Panasonic GF7 vs Sony RX0
The Panasonic Lumix DMC-GF7 and the Sony Cyber-shot DSC-RX0 are two digital cameras that were announced, respectively, in January 2015 and August 2017. The GF7 is a mirrorless interchangeable lens camera, while the RX0 is a fixed lens compact. The cameras are based on a Four Thirds (GF7) and an one-inch (RX0) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 15.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF7 and the Sony Cyber-shot DSC-RX0? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Panasonic GF7 and the Sony RX0. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The GF7 can be obtained in two different colors (black, pink), while the RX0 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX0 is considerably smaller (65 percent) than the Panasonic GF7. It is noteworthy in this context that the RX0 is splash and dust-proof, while the GF7 does not feature any corresponding weather-sealing. More than that, the RX0 is water-proof up to 10m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX0 has a lens built in, whereas the GF7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GF7 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the GF7 gets 230 shots out of its Panasonic DMW-BLH7 battery, while the RX0 can take 240 images on a single charge of its Sony NP-BJ1 power pack. The power pack in the RX0 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GF7 | 107 mm | 65 mm | 33 mm | 266 g | 230 | n | Jan 2015 | 499 | ebay.com | |
2. | Sony RX0 | 59 mm | 41 mm | 30 mm | 110 g | 240 | Y | Aug 2017 | 699 | ebay.com | |
3. | Canon M10 | 108 mm | 67 mm | 35 mm | 301 g | 255 | n | Oct 2015 | 499 | ebay.com | |
4. | Fujifilm X70 | 113 mm | 64 mm | 44 mm | 340 g | 330 | n | Jan 2016 | 799 | ebay.com | |
5. | Panasonic GX800 | 107 mm | 65 mm | 33 mm | 269 g | 210 | n | Jan 2017 | 549 | ebay.com | |
6. | Panasonic G7 | 125 mm | 86 mm | 77 mm | 410 g | 350 | n | May 2015 | 649 | ebay.com | |
7. | Panasonic GM5 | 99 mm | 60 mm | 36 mm | 211 g | 220 | n | Sep 2014 | 749 | ebay.com | |
8. | Panasonic G6 | 122 mm | 85 mm | 71 mm | 390 g | 340 | n | Apr 2013 | 599 | ebay.com | |
9. | Panasonic GF6 | 111 mm | 65 mm | 38 mm | 323 g | 340 | n | Apr 2013 | 499 | ebay.com | |
10. | Panasonic G5 | 120 mm | 83 mm | 71 mm | 396 g | 320 | n | Jul 2012 | 599 | ebay.com | |
11. | Panasonic GF5 | 108 mm | 67 mm | 37 mm | 267 g | 360 | n | Apr 2012 | 499 | ebay.com | |
12. | Panasonic G3 | 115 mm | 84 mm | 47 mm | 336 g | 270 | n | May 2011 | 599 | ebay.com | |
13. | Panasonic GF3 | 108 mm | 67 mm | 32 mm | 264 g | 300 | n | Jun 2011 | 549 | ebay.com | |
14. | Sony RX0 II | 59 mm | 41 mm | 35 mm | 132 g | 240 | Y | Mar 2019 | 699 | amazon.com | |
15. | Sony RX10 IV | 133 mm | 94 mm | 145 mm | 1095 g | 400 | Y | Sep 2017 | 1,699 | amazon.com | |
16. | Sony RX10 III | 133 mm | 94 mm | 127 mm | 1051 g | 420 | Y | Mar 2016 | 1,499 | ebay.com | |
17. | Sony RX100 V | 102 mm | 58 mm | 41 mm | 299 g | 220 | n | Oct 2016 | 999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Panasonic GF7 features a Four Thirds sensor and the Sony RX0 an one-inch sensor. The sensor area in the RX0 is 48 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 2.7. The sensor in the GF7 has a native 4:3 aspect ratio, while the one in the RX0 offers a 3:2 aspect.
