Panasonic GF7 vs Fujifilm X-E3

The Panasonic Lumix DMC-GF7 and the Fujifilm X-E3 are two digital cameras that were revealed to the public, respectively, in January 2015 and September 2017. Both the GF7 and the X-E3 are mirrorless interchangeable lens cameras that are based on a Four Thirds (GF7) and an APS-C (X-E3) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Fujifilm provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic GF7		Fujifilm X-E3
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Fujifilm X mount lenses
15.8 MP – Four Thirds sensor		24 MP – APS-C sensor
1080/60p Video		4K/30p Video
ISO 200-25,600		ISO 200-12,800 (100 - 51,200)
No viewfinder, LCD framing		Electronic viewfinder (2360k dots)
3.0" LCD – 1040k dots		3.0" LCD – 1040k dots
Tilting touchscreen		Fixed touchscreen
5.8 shutter flaps per second		8 shutter flaps per second
230 shots per battery charge		350 shots per battery charge
107 x 65 x 33 mm, 266 g		121 x 74 x 43 mm, 337 g

Check GF7 offers at
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Check X-E3 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GF7 and the Fujifilm X-E3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Panasonic GF7 and the Fujifilm X-E3. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The GF7 can be obtained in two different colors (black, pink), while the X-E3 is also available in two color-versions, but different ones (black, silver).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-E3 is notably larger (29 percent) than the Panasonic GF7. Moreover, the X-E3 is markedly heavier (27 percent) than the GF7. In this context, it is worth noting that neither the GF7 nor the X-E3 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GF7) and the Fujinon X Lens Catalog (X-E3). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the GF7 gets 230 shots out of its Panasonic DMW-BLH7 battery, while the X-E3 can take 350 images on a single charge of its Fujifilm NP-W126S power pack. The power pack in the X-E3 can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GF7	107 mm	65 mm	33 mm	266 g	230	n	Jan 2015	499	ebay.com
2.		Fujifilm X-E3	121 mm	74 mm	43 mm	337 g	350	n	Sep 2017	899	ebay.com
3.		Fujifilm X-A5	117 mm	68 mm	40 mm	361 g	450	n	Jan 2018	399	ebay.com
4.		Fujifilm X-E2S	129 mm	75 mm	37 mm	350 g	350	n	Jan 2016	699	ebay.com
5.		Fujifilm X-E4	121 mm	73 mm	33 mm	364 g	380	n	Jan 2021	849	amazon.com
6.		Fujifilm X-T20	118 mm	83 mm	41 mm	383 g	350	n	Jan 2017	899	ebay.com
7.		Fujifilm X-T30	118 mm	83 mm	47 mm	383 g	380	n	Feb 2019	899	ebay.com
8.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	599	ebay.com
9.		Panasonic G5	120 mm	83 mm	71 mm	396 g	320	n	Jul 2012	599	ebay.com
10.		Panasonic G7	125 mm	86 mm	77 mm	410 g	350	n	May 2015	649	ebay.com
11.		Panasonic GF2	113 mm	68 mm	33 mm	310 g	300	n	Nov 2010	549	ebay.com
12.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	549	ebay.com
13.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	499	ebay.com
14.		Panasonic GF6	111 mm	65 mm	38 mm	323 g	340	n	Apr 2013	499	ebay.com
15.		Panasonic GM5	99 mm	60 mm	36 mm	211 g	220	n	Sep 2014	749	ebay.com
16.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	699	ebay.com
17.		Panasonic GX850	107 mm	65 mm	33 mm	269 g	210	n	Jan 2017	549	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GF7 was launched at a markedly lower price (by 44 percent) than the X-E3, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic GF7 features a Four Thirds sensor and the Fujifilm X-E3 an APS-C sensor. The sensor area in the X-E3 is 64 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the GF7 has a native 4:3 aspect ratio, while the one in the X-E3 offers a 3:2 aspect.

