Panasonic GH5 II vs Sony RX100 VI
The Panasonic Lumix DC-GH5 II and the Sony Cyber-shot DSC-RX100 VI are two digital cameras that were revealed to the public, respectively, in May 2021 and June 2018. The GH5 II is a mirrorless interchangeable lens camera, while the RX100 VI is a fixed lens compact. The cameras are based on a Four Thirds (GH5 II) and an one-inch (RX100 VI) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-GH5 II and the Sony Cyber-shot DSC-RX100 VI? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Panasonic GH5 II and the Sony RX100 VI are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 VI is considerably smaller (57 percent) than the Panasonic GH5 II. It is worth mentioning in this context that the GH5 II is splash and dust resistant, while the RX100 VI does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 VI has a lens built in, whereas the GH5 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GH5 II and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the GH5 II gets 400 shots out of its Panasonic DMW-BLK22 battery, while the RX100 VI can take 240 images on a single charge of its Sony NP-BX1 power pack. The power pack in the RX100 VI can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GH5 II | 139 mm | 98 mm | 87 mm | 727 g | 400 | Y | May 2021 | 1,699 | amazon.com | |
2. | Sony RX100 VI | 102 mm | 58 mm | 43 mm | 301 g | 240 | n | Jun 2018 | 1,199 | ebay.com | |
3. | Nikon Z6 II | 134 mm | 101 mm | 70 mm | 705 g | 410 | Y | Oct 2020 | 1,999 | amazon.com | |
4. | Olympus E-M1 II | 134 mm | 91 mm | 67 mm | 574 g | 440 | Y | Sep 2016 | 1,999 | ebay.com | |
5. | Olympus E-M1 III | 134 mm | 91 mm | 69 mm | 580 g | 420 | Y | Feb 2020 | 1,799 | ebay.com | |
6. | OM System OM-1 | 135 mm | 92 mm | 73 mm | 599 g | 520 | Y | Feb 2022 | 2,199 | ebay.com | |
7. | Panasonic G9 | 137 mm | 97 mm | 92 mm | 658 g | 400 | Y | Nov 2017 | 1,699 | ebay.com | |
8. | Panasonic G9 II | 134 mm | 102 mm | 90 mm | 658 g | 390 | Y | Sep 2023 | 1,899 | amazon.com | |
9. | Panasonic GH5 | 139 mm | 98 mm | 87 mm | 725 g | 410 | Y | Jan 2017 | 1,999 | ebay.com | |
10. | Panasonic GH6 | 138 mm | 100 mm | 100 mm | 823 g | 360 | Y | Feb 2022 | 2,199 | amazon.com | |
11. | Panasonic GX8 | 133 mm | 78 mm | 63 mm | 487 g | 330 | Y | Jul 2015 | 1,199 | ebay.com | |
12. | Panasonic S5 | 133 mm | 98 mm | 82 mm | 714 g | 440 | Y | Sep 2020 | 1,999 | amazon.com | |
13. | Sony RX100 II | 102 mm | 58 mm | 38 mm | 281 g | 350 | n | Jun 2013 | 749 | ebay.com | |
14. | Sony RX100 III | 102 mm | 58 mm | 41 mm | 290 g | 320 | n | May 2014 | 799 | ebay.com | |
15. | Sony RX100 IV | 102 mm | 58 mm | 41 mm | 298 g | 280 | n | Jun 2015 | 999 | ebay.com | |
16. | Sony RX100 V | 102 mm | 58 mm | 41 mm | 299 g | 220 | n | Oct 2016 | 999 | ebay.com | |
17. | Sony RX100 VII | 102 mm | 58 mm | 43 mm | 302 g | 260 | n | Jul 2019 | 1,199 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The RX100 VI was launched at a lower price than the GH5 II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GH5 II features a Four Thirds sensor and the Sony RX100 VI an one-inch sensor. The sensor area in the RX100 VI is 48 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 2.7. The sensor in the GH5 II has a native 4:3 aspect ratio, while the one in the RX100 VI offers a 3:2 aspect.
