Panasonic GH1 vs Sony A6000
The Panasonic Lumix DMC-GH1 and the Sony Alpha A6000 are two digital cameras that were officially introduced, respectively, in March 2009 and February 2014. Both the GH1 and the A6000 are mirrorless interchangeable lens cameras that are based on a Four Thirds (GH1) and an APS-C (A6000) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GH1 and the Sony Alpha A6000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Panasonic GH1 and the Sony A6000 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The GH1 can be obtained in two different colors (black, red), while the A6000 is available in three color-versions (black, silver, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6000 is notably smaller (28 percent) than the Panasonic GH1. Moreover, the A6000 is markedly lighter (11 percent) than the GH1. In this context, it is worth noting that neither the GH1 nor the A6000 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GH1) and the Sony E-Mount Lens Catalog (A6000). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the GH1 gets 300 shots out of its Panasonic DMW-BLB13 battery, while the A6000 can take 360 images on a single charge of its Sony NP-FW50 power pack. The power pack in the A6000 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GH1 | 124 mm | 90 mm | 45 mm | 385 g | 300 | n | Mar 2009 | 899 | ebay.com | |
2. | Sony A6000 | 120 mm | 67 mm | 45 mm | 344 g | 360 | n | Feb 2014 | 599 | ebay.com | |
3. | Olympus E-P1 | 121 mm | 70 mm | 36 mm | 355 g | 300 | n | Jun 2009 | 799 | ebay.com | |
4. | Olympus E-P2 | 121 mm | 70 mm | 36 mm | 355 g | 300 | n | Nov 2009 | 799 | ebay.com | |
5. | Panasonic LX100 | 115 mm | 66 mm | 55 mm | 393 g | 300 | n | Sep 2014 | 899 | ebay.com | |
6. | Panasonic GX1 | 116 mm | 68 mm | 39 mm | 318 g | 320 | n | Nov 2011 | 699 | ebay.com | |
7. | Panasonic G10 | 124 mm | 84 mm | 74 mm | 388 g | 380 | n | Mar 2010 | 499 | ebay.com | |
8. | Panasonic G2 | 124 mm | 84 mm | 74 mm | 428 g | 360 | n | Mar 2010 | 599 | ebay.com | |
9. | Panasonic GF2 | 113 mm | 68 mm | 33 mm | 310 g | 300 | n | Nov 2010 | 549 | ebay.com | |
10. | Panasonic GH2 | 124 mm | 90 mm | 76 mm | 442 g | 330 | n | Sep 2010 | 899 | ebay.com | |
11. | Panasonic GF1 | 119 mm | 71 mm | 36 mm | 385 g | 380 | n | Sep 2009 | 749 | ebay.com | |
12. | Panasonic G1 | 124 mm | 84 mm | 45 mm | 360 g | 410 | n | Sep 2008 | 599 | ebay.com | |
13. | Sony A6300 | 120 mm | 67 mm | 49 mm | 404 g | 400 | Y | Feb 2016 | 999 | ebay.com | |
14. | Sony A5000 | 110 mm | 63 mm | 36 mm | 269 g | 420 | n | Jan 2014 | 449 | ebay.com | |
15. | Sony A5100 | 110 mm | 63 mm | 36 mm | 283 g | 400 | n | Aug 2014 | 549 | ebay.com | |
16. | Sony A3000 | 128 mm | 91 mm | 85 mm | 411 g | 470 | n | Aug 2013 | 329 | ebay.com | |
17. | Sony NEX-3 | 117 mm | 62 mm | 33 mm | 297 g | 330 | n | May 2010 | 599 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A6000 was launched at a markedly lower price (by 33 percent) than the GH1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic GH1 features a Four Thirds sensor and the Sony A6000 an APS-C sensor. The sensor area in the A6000 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the GH1 has a native 4:3 aspect ratio, while the one in the A6000 offers a 3:2 aspect.
