Panasonic GH2 versus Panasonic G6
The Panasonic Lumix DMC-GH2 and the Panasonic Lumix DMC-G6 are two digital cameras that were revealed to the public, respectively, in September 2010 and April 2013. Both the GH2 and the G6 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. Both cameras offer a resolution of 15.9 megapixel. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Panasonic GH2 vs Panasonic G6
The physical size and weight of the Panasonic GH2 and the Panasonic G6 are illustrated in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the GH2 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G6 is notably smaller (7 percent) than the Panasonic GH2. Moreover, the G6 is markedly lighter (12 percent) than the GH2. In this context, it is worth noting that neither the GH2 nor the G6 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can find an overview of suitable optics in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Panasonic GH2»||4.9 in||3.5 in||3.0 in||15.6 oz||330||n||Sep 2010||1,499||-|
|Panasonic G6«||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-|
|Panasonic G7« »||4.9 in||3.4 in||3.0 in||14.5 oz||350||n||May 2015||649||-|
|Panasonic GM5« »||3.9 in||2.4 in||1.4 in||7.4 oz||220||n||Sep 2014||749||-|
|Panasonic GF6« »||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499||-|
|Panasonic GM1« »||3.9 in||2.2 in||1.2 in||7.2 oz||230||n||Oct 2013||749||-|
|Panasonic GH3« »||5.2 in||3.7 in||3.2 in||19.4 oz||540||Y||Sep 2012||1,299||-|
|Panasonic G5« »||4.7 in||3.3 in||2.8 in||14.0 oz||320||n||Jul 2012||599||-|
|Panasonic G3« »||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599||-|
|Panasonic GX1« »||4.6 in||2.7 in||1.5 in||11.2 oz||320||n||Nov 2011||949||-|
|Panasonic G2« »||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599||-|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||-|
|Panasonic GF1« »||4.7 in||2.8 in||1.4 in||13.6 oz||380||n||Sep 2009||749||-|
|Panasonic GH1« »||4.9 in||3.5 in||1.8 in||13.6 oz||300||n||Mar 2009||1,499||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G6 was launched at a markedly lower price (by 60 percent) than the GH2, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic GH2 vs Panasonic G6
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 15.9 megapixel. This similarity in sensor specs implies that both the GH2 and the G6 have the same pixel density, as well as the same pixel size. It should, however, be noted that the G6 is much more recent (by 2 years and 7 months) than the GH2, and its sensor will have benefitted from technological advances during this time.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar image quality. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic GH2»||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|Panasonic G6«||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|Panasonic G7« »||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-|
|Panasonic GM5« »||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|Panasonic GF6« »||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|Panasonic GM1« »||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|Panasonic GH3« »||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
|Panasonic G5« »||Four Thirds||15.9||4608||3456||1080/60p||-||-||-||-|
|Panasonic G3« »||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|Panasonic GX1« »||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|Panasonic G2« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|Panasonic G10« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|Panasonic GF1« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54|
|Panasonic GH1« »||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G6 provides a faster frame rate than the GH2. It can shoot movie footage at 1080/60p, while the GH2 is limited to 1080/60i.
Feature comparison: Panasonic GH2 vs Panasonic G6
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GH2 offers a slightly higher resolution than the one in the G6 (1534k vs 1440k dots). The table below summarizes some of the other core capabilities of the Panasonic GH2 and Panasonic G6 in connection with corresponding information for a sample of similar cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Panasonic G7« »||2360||n||3.0||1040||swivel||Y||4000||7.0||Y||n|
|Panasonic GM5« »||1166||n||3.0||921||fixed||Y||500||5.8||n||n|
|Panasonic GF6« »||-||n||3.0||1040||tilting||Y||4000||4.2||Y||n|
|Panasonic GM1« »||-||n||3.0||1036||fixed||Y||500||5.0||Y||n|
|Panasonic GH3« »||1746||n||3.0||614||swivel||Y||4000||6.0||Y||n|
|Panasonic G5« »||1440||n||3.0||920||swivel||Y||4000||6.0||Y||n|
|Panasonic G3« »||1440||n||3.0||460||swivel||Y||4000||4.0||Y||n|
|Panasonic GX1« »||-||n||3.0||460||fixed||Y||4000||4.2||Y||n|
|Panasonic G2« »||1440||n||3.0||460||swivel||Y||4000||2.6||Y||n|
|Panasonic G10« »||202||n||3.0||460||fixed||n||4000||2.6||Y||n|
|Panasonic GF1« »||-||n||3.0||460||fixed||n||4000||3.0||Y||n|
|Panasonic GH1« »||1440||n||3.0||460||swivel||n||4000||3.0||Y||n|
Both the GH2 and the G6 have been discontinued, but can regularly be found used on eBay. The GH2 was replaced by the Panasonic GH3, while the G6 was followed by the Panasonic G7.
Review summary: Panasonic GH2 vs Panasonic G6
So how do things add up? Is the Panasonic GH2 better than the Panasonic G6 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Panasonic Lumix DMC-GH2:
- More heavily discounted: Has been available for much longer (launched in September 2010).
Advantages of the Panasonic Lumix DMC-G6:
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- More detailed LCD: Has a higher resolution rear screen (1036k vs 460k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (7 vs 3 flaps/sec) to capture the decisive moment.
- Less heavy: Has a lower weight (by 52g or 12 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
- More modern: Reflects 2 years and 7 months of technical progress since the GH2 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the G6 is the clear winner of the contest (7 : 1 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the GH2 or the G6 handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why expert reviews are important. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Panasonic GH2»||HiRec||79/100||4.5/5||4.5/5||5/5||Sep 2010||1,499||-|
|Panasonic G6«||HiRec||-||5/5||-||4.5/5||Apr 2013||599||-|
|Panasonic G7« »||HiRec||80/100||5/5||4.5/5||4.5/5||May 2015||649||-|
|Panasonic GM5« »||Rec||77/100||5/5||5/5||4.5/5||Sep 2014||749||-|
|Panasonic GF6« »||HiRec||-||4.5/5||-||4.5/5||Apr 2013||499||-|
|Panasonic GM1« »||Rec||78/100||5/5||4.5/5||4.5/5||Oct 2013||749||-|
|Panasonic GH3« »||HiRec||79/100||4.5/5||5/5||4.5/5||Sep 2012||1,299||-|
|Panasonic G5« »||HiRec||-||4.5/5||4.5/5||4.5/5||Jul 2012||599||-|
|Panasonic G3« »||HiRec||75/100||4.5/5||4.5/5||5/5||May 2011||599||-|
|Panasonic GX1« »||Rec||77/100||4.5/5||4.5/5||4.5/5||Nov 2011||949||-|
|Panasonic G2« »||-||72/100||4/5||4/5||4.5/5||Mar 2010||599||-|
|Panasonic G10« »||-||70/100||4/5||-||4/5||Mar 2010||499||-|
|Panasonic GF1« »||85/100||69/100||4.5/5||4.5/5||4.5/5||Sep 2009||749||-|
|Panasonic GH1« »||HiRec||72/100||4.5/5||5/5||4.5/5||Mar 2009||1,499||-|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
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