With 20.2MP, the GH5 II offers a slightly higher resolution than the RX100 VI (20MP), but the GH5 II nevertheless has larger individual pixels (pixel pitch of 3.34μm versus 2.41μm for the RX100 VI) due to its larger sensor. Moreover, the GH5 II is a much more recent model (by 2 years and 11 months) than the RX100 VI, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GH5 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The RX100 VI has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DC-GH5 II has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 VI are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
In terms of underlying technology, the GH5 II is build around a CMOS sensor, while the RX100 VI uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GH5 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.7 | 13.1 | 1136 | 79 | |
2. | Sony RX100 VI | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 478 | 64 | |
3. | Nikon Z6 II | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.0 | 14.4 | 3303 | 94 | |
4. | Olympus E-M1 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.7 | 12.8 | 1312 | 80 | |
5. | Olympus E-M1 III | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.3 | 13.1 | 1356 | 76 | |
6. | OM System OM-1 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.4 | 13.4 | 1553 | 77 | |
7. | Panasonic G9 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.1 | 12.8 | 1138 | 74 | |
8. | Panasonic G9 II | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.5 | 1710 | 78 | |
9. | Panasonic GH5 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.9 | 13.0 | 807 | 77 | |
10. | Panasonic GH6 | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.4 | 1555 | 77 | |
11. | Panasonic GX8 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.5 | 12.6 | 806 | 75 | |
12. | Panasonic S5 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.1 | 14.5 | 2697 | 94 | |
13. | Sony RX100 II | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 22.5 | 12.4 | 483 | 67 | |
14. | Sony RX100 III | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 22.4 | 12.3 | 495 | 67 | |
15. | Sony RX100 IV | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.6 | 591 | 70 | |
16. | Sony RX100 V | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.4 | 586 | 70 | |
17. | Sony RX100 VII | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 21.8 | 12.4 | 418 | 63 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GH5 II provides a higher frame rate than the RX100 VI. It can shoot video footage at 4K/60p, while the Sony is limited to 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GH5 II offers a substantially higher resolution than the one in the RX100 VI (3680k vs 2359k dots). The table below summarizes some of the other core capabilities of the Panasonic GH5 II and Sony RX100 VI in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GH5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
2. | Sony RX100 VI | 2359 | n | 3.0 / 1229 | tilting | Y | 1/2000s | 24.0/s | Y | Y | |
3. | Nikon Z6 II | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 14.0/s | n | Y | |
4. | Olympus E-M1 II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 18.0/s | n | Y | |
5. | Olympus E-M1 III | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 18.0/s | n | Y | |
6. | OM System OM-1 | 5760 | n | 3.0 / 1640 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
7. | Panasonic G9 | 3680 | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 20.0/s | n | Y | |
8. | Panasonic G9 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
9. | Panasonic GH5 | 3680 | n | 3.2 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
10. | Panasonic GH6 | 3680 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
11. | Panasonic GX8 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
12. | Panasonic S5 | 2360 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 7.0/s | n | Y | |
13. | Sony RX100 II | optional | n | 3.0 / 1229 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
14. | Sony RX100 III | 1440 | n | 3.0 / 1229 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
15. | Sony RX100 IV | 2359 | n | 3.0 / 1228 | tilting | n | 1/2000s | 16.0/s | Y | Y | |
16. | Sony RX100 V | 2359 | n | 3.0 / 1229 | tilting | n | 1/2000s | 24.0/s | Y | Y | |
