Panasonic GH4 vs Sony A77 II
The Panasonic Lumix DMC-GH4 and the Sony Alpha SLT-A77 II are two enthusiast cameras that were announced, respectively, in February 2014 and May 2014. The GH4 is a mirrorless interchangeable lens camera, while the A77 II is a DSLR. The cameras are based on a Four Thirds (GH4) and an APS-C (A77 II) sensor. The Panasonic has a resolution of 15.9 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GH4 and the Sony Alpha SLT-A77 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic GH4 and the Sony A77 II. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A77 II is notably larger (20 percent) than the Panasonic GH4. Moreover, the A77 II is markedly heavier (16 percent) than the GH4. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499||ebay.com|
|2.||Sony A77 II||143 mm||104 mm||81 mm||647 g||480||Y||May 2014||1,199||ebay.com|
|3.||Nikon D7200||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199||ebay.com|
|4.||Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199||ebay.com|
|5.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099||ebay.com|
|6.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399||ebay.com|
|7.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||ebay.com|
|8.||Panasonic G85||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899||ebay.com|
|9.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199||ebay.com|
|10.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749||ebay.com|
|11.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|12.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749||ebay.com|
|13.||Panasonic GH3||133 mm||93 mm||82 mm||550 g||540||Y||Sep 2012||1,299||ebay.com|
|14.||Sony A68||143 mm||104 mm||81 mm||610 g||540||n||Nov 2015||699||ebay.com|
|15.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999||ebay.com|
|16.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699||ebay.com|
|17.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A77 II was launched at a somewhat lower price (by 20 percent) than the GH4, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GH4 features a Four Thirds sensor and the Sony A77 II an APS-C sensor. The sensor area in the A77 II is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the GH4 has a native 4:3 aspect ratio, while the one in the A77 II offers a 3:2 aspect.
With 24MP, the A77 II offers a higher resolution than the GH4 (15.9MP), but the A77 II nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.76μm for the GH4) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation.
The resolution advantage of the Sony A77 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A77 II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GH4 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Panasonic Lumix DMC-GH4 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha SLT-A77 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A77 II has a markedly higher DXO score than the GH4 (overall score 8 points higher), which will translate into better image quality. The advantage is based on 1.2 bits higher color depth, 0.6 EV in additional dynamic range, and 0.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|2.||Sony A77 II||APS-C||24.0||6000||4000||1080/60p||24.4||13.4||1013||82|
|5.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|6.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|7.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|8.||Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|9.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|10.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|11.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|12.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|13.||Panasonic GH3||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
|15.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|16.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GH4 provides a higher video resolution than the A77 II. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The GH4 and the A77 II are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2359k dots. The following table reports on some other key feature differences and similarities of the Panasonic GH4, the Sony A77 II, and comparable cameras.
|1.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0/s||Y||n|
|2.||Sony A77 II||2359||Y||3.0 / 1229||full-flex||n||1/8000s||12.0/s||Y||Y|
|3.||Nikon D7200||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0/s||Y||n|
|4.||Nikon D7100||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0/s||Y||n|
|5.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|6.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0/s||n||Y|
|7.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|8.||Panasonic G85||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0/s||Y||Y|
|9.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0/s||n||Y|
|10.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8/s||n||n|
|11.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|12.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0/s||Y||n|
|13.||Panasonic GH3||1746||n||3.0 / 614||swivel||Y||1/4000s||6.0/s||Y||n|
|14.||Sony A68||1440||Y||2.7 / 460||tilting||n||1/4000s||8.0/s||Y||Y|
|15.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||Y|
|16.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||n|
|17.||Sony A77||2359||Y||3.0 / 921||full-flex||n||1/8000s||12.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GH4 has a touchscreen, while the A77 II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH4 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH4 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GH4 writes its imaging data to SDXC cards, while the A77 II uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GH4 and Sony Alpha SLT-A77 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|2.||Sony A77 II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|3.||Nikon D7200||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|4.||Nikon D7100||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|5.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|6.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|7.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|8.||Panasonic G85||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|9.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|10.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|12.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Panasonic GH3||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|14.||Sony A68||Y||stereo / mono||Y||-||micro||2.0||-||-||-|
|15.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A77||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the GH4 has a headphone jack, which is not present on the A77 II This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the GH4 and the A77 II have been discontinued, but can regularly be found used on ebay. The GH4 was replaced by the Panasonic GH5, while the A77 II does not have a direct successor. Further information on the features and operation of the GH4 and A77 II can be found, respectively, in the Panasonic GH4 Manual (free pdf) or the online Sony A77 II Manual.