With 24MP, the X-E3 offers a higher resolution than the GF7 (15.8MP), but the X-E3 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.77μm for the GF7) due to its larger sensor. Moreover, the X-E3 is a much more recent model (by 2 years and 7 months) than the GF7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X-E3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm X-E3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-E3 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GF7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The X-E3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-GF7 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Fujifilm X-E3 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Like most digital cameras, the GF7 uses a Bayer filter for capturing RGB colors on a square grid of photosensors. In contrast, the X-E3 employs a more randomized X-Trans layout of photosites, which according to Fujifilm helps to minimize moiré.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic GF7	Four Thirds	15.8	4592	3448	1080/60p	22.7	12.3	874	70
2.		Fujifilm X-E3	APS-C	24.0	6000	4000	4K/30p	23.9	13.3	1764	82
3.		Fujifilm X-A5	APS-C	24.0	6000	4000	4K/15p	24.0	13.3	1800	82
4.		Fujifilm X-E2S	APS-C	16.0	4896	3264	1080/60p	23.7	13.0	1608	80
5.		Fujifilm X-E4	APS-C	26.0	6240	4160	4K/30p	24.2	13.7	2085	85
6.		Fujifilm X-T20	APS-C	24.0	6000	4000	4K/30p	23.9	13.2	1704	81
7.		Fujifilm X-T30	APS-C	26.0	6240	4160	4K/30p	24.1	13.5	1895	83
8.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
9.		Panasonic G5	Four Thirds	15.9	4608	3456	1080/60p	21.4	11.6	618	61
10.		Panasonic G7	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.4	904	71
11.		Panasonic GF2	Four Thirds	12.0	4000	3000	1080/60i	21.2	10.3	506	54
12.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
13.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
14.		Panasonic GF6	Four Thirds	15.8	4592	3448	1080/60i	20.7	10.6	622	54
15.		Panasonic GM5	Four Thirds	15.8	4592	3448	1080/60p	22.1	11.7	721	66
16.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
17.		Panasonic GX850	Four Thirds	15.8	4592	3448	4K/30p	23.2	13.3	586	73
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the X-E3 provides a better video resolution than the GF7. It can shoot movie footage at 4K/30p, while the Panasonic is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-E3 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GF7 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic GF7, the Fujifilm X-E3, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic GF7	none	n	3.0 / 1040	tilting	Y	1/500s	5.8/s	Y	n
2.		Fujifilm X-E3	2360	n	3.0 / 1040	fixed	Y	1/4000s	8.0/s	n	n
3.		Fujifilm X-A5	none	n	3.0 / 1040	tilting	Y	1/4000s	6.0/s	Y	n
4.		Fujifilm X-E2S	2360	n	3.0 / 1040	fixed	n	1/4000s	7.0/s	Y	n
5.		Fujifilm X-E4	2360	n	3.0 / 1620	tilting	Y	1/4000s	8.0/s	n	n
6.		Fujifilm X-T20	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	n
7.		Fujifilm X-T30	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	n
8.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
9.		Panasonic G5	1440	n	3.0 / 920	swivel	Y	1/4000s	6.0/s	Y	n
10.		Panasonic G7	2360	n	3.0 / 1040	swivel	Y	1/4000s	7.0/s	Y	n
11.		Panasonic GF2	optional	n	3.0 / 460	fixed	Y	1/4000s	2.6/s	Y	n
12.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
13.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
14.		Panasonic GF6	none	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
15.		Panasonic GM5	1166	n	3.0 / 921	fixed	Y	1/500s	5.8/s	n	n
16.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
17.		Panasonic GX850	none	n	3.0 / 1040	tilting	Y	1/500s	10.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The GF7 has one, while the X-E3 does not. While the built-in flash of the GF7 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm X-E3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GF7 and the X-E3 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GF7 and Fujifilm X-E3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic GF7	-	stereo / mono	-	-	micro	2.0	Y	Y	-
2.		Fujifilm X-E3	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
3.		Fujifilm X-A5	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
4.		Fujifilm X-E2S	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
5.		Fujifilm X-E4	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
6.		Fujifilm X-T20	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
7.		Fujifilm X-T30	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
8.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
9.		Panasonic G5	Y	stereo / mono	-	-	mini	2.0	-	-	-
10.		Panasonic G7	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
11.		Panasonic GF2	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
13.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
14.		Panasonic GF6	-	stereo / mono	-	-	mini	2.0	Y	Y	-
15.		Panasonic GM5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
16.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-
17.		Panasonic GX850	-	stereo / mono	-	-	micro	2.0	Y	-	-

It is notable that the X-E3 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The GF7 does not feature such a mic input.

Both the GF7 and the X-E3 have been discontinued, but can regularly be found used on ebay. The GF7 was replaced by the Panasonic GX850, while the X-E3 was followed by the Fujifilm X-E4. Further information on the features and operation of the GF7 and X-E3 can be found, respectively, in the Panasonic GF7 Manual (free pdf) or the online Fujifilm X-E3 Manual.

Review summary

So what is the bottom line? Is the Panasonic GF7 better than the Fujifilm X-E3 or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Panasonic Lumix DMC-GF7:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• More compact: Is smaller (107x65mm vs 121x74mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 71g or 21 percent) and hence easier to carry around.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More affordable: Was introduced into a lower priced category (44 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in January 2015).

Arguments in favor of the Fujifilm X-E3:

• More detail: Has more megapixels (24 vs 15.8MP), which boosts linear resolution by 26%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
• Faster burst: Shoots at higher frequency (8 vs 5.8 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Longer lasting: Gets more shots (350 versus 230) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More modern: Reflects 2 years and 7 months of technical progress since the GF7 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the X-E3 is the clear winner of the contest (18 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic GF7 and the Fujifilm X-E3 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GF7 or the X-E3. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GF7	4/5	+	..	..	4.5/5	4.5/5	Jan 2015	499	ebay.com
2.		Fujifilm X-E3	4.5/5	+	4.5/5	84/100	4.5/5	4.5/5	Sep 2017	899	ebay.com
3.		Fujifilm X-A5	..	+	4.1/5	..	4/5	3.5/5	Jan 2018	399	ebay.com
4.		Fujifilm X-E2S	4.5/5	..	..	77/100	4.5/5	4.5/5	Jan 2016	699	ebay.com
5.		Fujifilm X-E4	4/5	..	4/5	..	4.5/5	4/5	Jan 2021	849	amazon.com
6.		Fujifilm X-T20	5/5	+ +	5/5	82/100	5/5	4.5/5	Jan 2017	899	ebay.com
7.		Fujifilm X-T30	5/5	+ +	5/5	84/100	4.5/5	4.5/5	Feb 2019	899	ebay.com
8.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	599	ebay.com
9.		Panasonic G5	3/5	+ +	..	..	4.5/5	4.5/5	Jul 2012	599	ebay.com
10.		Panasonic G7	4/5	+ +	3.5/5	80/100	5/5	4.5/5	May 2015	649	ebay.com
11.		Panasonic GF2	3/5	82/100	..	70/100	4.5/5	4.5/5	Nov 2010	549	ebay.com
12.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	549	ebay.com
13.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	499	ebay.com
14.		Panasonic GF6	..	+ +	..	..	4.5/5	4.5/5	Apr 2013	499	ebay.com
15.		Panasonic GM5	3.5/5	+	..	77/100	5/5	4.5/5	Sep 2014	749	ebay.com
16.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	699	ebay.com
17.		Panasonic GX850	..	+	..	76/100	4.5/5	4.5/5	Jan 2017	549	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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