Panasonic GH3 vs S1
The Panasonic Lumix DMC-GH3 and the Panasonic Lumix DC-S1 are two enthusiast cameras that were officially introduced, respectively, in September 2012 and February 2019. Both the GH3 and the S1 are mirrorless interchangeable lens cameras that are based on a Four Thirds (GH3) and a full frame (S1) sensor. The GH3 has a resolution of 15.9 megapixels, whereas the S1 provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic GH3||Panasonic S1|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Leica L mount lenses|
|15.9 MP, Four Thirds Sensor||24 MP, Full Frame Sensor|
|1080/60p Video||4K/60p Video|
|ISO 200-12800 (125-25600)||ISO 100-51200 (50-204800)|
|Electronic viewfinder (1746k dots)||Electronic viewfinder (5760k dots)|
|3.0" LCD, 614k dots||3.2" LCD, 2100k dots|
|Swivel touchscreen||Fully flexible touchscreen|
|6 shutter flaps per second||9 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|540 shots per battery charge||400 shots per battery charge|
|133 x 93 x 82 mm, 550 g||149 x 110 x 97 mm, 1017 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GH3 and the Panasonic Lumix DC-S1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic GH3 and the Panasonic S1. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1 is notably larger (33 percent) than the Panasonic GH3. Moreover, the S1 is substantially heavier (85 percent) than the GH3. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the GH3 gets 540 shots out of its DMW-BLF19 battery, while the S1 can take 400 images on a single charge of its DMW-BLJ31 power pack. The power pack in the S1 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Panasonic GH3»||5.2 in||3.7 in||3.2 in||19.4 oz||540||Y||Sep 2012||1,299||-||Panasonic GH3|
|Panasonic S1«||5.9 in||4.3 in||3.8 in||35.9 oz||400||Y||Feb 2019||2,499||Panasonic S1|
|Leica SL« »||5.8 in||4.1 in||1.5 in||29.9 oz||400||Y||Oct 2015||7,450||-||Leica SL|
|Olympus E-M5 II« »||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099||-||Olympus E-M5 II|
|Olympus E-M1« »||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399||-||Olympus E-M1|
|Olympus E-M5« »||4.8 in||3.5 in||1.7 in||15.0 oz||360||Y||Feb 2012||1,299||-||Olympus E-M5|
|Panasonic S1R« »||5.9 in||4.3 in||3.8 in||35.8 oz||380||Y||Feb 2019||3,699||Panasonic S1R|
|Panasonic S1H« »||5.9 in||4.5 in||4.3 in||37.1 oz||400||Y||May 2019||3,999||Panasonic S1H|
|Panasonic GH5s« »||5.5 in||3.9 in||3.4 in||23.3 oz||440||Y||Jan 2018||2,499||Panasonic GH5s|
|Panasonic G85« »||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899||-||Panasonic G85|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||-||Panasonic GX8|
|Panasonic GH4« »||5.2 in||3.7 in||3.3 in||19.8 oz||500||Y||Feb 2014||1,499||-||Panasonic GH4|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-||Panasonic G6|
|Panasonic GM1« »||3.9 in||2.2 in||1.2 in||7.2 oz||230||n||Oct 2013||749||-||Panasonic GM1|
|Panasonic GH2« »||4.9 in||3.5 in||3.0 in||15.6 oz||330||n||Sep 2010||899||-||Panasonic GH2|
|Sony A99 II« »||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199||Sony A99 II|
|Sony A900« »||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Sep 2008||2,999||-||Sony A900|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GH3 was launched at a markedly lower price (by 48 percent) than the S1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic GH3 features a Four Thirds sensor and the Panasonic S1 a full frame sensor. The sensor area in the S1 is 276 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the GH3 has a native 4:3 aspect ratio, while the one in the S1 offers a 3:2 aspect.
