon 5D Mark II (⇒ lft | rgt) 91/100 79/100 HiRec 4/5 5/5 - 2008 3,499discont. check
Fujifilm X-H1 (⇒ lft | rgt) Rec 86/100 Silver 4.5/5 .. 4.5/5 2018 1,899 latest check
Olympus E-M1 II (⇒ lft | rgt) HiRec 85/100 Gold 4.5/5 5/5 4.5/5 2016 1,999 latest check
Panasonic GH5s (⇒ lft | rgt) .. 84/100 Gold 4.5/5 .. 4.5/5 2018 2,499 latest check
Panasonic G9 (⇒ lft | rgt) HiRec 85/100 Silver 5/5 .. 5/5 2017 1,699 latest check
Panasonic G80 (⇒ lft | rgt) HiRec 84/100 Gold 5/5 4.5/5 4.5/5 2016 899 latest check
Panasonic GX8 (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 4.5/5 2015 1,199discont. check
Panasonic GH4 (⇒ lft | rgt) HiRec 85/100 Gold 5/5 5/5 5/5 2014 1,499discont. check
Sony A9 (⇒ lft | rgt) HiRec 89/100 Gold 5/5 5/5 5/5 2017 4,499 latest check
Sony A7 II (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 5/5 2014 1,999discont. check
Sony A77 (⇒ lft | rgt) 91/100 81/100 Silver - 4.5/5 5/5 2011 1,999discont. check

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Other comparisons

In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If the camera you are interested in is not available, please send me an email, and I will try to add information on that model to the database.

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