17. | Sony RX100 VII | 2359 | n | 3.0 / 921 | tilting | Y | 1/2000s | 90.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The RX100 VI has one, while the GH5 II does not. While the built-in flash of the RX100 VI is not very powerful, it can at times be useful as a fill-in light.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH5 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GH5 II writes its imaging data to SDXC cards, while the RX100 VI uses SDXC or Memory Stick PRO Duo cards. The GH5 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the RX100 VI only has one slot. The GH5 II supports UHS-II cards (on both slots), while the RX100 VI can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-GH5 II and Sony Cyber-shot DSC-RX100 VI and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GH5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
2. | Sony RX100 VI | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
3. | Nikon Z6 II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
4. | Olympus E-M1 II | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
5. | Olympus E-M1 III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
6. | OM System OM-1 | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
7. | Panasonic G9 | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | Y | |
8. | Panasonic G9 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
9. | Panasonic GH5 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
10. | Panasonic GH6 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
11. | Panasonic GX8 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
12. | Panasonic S5 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
13. | Sony RX100 II | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
14. | Sony RX100 III | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
15. | Sony RX100 IV | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
16. | Sony RX100 V | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
17. | Sony RX100 VII | - | stereo / mono | Y | - | micro | 2.0 | Y | Y | Y |
It is notable that the GH5 II has a hotshoe, while the RX100 VI does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Panasonic GH5 II (unlike the RX100 VI) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The GH5 II is a recent model that features in the current product line-up of Panasonic. In contrast, the RX100 VI has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the RX100 VI was succeeded by the Sony RX100 VII. Further information on the features and operation of the GH5 II and RX100 VI can be found, respectively, in the Panasonic GH5 II Manual (free pdf) or the online Sony RX100 VI Manual.
Review summary
So what conclusions can be drawn? Which of the two cameras – the Panasonic GH5 II or the Sony RX100 VI – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Panasonic Lumix DC-GH5 II:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3680k vs 2359k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.59x).
- More detailed LCD: Has a higher resolution rear screen (1840k vs 1229k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (400 versus 240) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years and 11 months of technical progress since the RX100 VI launch.
Reasons to prefer the Sony Cyber-shot DSC-RX100 VI:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Faster burst: Shoots at higher frequency (24 vs 12 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the GH5 II necessitates an extra lens.
- More compact: Is smaller (102x58mm vs 139x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the GH5 II).
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in June 2018).
If the count of relative strengths (bullet points above) is taken as a measure, the GH5 II is the clear winner of the match-up (24 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GH5 II and the Sony RX100 VI place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the GH5 II or the RX100 VI perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GH5 II | 4.5/5 | .. | 4.5/5 | 85/100 | 4.5/5 | 5/5 | May 2021 | 1,699 | amazon.com | |
2. | Sony RX100 VI | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Jun 2018 | 1,199 | ebay.com | |
3. | Nikon Z6 II | 4.5/5 | .. | 4/5 | 89/100 | 4.5/5 | 4.5/5 | Oct 2020 | 1,999 | amazon.com | |