With 24MP, the S1 offers a higher resolution than the GH3 (15.9MP), but the S1 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 3.76μm for the GH3) due to its larger sensor. Moreover, the S1 is a much more recent model (by 6 years and 4 months) than the GH3, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the S1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic S1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic GH3 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
Unlike the GH3, the S1 has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DMC-GH3 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Panasonic Lumix DC-S1 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the S1 offers substantially better image quality than the GH3 (overall score 24 points higher). The advantage is based on 2.5 bits higher color depth, 2.1 EV in additional dynamic range, and 2 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic GH3»||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71||Panasonic GH3|
|Panasonic S1«||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95||Panasonic S1|
|Leica SL« »||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88||Leica SL|
|Olympus E-M5 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus E-M1« »||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Olympus E-M5« »||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71||Olympus E-M5|
|Panasonic S1R« »||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100||Panasonic S1R|
|Panasonic S1H« »||Full Frame||24.0||6000||4000||6K/30p||-||-||-||-||Panasonic S1H|
|Panasonic GH5s« »||Four Thirds||9.9||3680||2700||4K/60p||-||-||-||-||Panasonic GH5s|
|Panasonic G85« »||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71||Panasonic G85|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Panasonic GH4« »||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74||Panasonic GH4|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GM1« »||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66||Panasonic GM1|
|Panasonic GH2« »||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60||Panasonic GH2|
|Sony A99 II« »||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
|Sony A900« »||Full Frame||24.4||6048||4032||-||23.7||12.3||1431||79||Sony A900|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the S1 provides a better video resolution than the GH3. It can shoot movie footage at 4K/60p, while the GH3 is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the S1 offers a substantially higher resolution than the one in the GH3 (5760k vs 1746k dots). The following table reports on some other key feature differences and similarities of the Panasonic GH3, the Panasonic S1, and comparable cameras.
|Panasonic GH3»||1746||n||3.0||614||swivel||Y||1/4000s||6.0||Y||n||Panasonic GH3|
|Panasonic S1«||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1|
|Leica SL« »||4400||Y||3.0||1040||fixed||Y||1/8000s||11.0||n||n||Leica SL|
|Olympus E-M5 II« »||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Olympus E-M1« »||2360||n||3.0||1037||tilting||Y||1/8000s||10.0||n||Y||Olympus E-M1|
|Olympus E-M5« »||1440||n||3.0||610||tilting||Y||1/4000s||9.0||n||Y||Olympus E-M5|
|Panasonic S1R« »||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1R|
|Panasonic S1H« »||5760||Y||3.2||2330||swivel||Y||1/8000s||9.0||n||Y||Panasonic S1H|
|Panasonic GH5s« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||n||Panasonic GH5s|
|Panasonic G85« »||2360||n||3.0||1040||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G85|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Panasonic GH4« »||2359||n||3.0||1036||swivel||Y||1/8000s||12.0||Y||n||Panasonic GH4|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GM1« »||-||n||3.0||1036||fixed||Y||1/500s||5.0||Y||n||Panasonic GM1|
|Panasonic GH2« »||1534||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH2|
|Sony A99 II« »||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y||Sony A99 II|
|Sony A900« »||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||Y||Sony A900|
One difference between the cameras concerns the presence of an on-board flash. The GH3 has one, while the S1 does not. While the built-in flash of the GH3 is not very powerful, it can at times be useful as a fill-in light.The GH3 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the S1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GH3 writes its imaging data to SDXC cards, while the S1 uses SDHC or XQD cards. The S1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the GH3 only has one slot. The S1 supports UHS-II cards (on both slots), while the GH3 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GH3 and Panasonic Lumix DC-S1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic GH3»||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Panasonic GH3|
|Panasonic S1«||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1|
|Leica SL« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||-||Leica SL|
|Olympus E-M5 II« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus E-M1« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Olympus E-M5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-M5|
|Panasonic S1R« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1R|
|Panasonic S1H« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1H|
|Panasonic GH5s« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5s|
|Panasonic G85« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G85|
|Panasonic GX8« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Panasonic GH4« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Panasonic GH4|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GM1« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM1|
|Panasonic GH2« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic GH2|
|Sony A99 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
|Sony A900« »||Y||-||-||-||-||mini||2.0||-||-||-||Sony A900|
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The S1 is a recent model that features in the current product line-up of Panasonic. In contrast, the GH3 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the GH3 was succeeded by the Panasonic GH4. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So how do things add up? Is the Panasonic GH3 better than the Panasonic S1 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Panasonic Lumix DMC-GH3:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (133x93mm vs 149x110mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 467g or 46 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (540 versus 400) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (48 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2012).
