Panasonic GF7 vs Pentax Q
The Panasonic Lumix DMC-GF7 and the Pentax Q are two digital cameras that were revealed to the public, respectively, in January 2015 and June 2011. Both the GF7 and the Pentax Q are mirrorless interchangeable lens cameras that are based on a Four Thirds (GF7) and a 1/2.3-inch (Pentax Q) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Pentax provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic GF7||Pentax Q|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Pentax Q mount lenses|
|15.8 MP, Four Thirds Sensor||12 MP, 1/2.3" Sensor|
|1080/60p Video||1080/30p Video|
|ISO 200-25600||ISO 125-6400|
|No viewfinder, LCD framing||Viewfinder optional|
|3.0" LCD, 1040k dots||3.0" LCD, 460k dots|
|Tilting touchscreen||Fixed screen (not touch-sensitive)|
|5.8 shutter flaps per second||1.5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|230 shots per battery charge||230 shots per battery charge|
|107 x 65 x 33 mm, 266 g||98 x 57 x 31 mm, 180 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF7 and the Pentax Q? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Panasonic GF7 and the Pentax Q are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The GF7 can be obtained in two different colors (black, pink), while the Pentax Q is also available in two color-versions, but different ones (black, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax Q is notably smaller (20 percent) than the Panasonic GF7. Moreover, the Pentax Q is markedly lighter (32 percent) than the GF7. In this context, it is worth noting that neither the GF7 nor the Pentax Q are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Panasonic GF7»||107 mm||65 mm||33 mm||266 g||230||n||Jan 2015||499||Panasonic GF7|
|Pentax Q«||98 mm||57 mm||31 mm||180 g||230||n||Jun 2011||649||Pentax Q|
|Canon M10« »||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499||Canon M10|
|Olympus XZ-2« »||113 mm||65 mm||48 mm||346 g||340||n||Sep 2012||599||Olympus XZ-2|
|Olympus E-PL2« »||114 mm||72 mm||42 mm||362 g||280||n||Jan 2011||599||Olympus E-PL2|
|Olympus E-PL3« »||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599||Olympus E-PL3|
|Olympus E-PL1« »||115 mm||72 mm||42 mm||334 g||290||n||Feb 2010||599||Olympus E-PL1|
|Olympus E-620« »||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699||Olympus E-620|
|Panasonic GX800« »||107 mm||65 mm||33 mm||269 g||210||n||Jan 2017||549||Panasonic GX800|
|Panasonic G7« »||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649||Panasonic G7|
|Panasonic GM5« »||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749||Panasonic GM5|
|Panasonic G6« »||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||Panasonic G6|
|Panasonic GF6« »||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499||Panasonic GF6|
|Panasonic G5« »||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599||Panasonic G5|
|Panasonic GF5« »||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499||Panasonic GF5|
|Panasonic G3« »||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599||Panasonic G3|
|Panasonic GF3« »||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549||Panasonic GF3|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GF7 was launched at a somewhat lower price (by 23 percent) than the Pentax Q, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic GF7 features a Four Thirds sensor and the Pentax Q a 1/2.3-inch sensor. The sensor area in the Pentax Q is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 15.8MP, the GF7 offers a higher resolution than the Pentax Q (12MP), but the GF7 nevertheless has larger individual pixels (pixel pitch of 3.77μm versus 1.53μm for the Pentax Q) due to its larger sensor. Moreover, the GF7 is a much more recent model (by 3 years and 6 months) than the Pentax Q, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Panasonic GF7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GF7 for good quality output (200 dots per inch) amounts to 23 x 17.2 inch or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inch or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inch or 38.9 x 29.2 cm. The corresponding values for the Pentax Q are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The Panasonic Lumix DMC-GF7 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Pentax Q are ISO 125 to ISO 6400 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||..||..||..||..||Panasonic GF7|
|Pentax Q||1/2.3||12.0||4000||3000||1080/30p||20.2||11.1||189||47||Pentax Q|
|Canon M10||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65||Canon M10|
|Olympus XZ-2||1/1.7||11.8||3968||2976||1080/30p||20.4||11.3||216||49||Olympus XZ-2|
|Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55||Olympus E-PL2|
|Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52||Olympus E-PL3|
|Olympus E-PL1||Four Thirds||12.2||4032||3024||720/30p||21.5||10.1||487||54||Olympus E-PL1|
|Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55||Olympus E-620|
|Panasonic GX800||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73||Panasonic GX800|
|Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..||Panasonic G7|
|Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66||Panasonic GM5|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54||Panasonic GF6|
|Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||..||..||..||..||Panasonic G5|
|Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61||Panasonic GF5|
|Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49||Panasonic GF3|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GF7 provides a higher frame rate than the Pentax Q. It can shoot video footage at 1080/60p, while the Pentax is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. The GF7 and the Pentax Q are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the Pentax Q can be equipped with an optional viewfinder – the O-VF1. The adjacent table lists some of the other core features of the Panasonic GF7 and Pentax Q along with similar information for a selection of comparators.