4. | Olympus E-M1 II | 5/5 | + + | 5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | 1,999 | ebay.com | |
5. | Olympus E-M1 III | 5/5 | .. | 5/5 | 83/100 | 4.5/5 | 4/5 | Feb 2020 | 1,799 | ebay.com | |
6. | OM System OM-1 | 5/5 | .. | .. | 87/100 | 5/5 | 4.5/5 | Feb 2022 | 2,199 | ebay.com | |
7. | Panasonic G9 | .. | + + | 5/5 | 85/100 | 5/5 | 5/5 | Nov 2017 | 1,699 | ebay.com | |
8. | Panasonic G9 II | 5/5 | .. | 4.5/5 | 87/100 | .. | 4.5/5 | Sep 2023 | 1,899 | amazon.com | |
9. | Panasonic GH5 | 4.5/5 | + + | .. | 85/100 | 4.5/5 | 5/5 | Jan 2017 | 1,999 | ebay.com | |
10. | Panasonic GH6 | 5/5 | + + | 5/5 | 87/100 | 5/5 | 5/5 | Feb 2022 | 2,199 | amazon.com | |
11. | Panasonic GX8 | 5/5 | + | .. | 82/100 | 4.5/5 | 4.5/5 | Jul 2015 | 1,199 | ebay.com | |
12. | Panasonic S5 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4.5/5 | Sep 2020 | 1,999 | amazon.com | |
13. | Sony RX100 II | 5/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Jun 2013 | 749 | ebay.com | |
14. | Sony RX100 III | 5/5 | + + | .. | 82/100 | 4.5/5 | 5/5 | May 2014 | 799 | ebay.com | |
15. | Sony RX100 IV | 4.5/5 | + + | .. | 85/100 | 4/5 | 4.5/5 | Jun 2015 | 999 | ebay.com | |
16. | Sony RX100 V | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Oct 2016 | 999 | ebay.com | |
17. | Sony RX100 VII | 4.5/5 | .. | 4/5 | .. | 4/5 | 5/5 | Jul 2019 | 1,199 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G7 X Mark II vs Sony RX100 VI
- Canon SX420 vs Sony RX100 VI
- Canon SX520 vs Sony RX100 VI
- Leica SL2 vs Panasonic GH5 II
- Leica X2 vs Sony RX100 VI
- Nikon D610 vs Sony RX100 VI
- Nikon Z5 vs Sony RX100 VI
- Olympus TG-6 vs Panasonic GH5 II
- Panasonic FT7 vs Panasonic GH5 II
- Panasonic GH5 II vs Pentax K-3 III
- Panasonic GH5 II vs Sony HX95
- Panasonic GH5 II vs Sony WX800
Specifications: Panasonic GH5 II vs Sony RX100 VI
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic GH5 II | Sony RX100 VI |
---|---|---|
Camera Type | Mirrorless system camera | Fixed lens compact camera |
Camera Lens | Micro Four Thirds lenses | 24-200mm f/2.8-4.5 |
Launch Date | May 2021 | June 2018 |
Launch Price | USD 1,699 | USD 1,199 |
Sensor Specs | Panasonic GH5 II | Sony RX100 VI |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | Four Thirds Sensor | 1" Sensor |
Sensor Size | 17.3 x 13.0 mm | 13.2 x 8.8 mm |
Sensor Area | 224.9 mm2 | 116.16 mm2 |
Sensor Diagonal | 21.6 mm | 15.9 mm |
Crop Factor | 2.0x | 2.7x |
Sensor Resolution | 20.2 Megapixels | 20 Megapixels |
Image Resolution | 5184 x 3888 pixels | 5472 x 3648 pixels |
Pixel Pitch | 3.34 μm | 2.41 μm |
Pixel Density | 8.96 MP/cm2 | 17.18 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 4K/60p Video | 4K/30p Video |
ISO Setting | 200 - 25,600 ISO | 125 - 12,800 ISO |
ISO Boost | 100 - 25,600 ISO | 80 - 25,600 ISO |
Image Processor | Venus 10 | BIONZ X |
DXO Sensor Quality (score) | 79 | .. |
DXO Color Depth (bits) | 23.7 | .. |
DXO Dynamic Range (EV) | 13.1 | .. |
DXO Low Light (ISO) | 1136 | .. |
Screen Specs | Panasonic GH5 II | Sony RX100 VI |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.76x | 0.59x |
Viewfinder Resolution | 3680k dots | 2359k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1840k dots | 1229k dots |
LCD Attachment | Swivel screen | Tilting screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Panasonic GH5 II | Sony RX100 VI |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/2000s |
Continuous Shooting | 12 shutter flaps/s | 24 shutter flaps/s |
Electronic Shutter | up to 1/16000s | up to 1/32000s |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | In-body stabilization | Lens-based stabilization |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
UHS card support | Dual UHS-II | UHS-I |
Connectivity Specs | Panasonic GH5 II | Sony RX100 VI |
External Flash | Hotshoe | no Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 3.2 | USB 2.0 |
HDMI Port | full HDMI | micro HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Panasonic GH5 II | Sony RX100 VI |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Panasonic DMW-BLK22 | Sony NP-BX1 |
Battery Life (CIPA) | 400 shots per charge | 240 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
139 x 98 x 87 mm (5.5 x 3.9 x 3.4 in) |
102 x 58 x 43 mm (4.0 x 2.3 x 1.7 in) |
Camera Weight | 727 g (25.6 oz) | 301 g (10.6 oz) |
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