With 24MP, the A6000 offers a higher resolution than the GH1 (12MP), but the A6000 has smaller individual pixels (pixel pitch of 3.91μm versus 4.33μm for the GH1). Yet, the A6000 is a much more recent model (by 4 years and 11 months) than the GH1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A6000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6000 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GH1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The A6000 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DMC-GH1 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Sony Alpha A6000 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A6000 offers substantially better image quality than the GH1 (overall score 18 points higher). The advantage is based on 2.5 bits higher color depth, 1.5 EV in additional dynamic range, and 0.8 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GH1 | Four Thirds | 12.0 | 4000 | 3000 | 1080/24p | 21.6 | 11.6 | 772 | 64 | |
2. | Sony A6000 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 13.1 | 1347 | 82 | |
3. | Olympus E-P1 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.4 | 10.4 | 536 | 55 | |
4. | Olympus E-P2 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.5 | 10.4 | 505 | 56 | |
5. | Panasonic LX100 | Four Thirds | 12.7 | 4112 | 3088 | 4K/30p | 22.3 | 12.5 | 553 | 67 | |
6. | Panasonic GX1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 20.8 | 10.6 | 703 | 55 | |
7. | Panasonic G10 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.1 | 411 | 52 | |
8. | Panasonic G2 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 493 | 53 | |
9. | Panasonic GF2 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 21.2 | 10.3 | 506 | 54 | |
10. | Panasonic GH2 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60i | 21.2 | 11.3 | 655 | 60 | |
11. | Panasonic GF1 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 513 | 54 | |
12. | Panasonic G1 | Four Thirds | 12.0 | 4000 | 3000 | none | 21.1 | 10.3 | 463 | 53 | |
13. | Sony A6300 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.4 | 13.7 | 1437 | 85 | |
14. | Sony A5000 | APS-C | 19.8 | 5456 | 3632 | 1080/60i | 23.8 | 13.0 | 1089 | 79 | |
15. | Sony A5100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.8 | 12.7 | 1347 | 80 | |
16. | Sony A3000 | APS-C | 19.8 | 5456 | 3632 | 1080/60i | 23.7 | 12.8 | 1068 | 78 | |
17. | Sony NEX-3 | APS-C | 14.0 | 4592 | 3056 | 720/30p | 22.1 | 12.0 | 830 | 68 |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6000 provides a faster frame rate than the GH1. It can shoot movie footage at 1080/60p, while the Panasonic is limited to 1080/24p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The GH1 and the A6000 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 1440k dots. The adjacent table lists some of the other core features of the Panasonic GH1 and Sony A6000 along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GH1 | 1440 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
2. | Sony A6000 | 1440 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
3. | Olympus E-P1 | none | n | 3.0 / 230 | fixed | n | 1/4000s | 3.0/s | n | Y | |
4. | Olympus E-P2 | optional | n | 3.0 / 230 | fixed | n | 1/4000s | 3.0/s | n | Y | |
5. | Panasonic LX100 | 2764 | n | 3.0 / 921 | fixed | n | 1/4000s | 11.0/s | n | Y | |
6. | Panasonic GX1 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 4.2/s | Y | n | |
7. | Panasonic G10 | 202 | n | 3.0 / 460 | fixed | n | 1/4000s | 2.6/s | Y | n | |
8. | Panasonic G2 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 2.6/s | Y | n | |
9. | Panasonic GF2 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 2.6/s | Y | n | |
10. | Panasonic GH2 | 1534 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
11. | Panasonic GF1 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 3.0/s | Y | n | |
12. | Panasonic G1 | 1440 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
13. | Sony A6300 | 2359 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
14. | Sony A5000 | none | n | 3.0 / 461 | tilting | n | 1/4000s | 3.5/s | Y | n | |
15. | Sony A5100 | none | n | 3.0 / 922 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
16. | Sony A3000 | 202 | n | 3.0 / 230 | fixed | n | 1/4000s | 2.5/s | Y | n | |
17. | Sony NEX-3 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 7.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The GH1 writes its imaging data to SDHC cards, while the A6000 uses SDXC or Memory Stick PRO Duo cards. The A6000 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the GH1 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GH1 and Sony Alpha A6000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GH1 | Y | stereo / - | Y | - | mini | 2.0 | - | - | - | |
2. | Sony A6000 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
3. | Olympus E-P1 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
4. | Olympus E-P2 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
5. | Panasonic LX100 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
6. | Panasonic GX1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
7. | Panasonic G10 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
8. | Panasonic G2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Panasonic GF2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
10. | Panasonic GH2 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
11. | Panasonic GF1 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
12. | Panasonic G1 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
13. | Sony A6300 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
14. | Sony A5000 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
15. | Sony A5100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
16. | Sony A3000 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
17. | Sony NEX-3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - |
It is notable that the GH1 has a microphone port, which is missing on the A6000. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the GH1 and the A6000 have been discontinued, but can regularly be found used on ebay. The GH1 was replaced by the Panasonic GH2, while the A6000 was followed by the Sony A6300. Further information on the features and operation of the GH1 and A6000 can be found, respectively, in the Panasonic GH1 Manual (free pdf) or the online Sony A6000 Manual.
Review summary
So what conclusions can be drawn? Is the Panasonic GH1 better than the Sony A6000 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Panasonic Lumix DMC-GH1:
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More heavily discounted: Has been available for much longer (launched in March 2009).