|Panasonic GF7||none||n||3.0||1040||tilting||Y||1/500s||5.8||Y||n||Panasonic GF7|
|Pentax Q||optional||n||3.0||460||fixed||n||1/2000s||1.5||Y||Y||Pentax Q|
|Canon M10||none||n||3.0||1040||tilting||Y||1/4000s||4.6||Y||n||Canon M10|
|Olympus XZ-2||optional||n||3.0||920||tilting||Y||1/2000s||5.0||Y||Y||Olympus XZ-2|
|Olympus E-PL2||optional||n||3.0||460||fixed||n||1/4000s||3.0||Y||Y||Olympus E-PL2|
|Olympus E-PL3||optional||n||3.0||460||tilting||n||1/4000s||5.5||n||Y||Olympus E-PL3|
|Olympus E-PL1||optional||n||2.7||230||fixed||n||1/2000s||3.0||Y||Y||Olympus E-PL1|
|Olympus E-620||optical||n||2.7||230||swivel||n||1/4000s||4.0||Y||Y||Olympus E-620|
|Panasonic GX800||none||n||3.0||1040||tilting||Y||1/500s||10.0||Y||n||Panasonic GX800|
|Panasonic G7||2360||n||3.0||1040||swivel||Y||1/4000s||7.0||Y||n||Panasonic G7|
|Panasonic GM5||1166||n||3.0||921||fixed||Y||1/500s||5.8||n||n||Panasonic GM5|
|Panasonic G6||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GF6||none||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Panasonic GF6|
|Panasonic G5||1440||n||3.0||920||swivel||Y||1/4000s||6.0||Y||n||Panasonic G5|
|Panasonic GF5||none||n||3.0||920||fixed||Y||1/4000s||4.0||Y||n||Panasonic GF5|
|Panasonic G3||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
|Panasonic GF3||none||n||3.0||460||fixed||Y||1/4000s||3.2||Y||n||Panasonic GF3|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GF7 has a touchscreen, while the Pentax Q has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The GF7 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the Pentax Q does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GF7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Pentax Q has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GF7 and the Pentax Q write their files to SDXC cards. The GF7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the Pentax Q cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF7 and Pentax Q and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic GF7||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic GF7|
|Pentax Q||Y||mono||mono||-||-||mini||2.0||-||-||-||Pentax Q|
|Canon M10||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon M10|
|Olympus XZ-2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus XZ-2|
|Olympus E-PL2||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-PL2|
|Olympus E-PL3||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-PL3|
|Olympus E-PL1||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-PL1|
|Olympus E-620||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-620|
|Panasonic GX800||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GX800|
|Panasonic G7||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G7|
|Panasonic GM5||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM5|
|Panasonic G6||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GF6||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GF6|
|Panasonic G5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G5|
|Panasonic GF5||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF5|
|Panasonic G3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Panasonic GF3||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF3|
It is notable that the GF7 offers wifi support, while the Pentax Q does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the GF7 and the Pentax Q have been discontinued, but can regularly be found used on eBay. The Pentax Q was replaced by the Pentax Q10, while the GF7 was followed by the Panasonic GX850. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Pentax websites.
So how do things add up? Which of the two cameras – the Panasonic GF7 or the Pentax Q – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DMC-GF7:
- More detail: Offers more megapixels (15.8 vs 12MP) with a 15% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5.8 vs 1.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced segment (23 percent cheaper at launch).
- More modern: Reflects 3 years and 6 months of technical progress since the Pentax Q launch.
Arguments in favor of the Pentax Q:
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- Faster shutter: Has higher mechanical shutter speed (1/2000s vs 1/500s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (98x57mm vs 107x65mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 86g or 32 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in June 2011).
If the count of relative strengths (bullet points above) is taken as a measure, the GF7 is the clear winner of the match-up (17 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GF7 and the Pentax Q place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the GF7 and the Pentax Q in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G1 X Mark III vs Pentax Q
- Fujifilm X-T10 vs Pentax Q
- Fujifilm X-T3 vs Pentax Q
- Nikon D2X vs Pentax Q
- Nikon D5300 vs Panasonic GF7
- Nikon D600 vs Panasonic GF7
- Nikon Z50 vs Pentax Q
- Olympus E-PL5 vs Panasonic GF7
- Olympus E-PL6 vs Pentax Q
- Panasonic GF7 vs Panasonic GX80
- Panasonic GF7 vs Sony A7S II
- Pentax Q vs Sony NEX-5T
Specifications: Panasonic GF7 vs Pentax Q
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GF7||Pentax Q|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Pentax Q mount lenses|
|Launch Date||January 2015||June 2011|
|Launch Price||USD 499||USD 649|
|Sensor Specs||Panasonic GF7||Pentax Q|
|Sensor Format||Four Thirds Sensor||1/2.3" Sensor|
|Sensor Size||17.3 x 13.0 mm||6.17 x 4.55 mm|
|Sensor Area||224.9 mm2||28.0735 mm2|
|Sensor Diagonal||21.6 mm||7.7 mm|
|Sensor Resolution||15.8 Megapixels||12 Megapixels|
|Image Resolution||4592 x 3448 pixels||4000 x 3000 pixels|
|Pixel Pitch||3.77 μm||1.53 μm|
|Pixel Density||7.04 MP/cm2||42.74 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/30p Video|
|ISO Setting||200-25600 ISO||125-6400 ISO|
|ISO Boost||100-25600 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||47|
|DXO Color Depth (bits)||..||20.2|
|DXO Dynamic Range (EV)||..||11.1|
|DXO Low Light (ISO)||..||189|
|Screen Specs||Panasonic GF7||Pentax Q|
|Viewfinder Type||No viewfinder||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic GF7||Pentax Q|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||5.8 shutter flaps/s||1.5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic GF7||Pentax Q|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Panasonic GF7||Pentax Q|
|Battery Life (CIPA)||230 shots per charge||230 shots per charge|
107 x 65 x 33 mm
(4.2 x 2.6 x 1.3 in)
98 x 57 x 31 mm
(3.9 x 2.2 x 1.2 in)
|Camera Weight||266 g (9.4 oz)||180 g (6.3 oz)|
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