Reasons to prefer the Panasonic Lumix DC-S1:
- More detail: Has more megapixels (24 vs 15.9MP), which boosts linear resolution by 25%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (24 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.5 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.1 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/60p vs 1080/60p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 1746k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.67x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 614k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (9 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 6 years and 4 months of technical progress since the GH3 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the S1 is the clear winner of the contest (23 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GH3 and the Panasonic S1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GH3 or the S1. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic GH3»||+ +||79/100||4.5/5||5/5||4.5/5||Sep 2012||1,299||-||Panasonic GH3|
|Panasonic S1«||+ +||88/100||4.5/5||-||4/5||Feb 2019||2,499||Panasonic S1|
|Leica SL« »||-||84/100||4.5/5||4/5||4/5||Oct 2015||7,450||-||Leica SL|
|Olympus E-M5 II« »||+ +||81/100||5/5||4.5/5||5/5||Feb 2015||1,099||-||Olympus E-M5 II|
|Olympus E-M1« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399||-||Olympus E-M1|
|Olympus E-M5« »||+ +||80/100||4.5/5||5/5||5/5||Feb 2012||1,299||-||Olympus E-M5|
|Panasonic S1R« »||-||89/100||4.5/5||-||4.5/5||Feb 2019||3,699||Panasonic S1R|
|Panasonic S1H« »||-||-||-||-||-||May 2019||3,999||Panasonic S1H|
|Panasonic GH5s« »||-||84/100||4.5/5||5/5||4.5/5||Jan 2018||2,499||Panasonic GH5s|
|Panasonic G85« »||+ +||84/100||5/5||4.5/5||4.5/5||Sep 2016||899||-||Panasonic G85|
|Panasonic GX8« »||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-||Panasonic GX8|
|Panasonic GH4« »||+ +||85/100||5/5||5/5||5/5||Feb 2014||1,499||-||Panasonic GH4|
|Panasonic G6« »||+ +||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Panasonic GM1« »||+||78/100||5/5||4.5/5||4.5/5||Oct 2013||749||-||Panasonic GM1|
|Panasonic GH2« »||+ +||79/100||4.5/5||4.5/5||5/5||Sep 2010||899||-||Panasonic GH2|
|Sony A99 II« »||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199||Sony A99 II|
|Sony A900« »||+ +||+ +||4.5/5||4/5||5/5||Sep 2008||2,999||-||Sony A900|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 250D vs Panasonic S1
- Canon G7 X Mark III vs Panasonic GH3
- Canon M100 vs Panasonic GH3
- Canon T100 vs Panasonic S1
- Fujifilm GFX 50R vs Panasonic S1
- Leica V-LUX Typ 114 vs Panasonic S1
- Nikon D700 vs Panasonic S1
- Olympus E-1 vs Panasonic GH3
- Olympus E-M10 vs Panasonic GH3
- Olympus TG-6 vs Panasonic GH3
- Panasonic GH3 vs Panasonic GX85
- Panasonic GX7 vs Panasonic S1
Specifications: Panasonic GH3 vs Panasonic S1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GH3||Panasonic S1|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Leica L mount lenses|
|Launch Date||September 2012||February 2019|
|Launch Price||USD 1299||USD 2499|
|Sensor Specs||Panasonic GH3||Panasonic S1|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.6 x 23.8 mm|
|Sensor Area||224.9 mm2||847.28 mm2|
|Sensor Diagonal||21.6 mm||42.8 mm|
|Sensor Resolution||15.9 Megapixels||24 Megapixels|
|Image Resolution||4608 x 3456 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.76 μm||5.94 μm|
|Pixel Density||7.08 MP/cm2||2.83 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/60p Video|
|ISO Setting||200-12800 ISO||100-51200 ISO|
|ISO Boost||125-25600 ISO||50-204800 ISO|
|Image Processor||Venus VII FHD||Venus|
|DXO Sensor Quality (score)||71||95|
|DXO Color Depth (bits)||22.7||25.2|
|DXO Dynamic Range (EV)||12.4||14.5|
|DXO Low Light (ISO)||812||3333|
|Screen Specs||Panasonic GH3||Panasonic S1|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1746k dots||5760k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.2 inch|
|LCD Resolution||614k dots||2100k dots|
|LCD Attachment||Swivel screen||Fully flexible screen|
|Shooting Specs||Panasonic GH3||Panasonic S1|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||6 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC or XQD cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Panasonic GH3||Panasonic S1|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||full HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Panasonic GH3||Panasonic S1|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||540 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
133 x 93 x 82 mm
(5.2 x 3.7 x 3.2 in)
149 x 110 x 97 mm
(5.9 x 4.3 x 3.8 in)
|Camera Weight||550 g (19.4 oz)||1017 g (35.9 oz)|
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