With 15.8MP, the GF7 offers a slightly higher resolution than the RX0 (15.4MP), but the GF7 nevertheless has larger individual pixels (pixel pitch of 3.77μm versus 2.74μm for the RX0) due to its larger sensor. However, the RX0 is a much more recent model (by 2 years and 7 months) than the GF7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The Panasonic Lumix DMC-GF7 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Cyber-shot DSC-RX0 are ISO 125 to ISO 12800 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GF7 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.7 | 12.3 | 874 | 70 | |
2. | Sony RX0 | 1-inch | 15.4 | 4800 | 3200 | 1080/60p | 22.4 | 12.4 | 548 | 68 | |
3. | Canon M10 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.2 | 11.4 | 753 | 65 | |
4. | Fujifilm X70 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.7 | 13.0 | 1608 | 80 | |
5. | Panasonic GX800 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 23.2 | 13.3 | 586 | 73 | |
6. | Panasonic G7 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.8 | 12.4 | 904 | 71 | |
7. | Panasonic GM5 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.1 | 11.7 | 721 | 66 | |
8. | Panasonic G6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.3 | 11.5 | 639 | 61 | |
9. | Panasonic GF6 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 20.7 | 10.6 | 622 | 54 | |
10. | Panasonic G5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.4 | 11.6 | 618 | 61 | |
11. | Panasonic GF5 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.5 | 10.0 | 573 | 50 | |
12. | Panasonic G3 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 21.0 | 10.6 | 667 | 56 | |
13. | Panasonic GF3 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.6 | 10.1 | 459 | 50 | |
14. | Sony RX0 II | 1-inch | 15.4 | 4800 | 3200 | 4K/30p | 22.1 | 12.4 | 555 | 65 | |
15. | Sony RX10 IV | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.0 | 12.2 | 408 | 63 | |
16. | Sony RX10 III | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 23.1 | 12.6 | 472 | 70 | |
17. | Sony RX100 V | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.4 | 586 | 70 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The GF7 and the RX0 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The adjacent table lists some of the other core features of the Panasonic GF7 and Sony RX0 along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GF7 | none | n | 3.0 / 1040 | tilting | Y | 1/500s | 5.8/s | Y | n | |
2. | Sony RX0 | none | n | 1.5 / 230 | fixed | n | .. | 5.5/s | n | n | |
3. | Canon M10 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.6/s | Y | n | |
4. | Fujifilm X70 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | n | |
5. | Panasonic GX800 | none | n | 3.0 / 1040 | tilting | Y | 1/500s | 10.0/s | Y | n | |
6. | Panasonic G7 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
7. | Panasonic GM5 | 1166 | n | 3.0 / 921 | fixed | Y | 1/500s | 5.8/s | n | n | |
8. | Panasonic G6 | 1440 | n | 3.0 / 1036 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
9. | Panasonic GF6 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
10. | Panasonic G5 | 1440 | n | 3.0 / 920 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
11. | Panasonic GF5 | none | n | 3.0 / 920 | fixed | Y | 1/4000s | 4.0/s | Y | n | |
12. | Panasonic G3 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 4.0/s | Y | n | |
13. | Panasonic GF3 | none | n | 3.0 / 460 | fixed | Y | 1/4000s | 3.2/s | Y | n | |
14. | Sony RX0 II | none | n | 1.5 / 230 | tilting | n | .. | 5.5/s | n | n | |
15. | Sony RX10 IV | 2359 | Y | 3.0 / 1440 | tilting | Y | 1/2000s | 24.0/s | Y | Y | |
16. | Sony RX10 III | 2359 | Y | 3.0 / 1229 | tilting | n | 1/2000s | 14.0/s | Y | Y | |
17. | Sony RX100 V | 2359 | n | 3.0 / 1229 | tilting | n | 1/2000s | 24.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The GF7 has one, while the RX0 does not. While the built-in flash of the GF7 is not very powerful, it can at times be useful as a fill-in light.
The GF7 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the RX0 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The GF7 writes its imaging data to SDXC cards, while the RX0 uses micro SDXC or Memory Stick Micro cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF7 and Sony Cyber-shot DSC-RX0 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GF7 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
2. | Sony RX0 | - | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
3. | Canon M10 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
4. | Fujifilm X70 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
5. | Panasonic GX800 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
6. | Panasonic G7 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
7. | Panasonic GM5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
8. | Panasonic G6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
9. | Panasonic GF6 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
10. | Panasonic G5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
11. | Panasonic GF5 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
12. | Panasonic G3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic GF3 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
14. | Sony RX0 II | - | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
15. | Sony RX10 IV | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
16. | Sony RX10 III | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
17. | Sony RX100 V | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the RX0 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The GF7 does not feature such a mic input.
Both the GF7 and the RX0 have been discontinued, but can regularly be found used on ebay. The GF7 was replaced by the Panasonic GX850, while the RX0 was followed by the Sony RX0 II. Further information on the features and operation of the GF7 and RX0 can be found, respectively, in the Panasonic GF7 Manual (free pdf) or the online Sony RX0 Manual.
Review summary
So how do things add up? Which of the two cameras – the Panasonic GF7 or the Sony RX0 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DMC-GF7:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Larger screen: Has a bigger rear LCD (3.0" vs 1.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been available for much longer (launched in January 2015).
Arguments in favor of the Sony Cyber-shot DSC-RX0:
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Ready to shoot: Has an integrated lens, whereas the GF7 necessitates an extra lens.
- More compact: Is smaller (59x41mm vs 107x65mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the GF7).