So what is the bottom line? Is the Panasonic GH4 better than the Sony A77 II or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DMC-GH4:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (133x93mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 87g or 13 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
Arguments in favor of the Sony Alpha SLT-A77 II:
- More detail: Has more megapixels (24 vs 15.9MP), which boosts linear resolution by 25%.
- Better image quality: Scores markedly higher (8 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (0.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.4 stops ISO advantage).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.67x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1036k dots).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was released into a lower priced segment (20 percent cheaper at launch).
If the count of relative strengths (bullet points above) is taken as a measure, the A77 II emerges as the winner of the match-up (10 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GH4 and the Sony A77 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GH4 or the A77 II. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499||ebay.com|
|2.||Sony A77 II||4/5||..||..||80/100||4.5/5||5/5||May 2014||1,199||ebay.com|
|3.||Nikon D7200||4/5||+ +||..||84/100||4.5/5||4.5/5||Mar 2015||1,199||ebay.com|
|4.||Nikon D7100||5/5||+ +||..||85/100||4.5/5||4.5/5||Feb 2013||1,199||ebay.com|
|5.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099||ebay.com|
|6.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399||ebay.com|
|7.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999||ebay.com|
|8.||Panasonic G85||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899||ebay.com|
|9.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199||ebay.com|
|10.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749||ebay.com|
|11.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|12.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749||ebay.com|
|13.||Panasonic GH3||5/5||+ +||..||79/100||4.5/5||4.5/5||Sep 2012||1,299||ebay.com|
|14.||Sony A68||3/5||..||..||..||4/5||4/5||Nov 2015||699||ebay.com|
|15.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999||ebay.com|
|16.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699||ebay.com|
|17.||Sony A77||5/5||91/100||..||81/100||..||5/5||Aug 2011||1,399||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5DS vs Sony A77 II
- Canon 70D vs Panasonic GH4
- Canon T7 vs Panasonic GH4
- Canon XT vs Panasonic GH4
- Fujifilm X-A10 vs Sony A77 II
- Leica M Typ 262 vs Panasonic GH4
- Nikon D3000 vs Sony A77 II
- Nikon W150 vs Panasonic GH4
- Nikon Z6 II vs Sony A77 II
- Olympus TG-5 vs Sony A77 II
- Panasonic GH4 vs Sony H200
- Sony A77 II vs Sony NEX-5N
Specifications: Panasonic GH4 vs Sony A77 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GH4||Sony A77 II|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Sony A mount lenses|
|Launch Date||February 2014||May 2014|
|Launch Price||USD 1,499||USD 1,199|
|Sensor Specs||Panasonic GH4||Sony A77 II|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.5 x 15.6 mm|
|Sensor Area||224.9 mm2||366.6 mm2|
|Sensor Diagonal||21.6 mm||28.2 mm|
|Sensor Resolution||15.9 Megapixels||24 Megapixels|
|Image Resolution||4608 x 3456 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.76 μm||3.91 μm|
|Pixel Density||7.08 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||200 - 25,600 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||50 - 51,200 ISO|
|Image Processor||Venus IX||BIONZ X|
|DXO Sensor Quality (score)||74||82|
|DXO Color Depth (bits)||23.2||24.4|
|DXO Dynamic Range (EV)||12.8||13.4|
|DXO Low Light (ISO)||791||1013|
|Screen Specs||Panasonic GH4||Sony A77 II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots||2359k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1036k dots||1229k dots|
|LCD Attachment||Swivel screen||Fully flexible screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic GH4||Sony A77 II|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||12 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||150 000 actuations|
|Electronic Shutter||up to 1/8000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic GH4||Sony A77 II|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Panasonic GH4||Sony A77 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||500 shots per charge||480 shots per charge|
133 x 93 x 84 mm
(5.2 x 3.7 x 3.3 in)
143 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
|Camera Weight||560 g (19.8 oz)||647 g (22.8 oz)|
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