Advantages of the Sony Alpha A6000:
- More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
- Better image quality: Scores substantially higher (18 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.5 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.5 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.8 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/24p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
- Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x67mm vs 124x90mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 41g or 11 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (360 versus 300) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
- More modern: Reflects 4 years and 11 months of technical progress since the GH1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A6000 is the clear winner of the contest (18 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GH1 and the Sony A6000 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GH1 or the A6000. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GH1 | .. | + + | .. | 72/100 | 4.5/5 | 4.5/5 | Mar 2009 | 899 | ebay.com | |
2. | Sony A6000 | 5/5 | + | 4.5/5 | 80/100 | 4.5/5 | 5/5 | Feb 2014 | 599 | ebay.com | |
3. | Olympus E-P1 | .. | + | .. | 66/100 | 4/5 | 4.5/5 | Jun 2009 | 799 | ebay.com | |
4. | Olympus E-P2 | 3/5 | + | .. | 69/100 | 4/5 | 4.5/5 | Nov 2009 | 799 | ebay.com | |
5. | Panasonic LX100 | 5/5 | + + | .. | 85/100 | 5/5 | 5/5 | Sep 2014 | 899 | ebay.com | |
6. | Panasonic GX1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Nov 2011 | 699 | ebay.com | |
7. | Panasonic G10 | 3/5 | .. | .. | 70/100 | 4/5 | 4/5 | Mar 2010 | 499 | ebay.com | |
8. | Panasonic G2 | .. | .. | .. | 72/100 | 4/5 | 4.5/5 | Mar 2010 | 599 | ebay.com | |
9. | Panasonic GF2 | 3/5 | 82/100 | .. | 70/100 | 4.5/5 | 4.5/5 | Nov 2010 | 549 | ebay.com | |
10. | Panasonic GH2 | 5/5 | + + | .. | 79/100 | 4.5/5 | 5/5 | Sep 2010 | 899 | ebay.com | |
11. | Panasonic GF1 | .. | 85/100 | .. | 69/100 | 4.5/5 | 4.5/5 | Sep 2009 | 749 | ebay.com | |
12. | Panasonic G1 | .. | + + | .. | 70/100 | 4/5 | 4.5/5 | Sep 2008 | 599 | ebay.com | |
13. | Sony A6300 | 4.5/5 | + | .. | 85/100 | 5/5 | 5/5 | Feb 2016 | 999 | ebay.com | |
14. | Sony A5000 | 3/5 | + | .. | .. | 4.5/5 | 4.5/5 | Jan 2014 | 449 | ebay.com | |
15. | Sony A5100 | 4.5/5 | + | .. | .. | 4.5/5 | 5/5 | Aug 2014 | 549 | ebay.com | |
16. | Sony A3000 | 3/5 | + | .. | .. | 4/5 | 4/5 | Aug 2013 | 329 | ebay.com | |
17. | Sony NEX-3 | .. | .. | .. | 70/100 | 4.5/5 | 4/5 | May 2010 | 599 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 10D vs Panasonic GH1
- Canon 1D Mark II N vs Sony A6000
- Canon 1D Mark III vs Panasonic GH1
- Canon 700D vs Panasonic GH1
- Nikon D500 vs Sony A6000
- Nikon D70s vs Panasonic GH1
- Olympus Stylus 1 vs Sony A6000
- Panasonic GH1 vs Sony A77 II
- Panasonic GH1 vs Sony RX100 II
- Samsung NX1 vs Sony A6000
- Sony A6000 vs Sony NEX-F3
- Sony A6000 vs Sony RX100 VII
Specifications: Panasonic GH1 vs Sony A6000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic GH1 | Sony A6000 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Micro Four Thirds lenses | Sony E mount lenses |
Launch Date | March 2009 | February 2014 |
Launch Price | USD 899 | USD 599 |
Sensor Specs | Panasonic GH1 | Sony A6000 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | APS-C Sensor |
Sensor Size | 17.3 x 13.0 mm | 23.5 x 15.6 mm |
Sensor Area | 224.9 mm2 | 366.6 mm2 |
Sensor Diagonal | 21.6 mm | 28.2 mm |
Crop Factor | 2.0x | 1.5x |
Sensor Resolution | 12 Megapixels | 24 Megapixels |
Image Resolution | 4000 x 3000 pixels | 6000 x 4000 pixels |
Pixel Pitch | 4.33 μm | 3.91 μm |
Pixel Density | 5.34 MP/cm2 | 6.55 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/24p Video | 1080/60p Video |
ISO Setting | 100 - 1,600 ISO | 100 - 25,600 ISO |
ISO Boost | 100 - 3,200 ISO | 100 - 51,200 ISO |
Image Processor | Venus HD | BIONZ X |
DXO Sensor Quality (score) | 64 | 82 |
DXO Color Depth (bits) | 21.6 | 24.1 |
DXO Dynamic Range (EV) | 11.6 | 13.1 |
DXO Low Light (ISO) | 772 | 1347 |
Screen Specs | Panasonic GH1 | Sony A6000 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.70x | 0.70x |
Viewfinder Resolution | 1440k dots | 1440k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 460k dots | 922k dots |
LCD Attachment | Swivel screen | Tilting screen |
Shooting Specs | Panasonic GH1 | Sony A6000 |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 3 shutter flaps/s | 11 shutter flaps/s |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDHC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-I |
Connectivity Specs | Panasonic GH1 | Sony A6000 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | External MIC port | no MIC socket |
Wifi Support | no Wifi | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Body Specs | Panasonic GH1 | Sony A6000 |
Battery Type | Panasonic DMW-BLB13 | Sony NP-FW50 |
Battery Life (CIPA) | 300 shots per charge | 360 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
124 x 90 x 45 mm (4.9 x 3.5 x 1.8 in) |
120 x 67 x 45 mm (4.7 x 2.6 x 1.8 in) |
Camera Weight | 385 g (13.6 oz) | 344 g (12.1 oz) |
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