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 10m).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 2 years and 7 months of technical progress since the GF7 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GF7 is the clear winner of the match-up (13 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GF7 and the Sony RX0 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the GF7 or the RX0 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic GF7 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Jan 2015 | 499 | ebay.com | |
2. | Sony RX0 | .. | .. | .. | .. | 3.5/5 | 4/5 | Aug 2017 | 699 | ebay.com | |
3. | Canon M10 | .. | .. | .. | .. | .. | 4/5 | Oct 2015 | 499 | ebay.com | |
4. | Fujifilm X70 | 4.5/5 | .. | .. | 76/100 | 4.5/5 | 4.5/5 | Jan 2016 | 799 | ebay.com | |
5. | Panasonic GX800 | .. | + | .. | 76/100 | 4.5/5 | 4.5/5 | Jan 2017 | 549 | ebay.com | |
6. | Panasonic G7 | 4/5 | + + | 3.5/5 | 80/100 | 5/5 | 4.5/5 | May 2015 | 649 | ebay.com | |
7. | Panasonic GM5 | 3.5/5 | + | .. | 77/100 | 5/5 | 4.5/5 | Sep 2014 | 749 | ebay.com | |
8. | Panasonic G6 | 4/5 | + + | .. | .. | 5/5 | 4.5/5 | Apr 2013 | 599 | ebay.com | |
9. | Panasonic GF6 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Apr 2013 | 499 | ebay.com | |
10. | Panasonic G5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
11. | Panasonic GF5 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2012 | 499 | ebay.com | |
12. | Panasonic G3 | 3/5 | + + | .. | 75/100 | 4.5/5 | 5/5 | May 2011 | 599 | ebay.com | |
13. | Panasonic GF3 | 3/5 | 82/100 | .. | 71/100 | 4.5/5 | 4/5 | Jun 2011 | 549 | ebay.com | |
14. | Sony RX0 II | .. | .. | .. | .. | 3.5/5 | 4/5 | Mar 2019 | 699 | amazon.com | |
15. | Sony RX10 IV | 5/5 | + | 3.5/5 | 84/100 | 4.5/5 | 5/5 | Sep 2017 | 1,699 | amazon.com | |
16. | Sony RX10 III | 5/5 | + | .. | 84/100 | 4.5/5 | 4.5/5 | Mar 2016 | 1,499 | ebay.com | |
17. | Sony RX100 V | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Oct 2016 | 999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 4000D vs Panasonic GF7
- Canon 6D Mark II vs Sony RX0
- Canon SX70 vs Panasonic GF7
- Canon T8i vs Sony RX0
- Canon XT vs Panasonic GF7
- Epson R-D1 vs Sony RX0
- Nikon D4S vs Panasonic GF7
- Olympus E-M5 vs Panasonic GF7
- Olympus E-P2 vs Panasonic GF7
- Panasonic FZ100 vs Sony RX0
- Panasonic LX10 vs Sony RX0
- Pentax Q vs Sony RX0
Specifications: Panasonic GF7 vs Sony RX0
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic GF7 | Sony RX0 |
---|---|---|
Camera Type | Mirrorless system camera | Fixed lens compact camera |
Camera Lens | Micro Four Thirds lenses | 24mm f/4.0 |
Launch Date | January 2015 | August 2017 |
Launch Price | USD 499 | USD 699 |
Sensor Specs | Panasonic GF7 | Sony RX0 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | 1" Sensor |
Sensor Size | 17.3 x 13.0 mm | 13.2 x 8.8 mm |
Sensor Area | 224.9 mm2 | 116.16 mm2 |
Sensor Diagonal | 21.6 mm | 15.9 mm |
Crop Factor | 2.0x | 2.7x |
Sensor Resolution | 15.8 Megapixels | 15.4 Megapixels |
Image Resolution | 4592 x 3448 pixels | 4800 x 3200 pixels |
Pixel Pitch | 3.77 μm | 2.74 μm |
Pixel Density | 7.04 MP/cm2 | 13.22 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/60p Video | 1080/60p Video |
ISO Setting | 200 - 25,600 ISO | 125 - 12,800 ISO |
ISO Boost | 100 - 25,600 ISO | no Enhancement |
Image Processor | Venus | BIONZ X |
DXO Sensor Quality (score) | .. | 68 |
DXO Color Depth (bits) | .. | 22.4 |
DXO Dynamic Range (EV) | .. | 12.4 |
DXO Low Light (ISO) | .. | 548 |
Screen Specs | Panasonic GF7 | Sony RX0 |
Viewfinder Type | no viewfinder | no viewfinder |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 1.5inch |
LCD Resolution | 1040k dots | 230k dots |
LCD Attachment | Tilting screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Panasonic GF7 | Sony RX0 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/500s | .. |
Continuous Shooting | 5.8 shutter flaps/s | 5.5 shutter flaps/s |
Electronic Shutter | up to 1/16000s | up to 1/32000s |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | mMS or mSDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Panasonic GF7 | Sony RX0 |
External Flash | no Hotshoe | no Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | NFC built-in | no NFC |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Panasonic GF7 | Sony RX0 |
Environmental Sealing | not weather sealed | Waterproof body (10m) |
Battery Type | Panasonic DMW-BLH7 | Sony NP-BJ1 |
Battery Life (CIPA) | 230 shots per charge | 240 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
107 x 65 x 33 mm (4.2 x 2.6 x 1.3 in) |
59 x 41 x 30 mm (2.3 x 1.6 x 1.2 in) |
Camera Weight | 266 g (9.4 oz) | 110 g (3.9 oz) |
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